In my experience, many issues with a story can be fixed by simply knowing what each and every character wants, and have them actively pursuing that goal at all times. They may or may not themselves know what they want, but the author needs to know.
Many issues with American Primeval would be solved if the writers simply gave some of the side characters a mind of their own, and set them into action. But many characters are acting in service to the plot, and thus, are hardly more than cardboard cutouts. The tension is there because the director wanted tension, not because real people are having legitimate conflicts over getting what they want.
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