Was there ever a concern that Miku would make singers lose their jobs?
I don't think there was....
If not, why? What does Miku (and Vocaloid technology in general) do that makes it not-a-threat and could AI become not-a-threat in a similar manner?
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@wolf480pl@mstdn.io I think the difference is that Vocaloid just still relies on the creativity of a human. But generative AI largely replaces that.
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@sigmasternchen @wolf480pl if you want a good sounding AI it requires a lot of work on the human's part, just like vocaloids. it's just that AI has a lower barrier of entry.
vocaloid is basically its own genre of music. i see AI being its own genre as well.
as a musician myself, it's hard to be mad at something that led to this.
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@beardalaxy@gameliberty.club @wolf480pl@mstdn.io Totally agree. I think using AI like synthesizers is totally fine.
The interesting part is: What about stuff like Suno that almost completely removes the creativity from the music making process. Personally I don't know. And the fact I very often just can't tell if a song was AI-generated or not is kinda disturbing. ^^"
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@sigmasternchen @beardalaxy
hmm so part of the problem is that some of those AI tools can have an unlimited number of voices, while Vocaloid is just a few recognizable ones?
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@wolf480pl@mstdn.io @beardalaxy@gameliberty.club I don't necessarily think so. Like: A standard synthesizer like Serum also has an unlimited number of voices.
From my perspective it's mainly a question of where the creativity comes from. (And of course the classics, like where the training data comes from, etc.)
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@wolf480pl @sigmasternchen anyone can make a "vocaloid" just like anyone can train an AI on a data set. the existing vocaloids and other voicebanks have their own culture surrounding them and that can affect the decision to use a specific one.
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