Acis and Galatea, HWV 49: Act II, no. 16. Aria "Consider, fond shepherd, how fleeting's the pleasure" (Damon)

Aria

Recordings

=> Acis and Galatea, HWV 49 (First Version): Act Two. No. 16 Air: "Consider, fond shepherd, how fleeting's the pleasure" (Damon) by Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
=> Acis and Galatea, HWV 49a: Act Two. 16. Air: “Consider, fond shepherd” (Damon) by Martyn Hill, English Baroque Soloists, Sir John Eliot Gardiner
=> Acis and Galatea, HWV 49a: Part Two: Air “Consider, Fond Shepherd” (Damon) by Rogers Covey‐Crump, The King’s Consort, Robert King
=> Acis & Galatea: Act II. Aria “Consider” (Damon) by Ama Deus Ensemble, Valentin Radu
=> Acis & Galatea: Air: Consider, fond shepherd by David Galliver, Philomusica of London & Sir Adrian Boult
=> Acis and Galatea, HWV 49: Act II: Consider, Fond Shepherd by Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner
=> Acis and Galatea, HWV 49: Act II. Air "Consider, fond shepherd" by Dunedin Consort & Players, John Butt
=> Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon) by Joseph Cornwell, Les Arts Florissants, William Christie

Relations

1718 composer

=> 🧑 George Frideric Handel

1718 librettist

=> 🧑 John Gay

1978-02 performance

=> 🎶 Acis and Galatea, HWV 49 (First Version): Act Two. No. 16 Air: "Consider, fond shepherd, how fleeting's the pleasure" (Damon)

1978-02 performance

=> 🎶 Acis and Galatea, HWV 49a: Act Two. 16. Air: “Consider, fond shepherd” (Damon)

1989-07-10 – 1989-07-13 performance

=> 🎶 Acis and Galatea, HWV 49a: Part Two: Air “Consider, Fond Shepherd” (Damon)

1996 performance

=> 🎶 Acis & Galatea: Act II. Aria “Consider” (Damon)

performance

=> 🎶 Acis & Galatea: Air: Consider, fond shepherd

performance

=> 🎶 Acis and Galatea, HWV 49: Act II: Consider, Fond Shepherd

performance

=> 🎶 Acis and Galatea, HWV 49: Act II. Air "Consider, fond shepherd"

performance

=> 🎶 Acis and Galatea: Act II. "Consider, fond shepherd" (Coridon)

parts

=> 🎼 Acis and Galatea, HWV 49: Act II

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