Release by Ludwig van Beethoven
=> 1 The Creatures of Prometheus, op. 43: Overture. Adagio - Allegro molto e con brio (4:52)
=> 2 The Creatures of Prometheus, op. 43: Introduction. Allegro non troppo (2:01)
=> 3 The Creatures of Prometheus, op. 43: I. Poco adagio (3:08)
=> 4 The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio (1:45)
=> 5 The Creatures of Prometheus, op. 43: III. Allegro vivace (1:48)
=> 6 The Creatures of Prometheus, op. 43: IV. Maestoso - Andante (1:22)
=> 7 The Creatures of Prometheus, op. 43: V. Adagio - Andante quasi allegro (7:39)
=> 8 The Creatures of Prometheus, op. 43: VI. Un poco adagio - Allegro (1:22)
=> 9 The Creatures of Prometheus, op. 43: VII. Grave (4:41)
=> 10 The Creatures of Prometheus, op. 43: VIII. Marcia. Allegro con brio (7:28)
=> 11 The Creatures of Prometheus, op. 43: IX. Adagio (3:29)
=> 12 The Creatures of Prometheus, op. 43: X. Pastoral. Allegro (2:47)
=> 13 The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja) (0:25)
=> 14 The Creatures of Prometheus, op. 43: XII. Solo. Maestoso - Adagio (Gioja) (3:04)
=> 15 The Creatures of Prometheus, op. 43: XIII. Allegro (4:14)
=> 16 The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) (4:50)
=> 17 The Creatures of Prometheus, op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) (4:41)
=> 18 The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto (6:24)
=> 1 Music for a Ballet on Horseback, WoO 1: I. March (2:04)
=> 2 Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato (0:55)
=> 3 Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto (1:19)
=> 4 Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) (0:55)
=> 5 Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino (0:41)
=> 6 Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) (0:55)
=> 7 Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio (0:29)
=> 8 Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) (0:55)
=> 9 Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio “Mihi est propositum” (1:37)
=> 10 Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) (0:55)
=> 11 Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz (0:36)
=> 12 Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace (1:54)
=> 13 Congratulatory Minuet for Orchestra in E‐flat major, WoO 3: Tempo di menuetto quasi allegretto (5:18)
=> 14 12 Minuets for Orchestra, WoO 7 no. 1 in D major (2:12)
=> 15 12 Minuets for Orchestra, WoO 7 no. 2 in B‐flat major (2:08)
=> 16 12 Minuets for Orchestra, WoO 7 no. 3 in G major (1:49)
=> 17 12 Minuets for Orchestra, WoO 7 no. 4 in E‐flat major (2:09)
=> 18 12 Minuets for Orchestra, WoO 7 no. 5 in C major (2:03)
=> 19 12 Minuets for Orchestra, WoO 7 no. 6 in A major (2:06)
=> 20 12 Minuets for Orchestra, WoO 7 no. 7 in D major (2:08)
=> 21 12 Minuets for Orchestra, WoO 7 no. 8 in B‐flat major (2:17)
=> 22 12 Minuets for Orchestra, WoO 7 no. 9 in G major (2:05)
=> 23 12 Minuets for Orchestra, WoO 7 no. 10 in E‐flat major (2:33)
=> 24 12 Minuets for Orchestra, WoO 7 no. 11 in C major (2:08)
=> 25 12 Minuets for Orchestra, WoO 7 no. 12 in F major (2:12)
=> 26 12 German Dances, WoO 8 no. 1 in C major (1:03)
=> 27 12 German Dances, WoO 8 no. 2 in A major (1:33)
=> 28 12 German Dances, WoO 8 no. 3 in F major (1:43)
=> 29 12 German Dances, WoO 8 no. 4 in B‐flat major (1:44)
=> 30 12 German Dances, WoO 8 no. 5 in E‐flat major (1:39)
=> 31 12 German Dances, WoO 8 no. 6 in G major (1:32)
=> 32 12 German Dances, WoO 8 no. 7 in C major (1:32)
=> 33 12 German Dances, WoO 8 no. 8 in A major (1:25)
=> 34 12 German Dances, WoO 8 no. 9 in F major (1:24)
=> 35 12 German Dances, WoO 8 no. 10 in D major (1:24)
=> 36 12 German Dances, WoO 8 no. 11 in G major (1:35)
=> 37 12 German Dances, WoO 8 no. 12 in C major - Coda (3:40)
=> 38 12 Contredances for Orchestra, WoO 14 no. 1 in C major (0:31)
=> 39 12 Contredances for Orchestra, WoO 14 no. 2 in A major (0:33)
=> 40 12 Contredances for Orchestra, WoO 14 no. 3 in D major (1:02)
=> 41 12 Contredances for Orchestra, WoO 14 no. 4 in B‐flat major (0:33)
=> 42 12 Contredances for Orchestra, WoO 14 no. 5 in E‐flat major (1:00)
=> 43 12 Contredances for Orchestra, WoO 14 no. 6 in C major (1:16)
=> 44 12 Contredances for Orchestra, WoO 14 no. 7 in E‐flat major (0:42)
=> 45 12 Contredances for Orchestra, WoO 14 no. 8 in C major (0:23)
=> 46 12 Contredances for Orchestra, WoO 14 no. 9 in A major (0:25)
=> 47 12 Contredances for Orchestra, WoO 14 no. 10 in C major (1:05)
=> 48 12 Contredances for Orchestra, WoO 14 no. 11 in G major (0:29)
=> 49 12 Contredances for Orchestra, WoO 14 no. 12 in E‐flat major (1:48)
=> 1 Coriolan, op. 62: Overture. Allegro con brio (8:15)
=> 2 Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai (6:46)
=> 3 Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro (8:05)
=> 4 Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace (2:57)
=> 5 Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio (3:09)
=> 6 Egmont, op. 84: III. Entr’acte Music II. Larghetto (5:00)
=> 7 Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace (1:39)
=> 8 Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace (3:51)
=> 9 Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato (3:37)
=> 10 Egmont, op. 84: VII. Clärchen’s Death. Larghetto (2:43)
=> 11 Egmont, op. 84: VIII. Melodrama. Poco sostenuto (5:15)
=> 12 Egmont, op. 84: IX. Victory Symphony. Allegro con brio (1:22)
=> 13 Wellington’s Victory, or the Battle of Vitoria, op. 91 “Battle Symphony” (14:05)
=> 1 The Ruins of Athens, op. 113: Overture. Andante con moto - Allegro ma non troppo (5:12)
=> 2 The Ruins of Athens, op. 113: I. Chorus. Andante poco sostenuto “Tochter des mächtigen Zeus!” (4:08)
=> 3 The Ruins of Athens, op. 113: II. Duet. Andante con moto - Poco più mosso “Ohne Verschulden Knechtschaft dulden” (A Greek, A Greek Girl) (5:26)
=> 4 The Ruins of Athens, op. 113: III. Chorus of Dervishes. Allegro ma non troppo “Du hast in deines Ärmels Falten den Mond getragen” (2:32)
=> 5 The Ruins of Athens, op. 113: IV. Turkish March. Vivace (1:49)
=> 6 The Ruins of Athens, op. 113: VIa. March and Chorus. Assai moderato “Schmückt die Altäre!” (6:32)
=> 7 The Ruins of Athens, op. 113: VIb. Recitation. Poco Adagio “Mit reger Freude, die nie erkaltet” (1:59)
=> 8 The Ruins of Athens, op. 113: VIIa. Chorus. Allegretto, ma non troppo “Wir tragen empfängliche Herzen im Busen” (2:54)
=> 9 The Ruins of Athens, op. 113: VIIb. Aria with Chorus. Adagio “Will unser Genius noch einen Wunsch gewähren?” (5:42)
=> 10 The Ruins of Athens, op. 113: VIII. Chorus. Allegro con fuoco “Heil unserm König! Heil!” (3:43)
=> 11 The Consecration of the House, op. 124: Overture. Maestoso e sostenuto - Allegro con brio (10:50)
=> 12 The Consecration of the House, WoO 98: V. Chorus with Solo. Allegro ma non troppo e un poco maestoso (Soprano) “Wo sich die Pulse jugendlich jagen” - “Laßt uns im Tanze” (6:03)
=> 13 The Consecration of the House, op. 114: VI. March and Chorus. Assai moderato “Schmückt die Altäre!” (6:39)
=> 14 The Consecration of the House: VII. Music Behind the Scenes: Recitation. Allegro assai ma non troppo “Es wandelt schon das Volk im Feierkleide” (1:53)
=> 15 Eleonore Prohaska, WoO 96: I. Chorus of Warriors “Wir bauen und sterben” (1:20)
=> 16 Eleonore Prohaska, WoO 96: II. Romance. In gehender Bewegung (Sopran) “Es blüht eine Blume im Garten mein” (2:34)
=> 17 Eleonore Prohaska, WoO 96: III. Recitation. Feierlich, doch nicht schleppend “Du, dem sie gewunden” (1:46)
=> 18 Eleonore Prohaska, WoO 96: IV. Funeral March. In gehender, annehmlicher Bewegung (5:55)
=> 1 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: Ouvertüre. Andante con moto - Presto (6:34)
=> 2 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: I. Chor: “Ruhend von seinen Taten”. Andante maestoso e con moto (4:15)
=> 3 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: II. Chor: “Auf dunkelm Irrweg in finstern Hainen”. Allegro con brio (1:49)
=> 4 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: III. Victory March (6:08)
=> 5 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IV. Chor: “Wo die Unschuld Blumen streute”. Andante con moto all’Ongarese (2:26)
=> 6 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: V. Melodram: “Du hast dein Vaterland, dein Fürstenhaus verlassen”. Vivace (0:53)
=> 7 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VI. Chor: “Eine neue strahlende Sonne”. Vivace (0:34)
=> 8 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VII. Melodram: “Ihr edlen Ungarn! Hört meine Stimme!”. Maestoso con moto - Andante maestoso - Maestoso con moto (3:55)
=> 9 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: VIII. Geistlicher Marsch, Chor und Melodram (8:23)
=> 10 Music to “King Stephen or Hungary’s First Benefactor”, op. 117: IX. Final Chorus. Presto (2:07)
=> 11 Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “O welch ein Leben!”. Allegretto (3:19)
=> 12 Two arias for “The Beautiful Shoemaker’s Wife, or The Puce‐Coloured Shoes”, WoO 91: “Soll ein Schuh nicht drücken”. Andante con moto (4:37)
=> 13 Introduction to Act 2 (Entr’acte), WoO 2b (probably to “Tarpeja”). Alla marcia, ma non troppo presto (2:06)
=> 14 Triumphal March, WoO 2a: from “Tarpeja”. Alla marcia, ma non troppo presto (2:23)
=> 15 “Germania”, WoO 94: Final number from “The Good News” for bass, chorus and orchestra (4:40)
=> 16 “Es ist vollbracht”, WoO 97: Final number from “The Triumphal Arches” for bass, chorus and orchestra. Risoluto (4:37)
=> 17 Scene (One) from “Vesta’s Fire”, Hess 115 (10:43)
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1997-10-14 United States
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