Release by Leonard Bernstein
=> 1 Symphony no. 1 in D major: I. Langsam. Schleppend. Wie ein Naturlaut - Im Anfang sehr gemächlich (16:30)
=> 2 Symphony no. 1 in D major: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich (9:01)
=> 3 Symphony no. 1 in D major: III. Feierlich und gemeßsen, ohne zu schleppen (10:27)
=> 4 Symphony no. 1 in D major: IV. Stürmisch bewegt (20:32)
=> 1 Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Mit durchaus ernstem und feierlichem Ausdruck (7:00)
=> 2 Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Sehr mäßig und zurückhaltend (5:50)
=> 3 Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Schnell (3:45)
=> 4 Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo I (4:45)
=> 5 Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso (Totenfeier). Tempo sostenuto (3:33)
=> 6 Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich (1:44)
=> 7 Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Nicht eilen. Sehr gemächlich (1:48)
=> 8 Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. In Tempo I zurückkehren (2:04)
=> 9 Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Energisch bewegt (2:26)
=> 10 Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Wieder ins Tempo zurückgehen. Tempo I (4:02)
=> 1 Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. In ruhig fließender Bewegung (5:00)
=> 2 Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Sehr getragen und gesangvoll (1:30)
=> 3 Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. Zum Tempo I zurückkehren – attacca: (4:54)
=> 4 Symphony no. 2 in C minor, "Resurrection": IV. »Urlicht«. Sehr feierlich, aber schlicht · »O Röschen rot« (Alt‐Solo) – attaca: (6:18)
=> 5 Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzos. Wildherausfahrend (1:46)
=> 6 Symphony no. 2 in C minor, "Resurrection": V. Langsam (3:59)
=> 7 Symphony no. 2 in C minor, "Resurrection": V. Im Anfang sehr zurückgehalten (1:19)
=> 8 Symphony no. 2 in C minor, "Resurrection": V. Wieder sehr breit (3:42)
=> 9 Symphony no. 2 in C minor, "Resurrection": V. Molto ritenuto. Maestoso (4:16)
=> 10 Symphony no. 2 in C minor, "Resurrection": V. Wieder zurückhaltend (3:58)
=> 11 Symphony no. 2 in C minor, "Resurrection": V. Sehr langsam und gedehnt (2:48)
=> 12 Symphony no. 2 in C minor, "Resurrection": V. Langsam. Misterioso »Auferstehn, ja auferstehn wirst du (Sopran‐Solo, Chor) (4:10)
=> 13 Symphony no. 2 in C minor, "Resurrection": V. Langsam ppp. Nicht schleppen »Weider aufzublühn wirst du gesät« (Sopran‐Solo, Chor) (3:57)
=> 14 Symphony no. 2 in C minor, "Resurrection": V. Etwas bewegter »O glaube, mein Herz, o glaube« (Alt‐Solo, Sopran‐Solo, Chor) (3:34)
=> 15 Symphony no. 2 in C minor, "Resurrection": V. Mit Aufschwung, aber nicht eilen »O Schmerz, du Alldurchdringer« (Alt‐Solo, Sopran‐Solo, Chor) (5:09)
=> 1 Symphony no. 3 in D minor: Ia. Kräftig. Entschieden (5:41)
=> 2 Symphony no. 3 in D minor: Ib. Immer das gleiche Tempo (4:11)
=> 3 Symphony no. 3 in D minor: Ic.Tempo I (4:45)
=> 4 Symphony no. 3 in D minor: Id. Zeit lassen (2:15)
=> 5 Symphony no. 3 in D minor: Ie. Zeit lassen (4:08)
=> 6 Symphony no. 3 in D minor: If. Immer dasselbe Tempo (Marsch). Nicht eilen (3:11)
=> 7 Symphony no. 3 in D minor: Ig. Im alten Marschtempo (Allegro Moderato) (5:35)
=> 8 Symphony no. 3 in D minor: Ih. Tempo I (5:05)
=> 9 Symphony no. 3 in D minor: IIa. Tempo di Menuetto. Sehr mässig (2:13)
=> 10 Symphony no. 3 in D minor: IIb. L'istesso tempo (1:03)
=> 11 Symphony no. 3 in D minor: IIc. A tempo (Wie im Anfang) (3:42)
=> 12 Symphony no. 3 in D minor: IId. Ganz plötzlich gemächlich. Tempo di Menuetto (3:43)
=> 13 Symphony no. 3 in D minor: IIIa. Comodo. Scherzando. Ohne Hast (2:42)
=> 14 Symphony no. 3 in D minor: IIIb. Wieder sehr gemächlich, wir zu Anfang (2:57)
=> 15 Symphony no. 3 in D minor: IIIc. Etwas zurückhaltend (5:33)
=> 16 Symphony no. 3 in D minor: IIId. Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast (2:47)
=> 17 Symphony no. 3 in D minor: IIIe. Wieder sehr gemächlich, beinahe langsam (4:32)
=> 1 Symphony no. 3 in D minor: IVa. Sehr langsam. Misterioso. Durchaus ppp: "O Mensch! Gib acht!" (4:48)
=> 2 Symphony no. 3 in D minor: IVb. Più mosso subito (4:44)
=> 3 Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck: "Bimm bamm / Es sungen drei Engel" (4:06)
=> 4 Symphony no. 3 in D minor: VIa. Langsam. Ruhevoll. Empfunden (5:03)
=> 5 Symphony no. 3 in D minor: VIb. Nicht mehr so breit (3:36)
=> 6 Symphony no. 3 in D minor: VIc. Tempo I. Ruhevoll (3:44)
=> 7 Symphony no. 3 in D minor: VId. Nicht mehr so breit (4:35)
=> 8 Symphony no. 3 in D minor: VIe. Tempo I (3:17)
=> 9 Symphony no. 3 in D minor: VIf. Langsam. Tempo I (7:41)
=> 1 Symphony no. 4 in G major: I. Bedächtig, nicht eilen (17:39)
=> 2 Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast (10:12)
=> 3 Symphony no. 4 in G major: III. Ruhevoll (20:31)
=> 4 Symphony no. 4 in G major: IV. Sehr behaglich (8:43)
=> 1 Symphony no. 5 in C-Sharp minor, Pt. 1: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt: Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) (14:32)
=> 2 Symphony no. 5 in C-Sharp minor, Pt. 1: II. Stürmisch bewegt (Mit größter Vehemenz: Bedeutend langsamer - Tempo I subito) (14:59)
=> 3 Symphony no. 5 in C-Sharp minor, Pt. 2: III. Scherzo (Kräftig, nicht zu schnell) (19:01)
=> 4 Symphony no. 5 in C-Sharp minor, Pt. 3: IV. Adagietto (Sehr langsam) (11:13)
=> 5 Symphony no. 5 in C-Sharp minor, Pt. 3: V. Rondo-Finale (Allegro) (15:00)
=> 1 Symphony No. 6 in A minor: I. Allegro energico, ma non troppo. Heftig, aber markig (23:17)
=> 2 Symphony No. 6 in A minor: II. Scherzo. Wuchtig (14:16)
=> 3 Symphony No. 6 in A minor: III. Andante moderato (16:19)
=> 1 Symphony No. 6 in A minor: IV. Finale: Allegro moderato - Allegro energico (33:29)
=> 1 Symphony no. 7 in E minor: Ia. Langsam (Adagio) (2:16)
=> 2 Symphony no. 7 in E minor: Ib. Nicht schleppen (1:23)
=> 3 Symphony no. 7 in E minor: Ic. Allegro risoluto, ma non troppo (1:24)
=> 4 Symphony no. 7 in E minor: Id. A tempo (sempre l'istesso) (2:23)
=> 5 Symphony no. 7 in E minor: Ie(i). Moderato (1:39)
=> 6 Symphony no. 7 in E minor: Ie(ii). Moderato (4:29)
=> 7 Symphony no. 7 in E minor: If. Adagio (Tempo der Einleitung) (2:26)
=> 8 Symphony no. 7 in E minor: Ig. Allegro come prima (1:51)
=> 9 Symphony no. 7 in E minor: Ih. Poco ritenuto --- a tempo (1:39)
=> 10 Symphony no. 7 in E minor: Ii. Nicht eilen (2:10)
=> 11 Symphony no. 7 in E minor: IIa. Nachtmusik. Allegro moderato (3:59)
=> 12 Symphony no. 7 in E minor: IIb. Sempre l'istesso tempo (3:52)
=> 13 Symphony no. 7 in E minor: IIc. Poco meno mosso (3:14)
=> 14 Symphony no. 7 in E minor: IId(i). Tempo (1:52)
=> 15 Symphony no. 7 in E minor: IId(ii). Tempo (1:29)
=> 16 Symphony no. 7 in E minor: IIe. Sehr gemessen (2:45)
=> 1 Symphony no. 7 in E minor: IIIa. Scherzo. Schattenhaft (3:20)
=> 2 Symphony no. 7 in E minor: IIIb. Trio (2:38)
=> 3 Symphony no. 7 in E minor: IIIc. Wieder wie zu Anfang (4:35)
=> 4 Symphony no. 7 in E minor: IVa(i). Nachtmusik. Andante amoroso (6:33)
=> 5 Symphony no. 7 in E minor: IVa(ii). Nachtmusik. Andante amoroso (2:59)
=> 6 Symphony no. 7 in E minor: IVb. Tempo I. poco rit. (5:08)
=> 7 Symphony no. 7 in E minor: Va. Rondo-Finale. Tempo I (Allegro ordinario) (1:45)
=> 8 Symphony no. 7 in E minor: Vb. Sempre l'istesso tempo (1:12)
=> 9 Symphony no. 7 in E minor: Vc. Tempo II (Allegro moderato ma energico) (2:56)
=> 10 Symphony no. 7 in E minor: Vd(i). Tempo I (2:41)
=> 11 Symphony no. 7 in E minor: Vd(ii). Tempo I (2:40)
=> 12 Symphony no. 7 in E minor: Ve. Tempo I subito (1:11)
=> 13 Symphony no. 7 in E minor: Vf. Meno mosso (Tempo II) (3:51)
=> 14 Symphony no. 7 in E minor: Vg. Accelerando (2:02)
=> 1 Symphony no. 10 in F-sharp minor: Ia. Adagio. Andante (3:47)
=> 2 Symphony no. 10 in F-sharp minor: Ib. Adagio. Andante come prima (6:11)
=> 3 Symphony no. 10 in F-sharp minor: Ic. Adagio. [ ] (6:05)
=> 4 Symphony no. 10 in F-sharp minor: Id. Adagio. [ ] (3:19)
=> 5 Symphony no. 10 in F-sharp minor: Ie. Adagio. Andante (6:42)
=> 6 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" I. Allegro Impetuoso (1:26)
=> 7 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" II. "Imple superna gratia" (3:16)
=> 8 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" III. "Infirma nostri corporis" (2:45)
=> 9 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" IV. Tempo I. Allegro, etwas hastig (1:12)
=> 10 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" V. "Infirma nostri corporis" (3:15)
=> 11 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VI. "Accende lumen sensibus" (4:23)
=> 12 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VII. "Qui Paraclitus diceris" (4:27)
=> 13 Symphony no. 8 in E-flat major, Part I: Hymnus "Veni, creator spriritus" VIII. "Gloria Partri Domino" (3:18)
=> 1 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" I. Poco adagio (6:23)
=> 2 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" II. Più mosso. Allegro moderato (3:05)
=> 3 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" III. (Chor und Echo) "Waldung, sie schwankt heran" (4:31)
=> 4 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IV. (Pater ecstaticus) "Ewiger Wonnebrand" (1:35)
=> 5 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" V. (Pater profundus) "Wie Felsenabgrund mir zu Füßen" (4:29)
=> 6 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VI. (Chor der Engel) "Gerettet ist das edle Glied" (1:05)
=> 7 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VII. (Chor der jüngeren Engel) "Jene Rosen aus den Händen" (1:49)
=> 8 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" VIII. (Die vollendeteren Engel) "Uns bleibt ein Erdenrest" (2:22)
=> 9 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" IX. (Die jüngeren Engel) "Ich spür'soeben, nebelnd um Felsenhöh" (1:22)
=> 10 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" X. (Doctor Marianus) "Höchste Herrscherin der Welt" (4:24)
=> 11 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XI. (Chor der BuBerinnen und Una poenitentium) "Dir, der Unberührbaren" (3:55)
=> 12 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XII. (Maria Aegyptiaca) "Bei der Liebe, die den Füßen" (4:50)
=> 13 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIII. (Una poenitentium) "Neige, du Ohnegleiche" (1:18)
=> 14 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XIV. (Selige Knaben) "Er überwächst uns schon" (3:51)
=> 15 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XV. (Mater gloriosa) "Komm! hebe dich zu höhern Sphären" (7:23)
=> 16 Symphony no. 8 in E-flat major, Part II: Schluss-szene aus "Faust" XVI. (Chorus mysticus) "Alles Vergängliche ist nur ein G" (6:24)
=> 1 Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 1] (15:02)
=> 2 Symphony no. 9 in D major: I. Satz. Andante comodo: (Horneinsatz) (3:03)
=> 3 Symphony no. 9 in D major: I. Satz. Andante comodo: Bewegter (1:31)
=> 4 Symphony no. 9 in D major: I. Satz. Andante comodo: [Takt 317] (1:44)
=> 5 Symphony no. 9 in D major: I. Satz. Andante comodo: Wie von Anfang (2:01)
=> 6 Symphony no. 9 in D major: I. Satz. Andante comodo: Plötzlich bedeutend langsamer (Lento) und leise (6:39)
=> 7 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: [Takt 1] (2:37)
=> 8 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Poco più mosso subito (Tempo II.) (2:50)
=> 9 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo III. (1:58)
=> 10 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: A tempo II. (3:32)
=> 11 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. (1:22)
=> 12 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo II. (1:44)
=> 13 Symphony no. 9 in D major: II. Satz. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb: Tempo I. subito (3:20)
=> 1 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 1] (1:45)
=> 2 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo (1:06)
=> 3 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Sempre l’istesso tempo (1:17)
=> 4 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: L’istesso tempo (1:20)
=> 5 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: [Takt 347] (2:25)
=> 6 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: (Klarinetteneinsatz) (1:37)
=> 7 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Tempo I. subito (1:28)
=> 8 Symphony no. 9 in D major: III. Satz. Rondo‐Burleske. Allegro assai. Sehr trotzig: Più stretto (0:57)
=> 9 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: [Takt 1] (4:59)
=> 10 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd (2:34)
=> 11 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Molto adagio subito (2:33)
=> 12 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: A tempo (Molto adagio) (4:08)
=> 13 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Stets sehr gehalten (1:46)
=> 14 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Fließender, doch durchaus nicht eilend (2:08)
=> 15 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Tempo I. Molto adagio (6:01)
=> 16 Symphony no. 9 in D major: IV. Satz. Adagio. Sehr langsam und noch zurückhaltend: Adagissimo (5:32)
=> 1 Symphony no. 9 in D major: I. Andante comodo (27:37)
=> 2 Symphony no. 9 in D major: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (15:54)
=> 3 Symphony no. 9 in D major: III. Rondo-Burleske: Allegro assai. Sehr trotzig (12:05)
=> 4 Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurückhaltend (26:11)
=> 1 Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (8:29)
=> 2 Das Lied von der Erde: II. Der Einsame im Herbst (11:21)
=> 3 Das Lied von der Erde: III. Von der Jugend (3:09)
=> 4 Das Lied von der Erde: IV. Von der Schönheit (8:09)
=> 5 Das Lied von der Erde: V. Der Trunkene im Frühling (4:40)
=> 6 Das Lied von der Erde: VI. Der Abschied (31:00)
=> 1 Des Knaben Wunderhorn: I. Der Schildwache Nachtlied (6:02)
=> 2 Des Knaben Wunderhorn: II. Wer hat dies Liedlein erdacht? (2:16)
=> 3 Des Knaben Wunderhorn: III. Der Tamboursg'sell (5:16)
=> 4 Des Knaben Wunderhorn: IV. Das irdische Leben (2:57)
=> 5 Des Knaben Wunderhorn: V. Verlor'ne Müh' (3:03)
=> 6 Des Knaben Wunderhorn: VI. Des Antonius von Padua Fischpredigt (3:43)
=> 7 Des Knaben Wunderhorn: VII. Revelge (6:48)
=> 8 Des Knaben Wunderhorn: VIII. Rheinlegendchen (3:33)
=> 9 Des Knaben Wunderhorn: IX. Lob des hohen Verstandes (2:37)
=> 10 Des Knaben Wunderhorn: X. Wo die schönen Trompeten blasen (8:29)
=> 11 Des Knaben Wunderhorn: XI. Lied des Verfolgten im Turm (4:35)
=> 12 Des Knaben Wunderhorn: XII. Trost im Unglück (2:34)
=> 13 Des Knaben Wunderhorn: XIII. Urlicht (5:42)
=> 1 Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht (4:25)
=> 2 Lieder eines fahrenden Gesellen: II. Ging heut' morgen übers Feld (4:07)
=> 3 Lieder eines fahrenden Gesellen: III. Ich hab' ein glühend Messer (3:20)
=> 4 Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen (5:42)
=> 5 Kindertotenlieder: I. Nun will die Sonn' so hell aufgehn (5:58)
=> 6 Kindertotenlieder: II. Nun seh' ich wohl, warum so dunkle Flammen (5:11)
=> 7 Kindertotenlieder: III. Wenn dein Mütterlein (6:03)
=> 8 Kindertotenlieder: IV. Oft denk' ich, sie sind nur ausgegangen (3:31)
=> 9 Kindertotenlieder: V. In diesem Wetter, in diesem Braus (7:32)
=> 10 Rückert Lieder: V. Liebst du um Schönheit (2:44)
=> 11 Rückert Lieder: I. Blicke mir nicht in die Lieder (1:30)
=> 12 Rückert Lieder: II. Ich atmet' einen linden Duft (3:00)
=> 13 Rückert Lieder: IV. Um Mitternacht (7:23)
=> 14 Rückert Lieder: III. Ich bin der Welt abhanden gekommen (7:47)
=> 1 Ouvertüre “Die Hebriden” (“Die Fingalshöhle”), op. 26, MWV P 7: Allegro moderato - Animato in tempo (10:01)
=> 2 Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima (13:55)
=> 3 Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": II. Vivace non troppo (4:09)
=> 4 Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": III. Adagio (11:16)
=> 5 Symphony no. 3 in A minor, op. 56, MWV N 18 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai (10:06)
=> 1 Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": I. Allegro vivace (10:45)
=> 2 Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": II. Andante con moto (6:46)
=> 3 Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": III. Con moto moderato (6:54)
=> 4 Symphony no. 4 in A major, op. 90, MWV N 16 "Italian": IV. Saltarello (Presto) (5:52)
=> 5 Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": I. Andante - Allegro con fuoco (11:37)
=> 6 Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": II. Allegro vivace (6:26)
=> 7 Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": III. Andante (3:48)
=> 8 Symphony no. 5 in D minor, op. 107, MWV N 15 "Reformation": IV. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) (9:02)
=> 1 Symphony no. 29 in A major, K. 201: I. Allegro moderato (8:09)
=> 2 Symphony no. 29 in A major, K. 201: II. Andante (6:53)
=> 3 Symphony no. 29 in A major, K. 201: III. Minuetto & Trio (3:25)
=> 4 Symphony no. 29 in A major, K. 201: IV. Allegro con spirito (5:17)
=> 5 Symphony no. 25 in G minor, K. 183: I. Allegro con brio (8:10)
=> 6 Symphony no. 25 in G minor, K. 183: II. Andante (4:11)
=> 7 Symphony no. 25 in G minor, K. 183: III. Minuetto & Trio (3:49)
=> 8 Symphony no. 25 in G minor, K. 183: IV. Allegro (6:04)
=> 9 Concerto for Clarinet in A major, K. 622: I. Allegro (12:40)
=> 10 Concerto for Clarinet in A major, K. 622: II. Adagio (8:16)
=> 11 Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (8:54)
=> 1 Symphony no. 35 in D major, K. 385 "Haffner": I. Allegro con spirito (5:44)
=> 2 Symphony no. 35 in D major, K. 385 "Haffner": II. Andante (7:10)
=> 3 Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto (3:14)
=> 4 Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto (3:45)
=> 5 Symphony no. 41 in C major, K. 551 "Jupiter": I. Allegro vivace (11:59)
=> 6 Symphony no. 41 in C major, K. 551 "Jupiter": II. Andante cantabile (9:12)
=> 7 Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio (5:14)
=> 8 Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto (11:38)
=> 1 Symphony no. 36 in C major, K. 425 "Linz" : I. Adagio - Allegro spiritoso (11:12)
=> 2 Symphony no. 36 in C major, K. 425 "Linz" : II. Andante (7:57)
=> 3 Symphony no. 36 in C major, K. 425 "Linz" : III. Menuetto (3:45)
=> 4 Symphony no. 36 in C major, K. 425 "Linz" : IV. Presto (7:28)
=> 5 Symphony no. 38 in D major, K. 504 "Prague" : I. Adagio - Allegro (13:30)
=> 6 Symphony no. 38 in D major, K. 504 "Prague" : II. Andante (9:10)
=> 7 Symphony no. 38 in D major, K. 504 "Prague" : III. (Finale) Presto (8:38)
=> 1 Symphony no. 39 in E-flat major, K. 543: I. Adagio — Allegro (11:24)
=> 2 Symphony no. 39 in E-flat major, K. 543: II. Andante con moto (9:21)
=> 3 Symphony no. 39 in E-flat major, K. 543: III. Menuetto. Allegretto (4:05)
=> 4 Symphony no. 39 in E-flat major, K. 543: IV. Finale. Allegro (8:08)
=> 5 Symphony no. 40 in G minor, K. 550: I. Molto allegro (8:32)
=> 6 Symphony no. 40 in G minor, K. 550: II. Andante (8:17)
=> 7 Symphony no. 40 in G minor, K. 550: III. Menuetto. Allegretto (4:50)
=> 8 Symphony no. 40 in G minor, K. 550: IV. Allegro assai (9:13)
=> 1 Concerto for Piano and Orchestra no. 15, K. 453: I. Allegro (11:23)
=> 2 Concerto for Piano and Orchestra no. 15, K. 453: II. Andante (7:35)
=> 3 Concerto for Piano and Orchestra no. 15, K. 453: III. Allegro (8:17)
=> 4 Symphony no. 36, K. 425 “Linz”: I. Adagio - Allegro spiritoso (11:07)
=> 5 Symphony no. 36, K. 425 “Linz”: II. Andante (7:58)
=> 6 Symphony no. 36, K. 425 “Linz”: III. Menuetto (3:43)
=> 7 Symphony no. 36, K. 425 “Linz”: IV. Presto (8:00)
=> 1 Concerto for Piano and Orchestra No. 17 in G major, K. 453: I. Allegro (12:50)
=> 2 Concerto for Piano and Orchestra No. 17 in G major, K. 453: II. Andante (12:32)
=> 3 Concerto for Piano and Orchestra No. 17 in G major, K. 453: III. Allegretto - Finale: Presto (8:05)
=> 4 Concerto for Piano and Orchestra in G major, M. 83: I. Allegramente (8:36)
=> 5 Concerto for Piano and Orchestra in G major, M. 83: II. Adagio assai (10:48)
=> 6 Concerto for Piano and Orchestra in G major, M. 83: III. Presto (4:38)
=> 1 Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus" (4:06)
=> 2 Exsultate, jubilate, K. 165 (14:34)
=> 3 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" (7:39)
=> 4 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" (2:08)
=> 5 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" (4:59)
=> 6 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" (1:36)
=> 7 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" (2:47)
=> 8 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" (5:16)
=> 9 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" (4:03)
=> 10 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" (0:51)
=> 11 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" (3:46)
=> 12 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" (3:58)
=> 13 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" (7:50)
=> 14 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" / IVb. Sanctus: "Hosanna" (3:21)
=> 15 Mass no. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus (4:55)
=> 1 Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam" (6:38)
=> 2 Requiem in D minor, K. 626: II. "Kyrie eleison" (2:44)
=> 3 Requiem in D minor, K. 626: IIIa. Sequenz: "Dies irae" (1:43)
=> 4 Requiem in D minor, K. 626: IIIb. Sequenz: "Tuba mirum" (4:30)
=> 5 Requiem in D minor, K. 626: IIIc. Sequenz: "Rex tremendae" (2:42)
=> 6 Requiem in D minor, K. 626: IIId. Sequenz: "Recordare" (5:43)
=> 7 Requiem in D minor, K. 626: IIIe. Sequenz: "Confutatis" (2:21)
=> 8 Requiem in D minor, K. 626: IIIf. Sequenz: "Lacrimosa" (5:49)
=> 9 Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu" (3:29)
=> 10 Requiem in D minor, K. 626: IVb. Offertorium: "Hostias" (4:04)
=> 11 Requiem in D minor, K. 626: V. "Sanctus" (1:51)
=> 12 Requiem in D minor, K. 626: VI. "Benedictus" (5:21)
=> 13 Requiem in D minor, K. 626: VII. "Agnus Dei" (4:54)
=> 14 Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna" (6:51)
=> 1 La bohème: Atto I. "Questo mar rosso mi ammolisce e assidera" (Marcello, Rodolfo, Colline) (4:45)
=> 2 La bohème: Atto I. "Pensier profondo" (Colline, Marcello, Rodolfo) (1:09)
=> 3 La bohème: Atto I. "Abbasso, abbasso l'autor!" (Marcello, Colline, Rodolfo, Schaunard) (4:01)
=> 4 La bohème: Atto I. "Si può?" (Benoit, Marcello, Schaunard, Colline, Rodolfo) (5:39)
=> 5 La bohème: Atto I. "Io resto" (Rodolfo, Marcello, Colline, Schaunard) (0:57)
=> 6 La bohème: Atto I. "Non sono in vena" (Rodolfo, Mimì) (1:42)
=> 7 La bohème: Atto I. "Si sente meglio" (Rodolfo, Mimì) (2:49)
=> 8 La bohème: Atto I. "Che gelida manina" (Rodolfo) (5:13)
=> 9 La bohème: Atto I. "Sì. Mi chiamano Mimì" (Mimì, Rodolfo) (5:22)
=> 10 La bohème: Atto I. "Ehi! Rodolfo!" (Schaunard, Colline, Marcello, Mimì) (0:46)
=> 11 La bohème: Atto I. "O soave fanciulla" (Rodolfo, Marcello, Mimì) (4:33)
=> 12 La bohème: Atto II. "Aranci, datteri! Caldi i marroni!" (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello) (3:09)
=> 13 La bohème: Atto II. "Chi guardi?" (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi) (0:50)
=> 14 La bohème: Atto II. "Questa è Mimì" (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Ragazzi, Bambine, Mamme, Mimì) (2:26)
=> 15 La bohème: Atto II. "Viva Parpignol!" (Coro, Marcello, Mimì, Schaunard, Colline, Rodolfo) (2:00)
=> 16 La bohème: Atto II. "Allegri e un toast!" (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta) (3:39)
=> 17 La bohème: Atto II. "Quando men vo soletta per la via" (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline) (5:50)
=> 18 La bohème: Atto II. "Il conto?!" (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì) (2:34)
=> 1 La bohème: Atto III. "Ohè, là, le guardie!" (Spazzini, Musetta, Doganiere, Voci, Lattivendole, Contadine) (3:33)
=> 2 La bohème: Atto III. "Sa dirmi, scusi, qual'è l'osteria" (Mimì, Sergente, Donganiere) (1:44)
=> 3 La bohème: Atto III. "Mimì! - Speravo di trovarvi qui" (Marcello, Mimì) (4:56)
=> 4 La bohème: Atto III. "Marcello. Finalmente!" (Rodolfo, Marcello, Mimì) (1:52)
=> 5 La bohème: Atto III. "Mimì è una civetta" (Rodolfo, Marcello, Mimì) (1:24)
=> 6 La bohème: Atto III. "Mimì è tanto malata" (Rodolfo, Mimì, Marcello) (1:53)
=> 7 La bohème: Atto III. "Mimì di serra è fiore" (Rodolfo, Mimì, Marcello) (1:38)
=> 8 La bohème: Atto III. "Donde lieta usci" (Mimì) (3:14)
=> 9 La bohème: Atto III. "Dunque è proprio finita!" (Rodolfo, Mimì, Marcello, Musetta) (6:12)
=> 10 La bohème: Atto IV. "In un coupé? - Con pariglia e livree" (Marcello, Rodolfo) (1:32)
=> 11 La bohème: Atto IV. "O Mimì, tu più non torni" (Rodolfo, Marcello) (3:13)
=> 12 La bohème: Atto IV. "Che ora sia?" (Rodolfo, Marcello, Schaunard, Colline) (2:35)
=> 13 La bohème: Atto IV. "Gavotta! - Minuetto!" (Colline, Marcello, Rodolfo, Schaunard) (1:39)
=> 14 La bohème: Atto IV. "C'è Mimì" (Musetta, Rodolfo, Schaunard, Mimi, Marcello, Colline) (6:19)
=> 15 La bohème: Atto IV. "Vecchia zimarra, senti" (Colline, Schaunard) (2:39)
=> 16 La bohème: Atto IV. "Sono andati? Fingevo di dormire" (Mimì, Rodolfo) (6:21)
=> 17 La bohème: Atto IV. "Oh Dio! Mimì!" (Rodolfo, Schaunard, Mimì, Musetta, Marcello) (2:58)
=> 18 La bohème: Atto IV. "Che ha detto il medico?" (Rodolfo, Marcello, Musetta, Schaunard, Colline) (3:02)
=> 1 Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato (13:51)
=> 2 Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto (13:03)
=> 3 Symphony no. 5 in B-flat major, D. 485: I. Allegro (7:17)
=> 4 Symphony no. 5 in B-flat major, D. 485: II. Andante con moto (11:15)
=> 5 Symphony no. 5 in B-flat major, D. 485: III. Menuetto. Allegro molto - Trio (5:38)
=> 6 Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace (5:36)
=> 1 Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace (11:29)
=> 2 Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto - attacca (7:46)
=> 3 Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo. Molto vivace (5:44)
=> 4 Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso (8:10)
=> 5 Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft - (attacca:) (11:48)
=> 6 Symphony no. 4 in D minor, op. 120: II. Romanze. Ziemlich langsam - (attacca:) (5:13)
=> 7 Symphony no. 4 in D minor, op. 120: III. Scherzo. Lebhaft - Trio - (attacca:) (5:54)
=> 8 Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft (9:29)
=> 1 Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo (13:31)
=> 2 Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto (14:41)
=> 3 Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace / Trio (10:39)
=> 4 Symphony no. 9 in C major, D. 944 "Great": IV. Finale. Allegro vivace (11:28)
=> 1 Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (13:05)
=> 2 Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace (7:05)
=> 3 Symphony no. 2 in C major, op. 61: III. Adagio espressivo (13:47)
=> 4 Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (8:52)
=> 5 Concerto for Cello and Orchestra in A minor, op. 129: I. Nicht zu schnell (11:47)
=> 6 Concerto for Cello and Orchestra in A minor, op. 129: II. Langsam (4:41)
=> 7 Concerto for Cello and Orchestra in A minor, op. 129: III. Sehr lebhaft (7:53)
=> 1 Symphony no. 3 in E-flat, op. 97 "Rhenish": I. Lebhaft (9:42)
=> 2 Symphony no. 3 in E-flat, op. 97 "Rhenish": II. Scherzo (Sehr mäßig) (6:26)
=> 3 Symphony no. 3 in E-flat, op. 97 "Rhenish": III. Nicht schnell (6:09)
=> 4 Symphony no. 3 in E-flat, op. 97 "Rhenish": IV. Feierlich (6:57)
=> 5 Symphony no. 3 in E-flat, op. 97 "Rhenish": V. Lebhaft (5:27)
=> 6 Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso (15:07)
=> 7 Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo (Andantino grazioso) (5:50)
=> 8 Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (10:27)
=> 1 Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo (8:58)
=> 2 Symphony no. 1 in F minor, op. 10: II. Allegro (4:52)
=> 3 Symphony no. 1 in F minor, op. 10: III. Lento - Largo (10:19)
=> 4 Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto - Largo (10:50)
=> 5 Symphony no. 7 in C major, op. 60 "Leningrad": I. Allegretto (31:43)
=> 1 Symphony no. 7 in C major, op. 60 "Leningrad": II. Moderato (poco allegretto) (14:54)
=> 2 Symphony no. 7 in C major, op. 60 "Leningrad": III. Adagio (19:25)
=> 3 Symphony no. 7 in C major, op. 60 "Leningrad": IV. Allegro non troppo (18:51)
=> 1 Symphony no. 6 in B minor, op. 54: I. Largo (22:29)
=> 2 Symphony no. 6 in B minor, op. 54: II. Allegro (7:53)
=> 3 Symphony no. 6 in B minor, op. 54: III. Presto (7:32)
=> 4 Symphony no. 9 E-flat major, op. 70: I. Allegro (5:21)
=> 5 Symphony no. 9 E-flat major, op. 70: II. Moderato (9:19)
=> 6 Symphony no. 9 E-flat major, op. 70: III. Presto (3:25)
=> 7 Symphony no. 9 E-flat major, op. 70: IV. Largo (3:15)
=> 8 Symphony no. 9 E-flat major, op. 70: V. Allegretto (5:49)
=> 1 Symphony no. 1 in E minor, op. 39: I. Andante ma non troppo - Allegro energico (11:56)
=> 2 Symphony no. 1 in E minor, op. 39: II. Andante (ma non troppo lento) (11:05)
=> 3 Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro (5:31)
=> 4 Symphony no. 1 in E minor, op. 39: IV. Finale. Quasi una Fantasia (12:46)
=> 1 Symphony no. 2 in D major, op. 43: I. Allegretto (10:57)
=> 2 Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato (18:11)
=> 3 Symphony no. 2 in D major, op. 43: III. Vivacissimo - (6:23)
=> 4 Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato (15:57)
=> 1 Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Largamente (9:39)
=> 2 Symphony no. 5 in E-flat, op. 82: II. Allegro moderato - Presto (5:39)
=> 3 Symphony no. 5 in E-flat, op. 82: III. Andante mosso, quasi allegretto (10:04)
=> 4 Symphony no. 5 in E-flat, op. 82: IV. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai (10:15)
=> 5 Symphony no. 7 in C, op. 105: Adagio (8:19)
=> 6 Symphony no. 7 in C, op. 105: Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo (3:13)
=> 7 Symphony no. 7 in C, op. 105: 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all' (2:27)
=> 8 Symphony no. 7 in C, op. 105: Allegro molto moderato - Poco a poco meno moderato - (4:37)
=> 9 Symphony no. 7 in C, op. 105: 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I (6:19)
=> 1 Salome, op. 54, TrV 215: Letzte Szene “Es ist kein Laut zu vernehmen” - “Ah! Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan” (17:19)
=> 2 Salome, op. 54, TrV 215: Tanz der sieben Schleier (?:??)
=> 3 Songs for Voice and Orchestra: Cäcilie, op. 27, TrV 170 no. 2 (2:00)
=> 4 Songs for Voice and Orchestra: Wiegenlied, op. 41, TrV 195 no. 1 (4:20)
=> 5 Songs for Voice and Orchestra: Ich liebe dich, op. 37, TrV 187 no. 2 (2:14)
=> 6 Songs for Voice and Orchestra: Morgen, op. 27, TrV 170 no. 4 (3:48)
=> 7 Songs for Voice and Orchestra: Zueignung, op. 10, TrV 141 no. 1 (1:39)
=> 1 Firebird Suite: I. Introduction (3:34)
=> 2 Firebird Suite: II. L’oiseau de feu et sa danse (0:15)
=> 3 Firebird Suite: III. Variation de l’oiseau de feu (1:18)
=> 4 Firebird Suite: IV. Rondes des princesses (5:33)
=> 5 Firebird Suite: V. Danse infernale du roi Kastcheï (4:18)
=> 6 Firebird Suite: VI. Berceuse (3:54)
=> 7 Firebird Suite: VII. Final (3:39)
=> 8 Pulcinella Suite: I. Sinfonia (Ouverture): Allegro moderato (2:14)
=> 9 Pulcinella Suite: II. Serenata: Larghetto (2:56)
=> 10 Pulcinella Suite: III. Scherzino / Allegro / Andantino (4:42)
=> 11 Pulcinella Suite: IV. Tarantella (88 bpm) (1:58)
=> 12 Pulcinella Suite: V. Toccata: Allegro (0:58)
=> 13 Pulcinella Suite: VI. Gavotta: Allegro moderato / Variazione Ia. Allegretto / Variazione IIa. Allegro piú tosto moderato (4:06)
=> 14 Pulcinella Suite: VII. Vivo (1:27)
=> 15 Pulcinella Suite: VIII. Minuetto. Molto moderato / Finale. Allegro assai (4:17)
=> 1 Pétrouchka: Tableau 1. Fete Populaire de la Semaine Grasse (7:09)
=> 2 Pétrouchka: Tableau 1. Le Tour de Passe-passe (2:45)
=> 3 Pétrouchka: Tableau 2. Chez Petrouchka (4:17)
=> 4 Pétrouchka: Tableau 3. Chez le Maure - Danse de la Ballerine (3:26)
=> 5 Pétrouchka: Tableau 3. Valse: La Ballerine et le Maure (3:18)
=> 6 Pétrouchka: Tableau 4. Fete Populaire de la Semaine grasse (1:04)
=> 7 Pétrouchka: Tableau 4. Danse des nounous (2:39)
=> 8 Pétrouchka: Tableau 4. Le Paysan et L'ours (1:27)
=> 9 Pétrouchka: Tableau 4. Un marchand fetard avec deux tziganes (1:09)
=> 10 Pétrouchka: Tableau 4. Danse des Cochers et des palefreniers (2:06)
=> 11 Pétrouchka: Tableau 4. Les Deguises (1:28)
=> 12 Pétrouchka: Tableau 4. Le Rixe: Le Maure et Petrouchka (0:45)
=> 13 Pétrouchka: Tableau 4. Mort de Petrouchka (0:44)
=> 14 Pétrouchka: Tableau 4. La Police et le charlatan (1:14)
=> 15 Pétrouchka: Tableau 4. Apparition du double de Petrouchka (0:55)
=> 16 Scènes de ballet: Introduction (0:59)
=> 17 Scènes de ballet: Danses (Corps de Ballet). Moderato (3:37)
=> 18 Scènes de ballet: Variation (Ballerine). Con moto (1:07)
=> 19 Scènes de ballet: Pantomime. Lento (2:20)
=> 20 Scènes de ballet: Pas de deux. Adagio (3:02)
=> 21 Scènes de ballet: Pantomime. Agitato ma temp giusto (0:43)
=> 22 Scènes de ballet: Variation (Danseur). Risoluto (1:24)
=> 23 Scènes de ballet: Variation (Ballerine). Andantino (1:15)
=> 24 Scènes de ballet: Pantomime. Andantino (0:33)
=> 25 Scènes de ballet: Danses (Corps de ballet). Con moto (1:12)
=> 26 Scènes de ballet: Apothéose. Poco meno mosso (2:18)
=> 1 Le Sacre du printemps: Partie I. Introduction (3:28)
=> 2 Le Sacre du printemps: Partie I. Les Augures printaniers (Danses des adolescentes) (3:15)
=> 3 Le Sacre du printemps: Partie I. Jeu du rapt (1:21)
=> 4 Le Sacre du printemps: Partie I. Rondes printanières (3:47)
=> 5 Le Sacre du printemps: Partie I. Jeux des cités rivales (1:55)
=> 6 Le Sacre du printemps: Partie I. Cortège du Sage (0:41)
=> 7 Le Sacre du printemps: Partie I. Adoration de la Terre (Le Sage) (0:22)
=> 8 Le Sacre du printemps: Partie I. Danse de la Terre (1:16)
=> 9 Le Sacre du printemps: Partie II. Introduction (5:28)
=> 10 Le Sacre du printemps: Partie II. Cercles mystérieux des adolescentes (3:49)
=> 11 Le Sacre du printemps: Partie II. Glorification de l'élue (1:40)
=> 12 Le Sacre du printemps: Partie II. Évocation des ancêtres (0:54)
=> 13 Le Sacre du printemps: Partie II. Action rituelle des ancêtres (4:14)
=> 14 Le Sacre du printemps: Partie II. Danse sacrale (L'élue) (4:53)
=> 1 Symphony in C: I. Moderato alla breve (9:31)
=> 2 Symphony in C: II. Larghetto concertante (6:15)
=> 3 Symphony in C: III. Allegretto (5:06)
=> 4 Symphony in C: IV. Largo - Tempo giusto, alla breve (7:37)
=> 5 Symphony in Three Movements: I. Allegro (10:05)
=> 6 Symphony in Three Movements: II. Andante (6:13)
=> 7 Symphony in Three Movements: Interlude (L'istesso tempo) (0:24)
=> 8 Symphony in Three Movements: III. Con moto (6:06)
=> 1 The Wedding: Part I, Scene 1. The Tresses (5:18)
=> 2 The Wedding: Part I, Scene 2. At the Bridegroom's House (5:38)
=> 3 The Wedding: Part I, Scene 3. The Departure of the Bride (2:57)
=> 4 The Wedding: Part II, Scene 4. The Wedding Feast (10:05)
=> 5 Mass: Kyrie (3:14)
=> 6 Mass: Gloria (4:21)
=> 7 Mass: Credo (5:28)
=> 8 Mass: Sanctus (4:00)
=> 9 Mass: Agnus Dei (3:26)
=> 1 Symphony no. 4 in F minor, op. 36, TH 27: I. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo (21:20)
=> 2 Symphony no. 4 in F minor, op. 36, TH 27: II. Andantino in modo di canzone (12:05)
=> 3 Symphony no. 4 in F minor, op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro (5:39)
=> 4 Symphony no. 4 in F minor, op. 36, TH 27: IV. Finale. Allegro con fuoco (9:44)
=> 5 Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo (27:39)
=> 1 Symphony no. 5 in E minor, op. 64, TH 29: I. Andante - Allegro con anima (16:24)
=> 2 Symphony no. 5 in E minor, op. 64, TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo (16:34)
=> 3 Symphony no. 5 in E minor, op. 64, TH 29: III. Valse. Allegro moderato (6:20)
=> 4 Symphony no. 5 in E minor, op. 64, TH 29: IV. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto (13:36)
=> 5 Romeo and Juliet, Fantasy-Overture in B minor, TH 42 (22:40)
=> 1 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso (22:44)
=> 2 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia (8:36)
=> 3 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace (9:59)
=> 4 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante (17:10)
=> 1 Francesca da Rimini, op. 32, TH 46: Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo (23:41)
=> 2 Romeo and Juliet, Fantasy-Overture in B minor, TH 42 (20:14)
=> 1 Hamlet, op. 67, TH 53 (18:46)
=> 2 Marche slave, op. 31, TH 45 (9:25)
=> 3 Capiccio italien, op. 45, TH 47 (16:00)
=> 4 Ouverture solennelle "1812", op. 49, TH 49 (15:35)
=> 1 Concerto for Cello and Orchestra in B minor, op. 104, B. 191: I. Allegro (16:38)
=> 2 Concerto for Cello and Orchestra in B minor, op. 104, B. 191: II. Adagio, ma no troppo (13:21)
=> 3 Concerto for Cello and Orchestra in B minor, op. 104, B. 191: III. Finale. Allegro moderato (13:43)
=> 4 Schelomo, B. 39 (24:37)
=> 1 Tristan und Isolde, WWV 90: Vorspiel (14:13)
=> 2 Tristan und Isolde, WWV 90: Akt I. Szene I. "Westwarts schweift der Blick" (Junge Seeman, Isolde, Brangäne) (7:10)
=> 3 Tristan und Isolde, WWV 90: Akt I. Szene II. "Frisch weht der Wind der Heimat zu" (Junge Seeman, Isolde, Brangäne) (4:33)
=> 4 Tristan und Isolde, WWV 90: Akt I. Szene II. "Hab acht, Tristan!" (Kurwenal, Tristan, Brangäne, Schiffsvolk) (6:08)
=> 5 Tristan und Isolde, WWV 90: Akt I. Szene III. "Weh, ach wehe!" (Brangäne, Isolde) (2:08)
=> 6 Tristan und Isolde, WWV 90: Akt I. Szene III. "Wie lachend sie mir" (Isolde, Brangäne, Chor) (20:07)
=> 7 Tristan und Isolde, WWV 90: Akt I. Szene IV. "Auf! Auf! Ihr Frauen!" (Kurwenal, Isolde, Brangäne) (8:00)
=> 1 Tristan und Isolde, WWV 90: Akt I. Szene IV. "Herr Tristan nah!" (Isolde, Tristan, Chor) (10:27)
=> 2 Tristan und Isolde, WWV 90: Akt I. Szene V. "War Morold dir so wert" (Tristan, Isolde, Chor) (11:25)
=> 3 Tristan und Isolde, WWV 90: Akt I. Szene V. "Tristan! - Isolde!" (Isolde, Tristan, Chor, Brangäne, Kurwenal) (8:18)
=> 4 Tristan und Isolde, WWV 90: Akt II. Vorspiel (2:07)
=> 5 Tristan und Isolde, WWV 90: Akt II. Szene I. "Horst du sie noch?" (Isolde, Brangäne) (15:00)
=> 6 Tristan und Isolde, WWV 90: Akt II. Szene II. "Isolde! Geliebte!" (Tristan, Isolde) (18:26)
=> 1 Tristan und Isolde, WWV 90: Akt II. Szene II. "O sik hernieder, Nactht der Liebe" (Tristan, Isolde, Brangäne) (10:14)
=> 2 Tristan und Isolde, WWV 90: Akt II. Szene II. "Lausch, Geliebter" (Isolde, Tristan) (8:49)
=> 3 Tristan und Isolde, WWV 90: Akt II. Szene II. "So sturben wir, um ungetrennt" (Tristan, Isolde, Brangäne) (10:02)
=> 4 Tristan und Isolde, WWV 90: Akt II. Szene III. "Rette dich, Tristan" (Kurwenal, Tristan, Melot) (2:02)
=> 5 Tristan und Isolde, WWV 90: Akt II. Szene III. "Tatest du's wirklich?" (Marke, Tristan) (13:16)
=> 6 Tristan und Isolde, WWV 90: Akt II. Szene III. "O, Konig, das kann ich dir nicht sagen" (Tristan, Isolde, Melot) (23:41)
=> 7 Tristan und Isolde, WWV 90: Akt III. Vorspiel (8:06)
=> 8 Tristan und Isolde, WWV 90: Akt III. Szene I. "Kurwenal! He! Sag, Kurwenal!" (Hirt, Kurwenal, Tristan) (10:58)
=> 1 Tristan und Isolde, WWV 90: Akt III. Szene I. "Wo ich erwacht, weilt ich nicht" (Tristan, Kurwenal) (7:38)
=> 2 Tristan und Isolde, WWV 90: Akt III. Szene I. "Der einst ich trotzt aus Treu" (Tristan, Kurwenal) (19:11)
=> 3 Tristan und Isolde, WWV 90: Akt III. Szene I. "Bist du nun tot?" (Kurwenal, Tristan) (19:11)
=> 4 Tristan und Isolde, WWV 90: Akt III. Szene I. "O Wonne! Freunde!" (Kurwenal, Tristan) (19:11)
=> 5 Tristan und Isolde, WWV 90: Akt III. Szene II. "O diese Sonne" (Tristan, Isolde) (3:50)
=> 6 Tristan und Isolde, WWV 90: Akt III. Szene II. "Ich bin's, ich bin's" (Isolde) (6:29)
=> 7 Tristan und Isolde, WWV 90: Akt III. Szene III. "Kurwenal! Hor!" (Hirt, Kurwenal, Steuermann, Brangäne, Melot, Marke) (8:39)
=> 8 Tristan und Isolde, WWV 90: Akt III. Szene III. "Mild unde leise wie er lachelt" (Isolde) (8:29)
=> 1 Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio (14:38)
=> 2 Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai (17:47)
=> 3 Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace (5:38)
=> 4 Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto (12:21)
=> 5 Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) (13:24)
=> 6 Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) (6:07)
=> 7 Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) (5:25)
=> 1 Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) (9:12)
=> 2 Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." (1:11)
=> 3 Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto (8:51)
=> 4 Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo (13:32)
=> 5 Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace (7:16)
=> 6 Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco (11:33)
=> 7 Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) (9:51)
=> 8 Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) (3:22)
=> 9 Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) (1:40)
=> 10 Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) (5:00)
=> 11 Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) (1:01)
=> 1 Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (12:27)
=> 2 Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace (6:58)
=> 3 Symphony no. 2 in C major, op. 61: III. Adagio espressivo (11:53)
=> 4 Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (8:14)
=> 5 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Robert Schumann has been dead..." (3rd movement, opening theme) (4:22)
=> 6 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "To my mind, Schumann follows in this tradition..." (1:48)
=> 7 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Now let's look at the Symphony itself..." (1st movement) (8:39)
=> 8 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "And so we have arrived at the allegro section..." (1st movement, continued) (6:51)
=> 9 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "In the marvelous Scherzo that follows..." (2nd movement) (4:49)
=> 10 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "But perhaps the greatest beauty...." (3rd movement) (7:31)
=> 11 Musical Analysis (Bernstein on Schumann's Symphony No. 2): "Even in the final movement...." (4th movement) (5:15)
=> 1 Symphony no. 4 in E minor, op. 98: I. Allegro non troppo (11:50)
=> 2 Symphony no. 4 in E minor, op. 98: II. Andante moderato (11:53)
=> 3 Symphony no. 4 in E minor, op. 98: III. Allegro giocoso - Poco meno presto - Tempo I (6:07)
=> 4 Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato - Più allegro (11:01)
=> 5 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Brahms' Fourth Symphony in E minor is today ..." (4th movement., opening theme) (4:44)
=> 6 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Our journey begins without introduction..." (1st movement) (5:15)
=> 7 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Do you see now what a symphonic theme is?" (1st movement) (3:23)
=> 8 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Now, think of it - we have so far only had 44 bars of music" (1st movement) (5:47)
=> 9 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Here is that second theme" (1st movement) (2:41)
=> 10 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "This brings us to the development section proper" (1st movement) (9:34)
=> 11 Musical Analysis (Bernstein on Brahms's Symphony No. 4): And here we are back home, ready for the rehearing of the exposition,..." (1st movement) (2:16)
=> 12 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "So we arrive at the coda" (1st movement) (3:18)
=> 13 Musical Analysis (Bernstein on Brahms's Symphony No. 4): "Well, we have had a microscopic look at symphonic method" (1st movement) (2:11)
=> 1 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": I. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso (18:43)
=> 2 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": II. Allegro con grazia (8:14)
=> 3 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": III. Allegro molto vivace (9:08)
=> 4 Symphony no. 6 in B minor, op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso – Andante (11:26)
=> 5 Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now there is a melody, a pure orchestral song..." (1st movement) (9:18)
=> 6 Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now the development section erupts..." (1st movement continued) (1:58)
=> 7 Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now one would think that Tchaikovsky had really exploited the device of scales" (2nd movement) (1:56)
=> 8 Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Jumping now to the famous third movement, the great March..." (3rd movement) (1:50)
=> 9 Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Perhaps the most admirable example of this is to be found in the wonderful last movement, ..." (4th movement) (3:40)
=> 10 Musical Analysis (Bernstein on Tchaikovsky's Symphony No. 6): "Now I don't want to give you the impression that scales are the only unifying force in this work" (6:01)
=> 1 Fancy Free: Big Stuff (Prologue) (2:31)
=> 2 Fancy Free: I. Opening Dance (2:50)
=> 3 Fancy Free: II. Scene at the Bar (2:55)
=> 4 Fancy Free: IV. Pas de deux (3:03)
=> 5 Fancy Free: V. Competition Scene (3:00)
=> 8 Fancy Free: VIa. Three Dance Variations: 2. Waltz (2:16)
=> 7 Fancy Free: VIb. Three Dance Variations: 3. Danzon (2:33)
=> 8 Fancy Free: VIc. Three Dance Variations: 1. Galop / VII. Finale (3:15)
=> 9 On the Town: Opening (3:11)
=> 10 On the Town: I Get Carried Away (3:03)
=> 11 On the Town: Lucky to Be Me (2:32)
=> 12 On the Town: Lonely Town (3:16)
=> 13 On the Town: I Can Cook Too (2:25)
=> 14 On the Town: Ya Got Me (2:45)
=> 15 On the Town: Opening (extended version) (3:45)
2016-03-16 [Worldwide]
discography entry
=> https://www.deutschegrammophon.com/en/catalogue/products/leonard-bernstein-collection-vol-2-4998
discogs
=> https://www.discogs.com/release/8607374
=> Show all releases in this release group
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