The Complete Recordings on Deutsche Grammophon & Decca

Release by Claudio Abbado

Track list

CD 1: Bach: Brandenburg Concertos nos. 1, 3 & 5

=> 1 Brandenburg Concerto no. 1 in F major, BWV 1046: 1. (Allegro) (3:47)
=> 2 Brandenburg Concerto no. 1 in F major, BWV 1046: 2. Adagio (3:02)
=> 3 Brandenburg Concerto no. 1 in F major, BWV 1046: 3. Allegro (3:53)
=> 4 Brandenburg Concerto no. 1 in F major, BWV 1046: 4. Menuetto - Trio I - Polacca - Trio II (7:10)
=> 5 Brandenburg Concerto no. 3 in G major, BWV 1048: 1. (Allegro) (5:16)
=> 6 Brandenburg Concerto no. 3 in G major, BWV 1048: 2. Adagio (0:23)
=> 7 Brandenburg Concerto no. 3 in G major, BWV 1048: 3. Allegro (4:46)
=> 8 Brandenburg Concerto no. 5 in D major, BWV 1050: 1. Allegro (8:50)
=> 9 Brandenburg Concerto no. 5 in D major, BWV 1050: 2. Affettuoso (4:59)
=> 10 Brandenburg Concerto no. 5 in D major, BWV 1050: 3. Allegro (5:12)

CD 2: Bach: Brandenburg Concertos nos. 6, 4 & 2

=> 1 Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 1. (Allegro) (5:57)
=> 2 Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 2. Adagio ma non tanto (4:46)
=> 3 Brandenburg Concerto no. 6 in B-flat major, BWV 1051: 3. Allegro (5:47)
=> 4 Brandenburg Concerto no. 4 in G major, BWV 1049: 1. Allegro (6:59)
=> 5 Brandenburg Concerto no. 4 in G major, BWV 1049: 2. Andante (3:43)
=> 6 Brandenburg Concerto no. 4 in G major, BWV 1049: 3. Presto (5:22)
=> 7 Brandenburg Concerto no. 2 in F major, BWV 1047: 1. (Allegro) (4:38)
=> 8 Brandenburg Concerto no. 2 in F major, BWV 1047: 2. Andante (3:44)
=> 9 Brandenburg Concerto no. 2 in F major, BWV 1047: 3. Allegro assai (3:00)

CD 3: Bartók: The Miraculous Mandarin / Two Portraits (One Ideal - One Grotesque)

=> 1 The Miraculous Mandarin, Sz. 73 (op. 19): Beginning (1:16)
=> 2 The Miraculous Mandarin, Sz. 73 (op. 19): The curtain rises. (1:32)
=> 3 The Miraculous Mandarin, Sz. 73 (op. 19): First seduction game: the shabby old rake. (3:45)
=> 4 The Miraculous Mandarin, Sz. 73 (op. 19): Second seduction game. (1:11)
=> 5 The Miraculous Mandarin, Sz. 73 (op. 19): The shy youth appears at the door. (1:38)
=> 6 The Miraculous Mandarin, Sz. 73 (op. 19): Third seduction game (1:27)
=> 7 The Miraculous Mandarin, Sz. 73 (op. 19): The Mandarin enters; encounter with the girl (2:25)
=> 8 The Miraculous Mandarin, Sz. 73 (op. 19): The girl's dance (4:33)
=> 9 The Miraculous Mandarin, Sz. 73 (op. 19): She flees from him; he chases her wildly. (1:11)
=> 10 The Miraculous Mandarin, Sz. 73 (op. 19): The Mandarin stumbles, but catches the girl; they fight. The tramps leap out, seize the Mandarin, rob him and suffocate him with pillows. (2:46)
=> 11 The Miraculous Mandarin, Sz. 73 (op. 19): Suddenly the Mandarin's head appears. The tramps drag him out, one stabs him three times. He almost collapses, but draws himself up and leaps at the girl. (3:16)
=> 12 The Miraculous Mandarin, Sz. 73 (op. 19): They drag the Mandarin to the centre of the room and hang him on a lamp hook. The lamp falls to the floor - goes out. The Mandarin's body begins to glow. (2:50)
=> 13 The Miraculous Mandarin, Sz. 73 (op. 19): The tramps take him down. He falls to the floor and at once leaps at the girl. They embrace. (1:04)
=> 14 The Miraculous Mandarin, Sz. 73 (op. 19): His longing stilled, the Mandarin's wounds begin to bleed; he becomes weaker and dies. (1:11)
=> 15 Two Portraits (One Ideal - One Grotesque), Sz. 37 (op. 5): 1. Andante (10:11)
=> 16 Two Portraits (One Ideal - One Grotesque), Sz. 37 (op. 5): 2. Presto (2:08)

CD 4: Bartók: Piano Concertos nos. 1 & 2

=> 1 Concerto for Piano and Orchestra no. 1, Sz. 83: 1. Allegro moderato - Allegro (9:06)
=> 2 Concerto for Piano and Orchestra no. 1, Sz. 83: 2. Andante - Allegro - attacca (7:51)
=> 3 Concerto for Piano and Orchestra no. 1, Sz. 83: 3. Allegro molto (6:30)
=> 4 Concerto for Piano and Orchestra no. 2, Sz. 95: 1. Allegro (9:39)
=> 5 Concerto for Piano and Orchestra no. 2, Sz. 95: 2. Adagio - Presto - Adagio (11:48)
=> 6 Concerto for Piano and Orchestra no. 2, Sz. 95: 3. Allegro molto (6:04)

CD 5: Beethoven: Symphonies nos. 1 & 3 “Eroica” (Berliner Philharmoniker)

=> 1 Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brio (9:03)
=> 2 Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto (7:39)
=> 3 Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace - Trio (4:33)
=> 4 Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivace (5:43)
=> 5 Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio (16:56)
=> 6 Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai (14:49)
=> 7 Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - Trio (5:51)
=> 8 Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - Presto (11:05)

CD 6: Beethoven: Symphonies nos. 2 & 4 (Berliner Philharmoniker)

=> 1 Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio (12:13)
=> 2 Symphony no. 2 in D major, op. 36: 2. Larghetto (10:49)
=> 3 Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - Trio (4:24)
=> 4 Symphony no. 2 in D major, op. 36: 4. Allegro molto (6:12)
=> 5 Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace (11:34)
=> 6 Symphony no. 4 in B-flat major, op. 60: 2. Adagio (9:47)
=> 7 Symphony no. 4 in B-flat major, op. 60: 3. Allegro molto e vivace - Trio. Un poco meno allegro (5:54)
=> 8 Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo (6:39)

CD 7: Beethoven: Symphonies nos. 5 & 6 “Pastoral” (Berliner Philharmoniker)

=> 1 Symphony no. 5 in C minor, op. 67: 1. Allegro con brio (7:25)
=> 2 Symphony no. 5 in C minor, op. 67: 2. Andante con moto (9:29)
=> 3 Symphony no. 5 in C minor, op. 67: 3. Allegro (7:59)
=> 4 Symphony no. 5 in C minor, op. 67: 4. Allegro (10:38)
=> 5 Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo (11:32)
=> 6 Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto mosso (10:40)
=> 7 Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro (5:09)
=> 8 Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter - Sturm. Allegro (3:25)
=> 9 Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto (8:34)

CD 8: Beethoven: Symphonies nos. 7 & 8 (Berliner Philharmoniker)

=> 1 Symphony no. 7 in A minor, op. 92: 1. Poco sostenuto - Vivace (13:33)
=> 2 Symphony no. 7 in A minor, op. 92: 2. Allegretto (7:39)
=> 3 Symphony no. 7 in A minor, op. 92: 3. Presto (8:58)
=> 4 Symphony no. 7 in A minor, op. 92: 4. Allegro con brio (8:21)
=> 5 Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio (9:21)
=> 6 Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando (4:13)
=> 7 Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto (5:48)
=> 8 Symphony no. 8 in F major, op. 93: 4. Allegro vivace (7:11)

CD 9: Beethoven: Symphony no. 9 “Choral” (Berliner Philharmoniker)

=> 1 Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestoso (14:18)
=> 2 Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - Presto (13:03)
=> 3 Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderato (12:48)
=> 4 Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai - (5:37)
=> 5 Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Rezitativo: »O Freunde, nicht diese Töne!« - Allegro assai (16:28)

CD 10: Beethoven: Symphonies nos. 1 & 2 (Wiener Philharmoniker)

=> 1 Symphony no. 1 in C major, op. 21: 1. Adagio molto - Allegro con brio (9:21)
=> 2 Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto (8:35)
=> 3 Symphony no. 1 in C major, op. 21: 3. Menuetto. Allegro molto e vivace - Trio (3:48)
=> 4 Symphony no. 1 in C major, op. 21: 4. Adagio - Allegro molto e vivace (5:49)
=> 5 Symphony no. 2 in D major, op. 36: 1. Adagio molto - Allegro con brio (12:27)
=> 6 Symphony no. 2 in D major, op. 36: 2. Larghetto (11:26)
=> 7 Symphony no. 2 in D major, op. 36: 3. Scherzo. Allegro - Trio (3:30)
=> 8 Symphony no. 2 in D major, op. 36: 4. Allegro molto (6:25)

CD 11: Beethoven: Symphony no. 3 “Eroica” (Wiener Philharmoniker)

=> 1 Symphony no. 3 in E-flat major “Eroica”, op. 55: 1. Allegro con brio (18:25)
=> 2 Symphony no. 3 in E-flat major “Eroica”, op. 55: 2. Marcia funebre. Adagio assai (15:40)
=> 3 Symphony no. 3 in E-flat major “Eroica”, op. 55: 3. Scherzo. Allegro vivace - Trio (6:20)
=> 4 Symphony no. 3 in E-flat major “Eroica”, op. 55: 4. Allegro molto - Poco andante - Presto (11:43)

CD 12: Beethoven: Symphonies nos. 4 & 5 (Wiener Philharmoniker)

=> 1 Symphony no. 4 in B-flat major, op. 60: 1. Adagio - Allegro vivace (12:16)
=> 2 Symphony no. 4 in B-flat major, op. 60: 2. Adagio (10:06)
=> 3 Symphony no. 4 in B-flat major, op. 60: 3. Allegro molto e vivace - Trio. Un poco meno allegro (5:50)
=> 4 Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo (6:54)
=> 5 Symphony no. 5 in C minor, op. 67: 1. Allegro con brio (7:56)
=> 6 Symphony no. 5 in C minor, op. 67: 2. Andante con moto (10:11)
=> 7 Symphony no. 5 in C minor, op. 67: 3. Allegro (5:23)
=> 8 Symphony no. 5 in C minor, op. 67: 4. Allegro (11:04)

CD 13: Beethoven: Meeresstille und glückliche Fahrt / Symphony no. 6 “Pastoral” / Choral Fantasy (Wiener Philharmoniker)

=> 1 Meeresstille und glückliche Fahrt, op. 112: Meeresstille. Poco sostenuto (5:22)
=> 2 Meeresstille und glückliche Fahrt, op. 112: Glückliche Fahrt. Allegro vivace (2:48)
=> 3 Symphony no. 6 in F major “Pastoral”, op. 68: 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo (13:28)
=> 4 Symphony no. 6 in F major “Pastoral”, op. 68: 2. Szene am Bach. Andante molto mosso (12:28)
=> 5 Symphony no. 6 in F major “Pastoral”, op. 68: 3. Lustiges Zusammensein der Landleute. Allegro (5:30)
=> 6 Symphony no. 6 in F major “Pastoral”, op. 68: 4. Gewitter - Sturm. Allegro (3:36)
=> 7 Symphony no. 6 in F major “Pastoral”, op. 68: 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto (9:24)
=> 8 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Adagio (3:19)
=> 9 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegro - Meno allegro - Allegro molto - (6:14)
=> 10 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Adagio ma non troppo - (2:40)
=> 11 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Marcia, assai vivace - Allegro - (2:11)
=> 12 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Allegretto, ma non troppo (quasi andante con moto) »Schmeichelnd hold und lieblich klingen«- (2:15)
=> 13 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Finale. Presto (1:37)

CD 14: Beethoven: Symphonies nos. 7 & 8 (Wiener Philharmoniker)

=> 1 Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace (14:34)
=> 2 Symphony no. 7 in A major, op. 92: 2. Allegretto (8:41)
=> 3 Symphony no. 7 in A major, op. 92: 3. Presto (9:03)
=> 4 Symphony no. 7 in A major, op. 92: 4. Allegro con brio (9:05)
=> 5 Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio (9:46)
=> 6 Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando (3:58)
=> 7 Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto (4:54)
=> 8 Symphony no. 8 in F major, op. 93: 4. Allegro vivace (7:18)

CD 15: Symphony no. 9 “Choral” (Wiener Philharmoniker)

=> 1 Symphony no. 9 in D minor “Choral”, op. 125: 1. Allegro ma non troppo e un poco maestoso (17:16)
=> 2 Symphony no. 9 in D minor “Choral”, op. 125: 2. Molto vivace - Presto (14:21)
=> 3 Symphony no. 9 in D minor “Choral”, op. 125: 3. Adagio molto e cantabile - Andante moderato (17:05)
=> 4 Symphony no. 9 in D minor “Choral”, op. 125: 4. Presto - Allegro assai - Presto - Rezitativo: »O Freunde, nicht diese Töne!« - Allegro assai (23:55)

CD 16: Beethoven: Overtures

=> 1 Die Geschöpfe des Prometheus, op. 43: Overture. Adagio - Allegro molto con brio (5:20)
=> 2 König Stephan, op. 117: Overture. Andante con moto - Presto (6:45)
=> 3 Die Ruinen von Athen, op. 113: Overture. Andante con moto - Allegro, ma non troppo (4:55)
=> 4 Die Weihe des Hauses, op. 124: Overture. Maestoso e sostenuto - Allegro con brio (10:27)
=> 5 Overture “Zur Namensfeier”, op. 115: Maestoso - Allegro assai vivace (6:44)
=> 6 Overture “Coriolan”, op. 62: Allegro con brio (8:11)
=> 7 Overture “Egmont”, op. 84: Overture. Sostenuto, ma non troppo - Allegro (8:02)

CD 17: Beethoven: Overtures: Fidelio / Leonore I-III

=> 1 Overture “Fidelio”, op. 72: Allegro - Adagio - Presto (6:36)
=> 2 Overture “Leonore I”, op. 138: Andante con moto - Allegro con brio (9:14)
=> 3 Overture “Leonore II”, op. 72a: Adagio - Allegro - Adagio - Presto (15:31)
=> 4 Overture “Leonore III”, op. 72b: Adagio - Allegro - Presto (13:40)

CD 18: Beethoven: Symphonies nos. 7 & 8 / Overture “Die Geschöpfe des Prometheus”

=> 1 Symphony no. 7 in A major, op. 92: 1. Poco sostenuto - Vivace (13:14)
=> 2 Symphony no. 7 in A major, op. 92: 2. Allegretto (9:53)
=> 3 Symphony no. 7 in A major, op. 92: 3. Presto (10:07)
=> 4 Symphony no. 7 in A major, op. 92: 4. Allegro con brio (9:12)
=> 5 Overture “Die Geschöpfe des Prometheus”, op. 43: Adagio - Allegro molto con brio (5:16)
=> 6 Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio (9:01)
=> 7 Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando (4:08)
=> 8 Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto (4:50)
=> 9 Symphony no. 8 in F major, op. 93: 4. Allegro vivace (7:36)

CD 19: Beethoven: Piano Concertos nos. 1 & 2

=> 1 Concerto for Piano and Orchestra no. 1 in C major, op. 15: 1. Allegro con brio (17:16)
=> 2 Concerto for Piano and Orchestra no. 1 in C major, op. 15: 2. Largo (11:13)
=> 3 Concerto for Piano and Orchestra no. 1 in C major, op. 15: 3. Rondo. Allegro scherzando (9:05)
=> 4 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 1. Allegro con brio (13:33)
=> 5 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 2. Adagio (8:41)
=> 6 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro (6:30)

CD 20: Beethoven: Piano Concertos nos. 3 & 4

=> 1 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 1. Allegro con brio (16:07)
=> 2 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 2. Largo (10:07)
=> 3 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 3. Rondo. Allegro (9:36)
=> 4 Concerto for Piano and Orchestra no. 4 in G major, op. 58: 1. Allegro moderato (17:18)
=> 5 Concerto for Piano and Orchestra no. 4 in G major, op. 58: 2. Andante con moto (5:16)
=> 6 Concerto for Piano and Orchestra no. 4 in G major, op. 58: 3. Rondo. Vivace (10:00)

CD 21: Beethoven: Piano Concerto no. 5 “Emperor” / Triple Concerto

=> 1 Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: 1. Allegro (20:29)
=> 2 Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: 2. Adagio un poco mosso (7:47)
=> 3 Concerto for Piano and Orchestra no. 5 in E-flat major “Emperor”, op. 73: 3. Rondo. Allegro (10:44)
=> 4 Concerto for Piano, Violin, Violoncello and Orchestra in C major “Triple Concerto”, op. 56: 1. Allegro (17:27)
=> 5 Concerto for Piano, Violin, Violoncello and Orchestra in C major “Triple Concerto”, op. 56: 2. Largo (4:53)
=> 6 Concerto for Piano, Violin, Violoncello and Orchestra in C major “Triple Concerto”, op. 56: 3. Rondo alla polacca (12:45)

CD 22: Beethoven: Piano Concertos nos. 3 & 2

=> 1 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 1. Allegro con brio (16:11)
=> 2 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 2. Largo (10:21)
=> 3 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: 3. Rondo. Allegro (9:17)
=> 4 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 1. Allegro con brio (13:18)
=> 5 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 2. Adagio (8:49)
=> 6 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: 3. Rondo. Molto allegro (6:02)

CD 23: Beethoven: Musik zu Goethes Trauerspiel “Egmont” / “Ah! perfido” / Overture “Leonore III” / Choral Fantasy

=> 1 Musik zu Goethes Trauerspiel “Egmont”, op. 84: Ouvertüre (8:06)
=> 2 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 1. Lied (Klärchen): »Die Trommel gerühret« (2:57)
=> 3 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 2. Zwischenaktmusik I (1:44)
=> 4 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 4. Lied (Klärchen): »Freudvoll und leidvoll« (1:38)
=> 5 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 5. Zwischenaktmusik III (3:51)
=> 6 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 6. Zwischenaktmusik IV (3:37)
=> 7 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 7. Musik, Klärchens Tod bezeichnend (2:44)
=> 8 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 8. Melodram (Egmont): »Süßer Schlaf!« (5:15)
=> 9 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 9. Siegessymphonie (1:34)
=> 10 Scena ed Aria “Ah! perfido” for Soprano and Orchestra, op. 65 (13:33)
=> 11 Overture “Leonore III”, op. 72b (14:46)
=> 12 Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo (quasi andante con moto): »Schmeichelnd hold und lieblich klingen« - Presto (18:44)

CD 24: Beethoven: Musik zu Die Weihe des Hauses / Leonore Prohaska / Egmont (Excerpts)

=> 1 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: Ouvertüre, op. 124 (10:52)
=> 2 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 1. Chor: »Folge dem mächtigen Ruf der Ehre!« (4:04)
=> 3 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 2. Duett: »Ohne Verschulden Knechtschaft dulden« (3:58)
=> 4 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 3. Chor der Derwische: »Du hast in deines Ärmels Falten« (2:37)
=> 5 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 4. Marcia alla turca (1:39)
=> 6 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 5. Chor (mit Sopran-Solo): »Wo sich die Pulse« - »Lasst uns im Tanze« (6:03)
=> 7 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 6. Marsch (mit Chor): »Schmückt die Altäre« (6:38)
=> 8 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 7. Melodram: »Es wandelt schon das Volk im Feierkleide« (1:45)
=> 9 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 8. Rezitativ: »Mit reger Freude, die nie erkaltet« (1:45)
=> 10 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 8. Chor: »Wir tragen empfängliche Herzen im Busen« / Arie (mit Chor): »Will unser Genius« - »Er ist's! Wir sind erhört!« (7:58)
=> 11 Musik zu Carl Meisls Gelegenheitsfestspiel “Die Weihe des Hauses”: 9. Chor: »Heil unserm Kaiser!« (3:57)
=> 12 Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 1. Kriegerchor: »Wir bauen und sterben« (1:21)
=> 13 Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 2. Romanze: »Es blüht eine Blume im Garten mein« (2:37)
=> 14 Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 3. Melodram: »Du, dem sie gewunden« (Recitation) (1:46)
=> 15 Musik zu Friedrich Dunckers Drama “Leonore Prohaska”, WoO 96: 4. Trauermarsch (6:06)
=> 16 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 2. Zwischenaktmusik I - »Es ist keine falsche Ader an ihm« (3:10)
=> 17 Musik zu Goethes Trauerspiel “Egmont”, op. 84: 3. Zwischenaktmusik II (5:02)

CD 25: Beethoven: Fidelio (Act I)

=> 1 Fidelio, op. 72: Ouvertüre (6:20)
=> 2 Fidelio, op. 72: Erster Aufzug. Nr. 1 Duett: »Jetzt, Schätzchen, jetzt sind wir allein« (Jaquino, Marzelline) (4:52)
=> 3 Fidelio, op. 72: Erster Aufzug. »Seit Fidelio bei uns ist, ist die Welt wie verwandelt« (Marzelline) (0:11)
=> 4 Fidelio, op. 72: Erster Aufzug. Nr. 2 Arie: »O wär ich schon mit dir vereint« (Marzelline) (3:41)
=> 5 Fidelio, op. 72: Erster Aufzug. »Ich täusche die Menschen, die mich ernähren« (Leonore, Rocco) (0:54)
=> 6 Fidelio, op. 72: Erster Aufzug. Nr. 3 Quartett: »Mir ist so wunderbar« (Marzelline, Leonore, Rocco, Jaquino) (4:31)
=> 7 Fidelio, op. 72: Erster Aufzug. »Marzelline und Fidelio haben sich offensichtlich recht lieb« (Rocco) (0:17)
=> 8 Fidelio, op. 72: Erster Aufzug. Nr. 4 Arie: »Hat man nicht auch Gold beineben« (Rocco) (2:34)
=> 9 Fidelio, op. 72: Erster Aufzug. »In den finstersten Gewölben sitzt ein Gefangener« (Rocco) (0:30)
=> 10 Fidelio, op. 72: Erster Aufzug. Nr. 5 Terzett: »Gut, Söhnchen, gut, hab immer Mut« (Rocco, Leonore, Marzelline) (6:38)
=> 11 Fidelio, op. 72: Erster Aufzug. Nr. 6 Marsch (2:08)
=> 12 Fidelio, op. 72: Erster Aufzug. »Was Neues vorgefallen?« (Pizarro, Rocco) (0:48)
=> 13 Fidelio, op. 72: Erster Aufzug. Nr. 7 Arie mit Chor: »Ha! Welch ein Augenblick!« (Pizarro, Chor) (3:30)
=> 14 Fidelio, op. 72: Erster Aufzug. »Und nun zu dir mein lieber Rocco!« (Pizarro, Rocco) (0:05)
=> 15 Fidelio, op. 72: Erster Aufzug. Nr. 8 Duett: »Jetzt, Alter, jetzt hat es Eile!« (Pizarro, Rocco) (5:13)
=> 16 Fidelio, op. 72: Erster Aufzug. Nr. 9 Rezitativ und Arie: »Abscheulicher! Wo eilst du hin?« … »Komm, Hoffnung, lass den letzten Stern« (Leonore) (7:22)
=> 17 Fidelio, op. 72: Erster Aufzug. »Wie Fidelio das wieder geschafft hatte, war mir ein Rätsel« (Jaquino) (0:21)
=> 18 Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »O welche Lust, in freier Luft den Atem leicht zu heben!« (Gefangene, Erster Gefangener, Zweiter Gefangener) (6:56)
=> 19 Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: [Rezitativ und Duett]: »Nun sprecht, wie ging's?« … »Noch heute! Noch heute!« (Leonore, Rocco) (5:19)
=> 20 Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »Ach, Vater, Vater eilt!« (Marzelline, Rocco, Jaquino, Leonore) (0:41)
=> 21 Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »Verwegner Alter!« (Pizarro, Rocco) (1:49)
=> 22 Fidelio, op. 72: Erster Aufzug. Nr. 10 Finale I: »Leb wohl, du warmes Sonnenlicht« (Chor, Marzelline, Leonore, Jaquino, Pizarro, Rocco) (3:44)

CD 26: Beethoven: Fidelio (Act II)

=> 1 Fidelio op. 72: Zweiter Aufzug. Nr. 11 Introduktion und Arie: »Gott! Welch Dunkel hier! … In des Lebens Frühlingstagen« (Florestan) (11:23)
=> 2 Fidelio op. 72: Zweiter Aufzug. Nr. 12 Melodram und Duett: »Wie kalt ist es diesem unterirdischen Gewölbe!« … »Nur hurtig fort, nur frisch gegraben« (Leonore, Rocco) (5:53)
=> 3 Fidelio op. 72: Zweiter Aufzug. »Ihr habt wieder geruht?« (Rocco, Florestan, Leonore) (0:33)
=> 4 Fidelio op. 72: Zweiter Aufzug. Nr. 13 Terzett: »Euch werde Lohn in bessern Welten« (Florestan, Rocco, Leonore) (6:31)
=> 5 Fidelio op. 72: Zweiter Aufzug. »Ist alles bereit?« (Pizarro, Rocco) (0:07)
=> 6 Fidelio op. 72: Zweiter Aufzug. Nr. 14 Quartett: »Er sterbe! Doch er soll erst wissen« (Pizarro, Florestan, Leonore, Rocco) (5:02)
=> 7 Fidelio op. 72: Zweiter Aufzug. Nr. 15 Duett: »O namenlose Freude!« (Leonore, Florestan) (3:04)
=> 8 Fidelio op. 72: Zweiter Aufzug. Nr. 16 Finale II: »Heil sei dem Tag« … »Des besten Königs Wink und Wille« … »Wer ein holdes Weib errungen« (Chor, Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Jaquino) (13:46)

CD 27: Berg: Lulu Suite / 3 Pieces for Orchestra / Altenberg Lieder

=> 1 Lulu-Suite: 1. Rondo. Andante (Introduzione) - Hymne. Sostenuto (15:09)
=> 2 Lulu-Suite: 2. Ostinato. Allegro (3:24)
=> 3 Lulu-Suite: 3. Lied der Lulu. Comodo (»Wenn sich die Menschen um meinetwillen umgebracht haben«) (2:58)
=> 4 Lulu-Suite: 4. Variationen. Moderato (Grandioso - Grazioso - Funebre - Affettuoso) - Thema. Subito tempo moderato (3:24)
=> 5 Lulu-Suite: 5. Adagio. Sostenuto - Lento - Grave (»Lulu! Mein Engel!«) (9:05)
=> 6 3 Pieces for Orchestra, op. 6 Revised version (1929): 1. Präludium. Langsam (5:01)
=> 7 3 Pieces for Orchestra, op. 6 Revised version (1929): 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt (5:51)
=> 8 3 Pieces for Orchestra, op. 6 Revised version (1929): 3. Marsch. Mässiges Marschtempo (9:53)
=> 9 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 1. »Seele, wie bist du schöner« (2:53)
=> 10 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 2. »Sahst du nach dem Gewitterregen den Wald« (1:08)
=> 11 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 3. »Über die Grenzen des All« (1:37)
=> 12 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 4. »Nichts ist gekommen« (1:32)
=> 13 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 5. »Hier ist Friede« (4:30)

CD 28: Berg: Altenberg Lieder / 3 Pieces from the Lyric Suite / Lulu Suite

=> 1 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 1. »Seele, wie bist du schöner« (2:47)
=> 2 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 2. »Sahst du nach dem Gewitteregen den Wald« (1:09)
=> 3 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 3. »Über die Grenzen des All« (1:32)
=> 4 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 4. »Nichts ist gekommen« (1:28)
=> 5 5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, op. 4: 5. »Hier ist Friede« (4:18)
=> 6 3 Pieces from the “Lyric Suite”, Version for String Orchestra (1928): 1. Andante amoroso (6:21)
=> 7 3 Pieces from the “Lyric Suite”, Version for String Orchestra (1928): 2. Allegro misterioso - Trio estatico (3:33)
=> 8 3 Pieces from the “Lyric Suite”, Version for String Orchestra (1928): 3. Adagio appassionato (6:40)
=> 9 Lulu-Suite: 1. Rondo. Andante (Introduzione) - Hymne. Sostenuto (14:27)
=> 10 Lulu-Suite: 2. Ostinato. Allegro (3:19)
=> 11 Lulu-Suite: 3. Lied der Lulu. Comodo (»Wenn sich die Menschen um meinetwillen umgebracht haben«) (2:57)
=> 12 Lulu-Suite: 4. Variationen. Moderato (Grandioso - Grazioso - Funebre - Affettuoso) - Thema. Subito tempo moderato (3:19)
=> 13 Lulu-Suite: 5. Adagio. Sostenuto - Lento - Grave (»Lulu! Mein Engel!«) (8:14)

CD 29: Berg: 7 Early Songs / Der Wein / 3 Pieces for Orchestra

=> 1 7 Early Songs, Orchestral version (1928): 1. Nacht (4:10)
=> 2 7 Early Songs, Orchestral version (1928): 2. Schilflied (2:24)
=> 3 7 Early Songs, Orchestral version (1928): 3. Die Nachtigall (2:15)
=> 4 7 Early Songs, Orchestral version (1928): 4. Traumgekrönt (2:42)
=> 5 7 Early Songs, Orchestral version (1928): 5. Im Zimmer (1:11)
=> 6 7 Early Songs, Orchestral version (1928): 6. Liebesode (2:00)
=> 7 7 Early Songs, Orchestral version (1928): 7. Sommertage (1:48)
=> 8 Der Wein: Die Seele des Weines - Der Wein der Liebenden - Der Wein des Einsamen (13:10)
=> 9 3 Pieces for Orchestra, op. 6: 1. Präludium. Langsam (4:45)
=> 10 3 Pieces for Orchestra, op. 6: 2. Reigen. Anfangs etwas zögernd - Leicht beschwingt (5:31)
=> 11 3 Pieces for Orchestra, op. 6: 3. Marsch. Mäßiges Marschtempo (9:29)

CD 30: Berg: Wozzeck (Act I)

=> 1 Wozzeck, op. 7: Erster Akt. »Langsam, Wozzeck, langsam!« (Hauptmann, Wozzeck) (8:13)
=> 2 Wozzeck, op. 7: Erster Akt. »Du, der Platz ist verflucht!« (Wozzeck, Andres) (6:40)
=> 3 Wozzeck, op. 7: Erster Akt. »Tschin Bum …! Hörst Bub? Da kommen sie!« (Marie, Margret, Wozzeck) (8:14)
=> 4 Wozzeck, op. 7: Erster Akt. »Was erleb' ich, Wozzeck?« (Doktor, Wozzeck) (7:32)
=> 5 Wozzeck, op. 7: Erster Akt. »Geh einmal vor dich hin …« (Marie, Tambourmajor) (3:00)

CD 31: Berg: Wozzeck (Acts II & III)

=> 1 Wozzeck, op. 7: Zweiter Akt. »Was die Steine glänzen!« (Marie, Wozzeck) (5:37)
=> 2 Wozzeck, op. 7: Zweiter Akt. »Wohin so eilig, geehrtester Herr Sargnagel?« (Hauptmann, Doktor, Wozzeck) (8:52)
=> 3 Wozzeck, op. 7: Zweiter Akt. »Guten Tag, Franz« / »Ich seh' nichts« (Marie, Wozzeck) (3:28)
=> 4 Wozzeck, op. 7: Zweiter Akt. »Ich hab' ein Hemdlein an, das ist nicht mein …« (1. & 2. Handwerksbursche, Wozzeck, Marie, Tambourmajor, Burschen, Soldaten, Andres, Der Narr) (10:25)
=> 5 Wozzeck, op. 7: Zweiter Akt. »Oh! oh! Andres! Ich kann nicht schlafen« (Soldaten, Wozzeck, Andres, Tambourmajor) (4:33)
=> 6 Wozzeck, op. 7: Dritter Akt. »Und ist kein Betrug in seinem Munde erfunden worden« (Marie) (3:05)
=> 7 Wozzeck, op. 7: Dritter Akt. »Und kniete hin zu seinen Füßen« (Marie) (2:01)
=> 8 Wozzeck, op. 7: Dritter Akt. »Dort links geht's in die Stadt« (Marie, Wozzeck) (5:00)
=> 9 Wozzeck, op. 7: Dritter Akt. »Tanzt Alle; tanzt nur zu …!« (Wozzeck, Margret, Burschen, Dirnen) (2:54)
=> 10 Wozzeck, op. 7: Dritter Akt. »Das Messer? Wo ist das Messer?« (Wozzeck, Hauptmann, Doktor) (7:50)
=> 11 Wozzeck, op. 7: Dritter Akt. »Ringel, Ringel, Rosenkranz, Ringelreih'n!« (Kinder, Mariens Knabe) (1:44)

CD 32: Berlioz: Symphonie fantastique

=> 1 Symphonie fantastique, op. 14: 1. Rêveries – Passions: Largo – Allegro agitato ed appassionato assai (15:24)
=> 2 Symphonie fantastique, op. 14: 2. Un bal. Valse. Allegro non troppo (6:05)
=> 3 Symphonie fantastique, op. 14: 2. Scène aux champs. Adagio (16:36)
=> 4 Symphonie fantastique, op. 14: 4. Marche au supplice. Allegretto non troppo (6:25)
=> 5 Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Larghetto – Allegro - (3:10)
=> 6 Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Dies irae - (1:49)
=> 7 Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Ronde du sabbat - (2:46)
=> 8 Symphonie fantastique, op. 14: 5. Songe d’une nuit du Sabbat. Dies irae et Ronde du sabbat ensemble (1:45)

CD 33: Berlioz: Te Deum

=> 1 Te Deum, op. 22: Te Deum (Hymne). Allegro moderato (7:27)
=> 2 Te Deum, op. 22: Tibi omnes (Hymne). Andantino (9:23)
=> 3 Te Deum, op. 22: Dignare (Prière). Moderato quasi andantino (7:10)
=> 4 Te Deum, op. 22: Christe, rex gloriae (Hymne). Allegro non troppo (5:19)
=> 5 Te Deum, op. 22: Te ergo quaesumus (Prière). Andantino quasi adagio (7:02)
=> 6 Te Deum, op. 22: Judex crederis (Hymne et prière). Allegretto un poco maestoso (10:33)

CD 34: Bizet: L'Arlésienne Suites nos. 1 & 2 / Carmen Suite

=> 1 L'Arlésienne Suite no. 1: Prélude. Allegro deciso (Tempo di marcia) - Andantino - Andante molto (7:02)
=> 2 L'Arlésienne Suite no. 1: Minuetto. Allegro giocoso (3:15)
=> 3 L'Arlésienne Suite no. 1: Adagietto. Adagio (4:47)
=> 4 L'Arlésienne Suite no. 1: Carillon. Allegretto moderato - Andantino - Tempo I (4:29)
=> 5 L'Arlésienne Suite no. 2: Pastorale. Andante sostenuto assai - Andantino - Tempo I (5:21)
=> 6 L'Arlésienne Suite no. 2: Intermezzo. Andante moderato ma con moto - Allegro moderato (3:57)
=> 7 L'Arlésienne Suite no. 2: Menuet. Andantino quasi allegretto (3:56)
=> 8 L'Arlésienne Suite no. 2: Farandole. Allegro deciso (Tempo di marcia) - Allegro vivo e deciso (3:32)
=> 9 Carmen Suite: Prélude. Allegro giocoso (3:28)
=> 10 Carmen Suite: Entr'acte. Allegro moderato (between Act I & II) (1:48)
=> 11 Carmen Suite: Entr'acte. Andantino quasi allegretto (between Act II & III) (3:01)
=> 12 Carmen Suite: Entr'acte Allegro vivo (between Act III & IV) (2:10)

CD 35: Bizet: Carmen (Acts I & II beg.)

=> 1 Carmen: Prélude (3:31)
=> 2 Carmen: Premier Acte. Nᵒ 1 Introduction « Sur la place chacun passe » (les soldats, Moralès) (2:09)
=> 3 Carmen: Premier Acte. « Regardez donc cette petite » (Moralès, les soldats, Micaëla) (4:09)
=> 4 Carmen: Premier Acte. Nᵒ 2 Marche et chœur des gamins : « Avec la garde montante » (les gamins) (2:34)
=> 5 Carmen: Premier Acte. « Repos! » (Zuniga, Moralès, Don José) (0:45)
=> 6 Carmen: Premier Acte. « Allons! allons! » (Zuniga, les gamins) (1:37)
=> 7 Carmen: Premier Acte. « Dites‐moi, brigadier? » (Zuniga, Don José) (1:06)
=> 8 Carmen: Premier Acte. Nᵒ 3 Chœur et scène : « La cloche a sonné » (les jeunes gens, les soldats, les cigarières) (5:12)
=> 9 Carmen: Premier Acte. « Mais nous ne voyons pas la Carmencita » (les soldats, les jeunes gens) (0:45)
=> 10 Carmen: Premier Acte. « Quand je vous aimerai? » (Carmen) / Nᵒ 4 Havanaise : « L’amour est un oiseau rebelle » (Carmen, chœur) (4:49)
=> 11 Carmen: Premier Acte. Nᵒ 5 Scène : « Carmen, sur tes pas nous nous pressons tous » (les jeunes gens, le cigarières, Don José) (2:24)
=> 12 Carmen: Premier Acte. « Monsieur le brigadier? » (Micaëla, Don José) / Nᵒ 6 Duo : « Parle‐moi de ma mère ! » (Don José, Micaëla) (1:41)
=> 13 Carmen: Premier Acte. « Votre mère avec moi sortait de la chapelle » (Micaëla, Don José) (2:19)
=> 14 Carmen: Premier Acte. « Ma mère, je la vois… » (Don José, Micaëla) (2:24)
=> 15 Carmen: Premier Acte. « Que son fils l’aime et la vénère » (Don José, Micaëla) / « Eh bien, eh bien ! » (Zuniga) (4:04)
=> 16 Carmen: Premier Acte. Nᵒ 7 Chœur : « Au secours ! » (les cigarières, Zuniga, les soldats) (3:19)
=> 17 Carmen: Premier Acte. « Voyons, brigadier… » (Zuniga, Don José) / Nᵒ 8 Chanson et mélodrame : « Tra la la la… » (Carmen, Zuniga, les cigarières, un soldat, Don José) (4:14)
=> 18 Carmen: Premier Acte. Nᵒ 9 Chanson (Séguedille) et duo : « Près des remparts de Séville » (Carmen, Don José) (4:29)
=> 19 Carmen: Premier Acte. Nᵒ 10 Finale : « Le lieutenant!… Prenez garde! » (Don José, Zuniga, Carmen) (2:16)
=> 20 Carmen: Entr’acte (1:47)
=> 21 Carmen: Deuxième Acte. Nᵒ 11 Chanson : « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita) (5:06)
=> 22 Carmen: Deuxième Acte. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen) (1:15)
=> 23 Carmen: Deuxième Acte. « Tout est bien alors » (Carmen, Zuniga) / Nᵒ 12 Chœur et ensemble : « Vivat ! vivat le toréro ! » (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia) (1:31)
=> 24 Carmen: Deuxième Acte. Nᵒ 13 Couplet (Air du Toréador) : « Votre toast… je peux vous le rendre » (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) / Nᵒ 13 bis Chœur : « Toréador, en garde » (chœur, Frasquita, Pastia, Dancaïre, Remendado) (8:00)
=> 25 Carmen: Deuxième Acte. Nᵒ 14 Quintette : « Nous avons en tête une affaire » (Dancaïre, Frasquita, Mercédès, Remendado, Carmen) (4:49)
=> 26 Carmen: Deuxième Acte. « Amoureuse… ce n’est pas une raison, cela » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / Nᵒ 15 Chanson : « Halte‐là ! Qui va là ? » (Don José, Mercédès, Frasquita, Dancaïre, Carmen) (2:33)

CD 36: Bizet: Carmen (Acts II cont. & III)

=> 1 Carmen: Deuxième Acte. Nᵒ 16 Duo : « Je vais danser en votre honneur » (Carmen, Don José) (5:41)
=> 2 Carmen: Deuxième Acte. Air de la fleur : « La fleur que tu m’avais jetée » (Don José) (4:15)
=> 3 Carmen: Deuxième Acte. « Non! Tu ne m’aimes pas ! » (Carmen, Don José) (4:01)
=> 4 Carmen: Deuxième Acte. Nᵒ 17 Finale : « Holà ! Carmen ! holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, les bohémiens) (3:31)
=> 5 Carmen: Deuxième Acte. « Suis‐nous à travers la campagne » (Frasquita, Mercédès, Dancaïre, Remendado, les bohémiens, les bohémiennes) (2:00)
=> 6 Carmen: Entr’acte (3:00)
=> 7 Carmen: Troisième Acte, Premier Tableau. Nᵒ 18 Introduction : « Écoute, compagnon, écoute » (les contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado) (4:40)
=> 8 Carmen: Troisième Acte, Premier Tableau. « Halte ! nous allons nous arrêter ici… » (Dancaïre, Remendado, Don José, Carmen) (1:29)
=> 9 Carmen: Troisième Acte, Premier Tableau. Nᵒ 19 Trio : « Mêlons ! » - « Mêlons ! » - « Coupons ! » (Frasquita, Mercédès) (3:20)
=> 10 Carmen: Troisième Acte, Premier Tableau. Air des cartes : « Carreau, pique… la mort ! » (Carmen) (3:20)
=> 11 Carmen: Troisième Acte, Premier Tableau. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen) (0:49)
=> 12 Carmen: Troisième Acte, Premier Tableau. « Eh bien, j’avais raison » (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José) (0:30)
=> 13 Carmen: Troisième Acte, Premier Tableau. Nᵒ 20 Morceau d’ensemble : « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, les bohémiennes, les bohémiens, Dancaïre, Remandado) (3:07)
=> 14 Carmen: Troisième Acte, Premier Tableau. « Nous y sommes » (le guide, Micaëla) (0:43)
=> 15 Carmen: Troisième Acte, Premier Tableau. Nᵒ 21 Air « Je dis que rien ne m’épouvante » (Micaëla) (4:50)
=> 16 Carmen: Troisième Acte, Premier Tableau. « Mais… je ne me trompe pas… » (Micaëla, Escamillo, Don José) / Nᵒ 22 Duo : « Je suis Escamillo, toréro de Grenade » (Escamillo, Don José) (3:42)
=> 17 Carmen: Troisième Acte, Premier Tableau. Nᵒ 23 Finale : « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, les contrebandiers, les contrebandières) (3:00)
=> 18 Carmen: Troisième Acte, Premier Tableau. « Halte !... Quelqu’un est là qui cherche à se cacher » (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo) (5:16)
=> 19 Carmen: Entr’acte (2:10)
=> 20 Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 24 Chœur : « A deux cuartos » (marchandes, marchands, un soldat, Andrès, un bohémien) (2:23)
=> 21 Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 25 Chœur et scène : « Les voici ! Voici le quadrille » (chœur) (3:51)
=> 22 Carmen: Troisième Acte, Deuxième Tableau. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès) (3:19)
=> 23 Carmen: Troisième Acte, Deuxième Tableau. Nᵒ 26 Duo final : « C’est toi? » / « C’est moi ! » (Carmen, Don José, chœur) (9:24)

CD 37: Brahms: Symphony no. 1 / Gesang der Parzen

=> 1 Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro (14:13)
=> 2 Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto (9:39)
=> 3 Symphony no. 1 in C minor, op. 68: 3. Un poco Allegretto e grazioso (5:05)
=> 4 Symphony no. 1 in C minor, op. 68: 4. Adagio - Più Andante - Allegro non troppo, ma con brio (16:35)
=> 5 Gesang der Parzen, op. 89: Maestoso - »Es fürchte die Götter das Menschengeschlects!« (12:32)

CD 38: Brahms: Alto Rhapsody, op. 53 / Symphony no. 2

=> 1 Rhapsody, op. 53: Adagio - »Aber abseits, wer ist's?« - Poco andante - Adagio: »Ist auf deinem Psalter« (13:18)
=> 2 Symphony no. 2 in D major, op. 73: 1. Allegro non troppo (21:02)
=> 3 Symphony no. 2 in D major, op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso (10:02)
=> 4 Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I (5:25)
=> 5 Symphony no. 2 in D major, op. 73: 4. Allegro con spirito (9:42)

CD 39: Brahms: Tragische Ouvertüre / Schicksalslied / Symphony no. 3

=> 1 Tragische Ouvertüre, op. 81 (13:07)
=> 2 Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf keiner Stätte zu ruhn« - Adagio (17:01)
=> 3 Symphony no. 3 in F major, op. 90: 1. Allegro con brio (13:39)
=> 4 Symphony no. 3 in F major, op. 90: 2. Andante (8:27)
=> 5 Symphony no. 3 in F major, op. 90: 3. Poco allegretto (6:28)
=> 6 Symphony no. 3 in F major, op. 90: 4. Allegro (9:01)

CD 40: Brahms: Haydn Variations / Nänie / Symphony no. 4

=> 1 Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante / Variation I. Poco più animato / Variation II. Più vivace / Variation III. Con moto / Variation IV. Andante con moto / Variation V. Vivace / Variation VI. Vivace / Variation VII. Grazioso / Variation VIII. Presto non troppo / Finale. Andante (18:10)
=> 2 Nänie, op. 82: Andante - »Auch das Schöne muss sterben!« - Più sostenuto: »Aber sie steigt aus dem Meer« - Tempo primo - »Auch ein Klaglied zu sein« (14:00)
=> 3 Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo (13:06)
=> 4 Symphony no. 4 in E minor, op. 98: 2. Andante moderato (12:10)
=> 5 Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I (6:26)
=> 6 Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più allegro (10:03)

CD 41: Brahms: Symphony no. 1

=> 1 Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro (17:03)
=> 2 Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto (9:25)
=> 3 Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso (4:51)
=> 4 Symphony no. 1 in C minor, op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio (16:30)

CD 42: Brahms: Symphony no. 2 / Akademische Festouvertüre

=> 1 Symphony no. 2 in D major, op. 73: 1. Allegro non troppo (21:46)
=> 2 Symphony no. 2 in D major, op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso (10:20)
=> 3 Symphony no. 2 in D major, op. 73: 3. Allegretto grazioso (Quasi andantino) - Presto ma non assai - Tempo I (5:36)
=> 4 Symphony no. 2 in D major, op. 73: 4. Allegro con spirito (9:47)
=> 5 Akademische Festouvertüre, op. 80 (10:01)

CD 43: Brahms: Symphony no. 3 / Haydn Variations

=> 1 Symphony no. 3 in F major, op. 90: 1. Allegro con brio (12:53)
=> 2 Symphony no. 3 in F major, op. 90: 2. Andante (9:09)
=> 3 Symphony no. 3 in F major, op. 90: 3. Poco allegretto (6:54)
=> 4 Symphony no. 3 in F major, op. 90: 4. Allegro (8:56)
=> 5 Variations on a Theme by Joseph Haydn, op. 56a: Chorale St Antoni. Andante (2:06)
=> 6 Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato (1:29)
=> 7 Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace (1:07)
=> 8 Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto (1:53)
=> 9 Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto (2:04)
=> 10 Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace (0:53)
=> 11 Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace (1:18)
=> 12 Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso (2:50)
=> 13 Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo (1:01)
=> 14 Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante (3:47)

CD 44: Brahms: Symphony no. 4 / Tragische Ouvertüre

=> 1 Symphony no. 4 in E minor, op. 98: 1. Allegro non troppo (12:15)
=> 2 Symphony no. 4 in E minor, op. 98: 2. Andante moderato (12:18)
=> 3 Symphony no. 4 in E minor, op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I (6:00)
=> 4 Symphony no. 4 in E minor, op. 98: 4. Allegro energico e passionato - Più allegro (9:34)
=> 5 Tragische Ouvertüre, op. 81 (12:51)

CD 45: Brahms: Serenades nos. 1 & 2

=> 1 Serenade no. 1 in D major, op. 11: 1. Allegro molto (13:16)
=> 2 Serenade no. 1 in D major, op. 11: 2. Scherzo. Allegro non troppo - Trio. Poco più moto (8:16)
=> 3 Serenade no. 1 in D major, op. 11: 3. Adagio non troppo (14:53)
=> 4 Serenade no. 1 in D major, op. 11: 4. Menuetto I - Menuetto II (4:09)
=> 5 Serenade no. 1 in D major, op. 11: 5. Scherzo. Allegro - Trio (2:40)
=> 6 Serenade no. 1 in D major, op. 11: 6. Rondo. Allegro (6:00)
=> 7 Serenade no. 2 in A major, op. 16: 1. Allegro moderato (9:35)
=> 8 Serenade no. 2 in A major, op. 16: 2. Scherzo. Vivace (2:37)
=> 9 Serenade no. 2 in A major, op. 16: 3. Adagio non troppo (9:40)
=> 10 Serenade no. 2 in A major, op. 16: 4. Quasi menuetto (5:44)
=> 11 Serenade no. 2 in A major, op. 16: 5. Rondo. Allegro (6:17)

CD 46: Brahms: Hungarian Dances

=> 1 Hungarian Dances, WoO 1: No. 1 in G minor. Allegro molto (2:56)
=> 2 Hungarian Dances, WoO 1: No. 2 in D minor. Allegro non assai - Vivace (2:36)
=> 3 Hungarian Dances, WoO 1: No. 3 in F major. Allegretto (2:18)
=> 4 Hungarian Dances, WoO 1: No. 4 in F-sharp minor. Poco sostenuto - Vivace (4:11)
=> 5 Hungarian Dances, WoO 1: No. 5 in G minor. Allegro - Vivace (2:18)
=> 6 Hungarian Dances, WoO 1: No. 6 in D major. Vivace (3:09)
=> 7 Hungarian Dances, WoO 1: No. 7 in F major. Allegretto - Vivo (1:34)
=> 8 Hungarian Dances, WoO 1: No. 8 in A minor. Presto (2:51)
=> 9 Hungarian Dances, WoO 1: No. 9 in E minor. Allegro ma non troppo (1:38)
=> 10 Hungarian Dances, WoO 1: No. 10 in F major. Presto (1:39)
=> 11 Hungarian Dances, WoO 1: No. 11 in D minor. Poco andante (2:26)
=> 12 Hungarian Dances, WoO 1: No. 12 in D minor. Presto (2:20)
=> 13 Hungarian Dances, WoO 1: No. 13 in D major. Andantino grazioso - Vivace (1:37)
=> 14 Hungarian Dances, WoO 1: No. 14 in D minor. Un poco andante (1:34)
=> 15 Hungarian Dances, WoO 1: No. 15 in B-flat major. Allegretto grazioso (2:44)
=> 16 Hungarian Dances, WoO 1: No. 16 in F minor. Con moto (2:19)
=> 17 Hungarian Dances, WoO 1: No. 17 in F-sharp minor. Andantino - Vivace (2:50)
=> 18 Hungarian Dances, WoO 1: No. 18 in D major. Molto vivace (1:24)
=> 19 Hungarian Dances, WoO 1: No. 19 in B minor. Allegretto (1:57)
=> 20 Hungarian Dances, WoO 1: No. 20 in E minor. Poco allegretto - Vivace (2:26)
=> 21 Hungarian Dances, WoO 1: No. 21 in E minor. Vivace (1:16)

CD 47: Brahms: Piano Concerto no. 2 (Pollini)

=> 1 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo (17:12)
=> 2 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato (8:54)
=> 3 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio (12:44)
=> 4 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto (9:25)

CD 48: Brahms: Piano Concerto no. 1 (Brendel)

=> 1 Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato (22:44)
=> 2 Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio (13:48)
=> 3 Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo (12:16)

CD 49: Brahms: Piano Concerto no. 2 (Brendel)

=> 1 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo (18:00)
=> 2 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato (9:26)
=> 3 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio (12:17)
=> 4 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto (9:29)

CD 50: Brahms: Piano Concerto no. 1 (Pollini)

=> 1 Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato (21:02)
=> 2 Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 2. Adagio (12:11)
=> 3 Concerto for Piano and Orchestra no. 1 in D minor, op. 15: 3. Rondo. Allegro non troppo (11:46)

CD 51: Brahms: Piano Concerto no. 2 (Pollini)

=> 1 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo (17:45)
=> 2 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato (8:55)
=> 3 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante - Più adagio (12:33)
=> 4 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso - Un poco più presto (9:24)

CD 52: Brahms: Violin Concerto / Akademische Festouvertüre

=> 1 Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo (23:43)
=> 2 Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio (9:46)
=> 3 Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto (8:59)
=> 4 Akademische Festouvertüre, op. 80 (10:03)

CD 53: Brahms: Violin Concerto

=> 1 Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo (22:36)
=> 2 Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio (8:42)
=> 3 Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto (8:29)

CD 54: Brahms: Violin Concerto / Double Concerto

=> 1 Concerto for Violin and Orchestra in D major, op. 77: 1. Allegro non troppo (21:01)
=> 2 Concerto for Violin and Orchestra in D major, op. 77: 2. Adagio (8:33)
=> 3 Concerto for Violin and Orchestra in D major, op. 77: 3. Allegro giocoso, ma non troppo vivace - Poco più presto (7:44)
=> 4 Concerto for Violin, Violoncello and Orchestra in A minor, op. 102: 1. Allegro (17:09)
=> 5 Concerto for Violin, Violoncello and Orchestra in A minor, op. 102: 2. Andante (8:02)
=> 6 Concerto for Violin, Violoncello and Orchestra in A minor, op. 102: 3. Vivace non troppo - Poco meno allegro - Tempo I (8:51)

CD 55: Brahms: Ein Deutsches Requiem

=> 1 Ein deutsches Requiem, op. 45: 1. »Selig sind, die da Leid tragen« (chorus) (10:26)
=> 2 Ein deutsches Requiem, op. 45: 2. »Denn alles Fleisch, es ist wie Gras« (chorus) (15:03)
=> 3 Ein deutsches Requiem, op. 45: 3. »Herr, lehre doch mich« (baritone, chorus) (10:29)
=> 4 Ein deutsches Requiem, op. 45: 4. »Wie lieblich sind deine Wohnungen« (chorus) (5:56)
=> 5 Ein deutsches Requiem, op. 45: 5. »Ihr habt nun Traurigkeit« (soprano, chorus) (7:37)
=> 6 Ein deutsches Requiem, op. 45: 6. »Denn wir haben hie keine bleibende Statt« (baritone, chorus) (12:22)
=> 7 Ein deutsches Requiem, op. 45: 7. »Selig sind die Toten« (chorus) (11:40)

CD 56: Brahms: Rinaldo / Schicksalslied

=> 1 Rinaldo, op. 50: »Zu dem Strande! Zu der Barke!« (chorus) - »O lasst mich einen Augenblick noch hier!« (Rinaldo) - (6:18)
=> 2 Rinaldo, op. 50: Poco adagio - »Stell her der goldnen Tage« (Rinaldo) - »Sachte kommt! und kommt verbunden« (chorus, Rinaldo) - In tempo - Allegro - »Aber Alles verkündet« (Rinaldo) - (11:00)
=> 3 Rinaldo, op. 50: »Nein! nicht länger ist zu säumen!« - Allegro non troppo (chorus) - Poco sostenuto - »Weh, was seh' ich, welch ein Bild!« (Rinaldo, chorus) - (4:24)
=> 4 Rinaldo, op. 50: Allegretto non troppo - »Zurück nur! zurücke« (chorus) - (2:33)
=> 5 Rinaldo, op. 50: Andante con moto e poco agitato - »Zum zweiten Male seh' ich erscheinen« (Rinaldo, chorus) - (2:50)
=> 6 Rinaldo, op. 50: Allegro con fuoco - »Und umgewandelt seh' ich die Holde« (Rinaldo, chorus) - »Schon sind sie erhöret« (chorus, Rinaldo) (5:54)
=> 7 Rinaldo, op. 50: Auf dem Meere. Final Chorus: »Segel schwellen! Grüne Wellen« - »Das erfrischet« (6:53)
=> 8 Schicksalslied, op. 54: Langsam und sehnsuchtsvoll - »Ihr wandelt droben im Licht« - Allegro - »Doch uns ist gegeben, auf Stätte zu ruhn« - Adagio (15:17)

CD 57: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1996)

=> 1 Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 1. Allegro (12:16)
=> 2 Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 2. Adagio (13:45)
=> 3 Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 3. Scherzo. Schnell - Trio. Langsamer (8:40)
=> 4 Symphony no. 1 in C minor (1866 Linz version, ed. Leopold Nowak): 4. Finale. Bewegt, feurig (13:48)

CD 58: Bruckner: Symphony no. 4 “Romantic”

=> 1 Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 1. Bewegt, nicht zu schnell (19:07)
=> 2 Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 2. Andante, quasi allegretto (16:17)
=> 3 Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 3. Scherzo. Bewegt - Trio. Nicht zu schnell. Keineswegs schleppend (10:35)
=> 4 Symphony no. 4 in E-flat major “Romantic” (1878/80 version, ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht zu schnell (22:37)

CD 59: Bruckner: Symphony no. 5

=> 1 Symphony no. 5 in B-flat major (ed. Leopold Nowak): 1. Introduktion. Adagio - Allegro (19:33)
=> 2 Symphony no. 5 in B-flat major (ed. Leopold Nowak): 2. Adagio. Sehr langsam (16:33)
=> 3 Symphony no. 5 in B-flat major (ed. Leopold Nowak): 3. Scherzo. Molto vivace (schnell) (12:14)
=> 4 Symphony no. 5 in B-flat major (ed. Leopold Nowak): 4. Finale. Adagio (23:30)

CD 60: Bruckner: Symphony no. 7

=> 1 Symphony no. 7 in E major (ed. Leopold Nowak): 1. Allegro moderato (20:17)
=> 2 Symphony no. 7 in E major (ed. Leopold Nowak): 2. Adagio. Sehr feierlich und sehr langsam (21:57)
=> 3 Symphony no. 7 in E major (ed. Leopold Nowak): 3. Scherzo. Sehr schnell - Trio. Etwas langsamer (9:17)
=> 4 Symphony no. 7 in E major (ed. Leopold Nowak): 4. Finale. Bewegt, doch nicht schnell (12:51)

CD 61: Bruckner: Symphony no. 9 (Wiener Philharmoniker, 1996)

=> 1 Symphony no. 9 in D minor (ed. Leopold Nowak): 1. Feierlich, misterioso (25:05)
=> 2 Symphony no. 9 in D minor (ed. Leopold Nowak): 2. Scherzo. Bewegt, lebhaft - Trio. Schnell (10:06)
=> 3 Symphony no. 9 in D minor (ed. Leopold Nowak): 3. Adagio. Langsam, feierlich (25:13)

CD 62: Bruckner: Symphony no. 1 (Lucerne Festival Orchestra, 2012)

=> 1 Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 1. Allegro (12:04)
=> 2 Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 2. Adagio (12:44)
=> 3 Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 3. Scherzo. Schnell - Trio. Langsamer (8:39)
=> 4 Symphony no. 1 in C minor (1890/91 Vienna version, ed. Brosche): 4. Finale. Bewegt, feurig (16:40)

CD 63: Bruckner: Symphony no. 1 (Wiener Philharmoniker, 1969)

=> 1 Symphony no. 1 in C Minor (1866 Linz version): 1. Allegro (11:51)
=> 2 Symphony no. 1 in C Minor (1866 Linz version): 2. Adagio (12:40)
=> 3 Symphony no. 1 in C Minor (1866 Linz version): 3. Scherzo. Schnell - Trio. Langsamer (8:54)
=> 4 Symphony no. 1 in C Minor (1866 Linz version): 4. Finale. Bewegt, feurig (12:52)

CD 64: Bruckner: Symphony no. 9 (Lucerne Festival Orchestra, 2013)

=> 1 Symphony no. 9 in D minor: 1. Feierlich, misterioso (26:47)
=> 2 Symphony no. 9 in D minor: 2. Scherzo. Bewegt, lebhaft — Trio. Schnell (11:02)
=> 3 Symphony no. 9 in D minor: 3. Adagio. Langsam, feierlich (25:16)

CD 65: Chopin & Liszt: Piano Concertos nos. 1

=> 1 Concerto for Piano and Orchestra no. 1 in E minor, op. 11: 1. Allegro maestoso (18:59)
=> 2 Concerto for Piano and Orchestra no. 1 in E minor, op. 11: 2. Romance. Larghetto (9:58)
=> 3 Concerto for Piano and Orchestra no. 1 in E minor, op. 11: 3. Rondo. Vivace (9:13)
=> 4 Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 1. Allegro maestoso (5:09)
=> 5 Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 2. Quasi adagio - Allegretto vivace - Allegro animato (8:26)
=> 6 Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: 3. Allegro marziale animato - Presto (4:01)

CD 66: Chopin: Piano Concerto no. 2 / Polonaise, op. 44

=> 1 Concerto for Piano and Orchestra no. 2 in F minor, op. 21: 1. Maestoso (13:55)
=> 2 Concerto for Piano and Orchestra no. 2 in F minor, op. 21: 2. Larghetto (10:03)
=> 3 Concerto for Piano and Orchestra no. 2 in F minor, op. 21: 3. Allegro vivace (7:42)
=> 4 Polonaise in F-sharp minor, op. 44: Tempo di polacca - Doppio movimento, tempo di mazurka - Tempo I (9:39)

CD 67: Debussy: Prélude à l'après-midi d'un faune / Nocturnes / Pelléas et Mélisande - Concert Suite

=> 1 Prélude à l'après-midi d'un faune, L 86: Très modéré (9:27)
=> 2 Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé (6:21)
=> 3 Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement (6:15)
=> 4 Nocturnes, L 91: 3. Sirènes (with women's chorus). Modérément animé (9:54)
=> 5 Pelléas et Melisande - Concert Suite, L 88: Acte I. Une forêt (8:05)
=> 6 Pelléas et Melisande - Concert Suite, L 88: Acte II, scène 1. Une fontaine dans le parc (9:10)
=> 7 Pelléas et Melisande - Concert Suite, L 88: Acte III, scène 2. Les souterrains du château / Acte IV, scène 2. Un appartement dans le château (7:30)
=> 8 Pelléas et Melisande - Concert Suite, L 88: Acte V: Une chambre dans le château (5:08)

CD 68: Debussy: Nocturnes / La Mer / Ravel: Daphnis et Chloé (Fragments symphoniques II) / Pavane pour une infante défunte

=> 1 Nocturnes, L 91: 1. Nuages. Modéré - Un peu animé (7:53)
=> 2 Nocturnes, L 91: 2. Fêtes. Animé et très rythmé - Modéré mais toujours très rythmé - De plus en plus sonore et en serrant le mouvement (6:05)
=> 3 Nocturnes, L 91: 3. Sirènes. Modérément animé (10:47)
=> 4 Daphnis et Chloé , M. 57b, Fragments symphoniques (2ᵉ série) : 1. Lever du jour. Lent / 2. Pantomime. Lent - Très lent - Vif - Très lent / 3. Danse générale. Lent - Animé (16:18)
=> 5 Pavane pour une infante défunte, M. 19: Lent (6:45)
=> 6 La Mer, L 109: 1. De l'aube à midi sur la mer - Très lent (8:36)
=> 7 La Mer, L 109: 2. Jeux de vagues. Allegro (6:47)
=> 8 La Mer, L 109: 3. Dialogue du vent et de la mer. Animé et tumultueux (8:37)

CD 69: Debussy: La Damoiselle élue / Prélude à l'après-midi d'un faune / Images Nᵒ 2 « Ibéria »

=> 1 La damoiselle élue, L 62: Début (3:43)
=> 2 La damoiselle élue, L 62: Chœur : « La Damoiselle élue s’appuyait » (chœur, une récitante) (4:44)
=> 3 La damoiselle élue, L 62: La Damoiselle : « Je voudrais qu’il fût déjà près de moi » (8:22)
=> 4 La damoiselle élue, L 62: Chœur : « La lumière tressaillit … » (chœur, une récitante) (3:41)
=> 5 Prélude à l’après-midi d’un faune, L 86: Très modéré (9:50)
=> 6 Images pour orchestre Nᵒ 2 « Ibéria », L 122: 1. Par les rues et par les chemins. Assez animé (7:00)
=> 7 Images pour orchestre Nᵒ 2 « Ibéria », L 122: 2. Les Parfums de la nuit. Lent et rêveur (7:21)
=> 8 Images pour orchestre Nᵒ 2 « Ibéria », L 122: 3. Le matin d’un jour de fête. Dans un rythme de marche lointaine, alerte et joyeuse (4:29)

CD 70: Debussy: Pelléas et Melisande (Acts I-III beg.)

=> 1 Pelléas et Mélisande, L 88: Premier Acte. « Je ne pourrai plus sortir de cette forêt » (Golaud) (3:09)
=> 2 Pelléas et Mélisande, L 88: Premier Acte. « Pourquoi pleures-tu? » (Golaud, Mélisande) (6:21)
=> 3 Pelléas et Mélisande, L 88: Premier Acte. « Je suis perdu aussi » (Golaud) (3:10)
=> 4 Pelléas et Mélisande, L 88: Premier Acte. « Voici ce qu'il écrit à son frère Pelléas » (Geneviève) (2:06)
=> 5 Pelléas et Mélisande, L 88: Premier Acte. « Qu'en dites-vous ? » (Geneviève, Arkel, Pelléas) (5:23)
=> 6 Pelléas et Mélisande, L 88: Premier Acte. Interlude (1:14)
=> 7 Pelléas et Mélisande, L 88: Premier Acte. « Il fait sombre dans les jardins » (Mélisande, Geneviève, Pelléas) (2:38)
=> 8 Pelléas et Mélisande, L 88: Premier Acte. « Hoé! Hisse Hoé! » (marins, Mélisande, Pelléas, Geneviève) (3:57)
=> 9 Pelléas et Mélisande, L 88: Deuxième Acte. « Vous ne savez pas où je vous ai menée ? » (Pelléas, Mélisande) (3:40)
=> 10 Pelléas et Mélisande, L 88: Deuxième Acte. « C'est au bord d'une fontaine » (Pelléas, Mélisande) (2:51)
=> 11 Pelléas et Mélisande, L 88: Deuxième Acte. Interlude (3:19)
=> 12 Pelléas et Mélisande, L 88: Deuxième Acte. « Ah ! Ah ! Tout va bien » (Golaud, Mélisande) (7:51)
=> 13 Pelléas et Mélisande, L 88: Deuxième Acte. « Voyons, donne-moi ta main » (Golaud, Mélisande) (2:53)
=> 14 Pelléas et Mélisande, L 88: Deuxième Acte. Interlude (2:19)
=> 15 Pelléas et Mélisande, L 88: Deuxième Acte. « Oui, c'est ici, nous y sommes » (Pelléas, Mélisande) (4:45)
=> 16 Pelléas et Mélisande, L 88: Troisième Acte. « Mes longs cheveux descendent jusqu'au seuil de la tour » (Mélisande, Pelléas) (5:59)
=> 17 Pelléas et Mélisande, L 88: Troisième Acte. « Je les tiens dans les mains » (Pelléas, Mélisande) (4:11)
=> 18 Pelléas et Mélisande, L 88: Troisième Acte. « Que faites-vous ici ? » (Golaud, Pelléas) (3:32)
=> 19 Pelléas et Mélisande, L 88: Troisième Acte. « Prenez garde ; par ici, par ici » (Golaud, Pelléas) (3:03)

CD 71: Debussy: Pelléas et Melisande (Acts III cont. - V)

=> 1 Pelléas et Mélisande, L 88: Troisième Acte. Interlude … « Ah ! Je respire enfin ! » (Pelléas, Golaud) (4:14)
=> 2 Pelléas et Mélisande, L 88: Troisième Acte. Interlude (1:06)
=> 3 Pelléas et Mélisande, L 88: Troisième Acte. « Viens, nous allons nous asseoir ici, Yniold » (Golaud, Yniold) (5:13)
=> 4 Pelléas et Mélisande, L 88: Troisième Acte. « Qu'ils s'embrassent, petit père ? » (Yniold, Golaud) (4:21)
=> 5 Pelléas et Mélisande, L 88: Quatrième Acte. « Où vas-tu ? » (Pelléas, Mélisande) (2:49)
=> 6 Pelléas et Mélisande, L 88: Quatrième Acte. « Maintenant que le père de Pelléas est sauvé » (Arkel, Mélisande) (5:46)
=> 7 Pelléas et Mélisande, L 88: Quatrième Acte. « Pelléas part ce soir » (Golaud, Arkel, Mélisande) (2:53)
=> 8 Pelléas et Mélisande, L 88: Quatrième Acte. « Ne mettez pas ainsi votre main à la gorge » (Golaud, Arkel, Mélisande) (3:25)
=> 9 Pelléas et Mélisande, L 88: Quatrième Acte. Interlude (3:54)
=> 10 Pelléas et Mélisande, L 88: Quatrième Acte. « Oh ! Cette pierre est lourde » (Yniold, un berger) (4:03)
=> 11 Pelléas et Mélisande, L 88: Quatrième Acte. « C'est le dernier soir » (Pelléas, Mélisande) (3:25)
=> 12 Pelléas et Mélisande, L 88: Quatrième Acte. « Nous sommes venus ici il y a bien longtemps » (Mélisande, Pelléas) (1:46)
=> 13 Pelléas et Mélisande, L 88: Quatrième Acte. « On dirait que ta voix a passé sur la mer au printemps » (Pelléas, Mélisande) (3:47)
=> 14 Pelléas et Mélisande, L 88: Quatrième Acte. « Quel est ce bruit ? » (Pelléas, Mélisande) (4:06)
=> 15 Pelléas et Mélisande, L 88: Cinquième Acte. « Ce n'est pas de cette petite blessure qu'elle peut mourir » (le médecin, Arkel, Golaud) (2:53)
=> 16 Pelléas et Mélisande, L 88: Cinquième Acte. « Attention ; je crois qu'elle s'éveille » (le médecin, Mélisande, Arkel, Golaud) (5:18)
=> 17 Pelléas et Mélisande, L 88: Cinquième Acte. « Mélisande, as-tu pitié de moi comme j'ai pitié da toi ? » (Golaud, Mélisande) (2:40)
=> 18 Pelléas et Mélisande, L 88: Cinquième Acte. « Non, non, nous n'avons pas été coupables » (Mélisande, Golaud) (1:54)
=> 19 Pelléas et Mélisande, L 88: Cinquième Acte. « Qu'avez-vous fait ? » (Arkel, Golaud, Mélisande) (2:34)
=> 20 Pelléas et Mélisande, L 88: Cinquième Acte. « Qu'y a-t-il » (Golaud, le médecin, Arkel) (2:24)
=> 21 Pelléas et Mélisande, L 88: Cinquième Acte. « Attention… attention. Il faut parler à voix basse, maintenant » (Arkel, le médecin, Golaud) (6:42)

CD 72: Dvořák: Symphony no. 9

=> 1 Concert Overture “Othello”, op. 93 (13:44)
=> 2 Symphony no. 9 in E minor “From the New World”. op. 95: 1. Adagio - Allegro molto (12:04)
=> 3 Symphony no. 9 in E minor “From the New World”. op. 95: 2. Largo (13:20)
=> 4 Symphony no. 9 in E minor “From the New World”. op. 95: 3. Molto vivace (7:39)
=> 5 Symphony no. 9 in E minor “From the New World”. op. 95: 4. Allegro con fuoco (11:28)

CD 73: Haydn: Symphony, Hob. I:93 / Symphony “The Clock”, Hob. I:101

=> 1 Symphony in D major, Hob. I:93: 1. Adagio - Allegro assai (7:48)
=> 2 Symphony in D major, Hob. I:93: 2. Largo cantabile (5:07)
=> 3 Symphony in D major, Hob. I:93: 3. Menuetto. Allegro - Trio (4:11)
=> 4 Symphony in D major, Hob. I:93: 4. Finale. Presto ma non troppo (5:21)
=> 5 Symphony in D major “The Clock”, Hob. I:101: 1. Adagio - Presto (8:05)
=> 6 Symphony in D major “The Clock”, Hob. I:101: 2. Andante (7:40)
=> 7 Symphony in D major “The Clock”, Hob. I:101: 3. Menuetto. Allegretto - Trio (6:18)
=> 8 Symphony in D major “The Clock”, Hob. I:101: 4. Finale. Vivace (4:26)

CD 74: Haydn: Symphony “The Miracle”, Hob. I:96 / Sinfonia concertante, Hob. I:105

=> 1 Symphony in D major “The Miracle”, Hob. I:96: 1. Adagio - Allegro (7:13)
=> 2 Symphony in D major “The Miracle”, Hob. I:96: 2. Andante (6:20)
=> 3 Symphony in D major “The Miracle”, Hob. I:96: 3. Menuetto. Trio (5:18)
=> 4 Symphony in D major “The Miracle”, Hob. I:96: 4. Finale. Vivace assai (3:38)
=> 5 Sinfonia Concertante in B-flat major, Hob. I:105: 1. Allegro (9:11)
=> 6 Sinfonia Concertante in B-flat major, Hob. I:105: 2. Andante (5:01)
=> 7 Sinfonia Concertante in B-flat major, Hob. I:105: 3. Allegro con spirito (6:19)

CD 75: Haydn: Overture to “Il mondo della luna” / Symphony, Hob I:98 / “Military” Symphony, Hob. I:100

=> 1 Overture to “Il mondo della luna”, Hob. XXVIII:7 (4:10)
=> 2 Symphony in B-flat major, Hob. I:98: 1. Adagio - Allegro (8:33)
=> 3 Symphony in B-flat major, Hob. I:98: 2. Adagio (6:26)
=> 4 Symphony in B-flat major, Hob. I:98: 3. Menuetto - Trio (5:05)
=> 5 Symphony in B-flat major, Hob. I:98: 4. Finale. Presto (7:46)
=> 6 Symphony in G major “Military”, Hob. I:100: 1. Adagio - Allegro (7:52)
=> 7 Symphony in G major “Military”, Hob. I:100: 2. Allegretto (5:49)
=> 8 Symphony in G major “Military”, Hob. I:100: 3. Menuet. Moderato - Trio (4:47)
=> 9 Symphony in G major “Military”, Hob. I:100: 4. Finale. Presto (5:06)

CD 76: Haydn: Symphony, Hob. I:102 / “Drum Roll” Symphony, Hob. I:103

=> 1 Symphony in B-flat major, Hob. I:102: 1. Largo - Vivace (9:08)
=> 2 Symphony in B-flat major, Hob. I:102: 2. Adagio (5:44)
=> 3 Symphony in B-flat major, Hob. I:102: 3. Menuet. Allegro - Trio (4:59)
=> 4 Symphony in B-flat major, Hob. I:102: 4. Finale. Presto (4:47)
=> 5 Symphony in E-flat major “Drum Roll”, Hob. I:103: 1. Adagio - Allegro con spirito (9:04)
=> 6 Symphony in E-flat major “Drum Roll”, Hob. I:103: 2. Andante più tosto Allegretto (9:58)
=> 7 Symphony in E-flat major “Drum Roll”, Hob. I:103: 3. Menuet - Trio (4:53)
=> 8 Symphony in E-flat major “Drum Roll”, Hob. I:103: 4. Finale. Allegro con spirito (5:15)

CD 77: Hindemith: Symphonie »Mathis der Maler« / Nobilissima visione / Symphonische Metamorphosen

=> 1 Symphonie »Mathis der Maler«: 1. Engelkonzert. Ruhig bewegt (8:58)
=> 2 Symphonie »Mathis der Maler«: 2. Grablegung. Sehr langsam (4:48)
=> 3 Symphonie »Mathis der Maler«: 3. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft (13:37)
=> 4 Nobilissima visione: 1. Einleitung und Rondo. Sehr langsam - Rondo. Mäßig schnell (7:46)
=> 5 Nobilissima visione: 2. Marsch und Pastorale. Lebhaft (8:56)
=> 6 Nobilissima visione: 3. Passacaglia. Feierlich bewegt (5:49)
=> 7 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 1. Allegro (4:05)
=> 8 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 2. “Turandot, Scherzo”. Moderate - Lively (7:12)
=> 9 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 3. Andantino (4:04)
=> 10 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 4. March (4:39)

CD 78: Hindemith: Symphonische Metamorphosen / Janáček: Sinfonietta / Prokofiev: Romeo and Juliet (Excerpts)

=> 1 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 1. Allegro (4:11)
=> 2 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 2. “Turandot, Scherzo”. Moderate - Lively (7:38)
=> 3 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 3. Andantino (4:03)
=> 4 Symphonische Metamorphosen nach Themen von Carl Maria von Weber: 4. March (4:39)
=> 5 Sinfonietta: 1. Allegretto - Allegro - Maestoso (2:32)
=> 6 Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto (5:42)
=> 7 Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato (5:07)
=> 8 Sinfonietta: 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo (2:47)
=> 9 Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio (7:27)
=> 10 Romeo and Juliet, Suite no. 2, op. 64b no. 1: The Montagues and Capulets (5:36)
=> 11 Romeo and Juliet, Suite no. 3, op. 101 no. 16: Morning Dance (2:04)
=> 12 Romeo and Juliet, Ballet, op. 64 no. 5: The Quarrrel (1:47)
=> 13 Romeo and Juliet, Ballet, op. 64 no. 6: The Fight (3:02)
=> 14 Romeo and Juliet, Ballet, op. 64 no. 25: Dance with Mandolins (1:46)
=> 15 Romeo and Juliet, Suite no. 2, op. 64b no. 4: Dance (3:52)
=> 16 Romeo and Juliet, Suite no. 3, op. 101 no. 19: Aubade (Morning Serenade) (2:45)
=> 17 Romeo and Juliet, Suite no. 2, op. 64b no. 6: Dance of the Maids from the Antilles (2:55)
=> 18 Romeo and Juliet, Suite no. 1, op. 64a no. 7: Death of Tybalt (5:04)

CD 79: Janáček: The Diary of One Who Disappeared / Sinfonietta

=> 1 The Diary of One Who Disappeared: 1. “Potkal Jsem Mladou cigánku” (tenor) (1:13)
=> 2 The Diary of One Who Disappeared: 2. “Ta černá cigánka” (tenor) (1:18)
=> 3 The Diary of One Who Disappeared: 3. “Svatojanské mušky tančíja” (tenor) (1:49)
=> 4 The Diary of One Who Disappeared: 4. “Už mladé vlaštúvky” (tenor) (0:54)
=> 5 The Diary of One Who Disappeared: 5. “Těžko sa mi oře” (tenor) (0:48)
=> 6 The Diary of One Who Disappeared: 6. “Hajsi, vy siví volci” (tenor) (1:28)
=> 7 The Diary of One Who Disappeared: 7. “Ztratil sem količek” (tenor) (0:53)
=> 8 The Diary of One Who Disappeared: 8. “Nehled’te, volečci” (tenor) (1:15)
=> 9 The Diary of One Who Disappeared: 9. “Vítaj, Janičku” (alto, tenor, chorus) (2:31)
=> 10 The Diary of One Who Disappeared: 10. “Bože Dálný, Nesmrtelný” (alto, chorus) (4:24)
=> 11 The Diary of One Who Disappeared: 11. “Táhne vuňa k lesu” (tenor, alto) (3:12)
=> 12 The Diary of One Who Disappeared: 12. “Tmavá olšinka, chladná studénka” (tenor) (1:01)
=> 13 The Diary of One Who Disappeared: 13. * * * (orchestra) (2:59)
=> 14 The Diary of One Who Disappeared: 14. “Slnéčko sa zdvihá” (tenor) (1:03)
=> 15 The Diary of One Who Disappeared: 15. “Moji sivi volci” (tenor) (0:56)
=> 16 The Diary of One Who Disappeared: 16. “Co sem to udělal?” (tenor) (1:18)
=> 17 The Diary of One Who Disappeared: 17. “Co komu súzeno” (tenor) (1:43)
=> 18 The Diary of One Who Disappeared: 18. “Nedbám já včil o nic” (tenor) (1:06)
=> 19 The Diary of One Who Disappeared: 19. “Letí straka” (tenor) (1:16)
=> 20 The Diary of One Who Disappeared: 20. “Mám já panenku” (tenor) (0:44)
=> 21 The Diary of One Who Disappeared: 21. “Muj drahý tatíčku” (tenor) (0:52)
=> 22 The Diary of One Who Disappeared: 22. “S Bohem, rodný kraju” (tenor) (2:29)
=> 23 Sinfonietta: 1. Allegretto - Allegro - Maestoso (2:18)
=> 24 Sinfonietta: 2. Andante - Allegretto - Maestoso - Tempo I - Allegretto (5:45)
=> 25 Sinfonietta: 3. Moderato - Con moto - Prestissimo - Tempo I - Moderato (5:07)
=> 26 Sinfonietta: 4. Allegretto - Adagio - Presto - Andante - Presto - Prestissimo (2:59)
=> 27 Sinfonietta: 5. Andante con moto - Maestoso - Tempo I - Allegretto - Allegro - Maestoso - Adagio (6:54)

CD 80: Kurtág: Grabstein fär Stephan / Stele / Stockhausen: Gruppen

=> 1 Grabstein für Stephan, op. 15c (9:31)
=> 2 Gruppen (22:34)
=> 3 Stele, op. 33 (revised version): 1. Adagio - (2:31)
=> 4 Stele, op. 33 (revised version): 2. Lamentoso - disperato, con moto. Nicht zu schnell, aber wild, gehetzt, ungeduldig - (4:07)
=> 5 Stele, op. 33 (revised version): 3. Molto sostenuto (5:55)

CD 81: Mahler: Symphony no. 1 “Titan” (Berliner Philharmoniker)

=> 1 Symphony no. 1 “Titan”: 1. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich (16:13)
=> 2 Symphony no. 1 “Titan”: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich (7:23)
=> 3 Symphony no. 1 “Titan”: 3. Feierlich und gemessen, ohne zu schleppen (10:32)
=> 4 Symphony no. 1 “Titan”: 4. Stürmisch bewegt (20:37)

CD 82: Mahler: Symphony no. 2 “Resurrection” (Lucerne Festival Orchestra)

=> 1 Symphony no. 2 “Resurrection”: 1. Allegro maestoso. [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck (20:45)
=> 2 Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich. Nie eilen (9:22)
=> 3 Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung (11:21)
=> 4 Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht - »O Röschen rot!« (alto solo) (5:04)
=> 5 Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzo - Wild herausfahrend - »Auferstehn, ja auferstehnwirst du« (soprano solo, chorus) - »O glaube, mein Herz, o glaube« (alto & soprano solo, chorus) (34:42)

CD 83: Mahler: Symphony no. 3 (Part I) (Berliner Philharmoniker)

=> 1 Symphony no. 3: Part I. 1. Kräftig. Entschieden (5:10)
=> 2 Symphony no. 3: Part I. 1. Immer das gleiche Tempo [fig. 11] (3:42)
=> 3 Symphony no. 3: Part I. 1. Tempo I [fig. 18] (4:50)
=> 4 Symphony no. 3: Part I. 1. Zeit lassen [fig. 29] (2:02)
=> 5 Symphony no. 3: Part I. 1. Zeit lassen [fig. 33] (4:10)
=> 6 Symphony no. 3: Part I. 1. Immer dasselbe Tempo. (Marsch) [fig. 43] (3:26)
=> 7 Symphony no. 3: Part I. 1. Im alten Marschtempo (Allegro Moderato): 3 bars after [fig. 54] (4:44)
=> 8 Symphony no. 3: Part I. 1. Tempo I [fig. 62] (5:14)

CD 84: Mahler: Symphony no. 3 (Part II) (Berliner Philharmoniker)

=> 1 Symphony no. 3: Part II. 2. Tempo di Menuetto. Sehr mäßig (1:56)
=> 2 Symphony no. 3: Part II. 2. L'istesso tempo [fig. 3] (0:58)
=> 3 Symphony no. 3: Part II. 2. A tempo. (Wie im Anfang) [fig. 6] (3:23)
=> 4 Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di Menuetto [fig. 14] (2:44)
=> 5 Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast (2:28)
=> 6 Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6] (2:51)
=> 7 Symphony no. 3: Part II. 3. Etwas zurückhaltend: 6 bars before [fig. 14] (4:26)
=> 8 Symphony no. 3: Part II. 3. Tempo I: 2 bars before [fig. 17] (2:48)
=> 9 Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27] (3:47)
=> 10 Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp »O Mensch! Gib acht!« (alto solo) (4:50)
=> 11 Symphony no. 3: Part II. 4. Più mosso subito: 6 bars before [fig. 6] (4:18)
=> 12 Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck »Bimm Bamm! Es sungen drei Engel« (chorus, alto solo) (4:19)
=> 13 Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden (3:18)
=> 14 Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4] (2:41)
=> 15 Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9] (2:51)
=> 16 Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 13] (4:00)
=> 17 Symphony no. 3: Part II. 6. Tempo I [fig. 21] (2:41)
=> 18 Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25] (6:28)
=> 19 Applause (3:19)

CD 85: Mahler: Symphony no. 4 / Berg: 7 Early Songs (Berliner Philharmoniker)

=> 1 Symphony no. 4: 1. Bedächtig. Nicht eilen - Recht gemächlich (16:12)
=> 2 Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast (9:34)
=> 3 Symphony no. 4: 3. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen) - Allegro subito - Andante subito (19:57)
=> 4 Symphony no. 4: 4. Sehr behaglich: »Wir genießen die himmlischen Freuden« (soprano solo) (9:28)
=> 5 7 Early Songs: 1. Nacht (3:56)
=> 6 7 Early Songs: 2. Schilflied (2:11)
=> 7 7 Early Songs: 3. Die Nachtigall (2:15)
=> 8 7 Early Songs: 4. Traumgekrönt (2:41)
=> 9 7 Early Songs: 5. Im Zimmer (1:13)
=> 10 7 Early Songs: 6. Liebesode (1:43)
=> 11 7 Early Songs: 7. Sommertage (1:53)
=> 12 Applause (0:32)

CD 86: Mahler: Symphony no. 5 (Berliner Philharmoniker)

=> 1 Symphony no. 5: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt (12:36)
=> 2 Symphony no. 5: Part I. 2. Stürmisch bewegt, mit größter Vehemenz (14:46)
=> 3 Symphony no. 5: Part II. 3. Scherzo. Kräftig, nicht zu schnell (17:26)
=> 4 Symphony no. 5: Part III. 4. Adagietto. Sehr langsam (9:00)
=> 5 Symphony no. 5: Part III. 5. Rondo-Finale. Allegro - Allegro giocoso. Frisch (15:40)

CD 87: Mahler: Symphony no. 6 (Berliner Philharmoniker)

=> 1 Symphony no. 6: 1. Allegro energico, ma non troppo. Heftig, aber markig (22:48)
=> 2 Symphony no. 6: 2. Andante moderato (13:57)
=> 3 Symphony no. 6: 3. Scherzo. Wuchtig (12:43)
=> 4 Symphony no. 6: 4. Finale. Allegro moderato - Allegro energico (29:44)
=> 5 Applause (0:24)

CD 88: Mahler: Symphony no. 7 (Berliner Philharmoniker)

=> 1 Symphony no. 7: 1. Langsam (Adagio) - Allegro risoluto, ma non troppo (21:35)
=> 2 Symphony no. 7: 2. Nachtmusik. Allegro moderato (15:54)
=> 3 Symphony no. 7: 3. Scherzo. Schattenhaft - Trio (8:53)
=> 4 Symphony no. 7: 4. Nachtmusik. Andante amoroso (12:58)
=> 5 Symphony no. 7: 5. Rondo - Finale. Tempo I (Allegro ordinario) - Tempo II (Allegro moderato ma energico) (17:45)
=> 6 Applause (1:01)

CD 89: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I) (Berliner Philharmoniker)

=> 1 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Allegro impetuoso. »Veni, creator spiritus« (chorus I/II) (1:33)
=> 2 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend. »Imple superna gratia« (soprano I, tenor, soprano II, alto I/II, baritone, bass, chorus I/II) (3:34)
=> 3 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Etwas drängend - Noch einmal so langsam. (Nicht schleppend). »Infirma nostri corporis« (chorus I/II, soprano I/II, alto I/II, tenor, bass, baritone) (2:09)
=> 4 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Tempo I. (Allegro, etwas hastig) (1:17)
=> 5 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Sehr fließend - Noch einmal so langsam als vorher. Nicht schleppend. »Infirma nostri corporis« (bass, tenor, alto I/II, baritone, soprano I/II) (2:44)
=> 6 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Plötzlich sehr breit und leidenschaftlichen Ausdrucks - Mit plötzlichem Aufschwung. »Accende lumen sensibus« (soprano I/II, alto I/II, tenor, baritone, bass, boys' choir, chorus I/II) (4:53)
=> 7 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. »Veni, creator spiritus« (soprano I/II, alto I/II, tenor, baritone, bass, chorus I/II, boys' choir) (4:13)
=> 8 Symphony no. 8 “Symphony of a Thousand”: Part I: Hymnus »Veni, creator spiritus«. Wieder frisch. »Gloria sit Patri Domino« (boys' choir, soprano I/II, alto I/II, tenor, chorus I/II, baritone, bass) (2:57)

CD 90: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II) (Berliner Philharmoniker)

=> 1 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Poco adagio (6:49)
=> 2 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Più mosso. (Allegro moderato) (3:15)
=> 3 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Wieder langsam. Chor und Echo: »Waldung, sie schwankt heran« (chorus I/II) (4:46)
=> 4 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Moderato. Pater ecstaticus: »Ewiger Wonnebrand« (baritone) (1:53)
=> 5 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro - (Allegro appassionato). Pater profundus: »Wie Felsenabgrund mir zu Füßen« (bass) (4:42)
=> 6 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: »Gerettet ist das edle Glied der Geisterwelt vom Bösen« / Chor seliger Knaben: »Hände verschlinget euch« (chorus I/II, soprano, alto, boys' choir) (1:03)
=> 7 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Molto leggiero. Chor der jüngeren Engel: »Jene Rosen aus den Händen« (chorus I, soprano, alto) (1:52)
=> 8 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Schon etwas langsamer und immer noch mäßiger - Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: »Uns bleibt ein Erdenrest« (chorus II, soprano, alto, tenor, alto solo) (2:04)
=> 9 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: »Ich spür’ soeben nebelnd um Felsenhöh« / Doctor Marianus: »Hier ist die Aussicht frei« / Chor seliger Knaben: »Freudig empfangen wir« (chorus I, soprano, alto, tenor, boys' choir) (1:19)
=> 10 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sempre l'istesso tempo. Doctor Marianus: »Höchste Herrscherin der Welt!« (tenor, chorus I/II) (4:02)
=> 11 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Äußerst langsam. Adagissimo. »Dir, der Unberührbaren« (chorus I/II) / Chor der Büßerinnen und Una poenitentium: »Du schwebst zu Höhen der ewigen Reiche« (chorus II, soprano I) (3:52)
=> 12 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Fließend. Magna Peccatrix: »Bei der Liebe, die den Füßen« / Mulier Samaritana: »Bei dem Bronn, zu dem schon weiland« / Maria Aegyptiaca: »Bei dem hochgeweihten Orte« (soprano II, alto I, alto II) (4:57)
=> 13 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Una poenitentium: »Neige, neige, du Ohnegleiche« (soprano I) (0:54)
=> 14 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Unmerklich frischer werden. Selige Knaben: »Er überwächst uns schon« / Una poenitentium: »Vom edlen Geisterchor umgeben« (boys' choir, chorus II, soprano, soprano I) (3:23)
=> 15 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam. Mater gloriosa: »Komm! hebe dich zu höhern Sphären!« / Hymnenartig (Ungefähr im selben Zeitmaß weiter). Doctor Marianus: »Blicket auf zum Retterblick, alle reuig Zarten« (soprano, tenor, chorus I/II, boys' choir) (7:16)
=> 16 Symphony no. 8: Part II: Final Scene from Geothe's “Faust II”. Sehr langsam beginnend. Chorus mysticus: »Alles Vergängliche ist nur ein Gleichnis« (chorus I/II, soprano I/II, alto I/II, tenor, baritone, bass, boys' choir) (5:43)

CD 91: Mahler: Symphony no. 9 (Berliner Philharmoniker)

=> 1 Symphony no. 9: 1. Andante comodo (25:52)
=> 2 Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (14:56)
=> 3 Symphony no. 9: 3. Rondo-Burleske. Allegro assai. Sehr trotzig (12:21)
=> 4 Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend (25:56)
=> 5 Applause (1:58)

CD 92: Mahler: Symphony no. 10 (unfinished) / Symphony no. 2 “Resurrection” (beg.) (Wiener Philharmoniker)

=> 1 Symphony no. 10 (unfinished): Adagio: 1. Andante - Adagio (3:28)
=> 2 Symphony no. 10 (unfinished): Adagio: 2. Andante come prima [bar 40] (5:49)
=> 3 Symphony no. 10 (unfinished): Adagio: 3. [bar 105] (6:01)
=> 4 Symphony no. 10 (unfinished): Adagio: 4. [bar 178] (3:26)
=> 5 Symphony no. 10 (unfinished): Adagio: 5. A tempo [bar 217] (5:49)
=> 6 Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck (5:59)
=> 7 Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend [fig. 7] (5:34)
=> 8 Symphony no. 2 “Resurrection”: 1. Schnell [fig. 15] (4:06)
=> 9 Symphony no. 2 “Resurrection”: 1. Tempo I [5 bars after fig. 20] (3:27)
=> 10 Symphony no. 2 “Resurrection”: 1. Tempo sostenuto [fig. 24] (3:16)

CD 93: Mahler: Symphony no. 2 “Resurrection” (cont.) (Wiener Philharmoniker)

=> 1 Symphony no. 2 “Resurrection”: 2. Andante moderato. Sehr gemächlich (1:26)
=> 2 Symphony no. 2 “Resurrection”: 2. Nicht eilen. Sehr gemächlich [1 bar before fig. 3] (1:34)
=> 3 Symphony no. 2 “Resurrection”: 2. In Tempo I zurückkehren [fig. 5] (1:42)
=> 4 Symphony no. 2 “Resurrection”: 2. Energisch bewegt [fig. 6] (2:28)
=> 5 Symphony no. 2 “Resurrection”: 2. Wieder ins Tempo zurückgehen. Tempo I [fig. 12] (3:23)
=> 6 Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung (5:10)
=> 7 Symphony no. 2 “Resurrection”: 3. Sehr getragen und gesangvoll [fig. 40] (1:26)
=> 8 Symphony no. 2 “Resurrection”: 3. Zum Tempo I zurückkehren [fig. 43] (4:59)
=> 9 Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht. »O Röschen rot!« (alto solo) (5:26)
=> 10 Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzos. Wild herausfahrend (1:49)
=> 11 Symphony no. 2 “Resurrection”: 5. Langsam [fig. 3] (4:11)
=> 12 Symphony no. 2 “Resurrection”: 5. Im Angang sehr zurückgehalten [fig. 7] (1:23)
=> 13 Symphony no. 2 “Resurrection”: 5. Wieder sehr breit [fig. 10] (3:14)
=> 14 Symphony no. 2 “Resurrection”: 5. Molto ritenuto. Maestoso [3 bars before fig. 14] (4:30)
=> 15 Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend [fig. 21] (3:51)
=> 16 Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt [fig. 29] (2:37)
=> 17 Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso [fig. 31]. »Auferstehn, ja auferstehn wirst du« (soprano solo, chorus) (3:35)
=> 18 Symphony no. 2 “Resurrection”: 5. Langsam ppp. Nicht schleppen [fig. 35]. »Wieder aufzublühn, wirst du gesät« (soprano solo, chorus) (3:23)
=> 19 Symphony no. 2 “Resurrection”: 5. Etwas bewegter [fig. 39]. »O glaube, mein Herz, o glaube« (alto & soprano solo, chorus) (3:31)
=> 20 Symphony no. 2 “Resurrection”: 5. Mit Aufschwung, aber nicht eilen [fig. 44]. »O Schmerz! Du Alldurchdringer« (alto & soprano solo, chorus) (4:57)

CD 94: Mahler: Symphony no. 3 (Parts I & II beg.) (Wiener Philharmoniker)

=> 1 Symphony no. 3: Part I. 1. Kräftig. Entschieden (7:01)
=> 2 Symphony no. 3: Part I. 1. Langsam. Schwer [fig. 13] (2:40)
=> 3 Symphony no. 3: Part I. 1. Tempo I [fig. 18] (5:02)
=> 4 Symphony no. 3: Part I. 1. A tempo [fig. 29] (6:09)
=> 5 Symphony no. 3: Part I. 1. Immer dasselbe Tempo (Marsch) [fig. 43] (3:15)
=> 6 Symphony no. 3: Part I. 1. (Allegro moderato) [3 bars after fig. 54] (5:10)
=> 7 Symphony no. 3: Part I. 1. Tempo I [fig. 62] (5:06)
=> 8 Symphony no. 3: Part II. 2. Tempo di menuetto. Sehr mäßig (3:04)
=> 9 Symphony no. 3: Part II. 2. A tempo [fig. 6] (3:32)
=> 10 Symphony no. 3: Part II. 2. Ganz plötzlich gemächlich. Tempo di menuetto [fig. 14] (2:50)
=> 11 Symphony no. 3: Part II. 3. Comodo. Scherzando. Ohne Hast (2:33)
=> 12 Symphony no. 3: Part II. 3. Wieder sehr gemächlich, wie zu Anfang [fig. 6] (3:05)
=> 13 Symphony no. 3: Part II. 3. Sehr gemächlich (Posthorn) [fig. 14] (4:28)
=> 14 Symphony no. 3: Part II. 3. Tempo I [2 bars before fig. 17] (2:58)
=> 15 Symphony no. 3: Part II. 3. Wieder sehr gemächlich, beinahe langsam [fig. 27] (3:50)

CD 95: Mahler: Symphony no. 3 (Part II cont.) (Wiener Philharmoniker)

=> 1 Symphony no. 3: Part II. 4. Sehr langsam. Misterioso. Durchaus ppp. »O Mensch! Gib acht!« (alto solo) (5:44)
=> 2 Symphony no. 3: Part II. 4. Più mosso subito [6 bars after fig. 6] (4:57)
=> 3 Symphony no. 3: Part II. 5. Lustig im Tempo und keck im Ausdruck. »Bimm bamm / Es sungen drei Engel« (chorus, alto solo) (4:31)
=> 4 Symphony no. 3: Part II. 6. Langsam. Ruhevoll. Empfunden (4:23)
=> 5 Symphony no. 3: Part II. 6. Nicht mehr so breit [fig. 4] (3:07)
=> 6 Symphony no. 3: Part II. 6. Tempo I. Ruhevoll [fig. 9] (4:01)
=> 7 Symphony no. 3: Part II. 6. A tempo (Etwas bewegter) [fig. 14] (4:17)
=> 8 Symphony no. 3: Part II. 6. Tempo I [fig. 21] (3:13)
=> 9 Symphony no. 3: Part II. 6. Langsam. Tempo I [fig. 25] (7:36)

CD 96: Mahler: Symphony no. 4 (Wiener Philharmoniker)

=> 1 Symphony no. 4: 1. Bedächtig. Nicht eilen - Recht gemächlich (16:12)
=> 2 Symphony no. 4: 2. In gemächlicher Bewegung. Ohne Hast (9:18)
=> 3 Symphony no. 4: 3. Ruhevoll (Poco adagio) - Allegretto subito (Nicht eilen - Allegro subito - Andante subito) (23:32)
=> 4 Symphony no. 4: 4. Sehr behaglich: »Wir genießen die himmlischen Freuden« (soprano solo) (9:12)

CD 97: Mahler: Symphony no. 9 (Wiener Philharmoniker)

=> 1 Symphony no. 9: 1. Andante comodo (5:02)
=> 2 Symphony no. 9: 1. Etwas frischer [bar 80] (3:47)
=> 3 Symphony no. 9: 1. Tempo I [bar 148] (1:30)
=> 4 Symphony no. 9: 1. Mit Wut. Allegro risoluto [bar 174] (1:34)
=> 5 Symphony no. 9: 1. Leidenschaftlich [bar 211] (2:39)
=> 6 Symphony no. 9: 1. Schattenhaft [bar 254] (1:40)
=> 7 Symphony no. 9: 1. Etwas fließender [bar 279] (3:35)
=> 8 Symphony no. 9: 1. Wie von Anfang [bar 347] (3:57)
=> 9 Symphony no. 9: 1. Schon ganz langsam [bar 406] (3:38)
=> 10 Symphony no. 9: 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb (2:40)
=> 11 Symphony no. 9: 2. Poco più mosso subito (Tempo II) [bar 90] (2:28)
=> 12 Symphony no. 9: 2. Tempo III [bar 218] (1:31)
=> 13 Symphony no. 9: 2. A tempo II [bar 261] (2:44)
=> 14 Symphony no. 9: 2. Tempo I [bar 369] (1:26)
=> 15 Symphony no. 9: 2. Tempo II [bar 423] (1:25)
=> 16 Symphony no. 9: 2. 8 bars before: Tempo I subito [bar 515] (3:10)
=> 17 Symphony no. 9: 3. Rondo-Burleske. Allegro assai. Sehr trotzig (1:50)
=> 18 Symphony no. 9: 3. L'istesso tempo [bar 109] (1:14)
=> 19 Symphony no. 9: 3. Sempre l'istesso tempo [bar 180] (2:15)
=> 20 Symphony no. 9: 3. Sempre l'istesso tempo [bar 311] (3:06)
=> 21 Symphony no. 9: 3. (clarinets/Klarinetten) [bar 444] (1:39)
=> 22 Symphony no. 9: 3. Tempo I. subito [bar 522] (1:36)
=> 23 Symphony no. 9: 3. Più stretto [bar 617] (0:59)
=> 24 Symphony no. 9: 4. Adagio. Sehr langsam und noch zurückhaltend (3:49)
=> 25 Symphony no. 9: 4. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd [bar 28] (2:06)
=> 26 Symphony no. 9: 4. Molto adagio subito [bar 49] (1:58)
=> 27 Symphony no. 9: 4. A tempo (Molto adagio) [bar 64] (2:27)
=> 28 Symphony no. 9: 4. Stets sehr gehalten [bar 88] (2:58)
=> 29 Symphony no. 9: 4. Fließender, doch durchaus nicht eilend [bar 107] (1:33)
=> 30 Symphony no. 9: 4. Tempo I. Molto adagio [bar 126] (5:08)
=> 31 Symphony no. 9: 4. Adagissimo [bar 159] (4:29)

CD 98: Mahler: Symphony no. 1 “Titan” (Chicago Symphony Orchestra)

=> 1 Symphony no. 1 “Titan”: 1 Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich (16:20)
=> 2 Symphony no. 1 “Titan”: 2. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich (7:16)
=> 3 Symphony no. 1 “Titan”: 3. Feierlich und gemessen, ohne zu schleppen (10:55)
=> 4 Symphony no. 1 “Titan”: 4. Stürmisch bewegt (19:44)

CD 99: Mahler: Symphony no. 2 “Resurrection” (Chicago Symphony Orchestra)

=> 1 Symphony no. 2 “Resurrection”: 1. Allegro maestoso [Totenfeier]. Mit durchaus ernstem und feierlichem Ausdruck (5:38)
=> 2 Symphony no. 2 “Resurrection”: 1. Sehr mäßig und zurückhaltend (5:37)
=> 3 Symphony no. 2 “Resurrection”: 1. Sehr langsam beginnend (9:35)
=> 4 Symphony no. 2 “Resurrection”: 2. Andante moderato (10:01)
=> 5 Symphony no. 2 “Resurrection”: 3. [Scherzo]. In ruhig fließender Bewegung (10:32)
=> 6 Symphony no. 2 “Resurrection”: 4. »Urlicht«. Sehr feierlich, aber schlicht - »O Röschen rot« (alto solo) (5:08)
=> 7 Symphony no. 2 “Resurrection”: 5. Im Tempo des Scherzo. Wild herausfahrend (1:40)
=> 8 Symphony no. 2 “Resurrection”: 5. Langsam (3:55)
=> 9 Symphony no. 2 “Resurrection”: 5. Im Anfang sehr zurückgehalten (1:16)
=> 10 Symphony no. 2 “Resurrection”: 5. Wieder sehr breit (3:03)
=> 11 Symphony no. 2 “Resurrection”: 5. Maestoso. Sehr zurückhaltend (4:19)
=> 12 Symphony no. 2 “Resurrection”: 5. Wieder zurückhaltend (2:16)
=> 13 Symphony no. 2 “Resurrection”: 5. Langsam, immer noch mehr zurückhaltend (1:24)
=> 14 Symphony no. 2 “Resurrection”: 5. Sehr langsam und gedehnt (2:29)
=> 15 Symphony no. 2 “Resurrection”: 5. Langsam. Misterioso »Auferstehen, ja auferstehen wirst du« (soprano solo, chorus) (6:52)
=> 16 Symphony no. 2 “Resurrection”: 5. Etwas bewegter »O glaube, mein Herz, o glaube« (alto & soprano solo) (1:32)
=> 17 Symphony no. 2 “Resurrection”: 5. Wieder etwas zurückhaltend »Was entstanden ist, das muss vergehen« (chorus, alto & soprano solo) (5:39)

CD 100: Mahler: Symphony no. 5 (Chicago Symphony Orchestra)

=> 1 Symphony no. 5: Part I. 1. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt (12:54)
=> 2 Symphony no. 5: Part I. 2. Stürmisch bewegt, mit größter Vehemenz (15:17)
=> 3 Symphony no. 5: Part II. 3. Scherzo. Kräftig, nicht zu schnell (17:40)
=> 4 Symphony no. 5: Part III. 4. Adagietto. Sehr langsam (11:55)
=> 5 Symphony no. 5: Part III. 5. Rondo-Finale. Allegro - Allegro giocoso. Frisch (14:40)

CD 101: Mahler: Symphony no. 6 (beg.) (Chicago Symphony Orchestra)

=> 1 Symphonie no. 6: 1. Allegro energico, ma non troppo. Heftig, aber markig (23:35)
=> 2 Symphonie no. 6: 2. Andante moderato (13:18)
=> 3 Symphonie no. 6: 3. Scherzo. Wuchtig (15:53)

CD 102: Mahler: Symphony no. 6 (cont.) / Rückert Lieder (Chicago Symphony Orchestra)

=> 1 Symphonie no. 6: 4. Finale. Allegro moderato - Allegro energico (30:56)
=> 2 5 Lieder nach Texten von Friedrich Rückert: Blicke mir nicht in die Lieder (1:32)
=> 3 5 Lieder nach Texten von Friedrich Rückert: Liebst du um Shönheit (2:14)
=> 4 5 Lieder nach Texten von Friedrich Rückert: Ich bin der Welt abhanden gekommen (7:04)
=> 5 5 Lieder nach Texten von Friedrich Rückert: Ich atmet' einen linden Duft (2:54)
=> 6 5 Lieder nach Texten von Friedrich Rückert: Um Mitternacht (6:10)

CD 103: Mahler: Symphony no. 7 (Chicago Symphony Orchestra)

=> 1 Symphony no. 7: 1. Langsam (Adagio) (2:03)
=> 2 Symphony no. 7: 1. Nicht schleppen [bar 27] (1:17)
=> 3 Symphony no. 7: 1. Allegro risoluto, ma non troppo [bar 50] (1:27)
=> 4 Symphony no. 7: 1. a tempo [bar 118] (1:48)
=> 5 Symphony no. 7: 1. [bar 171] (3:12)
=> 6 Symphony no. 7: 1. Subito allegro I [bar 266] (3:42)
=> 7 Symphony no. 7: 1. Adagio (Tempo der Einleitung) [bar 388] (2:29)
=> 8 Symphony no. 7: 1. Allegro come prima [bar 373] (5:26)
=> 9 Symphony no. 7: 2. Nachtmusik. Allegro moderato (3:55)
=> 10 Symphony no. 7: 2. Sempre l'istesso Tempo (Nicht eilen) [bar 83] (6:56)
=> 11 Symphony no. 7: 2. Tempo [bar 223] (1:45)
=> 12 Symphony no. 7: 2. [bar 262] (3:59)
=> 13 Symphony no. 7: 3. Scherzo. Schattenhaft (3:02)
=> 14 Symphony no. 7: 3. Trio [bar 179] (2:07)
=> 15 Symphony no. 7: 3. Wieder wie zu Anfang [bar 294] (3:45)
=> 16 Symphony no. 7: 4. Nachtmusik. Andante amoroso (6:15)
=> 17 Symphony no. 7: 4. [bar 187] (7:45)
=> 18 Symphony no. 7: 5. Rondo - Finale. Tempo I (Allegro ordinario) (3:01)
=> 19 Symphony no. 7: 5. Tempo II (Allegro moderato ma energico) [bar 87] (5:27)
=> 20 Symphony no. 7: 5. Tempo I [bar 267] (2:56)
=> 21 Symphony no. 7: 5. Sempre l'istesso tempo (Tempo I) [bar 368] (6:18)

CD 104: Mahler: Lieder nach Gedichten aus Des Knaben Wunderhorn

=> 1 Lieder nach Gedichten aus Des Knaben Wunderhorn: Revelge (7:13)
=> 2 Lieder nach Gedichten aus Des Knaben Wunderhorn: Rheinlegendchen (3:21)
=> 3 Lieder nach Gedichten aus Des Knaben Wunderhorn: Trost im Unglück (2:22)
=> 4 Lieder nach Gedichten aus Des Knaben Wunderhorn: Verlorne Müh’ (2:42)
=> 5 Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Schildwache Nachtlied (6:10)
=> 6 Lieder nach Gedichten aus Des Knaben Wunderhorn: Das irdische Leben (2:52)
=> 7 Lieder nach Gedichten aus Des Knaben Wunderhorn: Lied des Verfolgten im Turm (3:56)
=> 8 Lieder nach Gedichten aus Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht? (2:05)
=> 9 Lieder nach Gedichten aus Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (4:03)
=> 10 Lieder nach Gedichten aus Des Knaben Wunderhorn: Lob des hohen Verstandes (2:32)
=> 11 Lieder nach Gedichten aus Des Knaben Wunderhorn: Wo die schönen Trompeten blasen (7:08)
=> 12 Lieder nach Gedichten aus Des Knaben Wunderhorn: Der Tamboursg’sell (6:56)
=> 13 Lieder nach Gedichten aus Des Knaben Wunderhorn: Urlicht (5:44)

CD 105: Mendelssohn: Symphony no. 1 / Scherzo from Octet, op. 20 / Overtures: Ein Sommernachtstraum / Die Hebriden / Meeresstille und glückliche Fahrt

=> 1 Symphony no. 1 in C minor, op. 11: 1. Allegro de molto (10:39)
=> 2 Symphony no. 1 in C minor, op. 11: 2. Andante (6:40)
=> 3 Symphony no. 1 in C minor, op. 11: 3. Menuetto. Allegro molto (6:45)
=> 4 Symphony no. 1 in C minor, op. 11: 4. Allegro con fuoco (8:20)
=> 5 Scherzo in G minor from Octet, op. 20: Sempre pianissimo e leggiero (4:02)
=> 6 Ein Sommernachtstraum, op. 21: Allegro di molto (12:07)
=> 7 Die Hebriden (»Die Fingalshöhle«), op. 26: Allegro moderato - animato in tempo (10:29)
=> 8 Meeresstille und glückliche Fahrt, op. 27: Adagio - Molto allegro e vivace (13:08)

CD 106: Mendelssohn: Symphony no. 2 “Hymn of Praise”

=> 1 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 1. Sinfonia. Maestoso con moto - Allegro - Maestoso con moto come I - attacca (13:47)
=> 2 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 1. Allegretto un poco agitato - (7:00)
=> 3 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 1. Adagio religioso (8:08)
=> 4 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 2. Allegro moderato maestoso - Allegro di molto - Chorus: »Alles, was Odem hat, lobe den Herrn« (5:29)
=> 5 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 2. Molto più moderato ma con fuoco - »Lobe den Herrn, meine Seele« (soprano I, women's chorus) (2:42)
=> 6 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 3. Recitative: »Saget es, die ihr erlöset seid durch den Herrn« (tenor) (0:51)
=> 7 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 3. Allegro moderato - [Aria]: »Er zählet unsre Tränen in der Zeit der Not« (tenor) (2:20)
=> 8 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 4. A tempo moderato - Chorus: »Sagt es, die ihr erlöset seid« (2:08)
=> 9 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 5. Andante - Duet & Chorus: »Ich harrete des Herrn« (sopranos I & II) - »Wohl dem, der seine Hoffnung setzt« (chorus) (6:46)
=> 10 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 6. Allegro un poco agitato - Allegro assai agitato - Tempo I moderato - Aria: »Stricke des Todes hatten uns umfangen« (tenor) (4:14)
=> 11 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 7. Allegro maestoso e molto vivace - Chorus: »Die Nacht ist vergangen« (4:58)
=> 12 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 8. Andante con moto - Un poco più animato - Chorale: »Nun danket alle Gott« (4:13)
=> 13 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 9. Andante sostenuto assai - [Duet]: »Drum sing' ich mit meinem Liede ewig dein Lob« (tenor, soprano I) (5:12)
=> 14 Symphony no. 2 in B-flat major “Hymn of Praise”, op. 52: 10. Allegro non troppo - Più vivace - Maestoso come I - Final Chorus: »Ihr Völker, bringet her dem Herrn Ehre und Macht! Danket dem Herrn und rühmt seinen Namen« (6:31)

CD 107: Mendelssohn: Symphony no. 3 “Scottish” / Overtures: Die schöne Melusine / Trompeten-Ouvertüre / Ruy Blas

=> 1 Symphony no. 3 in A minor “Scottish”, op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima - (16:54)
=> 2 Symphony no. 3 in A minor “Scottish”, op. 56: 2. Vivace non troppo (4:04)
=> 3 Symphony no. 3 in A minor “Scottish”, op. 56: 3. Adagio (11:28)
=> 4 Symphony no. 3 in A minor “Scottish”, op. 56: 4. Allegro vivacissimo - Allegro maestoso assai (10:04)
=> 5 Die schöne Melusine, op. 32: Allegro con moto (10:55)
=> 6 Trompeten-Ouvertüre, op. 101: Allegro vivace (9:14)
=> 7 Ruy Blas, op. 95: Lento - Allegro molto (8:20)

CD 108: Mendelssohn: Symphonies nos. 1 “Italian” & 5 “Reformation” / Overture for Wind Instruments

=> 1 Symphony no. 4 in A major “Italian”, op. 90: 1. Allegro vivace (10:30)
=> 2 Symphony no. 4 in A major “Italian”, op. 90: 2. Andante con moto (5:55)
=> 3 Symphony no. 4 in A major “Italian”, op. 90: 3. Con moto moderato (6:29)
=> 4 Symphony no. 4 in A major “Italian”, op. 90: 4. Saltarello. Presto (5:30)
=> 5 Symphony no. 5 in D minor “Reformation”, op. 107: 1. Andante - Allegro con fuoco (12:13)
=> 6 Symphony no. 5 in D minor “Reformation”, op. 107: 2. Allegro vivace (5:48)
=> 7 Symphony no. 5 in D minor “Reformation”, op. 107: 3. Andante (3:45)
=> 8 Symphony no. 5 in D minor “Reformation”, op. 107: 4. Chorale »Ein' feste Burg ist unser Gott«. Andante con moto - Allegro maestoso (9:14)
=> 9 Overture for Wind Instruments in C major, op. 24: Andante con moto - Allegro vivace (9:46)

CD 109: Mendelssohn: Symphonies nos. 3 “Scottish” & 4 “Italian”

=> 1 Symphony no. 3 in A minor “Scottish”, op. 56: 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima (12:41)
=> 2 Symphony no. 3 in A minor “Scottish”, op. 56: 2. Vivace non troppo (4:15)
=> 3 Symphony no. 3 in A minor “Scottish”, op. 56: 3. Adagio (10:11)
=> 4 Symphony no. 3 in A minor “Scottish”, op. 56: 4. Allegro vivacissimo - Allegro maestoso assai (9:32)
=> 5 Symphony no. 4 in A major “Italian”, op. 90: 1. Allegro vivace (10:30)
=> 6 Symphony no. 4 in A major “Italian”, op. 90: 2. Andante con moto (7:00)
=> 7 Symphony no. 4 in A major “Italian”, op. 90: 3. Con moto moderato (6:39)
=> 8 Symphony no. 4 in A major “Italian”, op. 90: 4. Saltarello. Presto (5:44)

CD 110: Mendelssohn: Violin Concerto / Bruch: Violin Concerto no. 1

=> 1 Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionato (13:27)
=> 2 Concerto for Violin and Orchestra in E minor, op. 64: 2. Andante (8:50)
=> 3 Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivace (7:06)
=> 4 Concerto for Violin and Orchestra no. 1 in G minor, op. 26: 1. Vorspiel. Allegro moderato (8:47)
=> 5 Concerto for Violin and Orchestra no. 1 in G minor, op. 26: 2. Adagio (9:34)
=> 6 Concerto for Violin and Orchestra no. 1 in G minor, op. 26: 3. Finale. Allegro energico (7:32)

CD 111: Mozart: Symphonies nos. 35 “Haffner”, 29 & 33

=> 1 Symphony no. 35 in D major “Haffner”, K. 385: 1. Allegro con spirito (5:36)
=> 2 Symphony no. 35 in D major “Haffner”, K. 385: 2. Andante (8:13)
=> 3 Symphony no. 35 in D major “Haffner”, K. 385: 3. Menuetto - Trio (3:09)
=> 4 Symphony no. 35 in D major “Haffner”, K. 385: 4. Presto (3:54)
=> 5 Symphony no. 29 in A major, K. 201: 1. Allegro moderato (10:30)
=> 6 Symphony no. 29 in A major, K. 201: 2. Andante (10:14)
=> 7 Symphony no. 29 in A major, K. 201: 3. Menuetto - Trio (3:18)
=> 8 Symphony no. 29 in A major, K. 201: 4. Allegro con spirito (6:41)
=> 9 Symphony no. 33 in B-flat major, K. 319: 1. Allegro assai (6:23)
=> 10 Symphony no. 33 in B-flat major, K. 319: 2. Andante moderato (3:59)
=> 11 Symphony no. 33 in B-flat major, K. 319: 3. Menuetto - Trio (2:37)
=> 12 Symphony no. 33 in B-flat major, K. 319: 4. Allegro assai (7:55)

CD 112: Mozart: Symphonies nos. 38 “Prague” & 41 “Jupiter”

=> 1 Symphony no. 38 in D major “Prague”, K. 504: 1. Adagio - Allegro (17:41)
=> 2 Symphony no. 38 in D major “Prague”, K. 504: 2. Andante (11:13)
=> 3 Symphony no. 38 in D major “Prague”, K. 504: 3. Presto (8:20)
=> 4 Symphony no. 41 in C major “Jupiter”, K. 551: 1. Allegro vivace (11:27)
=> 5 Symphony no. 41 in C major “Jupiter”, K. 551: 2. Andante cantabile (9:31)
=> 6 Symphony no. 41 in C major “Jupiter”, K. 551: 3. Menuetto. Allegretto - Trio (4:14)
=> 7 Symphony no. 41 in C major “Jupiter”, K. 551: 4. Molto allegro (11:42)

CD 113: Mozart: Symphonies nos. 39 & 40

=> 1 Symphony no. 39 in E-flat major, K. 543: 1. Adagio - Allegro (10:43)
=> 2 Symphony no. 39 in E-flat major, K. 543: 2. Andante con moto (8:28)
=> 3 Symphony no. 39 in E-flat major, K. 543: 3. Menuetto. Allegretto - Trio (3:42)
=> 4 Symphony no. 39 in E-flat major, K. 543: 4. Finale. Allegro (8:09)
=> 5 Symphony no. 40 in G minor, K. 550: 1. Molto allegro (7:47)
=> 6 Symphony no. 40 in G minor, K. 550: 2. Andante (13:34)
=> 7 Symphony no. 40 in G minor, K. 550: 3. Menuetto. Allegretto - Trio (3:57)
=> 8 Symphony no. 40 in G minor, K. 550: 4. Allegro assai (9:45)

CD 114: Mozart: Symphonies nos. 40 & 41 “Jupiter”

=> 1 Symphony no. 40 in G minor, K. 550: 1. Allegro molto (8:40)
=> 2 Symphony no. 40 in G minor, K. 550: 2. Andante (8:38)
=> 3 Symphony no. 40 in G minor, K. 550: 3. Minuetto. Allegretto - Trio (4:39)
=> 4 Symphony no. 40 in G minor, K. 550: 4. Allegro assai (6:57)
=> 5 Symphony no. 41 in C major “Jupiter”, K. 551: 1. Allegro vivace (12:18)
=> 6 Symphony no. 41 in C major “Jupiter”, K. 551: 2. Andante cantabile (8:31)
=> 7 Symphony no. 41 in C major “Jupiter”, K. 551: 3. Minuetto. Allegretto - Trio (5:12)
=> 8 Symphony no. 41 in C major “Jupiter”, K. 551: 4. Allegro molto (8:54)

CD 115: Mozart: Piano Concertos nos. 8 “Lützow” & 12 (Serkin)

=> 1 Concerto no. 8 in C major “Lützow”, K. 246: 1. Allegro aperto (8:25)
=> 2 Concerto no. 8 in C major “Lützow”, K. 246: 2. Andante (7:48)
=> 3 Concerto no. 8 in C major “Lützow”, K. 246: 3. Rondeau. Tempo di menuetto (8:21)
=> 4 Concerto no. 12 in A major, K. 414: 1. Allegro (10:02)
=> 5 Concerto no. 12 in A major, K. 414: 2. Andante (8:35)
=> 6 Concerto no. 12 in A major, K. 414: 3. Rondeau (Allegretto) (6:45)

CD 116: Mozart: Piano Concertos nos. 9 “Jeunehomme” & 17 (Serkin)

=> 1 Concerto no. 9 in E-flat major “Jeunehomme”, K. 271: 1. Allegro (11:24)
=> 2 Concerto no. 9 in E-flat major “Jeunehomme”, K. 271: 2. Andantino (12:21)
=> 3 Concerto no. 9 in E-flat major “Jeunehomme”, K. 271: 3. Rondeau. Presto - Menuetto. Cantabile - Tempo I (11:27)
=> 4 Concerto no. 17 in G major, K. 453: 1. Allegro (12:46)
=> 5 Concerto no. 17 in G major, K. 453: 2. Andante (10:55)
=> 6 Concerto no. 17 in G major, K. 453: 3. Allegretto - Finale. Presto (7:32)

CD 117: Mozart: Piano Concertos nos. 15 & 22 (Serkin)

=> 1 Concerto no. 15 in B-flat major, K. 450: 1. Allegro (12:01)
=> 2 Concerto no. 15 in B-flat major, K. 450: 2. [Andante] (6:34)
=> 3 Concerto no. 15 in B-flat major, K. 450: 3. Allegro (8:56)
=> 4 Concerto no. 22 in E-flat major, K. 482: 1. Allegro (14:39)
=> 5 Concerto no. 22 in E-flat major, K. 482: 2. Andante (11:45)
=> 6 Concerto no. 22 in E-flat major, K. 482: 3. Allegro - Andantino cantabile - Tempo I (12:44)

CD 118: Mozart: Piano Concertos nos. 18 & 24 (Serkin)

=> 1 Concerto no. 18 in B-flat major, K. 456: 1. Allegro vivace (12:45)
=> 2 Concerto no. 18 in B-flat major, K. 456: 2. Andante un poco sostenuto (11:46)
=> 3 Concerto no. 18 in B-flat major, K. 456: 3. Allegro vivace (7:50)
=> 4 Concerto no. 24 in C minor, K. 491: 1. Allegro (14:26)
=> 5 Concerto no. 24 in C minor, K. 491: 2. [Larghetto] (8:37)
=> 6 Concerto no. 24 in C minor, K. 491: 3. [Allegretto] (9:22)

CD 119: Mozart: Piano Concertos nos. 25 & 19 “Second Coronation Concerto” (Serkin)

=> 1 Concerto no. 25 in C major, K. 503: 1. Allegro maestoso (17:55)
=> 2 Concerto no. 25 in C major, K. 503: 2. Andante (7:58)
=> 3 Concerto no. 25 in C major, K. 503: 3. [Allegretto] (9:46)
=> 4 Concerto no. 19 in F major “Second Coronation Concerto”, K. 459: 1. Allegro (12:40)
=> 5 Concerto no. 19 in F major “Second Coronation Concerto”, K. 459: 2. Allegretto (8:12)
=> 6 Concerto no. 19 in F major “Second Coronation Concerto”, K. 459: 3. Allegro assai (7:33)

CD 120: Mozart: Piano Concertos nos. 20 & 27 (Serkin)

=> 1 Concerto no. 20 in D minor, K. 466: 1. Allegro (14:49)
=> 2 Concerto no. 20 in D minor, K. 466: 2. Romance (9:50)
=> 3 Concerto no. 20 in D minor, K. 466: 3. Allegro assai (8:13)
=> 4 Concerto no. 27 in B-flat major, K. 595: 1. Allegro (14:55)
=> 5 Concerto no. 27 in B-flat major, K. 595: 2. Larghetto (8:01)
=> 6 Concerto no. 27 in B-flat major, K. 595: 3. Allegro (9:35)

CD 121: Mozart: Piano Concertos nos. 21 & 23 (Serkin)

=> 1 Concerto no. 21 in C major, K. 467: 1. Allegro maestoso (15:25)
=> 2 Concerto no. 21 in C major, K. 467: 2. Andante (7:56)
=> 3 Concerto no. 21 in C major, K. 467: 3. Allegro vivace assai (7:10)
=> 4 Concerto no. 23 in A major, K. 488: 1. Allegro (12:12)
=> 5 Concerto no. 23 in A major, K. 488: 2. Adagio (7:48)
=> 6 Concerto no. 23 in A major, K. 488: 3. Allegro assai (8:52)

CD 122: Mozart: Piano Concertos nos. 14 & 26 “Coronation” (Pires)

=> 1 Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 1. Allegro vivace (8:34)
=> 2 Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 2. Andantino (6:51)
=> 3 Concerto for Piano and Orchestra no. 14 in E-flat major, K. 449: 3. Allegro ma non troppo (6:13)
=> 4 Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: 1. Allegro (14:08)
=> 5 Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: 2. (Larghetto) (5:38)
=> 6 Concerto for Piano and Orchestra no. 26 in D major “Coronation”, K. 537: 3. (Allegretto) (10:36)

CD 123: Mozart: Piano Concertos nos. 17 & 21 (Pires)

=> 1 Concerto for Piano and Orchestra no. 17 in G major, K. 453: 1. Allegro (12:03)
=> 2 Concerto for Piano and Orchestra no. 17 in G major, K. 453: 2. Andante (9:53)
=> 3 Concerto for Piano and Orchestra no. 17 in G major, K. 453: 3. Allegretto - Finale. Presto (7:32)
=> 4 Concerto for Piano and Orchestra no. 21 in C major, K. 467: 1. Allegro (14:04)
=> 5 Concerto for Piano and Orchestra no. 21 in C major, K. 467: 2. Andante (6:10)
=> 6 Concerto for Piano and Orchestra no. 21 in C major, K. 467: 3. Allegro vivace assai (6:40)

CD 124: Mozart: Piano Concertos nos. 27 & 20 (Pires)

=> 1 Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 1. Allegro (13:39)
=> 2 Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 2. Larghetto (6:23)
=> 3 Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 3. Allegro (8:51)
=> 4 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 1. Allegro (14:48)
=> 5 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 2. Romance (8:24)
=> 6 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 3. Allegro assai (8:07)

CD 125: Mozart: Piano Concertos nos. 25 & 20 (Argerich)

=> 1 Concerto for Piano and Orchestra no. 25 in C major, K. 503: 1. Allegro maestoso (14:18)
=> 2 Concerto for Piano and Orchestra no. 25 in C major, K. 503: 2. Andante (7:01)
=> 3 Concerto for Piano and Orchestra no. 25 in C major, K. 503: 3. [Allegretto] (9:23)
=> 4 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 1. Allegro (14:05)
=> 5 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 2. Romance (9:01)
=> 6 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 3. Allegro assai (7:50)

CD 126: Mozart: Piano Concertos nos. 20 & 21 (Gulda)

=> 1 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 1. Allegro (15:30)
=> 2 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 2. Romance (9:59)
=> 3 Concerto for Piano and Orchestra no. 20 in D minor, K. 466: 3. Allegro assai (7:49)
=> 4 Concerto for Piano and Orchestra no. 21 in C major, K. 467: 1. Allegro maestoso (14:59)
=> 5 Concerto for Piano and Orchestra no. 21 in C major, K. 467: 2. Andante (7:49)
=> 6 Concerto for Piano and Orchestra no. 21 in C major, K. 467: 3. Allegro vivace assai (6:41)

CD 127: Mozart: Piano Concertos nos. 25 & 27 (Gulda)

=> 1 Concerto for Piano and Orchestra no. 25 in C major, K. 503: 1. Allegro maestoso (16:32)
=> 2 Concerto for Piano and Orchestra no. 25 in C major, K. 503: 2. Andante (8:24)
=> 3 Concerto for Piano and Orchestra no. 25 in C major, K. 503: 3. [Allegretto] (10:00)
=> 4 Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 1. Allegro (14:51)
=> 5 Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 2. Larghetto (8:15)
=> 6 Concerto for Piano and Orchestra no. 27 in B-flat major, K. 595: 3. Allegro (9:23)

CD 128: Mozart: Violin Concertos nos. 1-3

=> 1 Concerto no. 1 in B-flat major, K. 207: 1. Allegro moderato (6:54)
=> 2 Concerto no. 1 in B-flat major, K. 207: 2. Adagio (7:17)
=> 3 Concerto no. 1 in B-flat major, K. 207: 3. Presto (5:10)
=> 4 Concerto no. 2 in D major, K. 211: 1. Allegro moderato (7:32)
=> 5 Concerto no. 2 in D major, K. 211: 2. Andante (6:06)
=> 6 Concerto no. 2 in D major, K. 211: 3. Rondeau: Allegro (4:05)
=> 7 Concerto no. 3 in G major, K. 216: 1. Allegro (8:31)
=> 8 Concerto no. 3 in G major, K. 216: 2. Adagio (5:59)
=> 9 Concerto no. 3 in G major, K. 216: 3. Rondeau: Allegro (5:58)

CD 129: Mozart: Violin Concertos nos. 4 & 5 / Sinfonia concertante, K. 364 (320d)

=> 1 Concerto no. 4 in D major, K. 218: I. Allegro (7:52)
=> 2 Concerto no. 4 in D major, K. 218: II. Andante cantabile (5:12)
=> 3 Concerto no. 4 in D major, K. 218: III. Rondeau: Andante grazioso (6:42)
=> 4 Concerto no. 5 in A major, K. 219: I. Allegro aperto (8:45)
=> 5 Concerto no. 5 in A major, K. 219: II. Adagio (7:50)
=> 6 Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di menuetto (7:51)
=> 7 Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d): 1. Allegro maestoso (12:22)
=> 8 Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d): 2. Andante (9:07)
=> 9 Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364 (320d): 3. Presto (6:01)

CD 130: Mozart: Violin Concertos nos. (7) & 4 / Violin Sonata, K. 454

=> 1 Concerto for Violin and Orchestra (no. 7) in D major, K. 271a (271i): 1. Allegro (11:11)
=> 2 Concerto for Violin and Orchestra (no. 7) in D major, K. 271a (271i): 2. Andante (7:13)
=> 3 Concerto for Violin and Orchestra (no. 7) in D major, K. 271a (271i): 3. Rondeau: Allegro (8:31)
=> 4 Concerto for Violin and Orchestra no. 4 in D major, K. 218: 1. Allegro (10:38)
=> 5 Concerto for Violin and Orchestra no. 4 in D major, K. 218: 2. Andante cantabile (7:15)
=> 6 Concerto for Violin and Orchestra no. 4 in D major, K. 218: 3. Rondeau: Andante grazioso (7:34)
=> 7 Sonata for Piano and Violin in B-Flat major, K. 454: 1. Largo - Allegro (7:29)
=> 8 Sonata for Piano and Violin in B-Flat major, K. 454: 2. Andante (8:19)
=> 9 Sonata for Piano and Violin in B-Flat major, K. 454: 3. Allegretto (6:29)

CD 131: Mozart: Sinfonia concertante, K. 297b / Concerto for Flute, Harp and Orchestra

=> 1 Sinfonia concertante for Oboe, Clarinet, Bassoon, Horn and Orchestra in E-flat major, K. 297b: 1. Allegro (13:07)
=> 2 Sinfonia concertante for Oboe, Clarinet, Bassoon, Horn and Orchestra in E-flat major, K. 297b: 2. Adagio (Andante) (7:24)
=> 3 Sinfonia concertante for Oboe, Clarinet, Bassoon, Horn and Orchestra in E-flat major, K. 297b: 3. Andantino con variazioni (8:16)
=> 4 Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 1. Allegro (9:50)
=> 5 Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 2. Andantino (7:38)
=> 6 Concerto for Flute, Harp and Orchestra in C major, K. 299 (297c): 3. Rondeau. Allegro (8:35)

CD 132: Mozart: Horn Concertos nos. 1-4

=> 1 Concerto for Horn and Orchestra no. 1 in D major, K. 412/514 (K. 386b): 1. Allegro (4:41)
=> 2 Concerto for Horn and Orchestra no. 1 in D major, K. 412/514 (K. 386b): 2. Rondo. Allegro (3:23)
=> 3 Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 1. Allegro maestoso (6:20)
=> 4 Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 2. Andante (3:37)
=> 5 Concerto for Horn and Orchestra no. 2 in E-flat major, K. 417: 3. Rondo (3:44)
=> 6 Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro (7:20)
=> 7 Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto (4:07)
=> 8 Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro (3:32)
=> 9 Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 1. Allegro moderato (7:49)
=> 10 Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 2. Romanza. Andante (4:26)
=> 11 Concerto for Horn and Orchestra no. 4 in E-flat major, K. 495: 3. Rondo. Allegro vivace (4:14)

CD 133: Mozart: Clarinet Concerto / Flute Concerto no. 2 / Bassoon Concerto

=> 1 Concerto for Clarinet and Orchestra in A major, K. 622: 1. Allegro (11:50)
=> 2 Concerto for Clarinet and Orchestra in A major, K. 622: 2. Adagio (6:34)
=> 3 Concerto for Clarinet and Orchestra in A major, K. 622: 3. Rondo. Allegro (8:24)
=> 4 Concerto for Flute and Orchestra no. 2 in D major, K. 314 (285d): 1. Allegro aperto (7:09)
=> 5 Concerto for Flute and Orchestra no. 2 in D major, K. 314 (285d): 2. Adagio ma non troppo (6:25)
=> 6 Concerto for Flute and Orchestra no. 2 in D major, K. 314 (285d): 3. Rondeau. Allegro (5:15)
=> 7 Concerto for Bassoon and Orchestra in B-Flat major, K. 191 (186e): 1. Allegro (6:36)
=> 8 Concerto for Bassoon and Orchestra in B-Flat major, K. 191 (186e): 2. Andante ma adagio (5:59)
=> 9 Concerto for Bassoon and Orchestra in B-Flat major, K. 191 (186e): 3. Rondo. Tempo di menuetto (4:05)

CD 134: Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Allegro for Oboe and Orchestra / Haydn: Trumpet Concerto, Hob. VIIe:1

=> 1 Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 1. Allegro (7:39)
=> 2 Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 2. Romance. Larghetto (4:44)
=> 3 Concerto for Horn and Orchestra no. 3 in E-flat major, K. 447: 3. Allegro (3:41)
=> 4 Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 1. Allegro (7:15)
=> 5 Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 2. Andante ma adagio (6:18)
=> 6 Concerto for Bassoon and Orchestra in B-flat major, K. 191 (186e): 3. Rondo. Tempo di minuetto (4:37)
=> 7 Concerto for Oboe and Orchestra in C major, K. 314 (285d): 1. Allegro aperto (7:39)
=> 8 Concerto for Oboe and Orchestra in C major, K. 314 (285d): 2. Adagio ma non troppo (6:59)
=> 9 Concerto for Oboe and Orchestra in C major, K. 314 (285d): 3. Rondeau. Allegro (5:52)
=> 10 Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 1. Allegro (6:22)
=> 11 Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 2. Andante (3:18)
=> 12 Concerto for Trumpet and Orchestra in E-flat major, Hob. VIIe:1: 3. Finale. Allegro (4:43)
=> 13 Allegro for Oboe and Orchestra in F major, K. 293 (9:44)

CD 135: Auf Mozarts Spuren

=> 1 Andante in B-flat major, K. 315 (5:51)
=> 2 Concerto for Oboe and Orchestra in C major, K. 314 (285d): 1. Allegro aperto (7:59)
=> 3 Concerto for Oboe and Orchestra in C major, K. 314 (285d): 2. Andante non troppo (6:59)
=> 4 Concerto for Oboe and Orchestra in C major, K. 314 (285d): 3. Allegro (6:17)
=> 5 Aria “Sperai vicino il lido” in F major, K. 368: Andantino - Allegro (7:27)
=> 6 Aria “Al desio, di chi t'adora” in F major, K. 577 (5:20)
=> 7 Andante and Rondo (Allegro) in D major, K. 271a (271i): Andante (7:24)
=> 8 Andante and Rondo (Allegro) in D major, K. 271a (271i): Rondo. Allegro (8:56)
=> 9 Concerto for Oboe and Orchestra no. 1 in D minor: 1. Allegro (8:32)
=> 10 Concerto for Oboe and Orchestra no. 1 in D minor: 2. Grazioso (5:30)
=> 11 Concerto for Oboe and Orchestra no. 1 in D minor: 3. Rondo. Allegro (5:23)

CD 136: Mozart: Missa solemnis “Waisenhaus”

=> 1 Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Kyrie eleison” (chorus) (1:47)
=> 2 Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Kyrie eleison” (soprano, alto, tenor, chorus) (2:31)
=> 3 Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Christe eleison” (soloists) (1:37)
=> 4 Missa solemnis in C minor “Waisenhaus”, K. 139: Kyrie. “Kyrie eleison” (chorus) (2:33)
=> 5 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Gloria in excelsis Deo” (chorus) (1:01)
=> 6 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Laudamus te” (soprano, alto) (1:49)
=> 7 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Gratias agimus” (chorus) (1:04)
=> 8 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Domine deus” (tenor, bass) (2:02)
=> 9 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Qui tollis peccata mundi” (chorus) (1:53)
=> 10 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Quoniam tu solus Sanctus” (soprano) (2:48)
=> 11 Missa solemnis in C minor “Waisenhaus”, K. 139: Gloria. “Cum Sancto spiritu” (chorus) (2:43)
=> 12 Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Credo in unum Deum” (chorus) (2:17)
=> 13 Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et incarnatus est” (soprano, alto) (2:41)
=> 14 Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Crucifixus etiam pro nobis” (chorus) (1:42)
=> 15 Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et resurrexit” (chorus) (1:28)
=> 16 Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et in spiritum sanctum” (tenor) (2:04)
=> 17 Missa solemnis in C minor “Waisenhaus”, K. 139: Credo. “Et in unam sanctam” (chorus) (3:18)
=> 18 Missa solemnis in C minor “Waisenhaus”, K. 139: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (chorus) (0:56)
=> 19 Missa solemnis in C minor “Waisenhaus”, K. 139: Sanctus. “Pleni sunt coeli” / “Osanna in excelsis” (chorus) (0:50)
=> 20 Missa solemnis in C minor “Waisenhaus”, K. 139: Benedictus. “Benedictus” (soprano) (1:57)
=> 21 Missa solemnis in C minor “Waisenhaus”, K. 139: Benedictus. “Osanna in excelsis” (chorus) (0:21)
=> 22 Missa solemnis in C minor “Waisenhaus”, K. 139: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soloists, chorus) (3:45)
=> 23 Missa solemnis in C minor “Waisenhaus”, K. 139: Agnus Dei. “Dona nobis pacem” (chorus) (1:50)

CD 137: Mozart: Requiem / Laudate Dominum / Aria »Betracht dies Herz und frage mich«

=> 1 Requiem in D minor, K. 626: Introitus. “Requiem aeternam” (chorus, soprano) (4:29)
=> 2 Requiem in D minor, K. 626: Kyrie. “Kyrie eleison” (chorus) (2:25)
=> 3 Requiem in D minor, K. 626: Sequentia. “Dies irae” (chorus) (1:59)
=> 4 Requiem in D minor, K. 626: Sequentia. “Tuba mirum” (soprano, alto, tenor, bass) (3:17)
=> 5 Requiem in D minor, K. 626: Sequentia. “Rex tremendae” (chorus) (1:44)
=> 6 Requiem in D minor, K. 626: Sequentia. “Recordare” (soprano, alto, tenor, bass) (5:04)
=> 7 Requiem in D minor, K. 626: Sequentia. “Confutatis” (chorus) (2:34)
=> 8 Requiem in D minor, K. 626: Sequentia. “Lacrimosa” (chorus) (2:53)
=> 9 Requiem in D minor, K. 626: Offertorium. “Domine Jesu Christe” (chorus, soprano, alto, tenor, bass) (3:36)
=> 10 Requiem in D minor, K. 626: Offertorium. “Hostias” (chorus) (3:48)
=> 11 Requiem in D minor, K. 626: Sanctus. “Sanctus, sanctus, sanctus” (chorus) (2:07)
=> 12 Requiem in D minor, K. 626: Benedictus. “Benedictus qui venit in nomine Domini” (chorus, soprano, alto, tenor, bass) (5:10)
=> 13 Requiem in D minor, K. 626: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (chorus) (3:29)
=> 14 Requiem in D minor, K. 626: Communio. “Lux aeterna luceat eis” (chorus, soprano) (5:24)
=> 15 Grabmusic, K. 42 (35a): Aria »Betracht dies Herz und frage mich« (4:11)
=> 16 Vesperae solennes de confessore, K. 339: No. 5 “Laudate Dominum” (4:30)

CD 138: Mozart: Arias / R. Strauss: Orchestral Songs

=> 1 »Nehmt meinen Dank, ihr holden Gönner«, K. 383 (3:48)
=> 2 Exsultate, Jubilate, K. 165 (14:06)
=> 3 “Mia speranza adorata! … Ah, non sai qual pena sia”, K. 416 (8:51)
=> 4 “Ch'io mi scordi di te? … Non temer, amato bene”, K. 505 (10:29)
=> 5 Zaide, K. 344: »Ruhe sanft, mein holdes Leben« (5:19)
=> 6 “Vorrei spiegarvi, oh Dio! … Ah conte, partite!”, K. 418 (6:14)
=> 7 Wiegenlied, op. 41 no. 1 (4:29)
=> 8 Das Rosenband, op. 36 no. 1 (3:23)
=> 9 Liebeshymnus, op. 32 no. 3 (2:19)
=> 10 Das Bächlein, op. AV 118 (2:16)
=> 11 Morgen!, op. 27 no. 4 (3:59)

CD 139: Mozart: Le nozze di Figaro (Acts I & II beg.)

=> 1 Le nozze di Figaro, K. 492: Sinfonia (4:09)
=> 2 Le nozze di Figaro, K. 492: Atto Primo. N. 1 Duettino: “Cinque… dieci… venti… trenta” (Figaro, Susanna) (2:35)
=> 3 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cosa stai misurando” (Susanna, Figaro) (0:36)
=> 4 Le nozze di Figaro, K. 492: Atto Primo. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna) (2:25)
=> 5 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro) (1:25)
=> 6 Le nozze di Figaro, K. 492: Atto Primo. “Bravo, signor padrone!” (Figaro) (0:42)
=> 7 Le nozze di Figaro, K. 492: Atto Primo. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro) (2:19)
=> 8 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina) (0:53)
=> 9 Le nozze di Figaro, K. 492: Atto Primo. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo) (3:06)
=> 10 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna) (0:33)
=> 11 Le nozze di Figaro, K. 492: Atto Primo. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna) (2:08)
=> 12 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino) (1:40)
=> 13 Le nozze di Figaro, K. 492: Atto Primo. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino) (2:42)
=> 14 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Ah, son perduto!” … “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio) (3:14)
=> 15 Le nozze di Figaro, K. 492: Atto Primo. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna) (4:44)
=> 16 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio) (0:55)
=> 17 Le nozze di Figaro, K. 492: Atto Primo. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine) (0:58)
=> 18 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna) (1:13)
=> 19 Le nozze di Figaro, K. 492: Atto Primo. N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine) (0:46)
=> 20 Le nozze di Figaro, K. 492: Atto Primo. Recitativo: “Evviva!” … “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3 (1:03)
=> 21 Le nozze di Figaro, K. 492: Atto Primo. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro) (3:38)
=> 22 Le nozze di Figaro, K. 492: Atto Secondo. N. 11 Cavatina: “Porgi, amor, qualche ristoro” (contessa) (3:41)
=> 23 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro) (3:16)
=> 24 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino) (1:11)
=> 25 Le nozze di Figaro, K. 492: Atto Secondo. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino) (2:22)
=> 26 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino) (0:58)
=> 27 Le nozze di Figaro, K. 492: Atto Secondo. N. 13 Aria: “Venite, inginocchiatevi” (Susanna) (2:39)
=> 28 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Quante buffonerie!” … “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte) (2:26)
=> 29 Le nozze di Figaro, K. 492: Atto Secondo. “Che novità! Non fu mai vostra usanza” (conte, contessa) (1:04)
=> 30 Le nozze di Figaro, K. 492: Atto Secondo. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna) (3:05)
=> 31 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Dunque, voi non aprite?” (conte, contessa) (0:48)
=> 32 Le nozze di Figaro, K. 492: Atto Secondo. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino) (0:59)
=> 33 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Oh guarda il demonietto” (Susanna) (0:24)

CD 140: Mozart: Le nozze di Figaro (Acts II cont. & III)

=> 1 Le nozze di Figaro, K. 492: Atto Secondo. Recitativo: “Tutto è come il lasciai” (conte, contessa) (1:11)
=> 2 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa) (3:06)
=> 3 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, conte, contessa) (1:14)
=> 4 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Susanna, son morta” (contessa, Susanna, conte) (3:49)
=> 5 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, conte, Susanna, contessa) (0:50)
=> 6 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Conoscete, signor Figaro” (conte, Figaro, Susanna, contessa) (2:06)
=> 7 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Ah signor! Signor” / “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro) (2:53)
=> 8 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, conte, Figaro, Susanna, contessa) (2:28)
=> 9 Le nozze di Figaro, K. 492: Atto Secondo. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna) (3:45)
=> 10 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Che imbarazzo è mai questo” … “Via, fatti core” (conte, contessa, Susanna) (2:12)
=> 11 Le nozze di Figaro, K. 492: Atto Terzo. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna) (2:27)
=> 12 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “E perché fosti meco stamattina sì austera?” … “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro) (0:44)
=> 13 Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Recitativo ed aria: “Hai già vinta la causa!” (conte) (1:13)
=> 14 Le nozze di Figaro, K. 492: Atto Terzo. N. 18 Recitativo ed aria: “Vedrò mentr'io sospiro” (conte) (3:15)
=> 15 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino) (0:35)
=> 16 Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Recitativo ed aria: “E Susanna non vien!” (contessa) (1:29)
=> 17 Le nozze di Figaro, K. 492: Atto Terzo. N. 20 Recitativo ed aria: “Dove sono i bei momenti” (contessa) (4:03)
=> 18 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo) (1:53)
=> 19 Le nozze di Figaro, K. 492: Atto Terzo. N. 19 Sestetto: “Riconosci in questo amplesso” (Marcellina, Figaro, Bartolo, Don Curzio, conte, Susanna) (4:51)
=> 20 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro) (0:51)
=> 21 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Io vi dico, signor” … “Cosa mi narri!” (Antonio, conte, contessa, Susanna) (0:52)
=> 22 Le nozze di Figaro, K. 492: Atto Terzo. N. 21 Duettino: “Sull'aria” … “Che soave zeffiretto” (contessa, Susanna) (2:06)
=> 23 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Piegato è il foglio” (Susanna, contessa) (0:16)
=> 24 Le nozze di Figaro, K. 492: Atto Terzo. N. 22 Coro: “Ricevete, o padroncina” (contadinelle) (0:57)
=> 25 Le nozze di Figaro, K. 492: Atto Terzo. Recitativo: “Queste sono, madama, le ragazze del loco” … “Eh cospettaccio!” … “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino) (2:35)
=> 26 Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa) (1:49)
=> 27 Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Amanti costanti” (due contadine, coro) (1:14)
=> 28 Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Eh già, solita usanza” (conte, Figaro) (1:36)
=> 29 Le nozze di Figaro, K. 492: Atto Terzo. N. 23 Finale: “Andate, amici” (conte, coro) (1:22)

CD 141: Mozart: Le nozze di Figaro (Act IV)

=> 1 Le nozze di Figaro, K. 492: Atto Quarto. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina) (1:40)
=> 2 Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Barbarina, cos'hai?” … “Madre” / “Figlio” … “Presto, avvertiam Susanna!” (Figaro, Barbarina, Marcellina) (2:20)
=> 3 Le nozze di Figaro, K. 492: Atto Quarto. N. 25 Aria: “Il capro e la capretta” (Marcellina) (3:02)
=> 4 Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Nel padiglione a manca” … “È Barbarina. Chi va là?” … “Ha i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo) (1:49)
=> 5 Le nozze di Figaro, K. 492: Atto Quarto. N. 26 Aria: “In quegli anni in cui val poco” (Basilio) (3:20)
=> 6 Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo ed aria: “Tutto è disposto” … (Figaro) (0:45)
=> 7 Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo ed aria: “Oh Susanna, Susanna, quanta pena mi costi!” (Figaro) (0:34)
=> 8 Le nozze di Figaro, K. 492: Atto Quarto. N. 27 Recitativo ed aria: “Aprite un po' quegli occhi” (Figaro) (2:39)
=> 9 Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Signora, ella mi disse” … “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro) (0:44)
=> 10 Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Recitativo ed aria: “Giunse alfin il momento” … (Susanna) (1:09)
=> 11 Le nozze di Figaro, K. 492: Atto Quarto. N. 28 Recitativo ed aria: “Deh vieni, non tardar, o gioia bella” (Susanna) (2:57)
=> 12 Le nozze di Figaro, K. 492: Atto Quarto. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa) (0:34)
=> 13 Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa) (1:13)
=> 14 Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Ecco qui la mia Susanna” (conte, Susanna, Figaro, Cherubino, contessa) (4:29)
=> 15 Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna) (3:30)
=> 16 Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Pace, pace, mio dolce tesoro” … “Non la trovo” (Figaro, Susanna, conte) (1:52)
=> 17 Le nozze di Figaro, K. 492: Atto Quarto. N. 29 Finale: “Gente, gente, all'armi, all'armi!” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro) (5:13)
=> 18 Le nozze di Figaro, K. 492: Appendice. N. 13a Arietta, K. 579: “Un moto di gioia” (Susanna) (3:04)
=> 19 Le nozze di Figaro, K. 492: Appendice. N. 28a Rondò, K. 577: “Al desio di chi t'adora” (Susanna) (6:00)

CD 142: Mozart: Don Giovanni (Act I beg.)

=> 1 Don Giovanni, K. 527: Ouvertura (5:54)
=> 2 Don Giovanni, K. 527: Atto Primo. N. 1 Introduzione: “Notte e giorno faticar” (Leporello, Donna Anna, Don Giovanni, commendatore) (5:26)
=> 3 Don Giovanni, K. 527: Atto Primo. Recitativo: “Leporello, ove sei?” (Don Giovanni, Leporello) (0:35)
=> 4 Don Giovanni, K. 527: Atto Primo. Recitativo: “Ah! del padre in periglio” (Donna Anna, Don Ottavio) / N. 2 Recitativo accompagnato: “Ma qual mai s'offre, oh dei” (Donna Anna, Don Ottavio) (2:42)
=> 5 Don Giovanni, K. 527: Atto Primo. N. 2 Duetto: “Fuggi, crudele, fuggi!” (Donna Anna, Don Ottavio) (3:57)
=> 6 Don Giovanni, K. 527: Atto Primo. Recitativo: “Orsù, spicciati presto” (Don Giovanni, Leporello) (1:40)
=> 7 Don Giovanni, K. 527: Atto Primo. N. 3 Aria: “Ah! chi mi dice mai” (Donna Elvira. Don Giovanni, Leporello) (3:36)
=> 8 Don Giovanni, K. 527: Atto Primo. Recitativo: “Chi è là?” / “Stelle! che vedo!” (Donna Elvira, Don Giovanni, Leporello) (2:57)
=> 9 Don Giovanni, K. 527: Atto Primo. N. 4 Aria: “Madamina, il catalogo è questo” (Leporello) (5:37)
=> 10 Don Giovanni, K. 527: Atto Primo. Recitativo: “In questa forma, dunque” (Donna Elvira) (0:32)
=> 11 Don Giovanni, K. 527: Atto Primo. N. 5 Coro: “Giovinette che fate all'amore” (Zerlina, Masetto, coro di contadine e contadini) (1:28)
=> 12 Don Giovanni, K. 527: Atto Primo. Recitativo: “Manco male è partita” (Don Giovanni, Leporello, Zerlina, Masetto) (2:17)
=> 13 Don Giovanni, K. 527: Atto Primo. N. 6 Aria: “Ho capito, signor, sì!” (Masetto) (1:35)
=> 14 Don Giovanni, K. 527: Atto Primo. Recitativo: “Alfin siam liberati” (Don Giovanni, Zerlina) (2:02)
=> 15 Don Giovanni, K. 527: Atto Primo. N. 7 Duettino: Là ci darem la mano” (Don Giovanni, Zerlina) (2:55)
=> 16 Don Giovanni, K. 527: Atto Primo. Recitativo: “Fermati, scellerato” (Donna Elvira, Zerlina, Don Giovanni) (0:43)
=> 17 Don Giovanni, K. 527: Atto Primo. N. 8 Aria: “Ah, fuggi il traditor” (Donna Elvira) (1:10)
=> 18 Don Giovanni, K. 527: Atto Primo. Recitativo: “Mi par ch'oggi il demonio si diverta” (Don Giovanni, Don Ottavio, Donna Anna) / Recitativo: “Ah, ti ritrovo ancor” (Donna Elvira) (1:13)
=> 19 Don Giovanni, K. 527: Atto Primo. N. 9 Quartetto: “Non ti fidar, oh misera” (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) (3:59)
=> 20 Don Giovanni, K. 527: Atto Primo. Recitativo: “Povera sventurata!” (Don Giovanni) (0:22)
=> 21 Don Giovanni, K. 527: Atto Primo. N. 10 Recitativo accompagnato: “Don Ottavio, son morta!” (Donna Anna, Don Ottavio) (3:06)
=> 22 Don Giovanni, K. 527: Atto Primo. N. 10 Aria: “Or sai chi l'onore” (Donna Anna) (2:37)
=> 23 Don Giovanni, K. 527: Atto Primo. Recitativo: “Come mai creder deggio” (Don Ottavio) (0:35)
=> 24 Don Giovanni, K. 527: Atto Primo. N. 10a Aria: “Dalla sua pace”, KV 540a (Don Ottavio) (4:22)

CD 143: Mozart: Don Giovanni (Acts I cont. & II beg.)

=> 1 Don Giovanni, K. 527: Atto Primo. Recitativo: “Io deggio ad ogni patto” (Leporello, Don Giovanni) (1:48)
=> 2 Don Giovanni, K. 527: Atto Primo. N. 11 Aria: “Fin ch'han dal vino” (Don Giovanni) (1:21)
=> 3 Don Giovanni, K. 527: Atto Primo. Recitativo: “Masetto, senti un po'” (Zerlina, Masetto) (1:11)
=> 4 Don Giovanni, K. 527: Atto Primo. N. 12 Aria: “Batti, batti, oh bel Masetto” (Zerlina) (3:31)
=> 5 Don Giovanni, K. 527: Atto Primo. Recitativo: “Guarda un po'” (Masetto, Don Giovanni, Zerlina) (0:36)
=> 6 Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Presto, presto, pria ch'ei venga” (Masetto, Zerlina) / “Su svegliatevi, da bravi” (Don Giovanni, servi) (1:55)
=> 7 Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Tra quest'arbori celata” (Zerlina, Don Giovanni, Masetto) (2:17)
=> 8 Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni) (3:45)
=> 9 Don Giovanni, K. 527: Atto Primo. N. 13 Finale I: “Riposate, vezzose ragazze” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio) (8:44)
=> 10 Don Giovanni, K. 527: Atto Secondo. N. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello) (1:04)
=> 11 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Leporello” / “Signore” (Don Giovanni, Leporello) (2:04)
=> 12 Don Giovanni, K. 527: Atto Secondo. N. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (4:30)
=> 13 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello) / “Eccomi a voi!” (Donna Elvira, Don Giovanni, Leporello) (2:07)
=> 14 Don Giovanni, K. 527: Atto Secondo. N. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni) (2:03)
=> 15 Don Giovanni, K. 527: Atto Secondo. Recitativo: “V'è gente alla finestra!” (Don Giovanni) / Recitativo: “Non ci stanchiamo” (Masetto, Don Giovanni) (1:16)
=> 16 Don Giovanni, K. 527: Atto Secondo. N. 17 Aria: “Metà di voi qua vadano” (Don Giovanni) (2:46)
=> 17 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Zitto! lascia ch'io senta” (Don Giovanni, Masetto) / Recitativo: “Ahi! ahi! la testa mia!” (Masetto, Zerlina) (2:05)
=> 18 Don Giovanni, K. 527: Atto Secondo. N. 18 Aria: “Vedrai, carino” (Zerlina) (3:22)
=> 19 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira) (0:32)
=> 20 Don Giovanni, K. 527: Atto Secondo. N. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto) (7:21)
=> 21 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (0:23)
=> 22 Don Giovanni, K. 527: Atto Secondo. N. 20 Aria: “Ah, pietà, signori miei” (Leporello) (1:46)
=> 23 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (0:45)
=> 24 Don Giovanni, K. 527: Atto Secondo. N. 21 Aria: “Il mio tesoro intanto” (Don Ottavio) (4:07)

CD 144: Mozart: Don Giovanni (Act II cont.) / Bonus - Arias

=> 1 Don Giovanni, K. 527: Atto Secondo. N. 21b Recitativo accompagnato: “In quali eccessi, o Numi”, KV 540c (Donna Elvira) (1:55)
=> 2 Don Giovanni, K. 527: Atto Secondo. Aria: “Mi tradì quell'alma ingrata”, KV 540c (Donna Elvira) (3:55)
=> 3 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, commendatore) (4:30)
=> 4 Don Giovanni, K. 527: Atto Secondo. N. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, commendatore) (3:33)
=> 5 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (0:58)
=> 6 Don Giovanni, K. 527: Atto Secondo. N. 23 Recitativo accompagnato: “Crudele! Ah no, mio bene!” (Donna Anna) (1:44)
=> 7 Don Giovanni, K. 527: Atto Secondo. N. 23 Rondo: “Non mi dir, bell'idol mio” (Donna Anna) (5:03)
=> 8 Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ah, si segua il suo passo” (Don Ottavio) (0:18)
=> 9 Don Giovanni, K. 527: Atto Secondo. N. 24 Finale II: “Già la mensa è preparata” (Don Giovanni, Leporello) (4:20)
=> 10 Don Giovanni, K. 527: Atto Secondo. Recitativo: “L'ultima prova dell'amor mio” (Donna Elvira, Don Giovanni, Leporello) (3:21)
=> 11 Don Giovanni, K. 527: Atto Secondo. “Don Giovanni, a cenar teco” (commendatore, Don Giovanni, Leporello, coro) (6:40)
=> 12 Don Giovanni, K. 527: Atto Secondo. “Ah! dov'è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (6:28)
=> 13 Le nozze di Figaro: “Giunse alfin il momento … Deh vieni non tardar, o gioia bella” (Susanna) (3:32)
=> 14 Idomeneo: “Oh smania! …D'Oreste, d'Aiace” (Elettra) (6:05)
=> 15 Idomeneo: “Zeffiretti lusinghieri” (Ilia) (6:41)
=> 16 Don Giovanni: “Fuggi, crudele, fuggi! (Donna Anna, Don Ottavio) (6:19)

CD 145: Mozart: Die Zauberflöte (Acts I & II beg.)

=> 1 Die Zauberflöte, K. 620: Ouvertüre (6:05)
=> 2 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 1 Introduktion: »Zu Hilfe! Zu Hilfe!« (Tamino, die drei Damen) / »Wo bin ich?« (Tamino) (6:08)
=> 3 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 2 Arie: »Der Vogelfänger bin ich ja« (Papageno) / »He da!« / »Was da!« (Tamino, Papageno) (4:30)
=> 4 Die Zauberflöte, K. 620: Erster Aufzug. »Papageno!« / Ah! Das geht mich an!« (die drei Damen, Papageno, Tamino) (1:28)
=> 5 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 3 Arie: »Dies Bildnis ist bezaubernd schön« (Tamino) (3:42)
=> 6 Die Zauberflöte, K. 620: Erster Aufzug. »Freue dich und fasse Mut, schöner Jüngling!« (die drei Damen, Tamino) (1:01)
=> 7 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 4 Rezitativ und Arie: »O zittre nicht, mein lieber Sohn!« (Königin der Nacht) / »Ist's auch denn Wirklichlkeit, was ich sah?« (Tamino) (4:25)
=> 8 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 5 Quintett: »Hm, hm, hm« (Papageno, Tamino, die drei Damen) (5:46)
=> 9 Die Zauberflöte, K. 620: Erster Aufzug. »Ha, ha, ha!« / »He, Sklaven!« (Monostatos, die drei Sklaven) (1:15)
=> 10 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 6 Terzett: »Du feines Täubchen, nur herein!« (Monostatos, Pamina, Papageno) (1:48)
=> 11 Die Zauberflöte, K. 620: Erster Aufzug. »Bin ich nicht ein Narr« (Papageno, Pamina) (2:28)
=> 12 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 7 Duett: »Bei Männern, welche Liebe fühlen« (Pamina, Papageno) (2:59)
=> 13 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Zum Ziele führt dich diese Bahn« (die drei Knaben, Tamino, Priester, Sprecher, Chor) (9:00)
=> 14 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Wie stark ist nicht dein Zauberton« (Tamino) (2:43)
=> 15 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Schnelle Füße, rascher Mut« (Pamina, Papageno, Monostatos, Sklaven, Chor) (3:54)
=> 16 Die Zauberflöte, K. 620: Erster Aufzug. Nr. 8 Finale: »Es lebe Sarastro! Sarastro soll leben« (Chor, Pamina, Sarastro, Monostatos, Tamino) (7:15)
=> 17 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 9 Marsch der Priester (2:23)
=> 18 Die Zauberflöte, K. 620: Zweiter Aufzug: »Ihr in dem Weisheitstempel« (Sarastro, zweiter Priester, Sprecher, dritter Priester) (3:26)
=> 19 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 10 Arie mit Chor: »O Isis und Osiris« (Sarastro, Chor) (2:32)
=> 20 Die Zauberflöte, K. 620: Zweiter Aufzug: »Eine schreckliche Nacht!« (Tamino, Papageno, Sprecher, zweiter Priester) / »Ihr Fremdlinge!« (Sprecher, Tamino, zweiter Priester, Papageno) (3:29)
=> 21 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 11 Duett: »Bewahret euch vor Weibertücken« (erster Priester, zweiter Priester) (1:00)

CD 146: Mozart: Die Zauberflöte (Act II cont.)

=> 1 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 12 Quintett: »Wie? Wie? Wie? Ihr an diesem Schreckensort?« (dier drei Damen, Papageno, Tamino, Priester) (3:04)
=> 2 Die Zauberflöte, K. 620: Zweiter Aufzug: »Heil dir, Jüngling! Dein standhaft männliches Betragen« (Sprecher, zweiter Priester, Papageno) / »Ah, da find ich ja die spröde Schöne!« (Monostatos) (1:52)
=> 3 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 13 Arie: »Alles fühlt der Liebe Freuden« (Monostatos) / »Zurück!« / »O weh! Das ist die Göttin der Nacht« (Königin der Nacht, Monostatos, Pamina) (3:00)
=> 4 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 14 Arie: »Der Hölle Rache kocht in meinem Herzen« (Königin der Nacht) (2:54)
=> 5 Die Zauberflöte, K. 620: Zweiter Aufzug: »Morden soll ich?« (Pamina, Monostatos, Sarastro) / »Herr, strafe meine Mutter nicht« (Pamina, Sarastro) (1:51)
=> 6 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 15 Arie: »In diesen heil'gen Hallen« (Sarastro) (4:01)
=> 7 Die Zauberflöte, K. 620: Zweiter Aufzug: »Hier seid ihr euch beide allein überlassen« (Sprecher, zweiter Priester, Papageno) / »Tamino!« / »Pst!« (Papageno, Tamino) / »Ah! Was? Ist das für mich?« (Papageno, das alte Weib) (2:58)
=> 8 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 16 Terzett: »Seid uns zum zweiten Mal willkommen« (die drei Knaben) (1:34)
=> 9 Die Zauberflöte, K. 620: Zweiter Aufzug: »Tamino, wollen wir nicht speisen?« (Papageno) / »Tamino! Du hier?« (Pamina) (1:39)
=> 10 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 17 Arie: »Ach, ich fühl's, es ist verschwunden« (Pamina) (3:57)
=> 11 Die Zauberflöte, K. 620: Zweiter Aufzug: »Nicht wahr, Tamino, ich kann auch schweigen« (Papageno) (1:27)
=> 12 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 18 Chor der Priester: »O Isis und Osiris« (Chor) (2:32)
=> 13 Die Zauberflöte, K. 620: Zweiter Aufzug: »Prinz, dein Betragen war bis hieher männlich und gelassen« (Sarastro, Pamina) (0:48)
=> 14 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 19 Terzett: »Soll ich dich, Teurer, nicht mehr sehn?« (Pamina, Sarastro, Tamino) (2:54)
=> 15 Die Zauberflöte, K. 620: Zweiter Aufzug: »Tamino! Tamino! Willst du mich denn gänzlich verlassen?« (Papageno, eine Stimme, die drei Priester) / »Mensch!« … »Du hättest verdient« (die drei Priester, Papageno, Sprecher) (2:04)
=> 16 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 20 Arie: »Ein Mädchen oder Weibchen wünscht Papageno sich!« (Papageno) (3:48)
=> 17 Die Zauberflöte, K. 620: Zweiter Aufzug: »Da bin ich schon, mein Engel!« (das alte Weib, Papageno) / »Fort mit dir, junges Weib!« (Sprecher, Papageno) (1:48)
=> 18 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Bald prangt, den Morgen zu verkünden« (die drei Knaben, Pamina) (5:42)
=> 19 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Der, welcher wandert diese Straße voll Beschwerden« (die Geharnischten, Tamino, Pamina) / »Tamino main! O welchein Glück« (Pamina, Tamino, die Gerharnischten, Chor) (10:57)
=> 20 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Papagena! Papagena! Papagena! Weibchen! Täubchen!« (Papageno, die drei Knaben, Papagena) (7:25)
=> 21 Die Zauberflöte, K. 620: Zweiter Aufzug: Nr. 21 Finale: »Nur stille, stille, stille, stille!« (Monostatos, Königin der Nacht, die drei Damen) / »Die Strahlen der Sonne vertreiben die Nacht« (Sarastro, Chor) (5:01)

CD 147: Mussorgsky: Night on Bald Mountain / Choral Works / Pictures at an Exhibition (Berliner Philharmoniker)

=> 1 Night on Bald Mountain (12:47)
=> 2 The Destruction of Sennacherib (6:05)
=> 3 Salammbô: Chorus of Priestesses (5:15)
=> 4 Oedipus in Athens: Chorus of People in the Temple (3:09)
=> 5 Joshua (Jesus Navin) (5:18)
=> 6 Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto (1:47)
=> 7 Pictures at an Exhibition: 1. Gnomus. Vivo (2:19)
=> 8 Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza (1:04)
=> 9 Pictures at an Exhibition: 2. Il vecchio castello. Andante (4:21)
=> 10 Pictures at an Exhibition: Promenade. Moderato non tanto, pesante (0:33)
=> 11 Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso (1:11)
=> 12 Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante (2:51)
=> 13 Pictures at an Exhibition: Promenade. Tranquillo (0:44)
=> 14 Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero (1:13)
=> 15 Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante (2:10)
=> 16 Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando (1:20)
=> 17 Pictures at an Exhibition: 8. Catacombae (Sepulchrum romanum). Largo (2:01)
=> 18 Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante non troppo, con lamento (2:03)
=> 19 Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto (3:28)
=> 20 Pictures at an Exhibition: 10. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza (5:16)

CD 148: Mussorgsky: Pictures at an Exhibition (London Symphony Orchestra)

=> 1 Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto (1:47)
=> 2 Pictures at an Exhibition: 1. Gnomus. Vivo (2:23)
=> 3 Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza (1:03)
=> 4 Pictures at an Exhibition: 2. Il vecchio castello. Andante (4:21)
=> 5 Pictures at an Exhibition: Promenade. Moderato non tanto, pesante (0:33)
=> 6 Pictures at an Exhibition: 3. Tuileries (Dispute d'enfants après jeux). Allegretto non troppo, capriccioso (1:04)
=> 7 Pictures at an Exhibition: 4. Bydło. Sempre moderato, pesante (3:16)
=> 8 Pictures at an Exhibition: Promenade. Tranquillo (0:45)
=> 9 Pictures at an Exhibition: 5. Ballet des petits poussins dans leurs coques. Scherzino. Vivo leggiero (1:12)
=> 10 Pictures at an Exhibition: 6. Samuel Goldberg und Schmuÿle. Andante (2:06)
=> 11 Pictures at an Exhibition: 7. Limoges. Le Marché (La Grande Nouvelle). Allegretto vivo, sempre scherzando (1:15)
=> 12 Pictures at an Exhibition: 8. Catacombae (Sepulchrum romanum). Largo / Cum mortuis in lingua mortua. Andante non troppo, con lamento (3:58)
=> 13 Pictures at an Exhibition: 9. La Cabane sur des pattes de poule (Baba-Yaga). Allegro con brio, feroce - Andante mosso - Allegro molto (3:29)
=> 14 Pictures at an Exhibition: 10. La Grande Porte de Kiev. Allegro alla breve. Maestoso. Con grandezza (5:46)

CD 149: Mussorgsky: Khovanshchina (Act I)

=> 1 Khovanshchina: Prelude: Dawn over the River Moscow (5:36)
=> 2 Khovanshchina: Act I. «Podojdu, podojdu… pod Ivangorod» (Kuzka, 2nd Strelyets, 1st Strelyets, Scribe) (2:59)
=> 3 Khovanshchina: Act I. «Ėj ty, stročilo!» (Shaklovity, Scribe, Muscovites) (3:47)
=> 4 Khovanshchina: Act I. «Aj! Prjamaja pogibel'…» (Scribe, Streltsy, Shaklovity) / «A my živem nyne v pochoronkach» (Shaklovity, Scribe) / «Da čto ty straščaeš'?» (Scribe, Shaklovity, Muscovites) (4:31)
=> 5 Khovanshchina: Act I. «Čto b ėto na Moskve takoe priključilos'?» (Muscovites, Scribe) / «Žil da byl pod'jačij sem'desjat godov» (Muscovites, Scribe) / «Stojte, stojte, okajannye!» (Scribe, Muscovites) / «Och ty, rodnaja matuška Rus'» (Muscovites) / «Aj da! Veselo!» (boys, women, Muscovites, Scribe, Streltsy) (8:53)
=> 6 Khovanshchina: Act I. «Ljudi pravoslavnye, ljudi rossijskie» (Streltsy) / «Deti, deti moi!» (Prince Ivan Khovansky, people, Streltsy) / «Slava lebedju, slava belomu» (people, Streltsy) (4:18)
=> 7 Khovanshchina: Act I. «Pustite, pustite!» (Emma, Prince Andrei Khovansky) / «Otdajsja mne! … Ne pytaj menja!» (Andrei Khovansky, Emma, Marfa) (2:57)
=> 8 Khovanshchina: Act I. «Tak, tak, knjaže!» (Marfa, Emma, Andrei Khovansky, people, Streltsy) (3:39)
=> 9 Khovanshchina: Act I. «Slava lebedju» (people, Emma, Streltsy) / «Čto takoe?» (Ivan Khovansky, Andrei Khovansky, Streltsy, Dosifei, Emma) (3:09)
=> 10 Khovanshchina: Act I. «Marfa, svedi-ko ljuterku domoj» (Dosifei, Marfa) / «Strel'cy! Živo! V Krem'!» (Ivan Khovansky, Streltsy, Dosifei) / «Bože vsesil'nyj» (Old Believers, Dosifei) (6:09)

CD 150: Mussorgsky: Khovanshchina (Acts II & III)

=> 1 Khovanshchina: Act II. «Svet moj, bratec Vasen'ka» (Golitsyn) / «Kto tam?» (Golitsyn, Varsonofiev, Marfa) (5:45)
=> 2 Khovanshchina: Act II. «Postav'!» (Golitsyn, Marfa) / «Vot v čem rešen'e sud'by moej» (Golitsyn) (6:42)
=> 3 Khovanshchina: Act II. «A my bez dokladu, knjaz', vot kak!» (Ivan Khovansky, Golitsyn) / «Ne tebe sudit' moi postupki!» (Golitsyn, Ivan Khovansky, Dosifei) (8:46)
=> 4 Khovanshchina: Act II. «Pobedichom, pobedichom, posramichom» (Old Believers, Ivan Khovansky, Dosifei, Golitsyn) (2:03)
=> 5 Khovanshchina: Act II. «Knjaže, knjaže!» (Marfa, Golitsyn, Ivan Khovansky, Dosifei, Varsonofiev) (1:06)
=> 6 Khovanshchina: Act II. «Knjaz'ja!» (Shaklovity, Ivan Khovansky, Dosifei) (1:54)
=> 7 Khovanshchina: Act III. «Posramichom, prerekochom» (Old Believers) (2:55)
=> 8 Khovanshchina: Act III. «Ischodila mladešen'ka» (Marfa) / «Grech! Tjažkij, neiskupimyj grech» (Susanna, Marfa) / «Esli b ty togda ponjat' mogla» (Marfa, Susanna) / «Ty … ty iskusila menja» (Susanna) (8:44)
=> 9 Khovanshchina: Act III. «Počto mjatešisja» (Dosifei, Marfa, Susanna) / «Beliala i besov ugodnica» (Dosifei, Marfa) / «Strašnaja pytka ljubov' moja» (Marfa, Dosifei) (6:09)
=> 10 Khovanshchina: Act III. «Spit streleckoe gnezdo» (Shaklovity) (6:02)
=> 11 Khovanshchina: Act III. «Podnimajsja, molodcy!» (Streltsy, Shaklovity) / «Vali valom!» (Streltsy) (2:21)
=> 12 Khovanshchina: Act III. «Ach, okajannye propojcy» (Streltsy women, Streltsy) / «Oj, da achti ž» (Streltsy, Streltsy women, Kuzka) (1:31)
=> 13 Khovanshchina: Act III. «Och, mne nevmogotu, och, vot» (Kuzka, Streltsy women, Streltsy) (2:32)
=> 14 Khovanshchina: Act III. «Beda, beda … ach, zlejšaja!» (Scribe, Streltsy, Streltsy women) / «… mernyj dal'nij topot» (Scribe, Streltsy, Streltsy women) / «Strel'cy! Sprosim batju» (Kuzka, Streltsy women, Streltsy) (6:28)
=> 15 Khovanshchina: Act III. «Zdorovo, detki» (Ivan Khovansky, Streltsy women, Streltsy) (4:07)

CD 151: Mussorgsky: Khovanshchina (Acts IV & V)

=> 1 Khovanshchina: Act IV, Scene 1. «Vozle rečki na lužočke» (peasant girls, Ivan Khovansky) / «Ty začem?» (Ivan Khovansky, confidant) (5:24)
=> 2 Khovanshchina: Act IV, Scene 1. Dances of the Persian slave girls (6:32)
=> 3 Khovanshchina: Act IV, Scene 1. «Ty začem?» (Ivan Khovansky, Shaklovity) / «Plyvet, plyvet lebeduška» (peasant girls, Shaklovity) (4:08)
=> 4 Khovanshchina: Act IV, Scene 2. «Glijan'-ko! Vezut, vezut kak est'!» (Muscovites) (3:50)
=> 5 Khovanshchina: Act IV, Scene 2. «Sveršilosja rešenie sud'by» (Dosifei, Marfa) / «Čto ž, proznala ty, golubka» (Dosifei, Marfa) (4:13)
=> 6 Khovanshchina: Act IV, Scene 2. «A, ty zdes', zlodejka!» (Andrei Khovansky, Marfa) / «Vidnom ty ne čujal, knjaže» (Marfa, Andrei Khovansky) / «Ja ne verju tebe» (Andrei Khovansky, Marfa) (3:25)
=> 7 Khovanshchina: Act IV, Scene 2. «Gospodi, bože moj!» (Andrei Khovansky, Marfa, Streltsy women, Streltsy) / Preobrazhensky March / «Strel'cy! Cari i gosudari Ivan i Petr» (Streshnev) (4:55)
=> 8 Khovanshchina: Act V. «Zdes', na ėtom meste svjate» (Dosifei, Old Believers) / «Oblekajtesja v rizy svetlye» (Dosifei) / «Vrag čelovekov» (Old Believers, Marfa) (11:25)
=> 9 Khovanshchina: Act V. «Gde ty, moja volijuška?» (Andrei Khovansky, Marfa) / «Ja ne ostavlju tebja» (Marfa) / «Truba predvečnogo!» (Dosifei, Marfa, Andrei Khovansky) / «Gospodi slavy» (Old Believers, Dosifei) (7:55)
=> 10 Khovanshchina: Act V. «Gospod' spaset mja» (Old Believers, Dosifei) / «I Gospod' moj, spaset mja» (Andrei Khovansky, Old Believers, Dosifei, Marfa) / Closing applause (5:28)

CD 152: Nono: Como una ola de fuerza y luz / ..... sofferte onde serene ... / Contrappunto dialettico alla mente

=> 1 Como una ola de fuerza y luz: Beginning (2:32)
=> 2 Como una ola de fuerza y luz: 1. Interno dolce (Soprano entry: “Lusiano!”). Score: p. 8 (1:46)
=> 3 Como una ola de fuerza y luz: 2. Duro deciso (Soprano: “en los vientos azarósos de esta tierra”). Score: p. 8bis (2:13)
=> 4 Como una ola de fuerza y luz: Piano entry. Score: p. 8bis (6:54)
=> 5 Como una ola de fuerza y luz: 3. Dolcissimo sereno (Soprano: “voces de niños doblen campanas dulces”). Score: p. 27 (2:11)
=> 6 Como una ola de fuerza y luz: Orchestra entry. Score: p. 28 (10:01)
=> 7 Como una ola de fuerza y luz: Orchestra and piano entry. Score: p. 67 (4:24)
=> 8 ..... sofferte onde serene ... (14:07)
=> 9 Contrappunto dialettico alla mente (19:51)

CD 153: Pergolesi: Stabat Mater / Violin Concerto / Salve Regina

=> 1 Stabat Mater: 1. Duet: “Stabat mater dolorosa” (4:14)
=> 2 Stabat Mater: 2. Aria: “Cuius animam gementem” (soprano) (2:20)
=> 3 Stabat Mater: 3. Duet: “O quam tristis et afflicta” (2:14)
=> 4 Stabat Mater: 4. Aria: “Quae moerebat et dolebat” (alto) (2:09)
=> 5 Stabat Mater: 5. Duet: “Quis est homo, qui non fleret” (2:31)
=> 6 Stabat Mater: 6. Aria: “Vidit suum dulcem natum” (soprano) (3:35)
=> 7 Stabat Mater: 7. Aria: “Eia, Mater, fons amoris” (alto) (2:14)
=> 8 Stabat Mater: 8. Duet: “Fac, ut ardeat cor meum” (2:20)
=> 9 Stabat Mater: 9. Duet: “Sancta Mater, istud agas” (5:31)
=> 10 Stabat Mater: 10. Aria: “Fac, ut portem Christi mortem” (alto) (3:52)
=> 11 Stabat Mater: 11. Duet: “Inflammatus et accensus” (2:12)
=> 12 Stabat Mater: 12. Duet: “Quando corpus morietur - Amen” (5:15)
=> 13 Concerto for Violin, Strings and Basso continuo in B-flat major: 1. Allegro (5:10)
=> 14 Concerto for Violin, Strings and Basso continuo in B-flat major: 2. Largo (3:37)
=> 15 Concerto for Violin, Strings and Basso continuo in B-flat major: 3. Allegro (3:52)
=> 16 Salve Regina in C minor: 1. “Salve Regina” (3:58)
=> 17 Salve Regina in C minor: 2. “Ad te clamamus” (3:54)
=> 18 Salve Regina in C minor: 3. “Eia ergo” (1:30)
=> 19 Salve Regina in C minor: 4. “Et Jesum benedictum” (2:16)
=> 20 Salve Regina in C minor: 5. “O clemens, o pia” (2:16)

CD 154: Pergolesi: Missa S. Emidio / Salve Regina / Manca la guida al piè / Laudate pueri Dominum

=> 1 Missa S. Emidio (Missa romana): Kyrie. “Kyrie eleison” (chorus) (0:45)
=> 2 Missa S. Emidio (Missa romana): Kyrie. “Christe eleison” (chorus) (2:28)
=> 3 Missa S. Emidio (Missa romana): Kyrie. “Kyrie eleison” (chorus) (0:58)
=> 4 Missa S. Emidio (Missa romana): Gloria. “Gloria in excelsis Deo” (chorus) (2:40)
=> 5 Missa S. Emidio (Missa romana): Gloria. “Laudamus te” (soprano) (2:07)
=> 6 Missa S. Emidio (Missa romana): Gloria. “Gratias agimus tibi” (chorus) (3:48)
=> 7 Missa S. Emidio (Missa romana): Gloria. “Domine Deus” (soprano, alto) (4:12)
=> 8 Missa S. Emidio (Missa romana): Gloria. “Qui tollis peccata mundi” (I) (chorus) (2:15)
=> 9 Missa S. Emidio (Missa romana): Gloria. “Qui tollis peccata mundi” (II) (chorus) (4:03)
=> 10 Missa S. Emidio (Missa romana): Gloria. “Qui sedes ad dexteram Patris” (chorus) (2:19)
=> 11 Missa S. Emidio (Missa romana): Gloria. “Quoniam to solus Sanctus” (soprano) (1:47)
=> 12 Missa S. Emidio (Missa romana): Gloria. “Cum Sancto Spiritu. Amen” (chorus) (2:40)
=> 13 Salve Regina in F minor: “Salve Regina” (4:38)
=> 14 Salve Regina in F minor: “Ad te clamamus” (4:44)
=> 15 Salve Regina in F minor: “Eia ergo” (1:33)
=> 16 Salve Regina in F minor: “Et Jesum benedictum” (2:18)
=> 17 Salve Regina in F minor: “O clemens, o pia” (2:09)
=> 18 Manca la guida al piè: Recitativo: “È dover che luci” (2:09)
=> 19 Manca la guida al piè: Aria: “Manca la guida al piè” (6:35)
=> 20 Laudate pueri Dominum: “Laudate pueri Dominum” (soprano, chorus) (3:05)
=> 21 Laudate pueri Dominum: “A solis ortu” (soprano) (3:38)
=> 22 Laudate pueri Dominum: “Excelsus super omnes” (soprano, chorus) (2:05)
=> 23 Laudate pueri Dominum: “Qui sicut Dominus” (soprano, chorus) (2:05)
=> 24 Laudate pueri Dominum: “Suscitans a terra” (soprano, chorus) (2:29)
=> 25 Laudate pueri Dominum: “Gloria patri” (soprano) (2:53)
=> 26 Laudate pueri Dominum: “Sicut erat in principio” (soprano, chorus) (2:15)

CD 155: Pergolesi: Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina / Dixit Dominus

=> 1 Confitebor tibi, Domine: “Confitebor tibi, Domine” (chorus) (2:09)
=> 2 Confitebor tibi, Domine: “Confessio et magnificentia opus eius” (soprano, chorus) (4:38)
=> 3 Confitebor tibi, Domine: “Fidelia omnia mandata eius” (soprano) (2:08)
=> 4 Confitebor tibi, Domine: “Redemptionem misit populo suo” (chorus) (0:53)
=> 5 Confitebor tibi, Domine: “Sanctum et terribile nomen eius” (alto) (3:56)
=> 6 Confitebor tibi, Domine: “Gloria Patri” (chorus) (0:58)
=> 7 Confitebor tibi, Domine: “Sicut erat in principio” (soprano, chorus) (2:59)
=> 8 Chi non ode e chi non vede: Aria: “Chi non ode e chi non vede” (7:20)
=> 9 Chi non ode e chi non vede: Recitativo: “Di costei parlo” (1:00)
=> 10 Chi non ode e chi non vede: Largo: “Tu dovresti, Amor tiranno” (1:23)
=> 11 Chi non ode e chi non vede: Recitativo: “Ma dove io mi rivolgo?” (0:26)
=> 12 Chi non ode e chi non vede: Largo stentato: “Miseri affetti miei” (0:57)
=> 13 Chi non ode e chi non vede: Aria. Presto: “Cadrò contento” (4:18)
=> 14 Salve Regina in A minor: “Salve Regina” (3:19)
=> 15 Salve Regina in A minor: “Ad te clamamus” (2:17)
=> 16 Salve Regina in A minor: “Eia ergo” (2:14)
=> 17 Salve Regina in A minor: “O clemens, o pia” (3:24)
=> 18 Dixit Dominus: “Dixit Dominus” (chorus) (3:14)
=> 19 Dixit Dominus: “Virgam virtutis” (soprano) (2:13)
=> 20 Dixit Dominus: “Dominare” (chorus) (1:02)
=> 21 Dixit Dominus: “Tecum principium” (soprano) (2:35)
=> 22 Dixit Dominus: “Juravit Dominus” (chorus) (1:45)
=> 23 Dixit Dominus: “Dominus a dextris tuis” (chorus, soloists) (4:38)
=> 24 Dixit Dominus: “Gloria Patri” (chorus) (5:05)

CD 156: Pergolesi: Stabat Mater

=> 1 Stabat Mater: 1. Duet: “Stabat Mater dolorosa” (4:40)
=> 2 Stabat Mater: 2. Aria: “Cuius animam gementem” (soprano) (3:08)
=> 3 Stabat Mater: 3. Duet: “O quam tristis et afflicta” (2:35)
=> 4 Stabat Mater: 4. Aria: “Quae moerebat et dolebat” (alto) (2:49)
=> 5 Stabat Mater: 5. Duet: “Quis est homo, qui non fleret” (3:01)
=> 6 Stabat Mater: 6. Aria: “Vidit suum dulcem natum” (soprano) (3:33)
=> 7 Stabat Mater: 7. Aria: “Eia, Mater, fons amoris” (alto) (2:54)
=> 8 Stabat Mater: 8. Duet: “Fac, ut ardeat cor meum” (2:41)
=> 9 Stabat Mater: 9. Duet: “Sancta mater, istud agas” (5:59)
=> 10 Stabat Mater: 10. Aria: “Fac, ut portem Christi mortem” (alto) (3:43)
=> 11 Stabat Mater: 11. Duet: “Inflammatus et accensus” (2:51)
=> 12 Stabat Mater: 12. Duet: “Quando corpus morietur - Amen” (4:57)

CD 157: Prokofiev: Symphonies nos. 1 “Classical” & 3 / Ballet Suite “Chout” (Excerpts)

=> 1 Symphony no. 1 in D major “Classical”, op. 25: 1. Allegro (3:57)
=> 2 Symphony no. 1 in D major “Classical”, op. 25: 2. Larghetto (4:19)
=> 3 Symphony no. 1 in D major “Classical”, op. 25: 3. Gavotta. Non troppo allegro (1:32)
=> 4 Symphony no. 1 in D major “Classical”, op. 25: 4. Finale. Molto vivace (4:27)
=> 5 Symphony no. 3 in C minor, op. 44: 1. Moderato (13:24)
=> 6 Symphony no. 3 in C minor, op. 44: 2. Andante (7:23)
=> 7 Symphony no. 3 in C minor, op. 44: 3. Allegro agitato (7:44)
=> 8 Symphony no. 3 in C minor, op. 44: 4. Andante mosso - Allegro agitato (6:17)
=> 9 Ballet Suite “Chout”, op. 21b: 1. The Buffoon and His Wife (3:17)
=> 10 Ballet Suite “Chout”, op. 21b: 2. Dance of the Wives (3:44)
=> 11 Ballet Suite “Chout”, op. 21b: 3. Fugue. The Buffoons Kill Their Wives (2:22)
=> 12 Ballet Suite “Chout”, op. 21b: 4. Dance of the Buffoons' Daughters (2:27)
=> 13 Ballet Suite “Chout”, op. 21b: 5. In the Merchant's Bedroom (2:09)
=> 14 Ballet Suite “Chout”, op. 21b: 6. The Young Wife Becomes a Goat (2:40)
=> 15 Ballet Suite “Chout”, op. 21b: 7. Fifth Entr'acte and the Goat's Burial (3:19)
=> 16 Ballet Suite “Chout”, op. 21b: 8. The Buffoon and the Merchant Quarrel (1:31)
=> 17 Ballet Suite “Chout”, op. 21b: 9. Final Dance (3:35)

CD 158: Prokofiev: March, op. 99 / Peter and the Wolf / Overture on Hebrew Themes / Symphony no. 1 “Classical”

=> 1 March in B-flat major, op. 99: Allegro (2:35)
=> 2 Peter and the Wolf, op. 67: “Let me tell you a story” (2:39)
=> 3 Peter and the Wolf, op. 67: “Early one morning Peter opened the gate” (0:56)
=> 4 Peter and the Wolf, op. 67: “On a branch of a big tree sat a little bird” (The Bird) (1:25)
=> 5 Peter and the Wolf, op. 67: “Just then a duck came waddling round” (The Duck) (2:11)
=> 6 Peter and the Wolf, op. 67: “Suddenly something caught Peter’s attention” (The Cat) (1:43)
=> 7 Peter and the Wolf, op. 67: “Grandfather came out.” (The Grandfather) (2:13)
=> 8 Peter and the Wolf, op. 67: “No sooner had Peter gone” (The Wolf) (4:12)
=> 9 Peter and the Wolf, op. 67: “Peter, in the meantime, stood behind the closed gate” (2:28)
=> 10 Peter and the Wolf, op. 67: “Meanwhile, Peter made a lasso with his rope” (1:35)
=> 11 Peter and the Wolf, op. 67: “Just then … out of the woods came the hunters” (The Hunters) (6:49)
=> 12 Overture on Hebrew Themes, op. 34a (8:01)
=> 13 Symphony no. 1 in D major “Classical”, op. 25: 1. Allegro (4:16)
=> 14 Symphony no. 1 in D major “Classical”, op. 25: 2. Larghetto (3:46)
=> 15 Symphony no. 1 in D major “Classical”, op. 25: 3. Gavotta. Non troppo allegro (1:23)
=> 16 Symphony no. 1 in D major “Classical”, op. 25: 4. Finale. Molto vivace (3:48)

CD 159: Prokofiev: Scythian Suite / Lieutenant Kijé

=> 1 Scythian Suite, op. 20: 1. The Adoration of Veless and Ala. Allegro feroce - Poco meno mosso - Poco più lento (5:38)
=> 2 Scythian Suite, op. 20: 2. The Enemy God and the Dance of the Spirits of Darkness. Allegro sostenuto (3:10)
=> 3 Scythian Suite, op. 20: 3. Night. Andantino - Poco più mosso (6:16)
=> 4 Scythian Suite, op. 20: 4. The Glorious Departure of Lolly and the Sun's Procession. Tempestoso - Allegro - Andante sostenuto (5:38)
=> 5 Lieutenant Kijé, op. 60: 1. Kijé’s Birth (4:09)
=> 6 Lieutenant Kijé, op. 60: 2. Romance (4:08)
=> 7 Lieutenant Kijé, op. 60: 3. Kijé’s Wedding (2:36)
=> 8 Lieutenant Kijé, op. 60: 4. Troika (2:44)
=> 9 Lieutenant Kijé, op. 60: 5. Kije’s Burial (5:55)

CD 160: Prokofiev: Romeo and Juliet (Excerpts)

=> 1 Romeo and Juliet, op. 64b: The Montagues and the Capulets (op. 64b/1). Andante - Allegro pesante - Moderato tranquillo - Allegro pesante (4:59)
=> 2 Romeo and Juliet, op. 101: Romeo at the fountain (op. 101/1, fig. 2). Andante assai (1:30)
=> 3 Romeo and Juliet, op. 64: The street awakens (op. 64/3). Allegretto (1:30)
=> 4 Romeo and Juliet, op. 101: Morning Dance (op. 101/2). Allegro (2:28)
=> 5 Romeo and Juliet, op. 64: The quarrel (op. 64/5). Allegro brusco (1:41)
=> 6 Romeo and Juliet, op. 64: The fight (op. 64/6). Presto - Poco più sostenuto - Tempo I (2:31)
=> 7 Romeo and Juliet, op. 64: Dance with mandolins (op. 64/25). Vivace (1:44)
=> 8 Romeo and Juliet, op. 64: The Nurse (op. 64/26). Adagio scherzoso (2:10)
=> 9 Romeo and Juliet, op. 64b: Juliet the Young Girl (op. 64b/2). Vivace - Andante dolente - Lento (3:39)
=> 10 Romeo and Juliet, op. 64: Dance of the five couples (op. 64/24). Vivo - Meno mosso (Moderato marchiale) - Vivo, come prima (4:19)
=> 11 Romeo and Juliet, op. 64: Interlude (op. 64/8). Andante pomposo (L'istesso tempo) (1:52)
=> 12 Romeo and Juliet, op. 64: Masks (op. 64/12). Moderato marciale - Andante (2:06)
=> 13 Romeo and Juliet, op. 64a: Romeo and Juliet (op. 64a/6). Larghetto - Andante - Più mosso (7:20)
=> 14 Romeo and Juliet, op. 64a: Tybalt's death (op. 64a/7). Precipitato - Presto - Adagio drammatico (4:47)
=> 15 Romeo and Juliet, op. 64b: Romeo and Juliet before parting (op. 64b/5). Lento - Andante - Adagio - Poco più animato - Adagio - Andante (8:25)
=> 16 Romeo and Juliet, op. 64: Morning Serenade (op. 64/48). Andante giocoso (2:32)
=> 17 Romeo and Juliet, op. 64: Dance of the young girls with the lilies (op. 64/49). Andante con eleganza (2:24)
=> 18 Romeo and Juliet, op. 64: At Juliet's bedside (op. 64/50, Fig. 345). Andante - Adagio (1:58)
=> 19 Romeo and Juliet, op. 64: Juliet's funeral (op. 64/51). Adagio funebre - (6:14)
=> 20 Romeo and Juliet, op. 64: Death of Juliet (op. 64/52). Adagio (meno mosso del tempo precedente) (4:18)

CD 161: Prokofiev: Piano Concertos nos. 1 & 3

=> 1 Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Allegro brioso – Poco più mosso – Tempo I – Meno mosso – Più mosso (Tempo I) – Animato – (6:28)
=> 2 Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Andante assai – (4:10)
=> 3 Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Allegro scherzando – Poco più sostenuto – Più mosso – Animato (4:13)
=> 4 Concerto for Piano and Orchestra no. 3 in C major, op. 26: 1. Andante – Allegro (9:26)
=> 5 Concerto for Piano and Orchestra no. 3 in C major, op. 26: 2. Tema. Andantino – Variation I. L’istesso tempo – Var. II. Allegro – Var. III. Allegro moderato – Var. IV. Andantino meditativo – Var V. Allegro giusto – Tema. L’istesso tempo (8:42)
=> 6 Concerto for Piano and Orchestra no. 3 in C major, op. 26: 3. Allegro ma non troppo (9:28)

CD 162: Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G major

=> 1 Concerto for Piano and Orchestra no. 3 in C major, op. 26: 1. Andante – Allegro (9:01)
=> 2 Concerto for Piano and Orchestra no. 3 in C major, op. 26: 2. Tema. Andantino – Variation I. L’istesso tempo – Var. II. Allegro – Var. III. Allegro moderato – Var. IV. Andantino meditativo – Var V. Allegro giusto – Tema. L’istesso tempo (9:03)
=> 3 Concerto for Piano and Orchestra no. 3 in C major, op. 26: 3. Allegro ma non troppo (9:09)
=> 4 Concerto for Piano and Orchestra in G major, M. 83: 1. Allegramente (8:10)
=> 5 Concerto for Piano and Orchestra in G major, M. 83: 2. Adagio assai (9:03)
=> 6 Concerto for Piano and Orchestra in G major, M. 83: 3. Presto (3:55)

CD 163: Prokofiev: Alexander Nevsky

=> 1 Alexander Nevsky, op. 78: 1. Russia under the Mongol Yoke (3:09)
=> 2 Alexander Nevsky, op. 78: 2. Song about Alexander Nevsky (3:32)
=> 3 Alexander Nevsky, op. 78: 3. The Crusaders in Pskov (6:40)
=> 4 Alexander Nevsky, op. 78: 4. Arise, Ye Russian People (2:20)
=> 5 Alexander Nevsky, op. 78: 5. The Battle on the Ice (12:04)
=> 6 Alexander Nevsky, op. 78: 6. Field of the Dead (6:01)
=> 7 Alexander Nevsky, op. 78: 7. Alexander's Entry into Pskov (4:45)

CD 164: Prokofiev: Violin Concertos nos. 1 & 2

=> 1 Concerto for Violin and Orchestra no. 1 in D major, op. 19: 1. Andantino - Andante assai (10:01)
=> 2 Concerto for Violin and Orchestra no. 1 in D major, op. 19: 2. Scherzo. Vivacissimo (3:55)
=> 3 Concerto for Violin and Orchestra no. 1 in D major, op. 19: 3. Moderato - Allegro moderato - Moderato - Più tranquillo (8:18)
=> 4 Concerto for Violin and Orchestra no. 2 in G minor, op. 63: 1. Allegro moderato (10:46)
=> 5 Concerto for Violin and Orchestra no. 2 in G minor, op. 63: 2. Andante assai - Allegretto - Andante assai (9:58)
=> 6 Concerto for Violin and Orchestra no. 2 in G minor, op. 63: 3. Allegro, ben marcato (6:15)

CD 165: Rachmaninoff: Piano Concertos nos. 2 & 3

=> 1 Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 1. Moderato (11:05)
=> 2 Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 2. Adagio sostenuto (11:30)
=> 3 Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 3. Allegro scherzando (11:43)
=> 4 Concerto for Piano and Orchestra no. 3 in D minor, op. 30: I. Allegro ma non tanto (16:16)
=> 5 Concerto for Piano and Orchestra no. 3 in D minor, op. 30: II. Intermezzo. Adagio (11:25)
=> 6 Concerto for Piano and Orchestra no. 3 in D minor, op. 30: III. Finale. Alla breve (14:20)

CD 166: Rachmaninoff: Rhapsody on a Theme of Paganini / Piano Concerto no. 2

=> 1 Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace (0:09)
=> 2 Rhapsody on a Theme of Paganini, op. 43: Variation I (Precedente) (0:20)
=> 3 Rhapsody on a Theme of Paganini, op. 43: Tema. L’istesso tempo (0:20)
=> 4 Rhapsody on a Theme of Paganini, op. 43: Variation II. L’istesso tempo (0:19)
=> 5 Rhapsody on a Theme of Paganini, op. 43: Variation III. L’istesso tempo (0:26)
=> 6 Rhapsody on a Theme of Paganini, op. 43: Variation IV. Piú vivo (0:28)
=> 7 Rhapsody on a Theme of Paganini, op. 43: Variation V. Tempo precedente (0:28)
=> 8 Rhapsody on a Theme of Paganini, op. 43: Variation VI. L’istesso tempo (1:03)
=> 9 Rhapsody on a Theme of Paganini, op. 43: Variation VII. Meno mosso, a tempo moderato (1:03)
=> 10 Rhapsody on a Theme of Paganini, op. 43: Variation VIII. Tempo I (0:34)
=> 11 Rhapsody on a Theme of Paganini, op. 43: Variation IX. L’istesso tempo (0:32)
=> 12 Rhapsody on a Theme of Paganini, op. 43: Variation X (0:54)
=> 13 Rhapsody on a Theme of Paganini, op. 43: Variation XI. Moderato (1:16)
=> 14 Rhapsody on a Theme of Paganini, op. 43: Variation XII. Tempo di minuetto (1:18)
=> 15 Rhapsody on a Theme of Paganini, op. 43: Variation XIII. Allegro (0:29)
=> 16 Rhapsody on a Theme of Paganini, op. 43: Variation XIV. L’istesso tempo (0:45)
=> 17 Rhapsody on a Theme of Paganini, op. 43: Variation XV. Piú vivo. Scherzando (1:09)
=> 18 Rhapsody on a Theme of Paganini, op. 43: Variation XVI. Allegretto (1:34)
=> 19 Rhapsody on a Theme of Paganini, op. 43: Variation XVII (1:35)
=> 20 Rhapsody on a Theme of Paganini, op. 43: Variation XVIII. Andante cantabile - A tempo vivace (2:45)
=> 21 Rhapsody on a Theme of Paganini, op. 43: Variation XIX. L’istesso tempo (0:28)
=> 22 Rhapsody on a Theme of Paganini, op. 43: Variation XX. Un poco piú vivo (0:36)
=> 23 Rhapsody on a Theme of Paganini, op. 43: Variation XXI. Un poco piú vivo (0:26)
=> 24 Rhapsody on a Theme of Paganini, op. 43: Variation XXII. Un poco piú vivo (alla breve) (1:47)
=> 25 Rhapsody on a Theme of Paganini, op. 43: Variation XXIII. L’istesso tempo (0:52)
=> 26 Rhapsody on a Theme of Paganini, op. 43: Variation XXIV. A tempo un poco meno mosso (1:21)
=> 27 Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 1. Moderato (10:26)
=> 28 Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 2. Adagio sostenuto (11:15)
=> 29 Concerto for Piano and Orchestra no. 2 in C minor, op. 18: 3. Allegro scherzando (11:26)

CD 167: Ravel: Boléro / Rapsodie espagnole / Ma mère l'Oye / Pavane pour une infante défunte

=> 1 Boléro, M. 81: Tempo di bolero moderato assai (14:33)
=> 2 Rapsodie espagnole, M. 54: 1. Prélude à la nuit. Très modéré (4:25)
=> 3 Rapsodie espagnole, M. 54: 2. Malagueña. Assez vif (2:03)
=> 4 Rapsodie espagnole, M. 54: 3. Habanera. Assez lent et d'un rythme las (2:41)
=> 5 Rapsodie espagnole, M. 54: 4. Feria. Assez animé (6:08)
=> 6 Ma mère l'Oye, M. 60: Prélude. Très lent (3:25)
=> 7 Ma mère l'Oye, M. 60: 1ᵉʳ TABLEAU : Danse du rouet et scène. Allegro (3:31)
=> 8 Ma mère l'Oye, M. 60: 2ᵉ TABLEAU : Pavane de la Belle au bois dormant. Lent - Allegro - Mouvement de valse modéré (2:47)
=> 9 Ma mère l'Oye, M. 60: 3ᵉ TABLEAU : Les Entretiens de la Belle et de la Bête. Mouvement de valse modéré (5:14)
=> 10 Ma mère l'Oye, M. 60: 4ᵉ TABLEAU : Petit Poucet. Très modéré (4:44)
=> 11 Ma mère l'Oye, M. 60: 5ᵉ TABLEAU : Laideronnette, impératrice des pagodes. Mouvement de marche - Allegro - Très modéré (4:48)
=> 12 Ma mère l'Oye, M. 60: APOTHÉOSE : Le jardin féerique. Lent et grave (3:49)
=> 13 Pavane pour une infante défunte, M. 19: Lent (6:37)

CD 168: Ravel: Daphnis et Chloé / Valses nobles et sentimentales

=> 1 Daphnis et Chloé, M. 57: Première partie. Introduction. Lent: A meadow at the edge of a sacred wood. Hills in the background. On the right, a grotto, at the entrance of which, cut out of the rock, three Nymphs are represented in an archaic sculpture. A little towards the back, on the left, a great mass of rock vaguely simulates the shape of the god Pan. In the middle ground, sheep are grazing. A clear springtime afternoon. The curtain rises on an empty stage. Youths and maidens enter, carrying open baskets of gifts intended for the Nymphs. Très modéré: The stage gradually fills. The crowd bows down before the altar of the Nymphs. The maidens encircle the pedestals with garlands. (3:31)
=> 2 Daphnis et Chloé, M. 57: Première partie. Danse religieuse. Modéré (2:34)
=> 3 Daphnis et Chloé, M. 57: Première partie. In the far background, Daphnis becomes visible, preceded by his flocks. Chloé joins him. They make their way towards the altar and disappear round a corner. Un peu plus lent: Daphnis and Chloé reappear in the foreground, coming to prostrate themselves before the Nymphs. The dance is interrupted. Tender emotion at the sight of the couple. (3:12)
=> 4 Daphnis et Chloé, M. 57: Première partie. Vif: The maidens entice Daphnis and surround him with their dancing. Chloé feels the first pangs of jealousy. (0:50)
=> 5 Daphnis et Chloé, M. 57: Première partie. Just then, she is drawn into the dance of the young men. The driver Dorcon shows himself particularly venturesome. Daphnis, in his turn, seems upset. (0:56)
=> 6 Daphnis et Chloé, M. 57: Première partie. Danse Générale. Beaucoup moins vif: At the end of the dance, Dorcon, emboldened, wants to kiss Chloé. Innocently, she offers her cheek. (0:43)
=> 7 Daphnis et Chloé, M. 57: Première partie. Vif: But, with a brusque movement. Daphnis brushes the herdsman aside and gently approaches Chloé. The young men intervene. Placing themselves in front of Chloé, they gently lead Daphnis away. Plus modéré: One of them proposes a dance contest between Daphnis and Dorcon. A kiss from Chloé will be the winner’s prize. / Danse grotesque de Dorcon. Très modéré. Pesant: Ironically, the crowd imitates the awkward movements of the herdsman, who ends the dance amidst general laughter. (2:37)
=> 8 Daphnis et Chloé, M. 57: Première partie. Danse légère et gracieuse de Daphnis. Assez lent. Animé: All invite Daphnis to receive the award. Vif: Dorcon also comes forward, but is chased away by the crowd accompanying him with noisy laughter. (2:54)
=> 9 Daphnis et Chloé, M. 57: Première partie. Lent: The laughter breaks off when the radiant couple formed by Daphnis and Chloé entwined is sighted. Moins lent: The crowd retires, leading Chloé away. Daphnis remains motionless, as if in ecstasy. Then he lies flat on the grass, his face in his hands. Très libre: Lycanion enters. She sees the young shepherd, approaches him, lifts his head, putting her hand before his eyes. Daphnis thinks it is one of Chloé’s pranks. But he recognises Lycanion and wants to get away. (1:42)
=> 10 Daphnis et Chloé, M. 57: Première partie. Très modéré: Lycanion dances. As if by accident, she lets one of her veils fall. Daphnis picks it up and puts it back on her shoulders. Ironically, she continues her dance, which, more languorous, quickens till the end. Another veil falls to the ground. Again, Daphnis picks it up. Vexed, she slips away, mocking, and leaving the young shepherd very confused. (1:35)
=> 11 Daphnis et Chloé, M. 57: Première partie. Modérément animé: The noises of weapons and war cries are heard coming nearer. The women cross the middle of the stage, pursued by pirates. Daphnis dreams of Chloé, perhaps in danger, and hurriedly leaves to rescue her. Chloé runs in, lost and seeking shelter. She throws herself before the altar of the Nymphs, imploring their protection. Très animé: A group of brigands rushes in, sees the young maid and abducts her. Lent: Daphnis enters, looking for Chloé. On the ground, he finds a sandal which she has lost in the struggle. Très agité: Mad with despair, he curses the gods who have been unable to protect the young girl and falls fainting to the ground before the entrance to the grotto. (1:35)
=> 12 Daphnis et Chloé, M. 57: Première partie. Modéré: A strange light envelops the landscape. A small flame suddenly illuminates the head of one of the statues. Coming to life, the Nymph descends from her pedestal. The second Nymph descends. The third Nymph descends. Plus lent: They act in concert … (1:53)
=> 13 Daphnis et Chloé, M. 57: Première partie. Lent et très souple de mesure: … beginning a slow and mysterious dance. They notice Daphnis. They lean over him and dry his tears. They revive him and lead him towards the rock. They invoke the god Pan. Gradually, the form of the god takes shape. Daphnis prostrates himself, imploring. The scene grows dark. (3:30)
=> 14 Daphnis et Chloé, M. 57: Deuxième partie. Même mouvement: Offstage, voices are heard, very distant at first. Trumpet calls in the distance. The voices draw nearer. A dull light. It is the pirates’ camp. A very rough coast. In the background, the sea. On the right and left, a perspective of rocks. A trireme is visible near the coast. Here and there, cypress trees. Pirates are seen, running hither and thither, loaded with plunder. They carry torches, which violently light up the stage. (2:52)
=> 15 Daphnis et Chloé, M. 57: Deuxième partie. Danse guerrière. Animé et très rude (2:00)
=> 16 Daphnis et Chloé, M. 57: Deuxième partie. Un peu moins animé (1:54)
=> 17 Daphnis et Chloé, M. 57: Deuxième partie. Très rude: The pirates, exhausted from dancing, send for the captive, and Bryaxis orders the captive to be brought in. Chloé, her hands bound, is led in by two pirates. Bryaxis commands her to dance. / Danse suppliante de Chloé. Modéré Animé – Assez lent: Chloé tries to flee. Violently, she is brought back. Desperately, she resumes her dance (tempo primo). Animé – Lent: A second time, she tries to escape. Again, she is brought back. She abandons herself to despair, thinking of Daphnis (tempo primo). (3:31)
=> 18 Daphnis et Chloé, M. 57: Deuxième partie. Assez animé: Bryaxis wants to seduce her. She implores. Triumphant, the pirate chief bears her off. (0:29)
=> 19 Daphnis et Chloé, M. 57: Deuxième partie. Lent – Modéré: Suddenly, the atmosphere seems charged with strange new elements. In places, lit by invisible hands, little fires break out. Fantastic creatures jump, here and there. Gradually, terror seizes the whole camp. Little fauns appear on all sides and surround the pirates. Plus animé: The earth opens up. Formidable, with a menacing gesture, the shadow of Pan is profiled against the mountains in the background. All flee, bewildered. On the deserted stage, Chloé holds herself motionless. A luminous crown is placed on her head. The scene seems to dissolve. It is replaced by the landscape of Part One towards the end of night. (2:09)
=> 20 Daphnis et Chloé, M. 57: Troisième partie. Lent: No sound but the murmur of the brooklets gathered by the dew that flows from the rocks. Daphnis still lies stretched out in front of the grotto of the Nymphs. Gradually day breaks. Birdsong is heard. In the distance, a shepherd passes with his flock. Another shepherd crosses the back of the stage going farther away. Enter a group of shepherds looking for Daphnis and Chloé. They discover Daphnis and awaken him. Anguished, he seeks Chloé with his eyes. At last, she appears, surrounded by shepherdesses. They throw themselves into each other’s arms. Daphnis notices Chloé’s crown. His dream was a prophetic vision. Pan’s intervention is manifest. (4:49)
=> 21 Daphnis et Chloé, M. 57: Troisième partie. The old shepherd Lammon explains that if Pan has saved Chloé, it is the memory of the nymph Syrinx, with whom the god was once in love. Lent: Daphnis and Chloé mime the tale of Pan and Syrinx. Chloé depicts the young Nymph wandering in the meadow. Daphnis/Pan appears and declares his love for her. The Nymph rejects him. The god becomes more pressing. She disappears into the rushes. Desperate, he tears off some reeds, makes a flute with them and plays a melancholy air. (2:01)
=> 22 Daphnis et Chloé, M. 57: Troisième partie. Très lent – Vif: Chloé reappears and depicts, in her dance, the accents of the flute. The dance becomes more and more animated, and, in a bewildered swirling, Chloé falls into the arms of Daphnis. (4:08)
=> 23 Daphnis et Chloé, M. 57: Troisième partie. Lent – Animé: Before the altar of the Nymphs, he plights his troth by two ewes. Enter a group of young maidens, dressed as bacchantes, shaking tambourines. Lent – Animé: Daphnis and Chloé tenderly entwine. A group of young men invades the stage. Joyous tumult. (1:01)
=> 24 Daphnis et Chloé, M. 57: Troisième partie. Danse Générale – Danse du Daphnis et Chloé – Danse de Dorcon – Danse finale : Bacchanale (3:44)
=> 25 Valses nobles et sentimentales, M. 61: 1. Modéré (1:18)
=> 26 Valses nobles et sentimentales, M. 61: 2. Assez lent (1:52)
=> 27 Valses nobles et sentimentales, M. 61: 3. Modéré (1:31)
=> 28 Valses nobles et sentimentales, M. 61: 4. Assez animé (1:10)
=> 29 Valses nobles et sentimentales, M. 61: 5. Presque lent (0:59)
=> 30 Valses nobles et sentimentales, M. 61: 6. Assez vif (0:43)
=> 31 Valses nobles et sentimentales, M. 61: 7. Moins vif (2:53)
=> 32 Valses nobles et sentimentales, M. 61: 8. Epilogue. Lent (3:15)

CD 169: Ravel: Le Tombeau de Couperin / Alborada del gracioso / Shéhérazade, M. 17 / Menuet antique / La Valse

=> 1 Le Tombeau de Couperin, M. 68a: 1. Prélude. Vif (3:02)
=> 2 Le Tombeau de Couperin, M. 68a: 2. Forlane. Allegretto (5:35)
=> 3 Le Tombeau de Couperin, M. 68a: 3. Menuet. Allegro moderato (4:39)
=> 4 Le Tombeau de Couperin, M. 68a: 4. Rigaudon. Assez vif (3:10)
=> 5 Alborada del gracioso, M. 43/4: Assez vif (7:24)
=> 6 Shéhérazade, Ouverture de féerie, M. 17: Modéré (13:39)
=> 7 Menuet antique, M. 7: Maestoso (6:24)
=> 8 Une barque sur l'océan, M. 433: Très souple de rythme (7:20)
=> 9 Fanfare for the ballet “L'Éventail de Jeanne”, M. 80: Allegro moderato (1:53)
=> 10 La Valse, M. 72: Mouvement de valse viennoise (12:27)

CD 170: Ravel: Piano Concerto in G major / Piano Concerto for the Left Hand / Tzigane / Shéhérazade, M.41

=> 1 Concerto for Piano and Orchestra in G major, M. 83: 1. Allegramente (8:46)
=> 2 Concerto for Piano and Orchestra in G major, M. 83: 2. Adagio assai (9:33)
=> 3 Concerto for Piano and Orchestra in G major, M. 83: 3. Presto (4:03)
=> 4 Piano Concerto for the Left Hand in D major, M. 82: Lento - Andante - Allegro - Tempo I (17:25)
=> 5 Tzigane, M. 76: Lento, quasi cadenza - Molto espressivo, portando - Quasi cadenza - Moderato - Poco più moderato - Allegro - Tempo I - Allegro - Meno vivo, grandioso - Moderato - Vivo - Meno vivo - Sempre accelerando - Presto (10:00)
=> 6 Shéhérazade, M. 41: 1. Asie (9:49)
=> 7 Shéhérazade, M. 41: 2. La Flûte enchantée (2:56)
=> 8 Shéhérazade, M. 41: 3. L'indifférent (4:13)

CD 171: Rossini: Overtures (London Symphony Orchestra)

=> 1 Il barbiere di Siviglia: Overture (7:29)
=> 2 La Cenerentola: Overture (8:13)
=> 3 La gazza ladra: Overture (9:19)
=> 4 L’italiana in Algeri: Overture (8:16)
=> 5 Il signor Bruschino: Overture (4:26)
=> 6 L’assedio di Corinto: Overture (9:12)

CD 172: Rossini: Overtures (Chamber Orchestra of Europe)

=> 1 Il barbiere di Siviglia: Overture (7:16)
=> 2 Semiramide: Overture (11:56)
=> 3 L’italiana in Algeri: Overture (7:48)
=> 4 Guillaume Tell: Overture (11:00)
=> 5 La Cenerentola: Overture (8:10)
=> 6 La scala di seta: Overture (5:54)
=> 7 La gazza ladra: Overture (8:55)

CD 173: Rossini: L'italiana in Algeri (Act I)

=> 1 L'italiana in Algeri: Sinfonia (Ouverture) (7:52)
=> 2 L'italiana in Algeri: Atto Primo. N. 1 Introduzione: “Serenate il mesto ciglio” (coro, Elvira, Zulma, Haly, Mustafà) (6:53)
=> 3 L'italiana in Algeri: Atto Primo. Recitativo: “Ritiratevi tutti” (Mustafà, Haly) (1:21)
=> 4 L'italiana in Algeri: Atto Primo. N. 2 Cavatina: “Languir per una bella” (Lindoro) (6:41)
=> 5 L'italiana in Algeri: Atto Primo. Recitativo: “Ah, quando fia ch'io possa” (Lindoro, Mustafà) (0:41)
=> 6 L'italiana in Algeri: Atto Primo. N. 3 Duetto: “Se inclinassi a prender moglie” (Lindoro, Mustafà) (4:09)
=> 7 L'italiana in Algeri: Atto Primo. N. 4 Coro e cavatina: “Quanta roba! Quanti schiavi!” (coro, Haly) / “Cruda sorte! Amor tiranno!” (Isabella, coro) (4:46)
=> 8 L'italiana in Algeri: Atto Primo. Recitativo: “Già ci siam” (Isabella, Taddeo, Haly) (1:02)
=> 9 L'italiana in Algeri: Atto Primo. Recitativo: “Ah! Isabella… siam giunti a mal partito” (Taddeo, Isabella) (0:55)
=> 10 L'italiana in Algeri: Atto Primo. N. 5 Duetto: “Ai capricci della sorte” (Isabella, Taddeo) (7:18)
=> 11 L'italiana in Algeri: Atto Primo. Recitativo: “Ascoltami, italiano” (Mustafà, Lindoro) (0:40)
=> 12 L'italiana in Algeri: Atto Primo. Recitativo: “Dunque degg'io lasciarvi?” (Elvira, Mustafà, Haly) (0:44)
=> 13 L'italiana in Algeri: Atto Primo. N. 6 Aria: “Già d'insolito ardore” (Mustafà) (3:22)
=> 14 L'italiana in Algeri: Atto Primo. Recitativo: “Vi dico il ver” (Zulma, Elvira, Lindoro) (1:01)
=> 15 L'italiana in Algeri: Atto Primo. N. 7 Finale I: “Viva, viva il flagel delle donne” (coro, Haly, Mustafà, Isabella, Taddeo) (8:24)
=> 16 L'italiana in Algeri: Atto Primo. N. 7 Finale I: “Pria di dividerci da voi, signore” (Elvira, Zulma, Lindoro, Isabella, Mustafà, Haly, Taddeo) / Stretta del Finale I: “Va sossopra il mio cervello” (Taddeo, Mustafà, Elvira, Isabella, Zulma, Lindoro, Haly, coro) (9:12)

CD 174: Rossini: L'italiana in Algeri (Act II)

=> 1 L'italiana in Algeri: Atto Secondo. N. 8 Introduzione: “Uno stupido, uno stolto” (coro, Elvira, Zulma, Haly) (1:36)
=> 2 L'italiana in Algeri: Atto Secondo. Recitativo: “Amiche, andate a dire all'italiana” (Mustafà, Zulma, Elvira, Haly) (0:42)
=> 3 L'italiana in Algeri: Atto Secondo. Recitativo: “Qual disdetta è la mia!” (Isabella, Lindoro) (1:15)
=> 4 L'italiana in Algeri: Atto Secondo. N. 9 Cavatina: “Oh, come il cor di giubilo” (Lindoro) (2:12)
=> 5 L'italiana in Algeri: Atto Secondo. Recitativo: “Ah! Se da solo a sola” (Mustafà, Taddeo) (0:53)
=> 6 L'italiana in Algeri: Atto Secondo. N. 10 Coro, recitativo ed aria: “Viva il grande Kaimakan” (coro) (1:01)
=> 7 L'italiana in Algeri: Atto Secondo. N. 10 Coro, recitativo ed aria: “Kaimakan! Io non capisco niente” (Taddeo, Mustafà) (0:21)
=> 8 L'italiana in Algeri: Atto Secondo. N. 10 Coro, recitativo ed aria: “Ho un gran peso sulla testa” (Taddeo, coro) (3:55)
=> 9 L'italiana in Algeri: Atto Secondo. Recitativo: “Dunque a momenti” (Isabella, Lindoro, Elvira, Zulma) (1:25)
=> 10 L'italiana in Algeri: Atto Secondo. N. 11 Cavatina: “Per lui che adoro” (Isabella, Mustafà, Taddeo, Lindoro) (5:13)
=> 11 L'italiana in Algeri: Atto Secondo. Recitativo: “Io non resisto più” (Mustafà, Taddeo, Lindoro) (0:31)
=> 12 L'italiana in Algeri: Atto Secondo. N. 12 Quintetto: “Ti presento di mia man” (Mustafà, Isabella, Taddeo, Lindoro, Elvira) (9:03)
=> 13 L'italiana in Algeri: Atto Secondo. Recitativo: “Con tutta la sua boria” (Haly) (0:24)
=> 14 L'italiana in Algeri: Atto Secondo. N. 13 Aria: “La femmine d'Italia” (Haly) (2:24)
=> 15 L'italiana in Algeri: Atto Secondo. Recitativo: “E tu speri di togliere Isabella” (Taddeo, Lindoro, Mustafà) (1:17)
=> 16 L'italiana in Algeri: Atto Secondo. N. 14 Terzetto: “Pappataci! Che mai sento!” (Mustafà, Lindoro, Taddeo) (5:26)
=> 17 L'italiana in Algeri: Atto Secondo. Recitativo: “Tutti i nostri italiani” (Taddeo, Lindoro) (0:35)
=> 18 L'italiana in Algeri: Atto Secondo. N. 15 Coro, recitativo e rondò: “Pronti abbiamo e ferri e mani” (coro) / N. 15 Coro, recitativo e rondò: “Amici, in ogni evento … Pensa alla patria” (Isabella, coro) (8:32)
=> 19 L'italiana in Algeri: Atto Secondo. Recitativo: “Che bel core ha costei!” (Taddeo, Mustafà) (0:37)
=> 20 L'italiana in Algeri: Atto Secondo. N. 16 Finale II: “Dei Pappataci s'avanza il coro” (Lindoro, coro, Taddeo, Mustafà, Isabella) (9:00)
=> 21 L'italiana in Algeri: Atto Secondo. N. 16 Finale II: “Son l'aure seconde, son placide l'onde” (coro, Lindoro, Isabella, Taddeo, Mustafà) (1:48)
=> 22 L'italiana in Algeri: Atto Secondo. N. 16 Finale II: “Mio signore” / “Mio marito” (Zulma, Haly, Elvira, Mustafà, Isabella, Lindoro, Taddeo, coro) (2:26)

CD 175: Rossini: Il barbiere di Siviglia (Act I beg.) (Chamber Orchestra of Europe)

=> 1 Il barbiere di Siviglia: Sinfonia (6:47)
=> 2 Il barbiere di Siviglia: Atto Primo. N. 1 Introduzione “Piano, pianissimo” (Fiorello, coro, conte) (2:48)
=> 3 Il barbiere di Siviglia: Atto Primo. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo “Gente indiscreta!” (conte, Fiorello) (8:07)
=> 4 Il barbiere di Siviglia: Atto Primo. N. 2 Cavatina: “Largo al factotum” (Figaro) / Recitativo: “Ah, ah! Che bella vita!” (Figaro, conte, Rosina, Bartolo) (11:26)
=> 5 Il barbiere di Siviglia: Atto Primo. N. 3 Canzone: “Se il mio nome saper voi bramate” (conte, Rosina, Figaro) / Recitativo: “Oh cielo!” (conte, Figaro) (3:59)
=> 6 Il barbiere di Siviglia: Atto Primo. N. 4 Duetto: “All’idea di quel metallo” (Figaro, conte) / Recitativo: “Evviva il mio padrone!” (Fiorello) (8:46)
=> 7 Il barbiere di Siviglia: Atto Primo. N. 5 Cavatina: “Una voce poco fa” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio) (10:30)
=> 8 Il barbiere di Siviglia: Atto Primo. N. 6 Aria: “La calunnia è un venticello” (Basilio) – Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina) (7:17)
=> 9 Il barbiere di Siviglia: Atto Primo. N. 7 Duetto: “Dunque io son” (Rosina, Figaro) / Recitativo “Ora mi sento meglio” (Rosina, Bartolo) (6:35)
=> 10 Il barbiere di Siviglia: Atto Primo. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) (5:42)
=> 11 Il barbiere di Siviglia: Atto Primo. Recitativo: “Finora in questa camera” (Berta, conte) (0:30)
=> 12 Il barbiere di Siviglia: Atto Primo. N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina) (4:52)

CD 176: Rossi: Il barbiere di Siviglia (Acts I cont. & II) (Chamber Orchestra of Europe)

=> 1 Il barbiere di Siviglia: Atto Primo. “Con la presente il dottor Bartolo” (Bartolo, conte, Rosina, Berta, Basilio) (3:40)
=> 2 Il barbiere di Siviglia: Atto Primo. “Che cosa accadde, signori miei?” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro) (6:12)
=> 3 Il barbiere di Siviglia: Atto Primo. Stretta del finale I: “Ma signor” … “Mi par d'esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro) (5:18)
=> 4 Il barbiere di Siviglia: Atto Secondo. Recitativo: “Ma vedi il mio destino!” (Bartolo) / N. 10 Duetto: “Pace e gioia sia con voi” (conte, Bartolo) / Recitativo: “Insomma, mio signore” (Bartolo, conte, Rosina) (6:24)
=> 5 Il barbiere di Siviglia: Atto Secondo. N. 11 Aria: “Contro un cor che accende amore” (Rosina, conte) / Recitativo: “Bella voce! Bravissima!” (conte, Rosina, Bartolo) (6:48)
=> 6 Il barbiere di Siviglia: Atto Secondo. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, conte) (3:39)
=> 7 Il barbiere di Siviglia: Atto Secondo. N. 13 Quintetto: “Don Basilio!” … “Cosa veggo!” (Rosina, conte, Figaro, Bartolo, Basilio) / Recitativo: “Ah, disgraziato me!” (Bartolo, Berta) (10:42)
=> 8 Il barbiere di Siviglia: Atto Secondo. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta) / Recitativo: “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina) (3:54)
=> 9 Il barbiere di Siviglia: Atto Secondo. N. 14a Recitativo e aria: “Ma forse, ahimè, Lindoro … Ah se è ver” (Rosina) (7:03)
=> 10 Il barbiere di Siviglia: Atto Secondo. N. 15 Temporale / Recitativo: “Alfine, eccoci qua” (Figaro, conte, Rosina) (3:58)
=> 11 Il barbiere di Siviglia: Atto Secondo. N. 16 Terzetto: “Ah, qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Un notaio, Bartolo, ufficiale, coro) (8:22)
=> 12 Il barbiere di Siviglia: Atto Secondo. N. 17 Recitativo: “Il conte! Ah, che mai sento!” (Bartolo, conte, Basilio) (1:14)
=> 13 Il barbiere di Siviglia: Atto Secondo. N. 18 Aria con coro: “Cessa di più resistere” (conte, coro) / Recitativo: “Insomma, io ho tutti i torti!” (Bartolo, Figaro, Basilio) (8:00)
=> 14 Il barbiere di Siviglia: Atto Secondo. N. 19 Finaletto II: “Di sì felice innesto” (tutti) (2:12)

CD 177: Rossini: Il barbiere di Siviglia (Act I beg.) (London Symphony Orchestra)

=> 1 Il barbiere di Siviglia: Sinfonia (Ouverture) (7:26)
=> 2 Il barbiere di Siviglia: Atto Primo. N. 1 Introduzione: “Piano, pianissimo” (Fiorello, coro, conte) (3:00)
=> 3 Il barbiere di Siviglia: Atto Primo. Cavatina: “Ecco, ridente in cielo” (conte) / Seguito dell’introduzione: “Ehi, Fiorello?” (conte, Fiorello, coro) / Recitativo: “Gente indiscreta!” (conte, Fiorello) (7:29)
=> 4 Il barbiere di Siviglia: Atto Primo. N. 2 Cavatina: “Largo al factotum” (Figaro) / Recitativo: “Ah, ah! Che bella vita!” (Figaro, conte, Rosina, Bartolo) (10:52)
=> 5 Il barbiere di Siviglia: Atto Primo. N. 3 Canzone: “Se il mio nome saper voi bramate” (conte, Rosina, Figaro) / Recitativo: “Oh cielo!” … “Nella stanza convien dir” (conte, Figaro) (3:50)
=> 6 Il barbiere di Siviglia: Atto Primo. N. 4 Duetto: “All’idea di quel metallo” (Figaro, conte) (8:47)
=> 7 Il barbiere di Siviglia: Atto Primo. N. 5 Cavatina: “Una voce poco fa … Io sono docile” (Rosina) / Recitativo: “Sì, sì, la vincerò” (Rosina, Figaro, Bartolo, Basilio) (9:41)
=> 8 Il barbiere di Siviglia: Atto Primo. N. 6 Aria: “La calunnia è un venticello” (Basilio) / Recitativo: “Ah! Che ne dite?” (Basilio, Bartolo, Figaro, Rosina) (7:43)
=> 9 Il barbiere di Siviglia: Atto Primo. N. 7 Duetto: “Dunque io son… tu non m'inganni?” (Rosina, Figaro) / Recitativo: “Ora mi sento meglio” (Rosina, Bartolo) (6:22)
=> 10 Il barbiere di Siviglia: Atto Primo. N. 8 Aria: “A un dottor della mia sorte” (Bartolo) (6:08)

CD 178: Rossini: Il barbiere di Siviglia (Act I cont. & II) (London Symphony Orchestra)

=> 1 Il barbiere di Siviglia: Atto Primo, Recitativo: “Finora in questa camera” (Berta, conte) / N. 9 Finale I: “Ehi, di casa! Buona gente!” (conte, Bartolo, Rosina, Berta, Figaro, Basilio, ufficiale) (9:12)
=> 2 Il barbiere di Siviglia: Atto Primo. N. 9 Finale I: “Alto là! Che cosa accadde” (Figaro, Bartolo, conte, Rosina, Berta, Basilio, ufficiale, coro) (6:36)
=> 3 Il barbiere di Siviglia: Atto Primo. Stretta del finale I: “Ma signor ”… “Mi par d'esser con la testa” (Bartolo, coro, Berta, Basilio, Rosina, conte, Figaro, ufficiale) (5:36)
=> 4 Il barbiere di Siviglia: Atto Secondo. Recitativo: “Ma vedi il mio destino!” (Bartolo) / N. 10 Duetto: “Pace e gioia sia con voi” (conte, Bartolo) / Recitativo: “Insomma, mio signore” (Bartolo, conte, Rosina) (6:37)
=> 5 Il barbiere di Siviglia: Atto Secondo. N. 11 Aria: “Contro un cor che accende amore” (Rosina, conte) / Recitativo “Bella voce! Bravissima!” (conte, Rosina, Bartolo) (5:07)
=> 6 Il barbiere di Siviglia: Atto Secondo. N. 12 Arietta: “Quando mi sei vicina” (Bartolo) / Recitativo: “Bravo, signor barbiere” (Bartolo, Figaro, Rosina, conte) (3:30)
=> 7 Il barbiere di Siviglia: Atto Secondo, N. 13 Quintetto: “Don Basilio!” … “Cosa veggo!” (Rosina, conte, Figaro, Bartolo, Basilio) / Recitativo: “Ah, disgraziato me!” (Bartolo) / Recitativo: “Che vecchio sospettoso!” (Berta) (11:40)
=> 8 Il barbiere di Siviglia: Atto Secondo. N. 14 Aria: “Il vecchiotto cerca moglie” (Berta) / Recitativo: “Dunque voi Don Alonso non conoscete affato?” (Bartolo, Basilio, Rosina) (4:04)
=> 9 Il barbiere di Siviglia: Atto Secondo. N. 15 Temporale / Recitativo: “Alfine, eccoci qua” (Figaro, conte, Rosina) (4:11)
=> 10 Il barbiere di Siviglia: Atto Secondo. N. 16 Terzetto: “Ah! qual colpo inaspettato!” (Rosina, Figaro, conte) / Recitativo: “Ah, disgraziati noi!” (Figaro, conte, Rosina, Basilio, Bartolo, ufficiale, coro) (8:42)
=> 11 Il barbiere di Siviglia: Atto Secondo. N. 19 Finaletto II: “Di sì felice innesto” (Figaro, Rosina, conte, tutti) (2:17)

CD 179: Rossini: La Cenerentola (Act I beg.)

=> 1 La Cenerentola: Sinfonia (Ouverture) (8:10)
=> 2 La Cenerentola: Atto Primo. Introduzione: “No, no, no: non v'è” (Clorinda, Tisbe) (1:43)
=> 3 La Cenerentola: Atto Primo. Introduzione: “Una volta c'era un re” (Cenerentola, Clorinda, Tisbe, Alidoro) (4:42)
=> 4 La Cenerentola: Atto Primo. Introduzione: “O figlie amabili” (coro, Clorinda, Tisbe, Cenerentola, Alidoro) (4:23)
=> 5 La Cenerentola: Atto Primo. Recitativo: “Cenerentola, presto” (Tisbe, Clorinda, Cenerentola) (0:45)
=> 6 La Cenerentola: Atto Primo. Cavatina: “Miei rampolli femminini” (Magnifico) (5:01)
=> 7 La Cenerentola: Atto Primo. Recitativo: “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico) (1:08)
=> 8 La Cenerentola: Atto Primo. Scena: “Tutto è deserto” (Ramiro, Cenerentola) (3:23)
=> 9 La Cenerentola: Atto Primo. Duetto: “Un soave non so che” (Ramiro, Cenerentola, Clorinda, Tisbe) (7:11)
=> 10 La Cenerentola: Atto Primo. Recitativo: “Non so che dir” (Ramiro, Magnifico) (1:08)
=> 11 La Cenerentola: Atto Primo. Coro: “Scegli la sposa” … Cavatina: “Come un'ape” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro) (6:46)
=> 12 La Cenerentola: Atto Primo. Recitativo: “Allegrissimamente, che bei quadri!” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola) (1:55)
=> 13 La Cenerentola: Atto Primo. Quintetto: “Signor, una parola” (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro) (11:10)
=> 14 La Cenerentola: Atto Primo. Recitativo: “Sì, tutto cangerà” (Alidoro, Cenerentola) (2:37)
=> 15 La Cenerentola: Atto Primo. Aria: “Là del ciel nell'arcano profondo” (Alidoro) (5:42)
=> 16 La Cenerentola: Atto Primo. Recitativo: “Ma bravo, bravo” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe) (2:53)
=> 17 La Cenerentola: Atto Primo. Coro: “Conciossiacosacché trenta botti già gustò” … Aria: “Intendente? Direttor?” (Magnifico, coro) (5:13)

CD 180: Rossini: La Cenerentola (Act I cont. & II)

=> 1 La Cenerentola: Atto Primo. Finale I Duetto: “Zitto, zitto: piano piano” … “Principino, dove siete?” … “Venga, inoltri” (Ramiro, Dandini, Tisbe, Clorinda, coro, Alidoro) (8:06)
=> 2 La Cenerentola: Atto Primo. Finale I “Ah! Se velata ancor” … “Sprezzo quei don” (coro, Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro) (6:59)
=> 3 La Cenerentola: Atto Primo. Finale I “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini) (5:08)
=> 4 La Cenerentola: Atto Secondo. Recitativo: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda) (0:42)
=> 5 La Cenerentola: Atto Secondo. Aria: “Sia qualunque delle figlie” (Magnifico) (5:05)
=> 6 La Cenerentola: Atto Secondo. Recitativo: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro) (2:14)
=> 7 La Cenerentola: Atto Secondo. Recitativo: “E allor … se non ti spiaccio” (Ramiro, Alidoro) (1:01)
=> 8 La Cenerentola: Atto Secondo. Aria: “Sì, ritrovarla io giuro” (Ramiro, coro) (4:34)
=> 9 La Cenerentola: Atto Secondo. Recitativo: “Ma dunque io son un ex?” (Dandini, Magnifico) (1:28)
=> 10 La Cenerentola: Atto Secondo. Duetto: “Un segreto d'importanza” (Dandini, Magnifico) (4:56)
=> 11 La Cenerentola: Atto Secondo. Canzone: “Una volta c'era un re” (Cenerentola) (1:34)
=> 12 La Cenerentola: Atto Secondo. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe) (1:43)
=> 13 La Cenerentola: Atto Secondo. Temporale (2:21)
=> 14 La Cenerentola: Atto Secondo. Recitativo: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola) (1:18)
=> 15 La Cenerentola: Atto Secondo. Sestetto: “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico) (4:34)
=> 16 La Cenerentola: Atto Secondo. Sestetto: “Donna sciocca, alma di fango” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola) (8:27)
=> 17 La Cenerentola: Atto Secondo. Recitativo: “Giusto ciel, ti ringrazio!” (Alidoro) (0:20)
=> 18 La Cenerentola: Atto Secondo. Finale II Coro: “Della fortuna instabile” (1:42)
=> 19 La Cenerentola: Atto Secondo. Finale II Scena: “Sposa” … “Signor, perdona” (Ramiro, Cenerentola, Magnifico) (1:37)
=> 20 La Cenerentola: Atto Secondo. Finale II Rondò: “Nacqui all'affanno” (Cenerentola, tutti) (7:04)

CD 181: Rossini: Il viaggio a Reims (beg.)

=> 1 Il viaggio a Reims: N. 1 Introduzione. “Presto, presto, su, coraggio” (Maddalena, coro) (3:44)
=> 2 Il viaggio a Reims: “Benché grazie al mio talento” (Don Prudenzio, coro, Antonio) (2:38)
=> 3 Il viaggio a Reims: [Aria]: “Di vaghi raggi adorno” (Madama Cortese, coro, Maddalena, Antonio, Don Prudenzio) (7:18)
=> 4 Il viaggio a Reims: “Partire io pur vorrei” (Madama Cortese, contessa di Folleville, Modestina) (1:26)
=> 5 Il viaggio a Reims: “Amabil contessina” (Don Luigino, contessa di Folleville) (0:36)
=> 6 Il viaggio a Reims: “Che accade?” (Maddalena, barone di Trombonok, Don Luigino, Don Prudenzio) (0:18)
=> 7 Il viaggio a Reims: N. 2 Recitativo ed aria: “Ahimè! sta in gran pericolo” (Don Prudenzio, barone di Trombonok, Don Luigino, contessa di Folleville) (2:12)
=> 8 Il viaggio a Reims: [Aria]: “Partir, oh ciel! desio” … (5:25)
=> 9 Il viaggio a Reims: “Che miro! ah! qual sorpresa!” (contessa di Folleville, coro) (5:51)
=> 10 Il viaggio a Reims: “Eh! senti, mastro Antonio” (barone di Trombonok, Antonio) (0:45)
=> 11 Il viaggio a Reims: N. 3 Sestetto: “Sì, di matti una gran gabbia” (barone di Trombonok) (0:42)
=> 12 Il viaggio a Reims: “La mia quota a voi consegno” (Don Profondo, Don Alvaro, marchesa Melibea) (2:17)
=> 13 Il viaggio a Reims: “Donna ingrata” (conte di Libenskof, Don Alvaro, marchesa Melibea, barone di Trombonok) (1:08)
=> 14 Il viaggio a Reims: “Naturale è l'impazienza” (Madama Cortese, conte di Libenskof, marchesa Melibea, Don Alvaro) (1:29)
=> 15 Il viaggio a Reims: “Non pavento alcun periglio” (conte di Libenskof, Don Alvaro, Don Profondo, barone di Trombonok, Madama Cortese, marchesa Melibea) (5:34)
=> 16 Il viaggio a Reims: [Aria]: “Arpa gentil” (Corinna, coro) (6:08)
=> 17 Il viaggio a Reims: “Zitti” / “Non canta più” (conte di Libenskof, barone di Trombonok) / “Simbol di pace e gloria” (conte di Libenskof, Don Alvaro, Don Profondo, barone di Trombonok, Madama Cortese, marchesa Melibea) (3:39)
=> 18 Il viaggio a Reims: “Gelsomin non ritorna” (Madama Cortese) (0:36)
=> 19 Il viaggio a Reims: N. 4 Scena ed aria: “Ah! perché la conobbi?” … [Aria]: “Invan strappar dal core” (Lord Sidney, coro) (13:35)
=> 20 Il viaggio a Reims: “Milord, una parola” (Don Profondo, Lord Sidney, Corinna, Delia) (1:38)

CD 182: Rossini: Il viaggio a Reims (cont.)

=> 1 Il viaggio a Reims: N. 5 Recitativo e duetto: “Sola ritrovo alfin la bella Dea” (Cavalier Belfiore, Corinna) (2:59)
=> 2 Il viaggio a Reims: [Duetto]: “Nel suo divin sembiante” (Cavalier Belfiore, Corinna) (10:33)
=> 3 Il viaggio a Reims: “Bravo il signor Ganimede!” (Don Profondo) (0:20)
=> 4 Il viaggio a Reims: N. 6 Aria: “Io! Don Profondo … Medaglie incomparabili” (Don Profondo) (5:20)
=> 5 Il viaggio a Reims: “Vedeste il Cavaliere?” (contessa di Folleville, Don Profondo, Don Alvaro, conte di Libenskof, barone di Trombonok, Zefirino) (1:51)
=> 6 Il viaggio a Reims: N. 7 Gran pezzo concertato: “Ah! A tal colpo inaspettato” (contessa di Folleville, Corinna, marchesa Melibea, Delia, Modestina, conte di Libenskof, Zefirino, Cavalier Belfiore, barone di Trombonok, Don Alvaro, Lord Sidney, Don Profondo, Don Prudenzio, Madama Cortese) (2:20)
=> 7 Il viaggio a Reims: “Signor, ecco una lettera” (Madama Cortese, tutti gli altri) (6:38)
=> 8 Il viaggio a Reims: “Son qua, cosa comanda?” (Antonio, Madama Cortese, Gelsomino, contessa di Folleville, Cavalier Belfiore, barone di Trombonok, conte di Libenskof, marchesa Melibea) (1:29)
=> 9 Il viaggio a Reims: N. 8 Scena e duetto: “Di che son reo?” … “D'alma celeste, oh Dio!” (conte di Libenskof, marchesa Melibea) (9:47)
=> 10 Il viaggio a Reims: “Madama qui mi manda” (Maddalena, Antonio) (1:12)
=> 11 Il viaggio a Reims: N. 9 Finale. [Ritornello] (2:55)
=> 12 Il viaggio a Reims: N. 9 Finale. “Ora, secondo gli usi” / Inno tedesco: “Or che regna” (barone di Trombonok, tutti) (1:48)
=> 13 Il viaggio a Reims: N. 9 Finale. “Altro da dir avrei” (barone di Trombonok) / Polacca: “Ai prodi guerrieri” (marchesa Melibea, tutti) (1:10)
=> 14 Il viaggio a Reims: N. 9 Finale. “Libenskof, tocca a voi” (barone di Trombonok, conte di Libenskof) / Inno russo: “Onore, gloria ed alto omaggio” (conte di Libenskof) (1:32)
=> 15 Il viaggio a Reims: N. 9 Finale. “Don Alvaro, dal nord al mezzogiorno” (barone di Trombonok) / Canzone spagnola: “Omaggio all'Augusto Duce” (Don Alvaro, tutti) (1:11)
=> 16 Il viaggio a Reims: N. 9 Finale. “Milord, in tuon maggiore” (barone di Trombonok, Lord Sidney) / Inno inglese: “Dell'aurea pianta” (Lord Sidney, trutti, barone di Trombonok) (1:40)
=> 17 Il viaggio a Reims: N. 9 Finale. “Contessa, Cavaliere, a voi la scelta lascio” (barone di Trombonok) / Canzone francese: “Madre del nuovo Enrico” (Cavalier Belfiore, contessa di Folleville, tutti) (1:26)
=> 18 Il viaggio a Reims: N. 9 Finale. “Madama, Don Profondo, voi terminar dovete” (barone di Trombonok) / Tirolese: “Più vivace e più fecondo” (Madama Cortese, Don Profondo, tutti) (1:18)
=> 19 Il viaggio a Reims: N. 9 Finale. “Corinna, or tocca a voi” (barone di Trombonok, contessa di Folleville, Lord Sidney, Cavalier Belfiore, Corinna, Don Profondo, Madama Cortese, marchesa Melibea, conte di Libenskof, Don Alvaro, Don Prudenzio) (2:49)
=> 20 Il viaggio a Reims: N. 9 Finale. Improvivsio [Aria]: “All'ombra amena” (Corinna) (6:13)
=> 21 Il viaggio a Reims: N. 9 Finale. “Viva il diletto augusto Regnator” (tutti) (3:54)

CD 183: Schoenberg: Gurre-Lieder (Part I)

=> 1 Gurre-Lieder: Erster Teil. Orchestervorspiel (6:50)
=> 2 Gurre-Lieder: Erster Teil. »Nun dämpft die Dämmrung jeden Ton« (Waldemar) (4:00)
=> 3 Gurre-Lieder: Erster Teil. »O, wenn des Mondes Strahlen milde gleiten« (Tove) (2:44)
=> 4 Gurre-Lieder: Erster Teil. »Ross! mein Ross! was schleichst du so träg!« (Waldemar) (3:34)
=> 5 Gurre-Lieder: Erster Teil. »Sterne jubeln, das Meer, es leuchtet« (Tove) (2:22)
=> 6 Gurre-Lieder: Erster Teil. »So tanzen die Engel vor Gottes Thron nicht« (Waldemar) (2:24)
=> 7 Gurre-Lieder: Erster Teil. »Nun sag ich dir zum ersten Mal« (Tove) (4:07)
=> 8 Gurre-Lieder: Erster Teil. »Es ist Mitternachtszeit« (Waldemar) (6:09)
=> 9 Gurre-Lieder: Erster Teil. »Du sendest mir einen Liebesblick« (Tove) (5:30)
=> 10 Gurre-Lieder: Erster Teil. »Du wunderliche Tove!« (Waldemar) (4:21)
=> 11 Gurre-Lieder: Erster Teil. Orchesterzwischenspiel (5:49)
=> 12 Gurre-Lieder: Erster Teil. »Tauben von Gurre!« (Waldtaube) (11:54)

CD 184: Schoenberg: Gurre-Lieder (Parts II & III)

=> 1 Gurre-Lieder: Zweiter Teil. »Herrgott. weißt du, was du tatest« (Waldemar) (5:10)
=> 2 Gurre-Lieder: Dritter Teil. »Erwacht, König Waldemars Mannen wert!« (Waldemar) (2:52)
=> 3 Gurre-Lieder: Dritter Teil. »Deckel des Sarges klappert und klappt« (Bauer) (3:06)
=> 4 Gurre-Lieder: Dritter Teil. »Gegrüßt, o König, an Gurresees Strand!« (Waldemars Mannen) (5:47)
=> 5 Gurre-Lieder: Dritter Teil. »Mit Troves Stimme flüstert der Wald« (Waldemar) (3:14)
=> 6 Gurre-Lieder: Dritter Teil. »Ein seltsamer Vogel ist so'n Aal« (Klaus-Narr) (6:44)
=> 7 Gurre-Lieder: Dritter Teil. »Du strenger Richter droben« (Waldemar) (2:24)
=> 8 Gurre-Lieder: Dritter Teil. »Der Hahn erhebt den Kopf zur Kraht« (Waldemars Mannen) (4:13)
=> 9 Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). [Orchestervorspiel] (3:50)
=> 10 Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Herr Gänsefuß, Frau Gänsekraut« (Sprecherin) (5:13)
=> 11 Gurre-Lieder: Des Sommerwindes wilde Jagd (Melodram). »Seht die Sonne!« (Chor) (4:31)

CD 185: Schubert: Symphonies nos. 1 & 2

=> 1 Symphony no. 1 in D major, D. 82: 1. Adagio - Allegro vivace (9:33)
=> 2 Symphony no. 1 in D major, D. 82: 2. Andante (7:41)
=> 3 Symphony no. 1 in D major, D. 82: 3. Menuetto. Allegretto - Trio (4:05)
=> 4 Symphony no. 1 in D major, D. 82: 4. Allegro vivace (6:20)
=> 5 Symphony no. 2 in B-flat major, D. 125: 1. Largo - Allegro vivace (10:29)
=> 6 Symphony no. 2 in B-flat major, D. 125: 2. Andante - Var. I-V (8:36)
=> 7 Symphony no. 2 in B-flat major, D. 125: 3. Menuetto. Allegro vivace - Trio (3:41)
=> 8 Symphony no. 2 in B-flat major, D. 125: 4. Presto vivace (8:10)

CD 186: Schubert: Symphonies nos. 3 & 4 “Tragic”

=> 1 Symphony no. 3 in D major, D. 200: 1. Adagio maestoso - Allegro con brio (9:16)
=> 2 Symphony no. 3 in D major, D. 200: 2. Allegretto (4:12)
=> 3 Symphony no. 3 in D major, D. 200: 3. Menuetto. Vivace - Trio (3:56)
=> 4 Symphony no. 3 in D major, D. 200: 4. Presto vivace (6:16)
=> 5 Symphony no. 4 in C minor, D. 417 "Tragic": 1. Adagio molto - Allegro vivace (10:46)
=> 6 Symphony no. 4 in C minor, D. 417 "Tragic": 2. Andante (9:23)
=> 7 Symphony no. 4 in C minor, D. 417 "Tragic": 3. Menuetto. Allegro vivace - Trio (3:38)
=> 8 Symphony no. 4 in C minor, D. 417 "Tragic": 4. Allegro (10:23)

CD 187: Schubert: Symphonies nos. 5 & 6

=> 1 Symphony no. 5 in B-flat major, D. 485: 1. Allegro (6:50)
=> 2 Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto (9:35)
=> 3 Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto - Trio (5:01)
=> 4 Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace (7:28)
=> 5 Symphony no. 6 in C major D. 589: 1. Adagio - Allegro (9:55)
=> 6 Symphony no. 6 in C major D. 589: 2. Andante (5:44)
=> 7 Symphony no. 6 in C major D. 589: 3. Scherzo. Presto - Più lento (5:53)
=> 8 Symphony no. 6 in C major D. 589: 4. Allegro moderato (10:12)

CD 188: Schubert: Symphony no. 8 “Unfinished” / Grand Duo

=> 1 Symphony no. 8 in B minor “Unfinished”, D. 759: 1. Allegro moderato (15:01)
=> 2 Symphony no. 8 in B minor “Unfinished”, D. 759: 2. Andante con moto (11:39)
=> 3 Grand Duo in C major, D. 812: 1. Allegro moderato (15:29)
=> 4 Grand Duo in C major, D. 812: 2. Andante (10:16)
=> 5 Grand Duo in C major, D. 812: 3. Scherzo - Trio (5:42)
=> 6 Grand Duo in C major, D. 812: 4. Finale. Allegro moderato (12:34)

CD 189: Schubert: Symphony no. 9 “Great” / Overture “Die Zauberharfe”

=> 1 Symphony no. 9 in C major “Great”, D. 944: 1. Andante - Allegro ma non troppo (16:42)
=> 2 Symphony no. 9 in C major “Great”, D. 944: 2. Andante con moto (15:25)
=> 3 Symphony no. 9 in C major “Great”, D. 944: 3. Scherzo. Allegro vivace (13:59)
=> 4 Symphony no. 9 in C major “Great”, D. 944: 4. Allegro vivace - Trio (15:38)
=> 5 Rosamunde: Ouverture “Die Zauberharfe”, D. 644 (10:10)

CD 190: Schubert: Symphonies nos. 8 “Unfinished” & 5

=> 1 Symphony no. 8 in B minor “Unfinished”, D. 759: 1. Allegro moderato (12:47)
=> 2 Symphony no. 8 in B minor “Unfinished”, D. 759: 2. Andante con moto (12:39)
=> 3 Symphony no. 5 in B-flat major, D. 485: 1. Allegro (7:19)
=> 4 Symphony no. 5 in B-flat major, D. 485: 2. Andante con moto (11:02)
=> 5 Symphony no. 5 in B-flat major, D. 485: 3. Menuetto. Allegro molto - Trio (5:27)
=> 6 Symphony no. 5 in B-flat major, D. 485: 4. Allegro vivace (5:58)

CD 191: Schubert: Symphony no. 9 “Great”

=> 1 Symphony no. 9 in C major “Great”, D. 944: 1. Andante – Allegro ma non troppo (16:28)
=> 2 Symphony no. 9 in C major “Great”, D. 944: 2. Andante con moto (15:28)
=> 3 Symphony no. 9 in C major “Great”, D. 944: 3. Scherzo. Allegro vivace (14:43)
=> 4 Symphony no. 9 in C major “Great”, D. 944: 4. Allegro vivace - Trio (16:05)

CD 192: Schubert: Rosamunde, Prinzessin von Zypern

=> 1 Rosamunde, Prinzessin von Zypern, D. 797: Overture “The Magic Harp” (10:17)
=> 2 Rosamunde, Prinzessin von Zypern, D. 797: 1. Entr'acte after Act I (8:02)
=> 3 Rosamunde, Prinzessin von Zypern, D. 797: 4. Chorus of Spirits: »In der Tiefe wohnt ein Licht« (3:13)
=> 4 Rosamunde, Prinzessin von Zypern, D. 797: 2. Ballet Music (8:14)
=> 5 Rosamunde, Prinzessin von Zypern, D. 797: 6. Shepherds' Melodies (1:27)
=> 6 Rosamunde, Prinzessin von Zypern, D. 797: 7. Shepherd's Chorus: »Hier auf den Fluren« (4:29)
=> 7 Rosamunde, Prinzessin von Zypern, D. 797: 5. Entr'acte after Act III (7:59)
=> 8 Rosamunde, Prinzessin von Zypern, D. 797: 3b. Romance: »Der Vollmond strahlt auf Bergeshöh'n« (3:24)
=> 9 Rosamunde, Prinzessin von Zypern, D. 797: 3a. Entr'acte after Act II (3:31)
=> 10 Rosamunde, Prinzessin von Zypern, D. 797: 8. Chorus of Huntsmen: »Wie lebt sich's so fröhlich im Grünen« (2:05)
=> 11 Rosamunde, Prinzessin von Zypern, D. 797: 9. Ballet Music (7:24)

CD 193: Schubert: Mass no. 2 / Tantum ergo / Psalm 23 / Schumann: Requiem für Mignon

=> 1 Mass no. 2 in G major, D. 167: Kyrie (chorus, soprano solo) (3:37)
=> 2 Mass no. 2 in G major, D. 167: Gloria (chorus, soprano solo, bass solo) (2:54)
=> 3 Mass no. 2 in G major, D. 167: Credo (chorus) (4:01)
=> 4 Mass no. 2 in G major, D. 167: Sanctus (chorus) (1:20)
=> 5 Mass no. 2 in G major, D. 167: Benedictus (soprano solo, tenor solo, bass solo, chorus) (4:35)
=> 6 Mass no. 2 in G major, D. 167: Agnus Dei (soprano solo, chorus, bass solo) (5:11)
=> 7 Tantum ergo in E-flat Major, D. 962 (6:37)
=> 8 Psalm 23 in A-flat major, D. 706 (5:14)
=> 9 Requiem für Mignon, op. 98b: 1. “Wen bringt ihr uns zur stillen Gesellschaft?” (chorus, soprano 1 & 2, altos 1 & 2) (2:21)
=> 10 Requiem für Mignon, op. 98b: 2. “Ach! wie ungern brachten wir ihn her!” (soprano 1, alto 1) (0:33)
=> 11 Requiem für Mignon, op. 98b: 3. “Seht die mächtigen Flügel doch an!” (chorus, sopranos 1 & 2) (2:44)
=> 12 Requiem für Mignon, op. 98b: 4. “In euch lebe die bildende Kraft” (chorus, sopranos 1 & 2, alto 1) (2:24)
=> 13 Requiem für Mignon, op. 98b: 5. “Kinder! kehret ins Leben zurück!” (bass, sopranos 1 & 2, altos 1 & 2, chorus) (0:54)
=> 14 Requiem für Mignon, op. 98b: 6. “Kinder! eilet ins Leben hinan!” (chorus, sopranos 1 & 2) (3:05)

CD 194: Schubert: Mass no. 6

=> 1 Mass no. 6 in E-flat major, D. 950: Kyrie. “Kyrie eleison - Christe eleison - Kyrie eleison” (chorus) (6:21)
=> 2 Mass no. 6 in E-flat major, D. 950: Gloria. “Gloria in excelsis Deo” (chorus) (5:00)
=> 3 Mass no. 6 in E-flat major, D. 950: Gloria. “Domine Deus” (chorus) (4:22)
=> 4 Mass no. 6 in E-flat major, D. 950: Gloria. “Quoniam tu solus sanctus” (chorus) (1:03)
=> 5 Mass no. 6 in E-flat major, D. 950: Gloria. “Cum Sancto spiritu” (chorus) (4:14)
=> 6 Mass no. 6 in E-flat major, D. 950: Credo. “Credo in unum Deum” (soprano solo, tenor I/II solo, chorus) (2:57)
=> 7 Mass no. 6 in E-flat major, D. 950: Credo. “Et incarnatus est” (soprano solo, tenor I/II solo, chorus) (6:04)
=> 8 Mass no. 6 in E-flat major, D. 950: Credo. “Et resurrexit” (soprano solo, tenor I/II solo, chorus) (6:46)
=> 9 Mass no. 6 in E-flat major, D. 950: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (chorus) (2:09)
=> 10 Mass no. 6 in E-flat major, D. 950: Sanctus. “Osanna in excelsis” (chorus) (1:15)
=> 11 Mass no. 6 in E-flat major, D. 950: Benedictus. “Benedictus, qui venit” (soloists, chorus) (4:59)
=> 12 Mass no. 6 in E-flat major, D. 950: Benedictus. “Osanna in excelsis” (soloists, chorus) (1:12)
=> 13 Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soloists, chorus) (3:56)
=> 14 Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Dona nobis pacem” (soloists, chorus) (3:31)
=> 15 Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soloists, chorus) (0:54)
=> 16 Mass no. 6 in E-flat major, D. 950: Agnus Dei. “Dona nobis pacem” (soloists, chorus) (2:07)

CD 195: Schubert: Lieder with Orchestra

=> 1 Rosamunde, D. 797 no. 3b: Romanze (3:18)
=> 2 Die Forelle, D. 550 (2:19)
=> 3 Ellens Zweiter Gesang, D. 838 (3:07)
=> 4 Gretchen am Spinnrade, D. 118 (3:26)
=> 5 An Silvia, D. 891 (2:59)
=> 6 Im Abendrot, D. 799 (3:43)
=> 7 Nacht und Träume, D. 827 (3:44)
=> 8 Gruppe aus dem Tartarus, D. 583 (3:04)
=> 9 Erlkönig, D. 328 (4:02)
=> 10 Die junge Nonne, D. 828 (4:45)
=> 11 Die schöne Müllerin, D. 795 no. 10: Tränenregen (4:17)
=> 12 Winterreise, D. 911 no. 20: Der Wegweiser (3:56)
=> 13 Du bist die Ruh, D. 776 (3:48)
=> 14 Schwanengesang, D. 957 no. 9: Ihr Bild (2:16)
=> 15 Prometheus, D. 674 (5:17)
=> 16 Memnon, D. 541 (3:51)
=> 17 An Schwager Kronos, D. 369 (3:04)
=> 18 An die Musik, D. 547 (2:24)
=> 19 Erlkönig, D. 328 (3:59)
=> 20 Geheimes, D. 719 (1:40)
=> 21 Schwanengesang, D. 957 no. 4: Ständchen (3:38)

CD 196: Schubert: Fierrabras (Act I)

=> 1 Fierrabras, D. 796: Ouvertüre (8:47)
=> 2 Fierrabras, D. 796: Erster Akt. Nr. 1 Introduktion: »Der runde Silberfaden« (Jungfrauen, Emma) (6:06)
=> 3 Fierrabras, D. 796: Erster Akt. Nr. 2 Duett: »O mög' auf froher Hoffnung Schwingen« (Eginhard, Emma) (4:15)
=> 4 Fierrabras, D. 796: Erster Akt. Nr. 3 Marsch und Chor. »Zu hohen Ruhmespforten« (Eginhard, Emma) (2:59)
=> 5 Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. a) Rezitativ und Chor: »Die Beute lass, o Herr, die Krieger teilen« … »Des Siegers Lohn, der Feinde Zahl« (Ogier, Roland, Karl, Chor) (1:37)
=> 6 Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. b) Arioso und Chor: »Des Krieges Los hat euch mir übergeben« … »Dem Fürsten Heil« (Karl, Chor) (2:44)
=> 7 Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. c) Rezitativ und Erzählung: »Wer bist du, dessen tiefgesenkter Blick« … »Am Rande der Ebene« (Karl, Roland, Fierrabras) (3:27)
=> 8 Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. d) Ensemble und Chor: »Der Landestöchter fromme Pflichten« (Emma, Jungfrauen, Karl, Fierrabras, Roland) (4:17)
=> 9 Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. e) Quartett mit Chor: »Dem Erfolg vertrauen« (Ritter, Ogier, Karl, Emma, Eginhard, Fierrabras, Roland) (3:57)
=> 10 Fierrabras, D. 796: Erster Akt. Nr. 4 Ensemble. f) Marsch und Chor (Nr. 3 da capo): »Zu hohen Ruhmespforten« (2:51)
=> 11 Fierrabras, D. 796: Erster Akt. Nr. 5 Duett: »Lass uns mutvoll hoffen« (Fierrabras, Roland) (1:41)
=> 12 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. a) Romanze (Duett): »Der Abend sinkt auf stiller Flur« (Eginhard, Emma) (5:14)
=> 13 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. b) Rezitativ und Arie. »Was quälst du mich, o Missgeschick! … In tiefbeweegteer Brust« (Fierrabras) (5:22)
=> 14 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. c) Ensemble: »Doch horch! Was regt sich noch in stiller Nacht?« (Fierrabras, Männerchor, Emma, Eginhard) (2:03)
=> 15 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. d) Szene und Terzett: »Ha, hier waltet ein Verrat!« (Fierrabras, Eginhard, Emma) (3:13)
=> 16 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. e) Rezitativ: »Nun fasset Mut!« (Fierrabras, Emma) (1:45)
=> 17 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: »Ha!« / »Wie, Emma hier?« … »Das Blut fühl' ich erstarren« (Emma, Fierrabras, Karl) (2:44)
=> 18 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. f) Rezitativ, Terzett und Ensemble: Ensemble: »Dich rief ich, Eginhard« (Karl, Eginhard, Emma, Fierrabras) (2:37)
=> 19 Fierrabras, D. 796: Erster Akt. Nr. 6 Finale I. g) Quartett mit Chor. »Fort zum Siegesreigen« (Ritter, Emma, Eginhard, Fierrabras, Karl) (2:36)

CD 197: Schubert: Fierrabras (Acts II & III)

=> 1 Fierrabras, D. 796: Zweiter Akt. Nr. 7 Lied mit Chor: »Im jungen Morgenstrahle« (Eginhard, Roland, Ritter) (3:40)
=> 2 Fierrabras, D. 796: Zweiter Akt. Nr. 8a Rezitativ, Marsch (mit Melodram) und Ensemble: »Beschlossen ist's, ich löse meine Ketten!« (Eginhard) / »Verwegene! Was führt euch hierher?« (Eginhard, Brutamonte) / »Was mag der Ruf bedeuten?« (Brutamonte, Mauren, Eginhard) (5:26)
=> 3 Fierrabras, D. 796: Zweiter Akt. Nr. 8b Duett mit Chor: »Was ist ihm geschehn?« (Roland, Ogier, Ritter) (1:24)
=> 4 Fierrabras, D. 796: Zweiter Akt. Nr. 9 Duett: »Weit über Glanz und Erdenschimmer« (Florinda, Maragond) (6:12)
=> 5 Fierrabras, D. 796: Zweiter Akt. Nr. 10 Quintett: »Verderben denn und Fluch« (Boland, Florinda, Maragond, Eginhard, Brutamonte) (3:19)
=> 6 Fierrabras, D. 796: Zweiter Akt. Nr. 11 Chor: »Lasst Friede in die Hallen« (3:07)
=> 7 Fierrabras, D. 796: Zweiter Akt. Nr. 12 Terzett mit Chor: »Im Tode sollt ihr büßen« (Boland, Roland, Florinda, Ritter, Mauren) (3:01)
=> 8 Fierrabras, D. 796: Zweiter Akt. Nr. 12 Terzett mit Chor: »Sie sollen erblassen in heimlicher Not« (Boland, Mauren, Florinda, Roland, Ritter) (1:27)
=> 9 Fierrabras, D. 796: Zweiter Akt. Nr. 13 Arie: »Die Brust, gebeugt von Sorgen« (Florinda) (2:16)
=> 10 Fierrabras, D. 796: Zweiter Akt. Nr. 14 Chor a capella: »O teures Vaterland!« (Eginhard, Ogier, Roland, Ritter) (1:59)
=> 11 Fierrabras, D. 796: Zweiter Akt. Nr. 15 Melodram. a) Melodram, Rezitativ und Ensemble. »Ha! Was ist das?« … »Wo ist er?« (Ritter, Olivier, Ogier, Roland, Florinda) (3:24)
=> 12 Fierrabras, D. 796: Zweiter Akt. Nr. 15 Melodram. b) Duett mit Chor. »Selbst an des Grabes Rande« (Roland, Florinda, Ritter) (2:23)
=> 13 Fierrabras, D. 796: Zweiter Akt. Nr. 16 Chor und Melodrama: »Der Hoffnung Strahl, den du gegeben« … »Ha, neue Quall« (Ritter, Ogier, Roland, Florinda, Eginhard) (2:55)
=> 14 Fierrabras, D. 796: Zweiter Akt. Nr. 17 Finale II. a) Terzett und Chor: »Uns führt der Vorsicht weise Hand« (Eginhard, Roland, Florinda, Ritter) (1:38)
=> 15 Fierrabras, D. 796: Zweiter Akt. Nr. 17 Finale II. b) Melodram: »Schützt ihn, ihr ew'gen Mächte!« (Florinda, Ritter) (3:04)
=> 16 Fierrabras, D. 796: Dritter Akt. Nr. 18 Chor: »Bald tönet der Reigen« (Jungfrauen, Emma) (4:15)
=> 17 Fierrabras, D. 796: Dritter Akt. Nr. 19 Quartett und Szene: »Bald wird es klar« (Karl, Emma, Fierrabras) (3:30)
=> 18 Fierrabras, D. 796: Dritter Akt. Nr. 19 Quartett und Szene: »Wo ist mein königlicher Herr?« (Eginhard, Emma, Fierrabras, Karl) (2:14)
=> 19 Fierrabras, D. 796: Dritter Akt. Nr. 20 Terzett: »Wenn hoch im Wolkensitze« (Fierrabras, Eginhard, Emma) (3:00)
=> 20 Fierrabras, D. 796: Dritter Akt. Nr. 21. a) Arie mit Chor: »Des Jammers herbe Qualen« (Florinda, Ritter) (4:01)
=> 21 Fierrabras, D. 796: Dritter Akt. Nr. 21. b) Marcia funebre (mit Melodram) und Ensemble: »Welch neuer Schreck!« …»Ha! Erbarmen, haltet ein!« (Florinda, Olivier, Ritter) (2:05)
=> 22 Fierrabras, D. 796: Dritter Akt. Nr. 22 Chor und Ensemble: »Der Rache Opfer fallen« (Mauren) (1:30)
=> 23 Fierrabras, D. 796: Dritter Akt. Nr. 22 Chor und Ensemble: »Erbarmen fleht zu deinen Füßen« (Mauren, Florinda, Boland, Ritter, Roland) (2:53)
=> 24 Fierrabras, D. 796: Dritter Akt. Nr. 23 Finale. a) Rezitativ: »Er ist mein Vater, halte ein!« (Fierrabras, Florinda, Ritter) (0:33)
=> 25 Fierrabras, D. 796: Dritter Akt. Nr. 23 Finale. b) Ensemble: »Der Sieg begleitet meine tapfern Heere« (Karl, Boland, Eginhard, Emma, Fierrabras, Florinda, Roland, Chor) / c) Rezitativ und Schlussgesang: »Nun lasst des langersehnten Glücks uns freuen« (Karl) (3:29)
=> 26 Fierrabras, D. 796: Dritter Akt. Nr. 23 Finale. c) Rezitativ und Schlussgesang: »Vereint durch Bruderbande« (Karl, tutti) (2:28)

CD 198: Schumann: Symphony no. 2 / Overtures: Manfred, Genoveva

=> 1 Symphony no. 2 in C, op. 61: 1. Sostenuto assai - Allegro, ma non troppo (12:36)
=> 2 Symphony no. 2 in C, op. 61: 2. Scherzo. Allegro vivace (7:02)
=> 3 Symphony no. 2 in C, op. 61: 3. Adagio espressivo (10:14)
=> 4 Symphony no. 2 in C, op. 61: 4. Allegro molto vivace (8:51)
=> 5 Overture: Manfred, op. 115 (12:15)
=> 6 Overture: Genoveva, op. 81 (8:54)

CD 199: Schumann: Piano Concerto / Piano Quintet

=> 1 Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso (15:35)
=> 2 Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso (5:03)
=> 3 Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace (11:18)
=> 4 Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 1. Allegro brillante (8:59)
=> 5 Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 2. In modo d’una marcia. Un poco largamente (9:08)
=> 6 Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 3. Scherzo. Molto vivace (4:38)
=> 7 Quintet for Piano, 2 Violins, Viola and Violoncello in E-flat major, op. 44: 4. Allegro, ma non troppo (7:21)

CD 200: Schumann & Schoenberg: Piano Concertos

=> 1 Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso (15:09)
=> 2 Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso (5:30)
=> 3 Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace (10:42)
=> 4 Concerto for Piano and Orchestra, op. 42: 1. Andante - (4:35)
=> 5 Concerto for Piano and Orchestra, op. 42: 2. Molto allegro [bar 176] - (2:31)
=> 6 Concerto for Piano and Orchestra, op. 42: 3. Adagio [bar 264] - (6:02)
=> 7 Concerto for Piano and Orchestra, op. 42: 4. Giocoso (moderato) - Stretto (6:02)

CD 201: Schumann: Piano Concerto / Weber: Konzertstück

=> 1 Concerto for Piano and Orchestra in A minor, op. 54: 1. Allegro affettuoso (15:48)
=> 2 Concerto for Piano and Orchestra in A minor, op. 54: 2. Intermezzo. Andantino grazioso (5:47)
=> 3 Concerto for Piano and Orchestra in A minor, op. 54: 3. Allegro vivace (11:11)
=> 4 Konzertstück for Piano and Orchestra in F minor, op. 79: Larghetto affettuoso - Allegro passionato (9:52)
=> 5 Konzertstück for Piano and Orchestra in F minor, op. 79: Adagio - Tempo di marcia - Più mosso - Presto gioioso (7:32)

CD 202: R. Strauss: Don Juan / Till Eulenspiegels lustig

=> 1 Don Juan, op. 20 (16:29)
=> 2 Till Eulenpiegels lustige Streiche, op. 28 (14:55)
=> 3 Tod und Verklärung, op. 24: Largo - Allegro molto agitato - Meno mosso, ma sempre alla breve - Etwas breiter - Tempo I sehr breit - Allegro molto agitato - Moderato (26:18)

CD 203: R. Strauss: Orchestral Songs

=> 1 Gesang der Apollopriesterin, op. 33 no. 2 (7:37)
=> 2 Freundliche Vision, op. 48 no. 1 (2:52)
=> 3 Cäcilie, op. 27 no. 2 (2:12)
=> 4 Verführung, op. 33 no. 1 (7:48)
=> 5 Frühlingsfeier, op. 56 no. 5 (3:06)
=> 6 Waldseligkeit, op. 49 no. 1 (2:55)
=> 7 Vier letzte Lieder: Frühling (3:48)
=> 8 Vier letzte Lieder: September (4:48)
=> 9 Vier letzte Lieder: Beim Schlafengehen (5:31)
=> 10 Vier letzte Lieder: Im Abendrot (8:25)

CD 204: Stravinsky: Le Sacre du printemps / L'Oiseau de feu / Jeu de cartes

=> 1 Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Introduction (3:13)
=> 2 Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Les Augures printaniers (Danses des adolescentes) (3:09)
=> 3 Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeu du rapt (1:19)
=> 4 Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Rondes printanières (3:40)
=> 5 Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Jeux des cités rivales / Cortège du Sage - Adoration de la terre - Le Sage (2:56)
=> 6 Le Sacre du printemps (Revised version 1947): Première partie : L'Adoration de la terre. Danse de la terre (1:14)
=> 7 Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Introduction (4:17)
=> 8 Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Cercles mystérieux des adolescentes (3:24)
=> 9 Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Glorification de l'elue / Evocation des ancêtres (2:12)
=> 10 Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Action rituelle des ancêtres (3:18)
=> 11 Le Sacre du printemps (Revised version 1947): Seconde partie : Le Sacrifice. Danse sacrale (L'Élue) (4:40)
=> 12 L'Oiseau de feu (Concert suite 1919) : 1. Introduction - L'Oiseau de feu et sa danse (3:23)
=> 13 L'Oiseau de feu (Concert suite 1919) : 1. Variation de l'Oiseau de feu (1:19)
=> 14 L'Oiseau de feu (Concert suite 1919) : 2. Ronde des princesses (5:25)
=> 15 L'Oiseau de feu (Concert suite 1919) : 3. Danse infernale du roi Kachtcheï (4:44)
=> 16 L'Oiseau de feu (Concert suite 1919) : 4. Berceuse (4:02)
=> 17 L'Oiseau de feu (Concert suite 1919) : 5. Finale (3:10)
=> 18 Jeu de cartes : Première donne (5:23)
=> 19 Jeu de cartes : Deuxième donne (9:22)
=> 20 Jeu de cartes : Troisième donne (8:04)

CD 205: Stravinsky: Pétrouchka / Pulcinella

=> 1 Pétrouchka (Original version 1911): Premier Tableau. Fête populaire de la semaine grasse - Le tour de passe-passe (7:16)
=> 2 Pétrouchka (Original version 1911): Premier Tableau. Danse russe (2:46)
=> 3 Pétrouchka (Original version 1911): Deuxième Tableau. Chez Pétrouchka (4:19)
=> 4 Pétrouchka (Original version 1911): Troisième Tableau. Chez le Maure - Danse de la Ballerine (3:21)
=> 5 Pétrouchka (Original version 1911): Troisième Tableau. Valse : La Ballerine et le Maure (3:09)
=> 6 Pétrouchka (Original version 1911): Quatrième Tableau. Fête populaire de la semaine grasse (vers le soir) (1:01)
=> 7 Pétrouchka (Original version 1911): Quatrième Tableau. Danse de nounous (2:34)
=> 8 Pétrouchka (Original version 1911): Quatrième Tableau. L'Ours et un paysan (1:28)
=> 9 Pétrouchka (Original version 1911): Quatrième Tableau. Un marchand fêtard avec deux tziganes (1:08)
=> 10 Pétrouchka (Original version 1911): Quatrième Tableau. Danse de cochers et des palefreniers (2:06)
=> 11 Pétrouchka (Original version 1911): Quatrième Tableau. Les Déguisés (1:27)
=> 12 Pétrouchka (Original version 1911): Quatrième Tableau. La Rixe: Le Maure et Pétrouchka - (0:43)
=> 13 Pétrouchka (Original version 1911): Quatrième Tableau. Mort de Pétrushka (0:54)
=> 14 Pétrouchka (Original version 1911): Quatrième Tableau. La Police et le Charlatan (1:22)
=> 15 Pétrouchka (Original version 1911): Quatrième Tableau. Apparition du double de Pétrouchka (0:54)
=> 16 Pulcinella (Version 1947): Ouverture. Allegro moderato (1:57)
=> 17 Pulcinella (Version 1947): Serenata: “Mentre l'erbetta, pasce l'agnella” (tenor) (2:58)
=> 18 Pulcinella (Version 1947): Scherzino. Allegro (1:37)
=> 19 Pulcinella (Version 1947): Più vivo (0:11)
=> 20 Pulcinella (Version 1947): Allegro (1:00)
=> 21 Pulcinella (Version 1947): Andantino (1:12)
=> 22 Pulcinella (Version 1947): Allegro (1:39)
=> 23 Pulcinella (Version 1947): “Contento forse vivere” (soprano) (2:01)
=> 24 Pulcinella (Version 1947): Allegro assai (1:51)
=> 25 Pulcinella (Version 1947): “Con queste paroline” (bass) (2:14)
=> 26 Pulcinella (Version 1947): “Sento dire: non c'è pace” (soprano, tenor, bass) / “Chi disse ca la femmena” (tenor, soprano) (6:31)
=> 27 Pulcinella (Version 1947): Allegro (alla breve) (1:15)
=> 28 Pulcinella (Version 1947): Tarantella (1:13)
=> 29 Pulcinella (Version 1947): “Se tu m'ami” (2:15)
=> 30 Pulcinella (Version 1947): Allegro (0:56)
=> 31 Pulcinella (Version 1947): Gavotta con due variazioni. Allegro moderato (4:08)
=> 32 Pulcinella (Version 1947): Vivo (1:29)
=> 33 Pulcinella (Version 1947): “Pupillette, fiammette d'amore” (bass, tenor, soprano) (2:19)
=> 34 Pulcinella (Version 1947): Allegro assai (2:02)

CD 206: Tchaikovsky: Symphony no. 2 “Little Russian”

=> 1 Symphony no. 2 in C minor “Little Russian”, op. 17: 1. Andante sostenuto - Allegro vivo (10:39)
=> 2 Symphony no. 2 in C minor “Little Russian”, op. 17: 2. Andantino marziale, quasi moderato (7:11)
=> 3 Symphony no. 2 in C minor “Little Russian”, op. 17: 3. Scherzo. Allegro molto vivace - Trio, L'istesso temnpo (5:15)
=> 4 Symphony no. 2 in C minor “Little Russian”, op. 17: 4. Moderato assai - Allegro vivo - Presto (10:34)

CD 207: Tchaikovsky: Symphony no. 4

=> 1 Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi andante - Allegro vivo (18:15)
=> 2 Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone (9:06)
=> 3 Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato. Allegro (5:41)
=> 4 Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco (8:34)

CD 208: Tchaikovsky: Symphony no. 5

=> 1 Symphony no. 5 in E minor, op. 64: 1. Andante - Allegro con anima (15:01)
=> 2 Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I (12:33)
=> 3 Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato (5:56)
=> 4 Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso - Allegro vivace - Molto vivace - Moderato assai e molto maestoso - Presto (12:14)

CD 209: Tchaikovsky: Symphony no. 6 “Pathétique”

=> 1 Symphony no. 6 in B minor “Pathétique”, op. 74: 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso (17:54)
=> 2 Symphony no. 6 in B minor “Pathétique”, op. 74: 2. Allegro con grazia (8:09)
=> 3 Symphony no. 6 in B minor “Pathétique”, op. 74: 3. Allegro molto vivace (9:14)
=> 4 Symphony no. 6 in B minor “Pathétique”, op. 74: 4. Finale. Adagio lamentoso - Andante (9:43)

CD 210: Tchaikovsky: The Tempest / Slavonic March / Romeo and Juliet / Ouverture solennelle “1812”

=> 1 The Tempest, op. 18 (Symphonic Fantasia after Shakespeare) (23:15)
=> 2 Slavonic March, op. 31 (10:39)
=> 3 Romeo and Juliet (Fantasy Overture after Shakespeare) (20:09)
=> 4 Ouverture solennelle “1812”, op. 49 (14:40)

CD 211: Tchaikovsky: Romeo and Juliet / Scriabin: Le Poème de l'extase

=> 1 Romeo and Juliet (Fantasy Overture after Shakespeare) (20:30)
=> 2 Le Poème de L'extase, op. 54 (19:32)

CD 212: Tchaikovsky: Piano Concerto no. 1 (Argerich)

=> 1 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito (19:12)
=> 2 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I (6:30)
=> 3 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco (6:19)

CD 213: Tchaikovsky: Piano Concerto no. 1 (Pogorelich)

=> 1 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito (23:20)
=> 2 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I (7:44)
=> 3 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco (6:39)

CD 214: Tchaikovsky & Mendelssohn: Violin Concertos

=> 1 Concerto for Violin and Orchestra in D major, op. 35: 1. Allegro moderato (17:04)
=> 2 Concerto for Violin and Orchestra in D major, op. 35: 2. Canzonetta. Andante (6:14)
=> 3 Concerto for Violin and Orchestra in D major, op. 35: 3. Finale. Allegro vivacissimo (9:05)
=> 4 Concerto for Violin and Orchestra in E minor, op. 64: 1. Allegro molto appassionato (11:29)
=> 5 Concerto for Violin and Orchestra in E minor, op. 64: 2. Andante (7:48)
=> 6 Concerto for Violin and Orchestra in E minor, op. 64: 3. Allegro non troppo - Allegro molto vivace (6:26)

CD 215: Verdi: Overtures and Preludes

=> 1 La forza del destino: Sinfonia (7:21)
=> 2 Luisa Miller: Sinfonia (5:45)
=> 3 Nabucco: Sinfonia (7:30)
=> 4 Aida: Preludio (4:21)
=> 5 La traviata: Preludio to Act I (4:02)
=> 6 Macbeth: Ballabile (9:22)
=> 7 La traviata: Preludio to Act III (3:46)
=> 8 Don Carlos: Preludio to Act II (2:46)
=> 9 Les Vêpres siciliennes: Ouverture (9:27)

CD 216: Verdi: Messa da Requiem (beg.) (Wiener Philharmoniker)

=> 1 Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos) (8:56)
=> 2 Messa da Requiem: Dies Irae. “Dies irae” (chorus) (2:20)
=> 3 Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass) (3:09)
=> 4 Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus) (5:11)
=> 5 Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor) (3:45)
=> 6 Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos) (3:52)
=> 7 Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano) (4:04)
=> 8 Messa da Requiem: Dies Irae. “Ingemisco” (tenor) (3:34)
=> 9 Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus) (5:26)
=> 10 Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus) (6:14)
=> 11 Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos) (10:55)

CD 217: Verdi: Messa da Requiem (cont.) / Quattro pezzi sacri (Wiener Philharmoniker)

=> 1 Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus) (2:44)
=> 2 Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus) (5:05)
=> 3 Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor) (6:21)
=> 4 Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus) (14:20)
=> 5 Quattro pezzi sacri: Ave Maria (5:28)
=> 6 Quattro pezzi sacri: Stabat Mater (13:29)
=> 7 Quattro pezzi sacri: Laudi alla Vergine Maria (5:38)
=> 8 Quattro pezzi sacri: Te Deum (16:06)

CD 218: Verdi: Messa da Requiem (beg.) (Coro e Orchestra del Teatro alla Scala)

=> 1 Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos) (9:17)
=> 2 Messa da Requiem: Dies Irae. “Dies irae” (chorus) (2:25)
=> 3 Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass) (3:27)
=> 4 Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus) (5:19)
=> 5 Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor) (4:08)
=> 6 Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos) (3:43)
=> 7 Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano) (4:25)
=> 8 Messa da Requiem: Dies Irae. “Ingemisco” (tenor) (3:53)
=> 9 Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus) (5:43)
=> 10 Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus) (6:30)

CD 219: Verdi: Messa da Requiem (cont.) (Coro e Orchestra del Teatro alla Scala)

=> 1 Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos) (11:26)
=> 2 Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus) (2:41)
=> 3 Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus) (5:27)
=> 4 Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor) (6:57)
=> 5 Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus) (13:48)

CD 220: Verdi: Macbeth (Acts I & II)

=> 1 Macbeth: Preludio (3:16)
=> 2 Macbeth: Atto primo. Introduzione e coro di streghe: “Che faceste? dite su!” / Scena e duetto: “Giorno non vidi mai” (Macbeth, Banco, coro) (7:46)
=> 3 Macbeth: Atto primo. “Due vaticini compiuti or sono” (Macbeth, Banco, coro) (3:22)
=> 4 Macbeth: Atto primo. Coro di streghe - Stretta dell'introduzione: “S'allontanarono!” / Scena e cavatina: “Nel di della vittoria” (Lady Macbeth) (4:16)
=> 5 Macbeth: Atto primo. “Vieni! t'affretta!” … “Or tutti sorgete” (Lady Macbeth, servo) (7:32)
=> 6 Macbeth: Atto primo. Scena e marcia: “O donna mia!” (Macbeth, Lady Macbeth) (3:32)
=> 7 Macbeth: Atto primo. Gran scena e duetto: “Sappia la sposa mia” … “Fatal mia donna!” (Macbeth, Lady Macbeth) (11:32)
=> 8 Macbeth: Atto primo. Scena e sestetto (Finale I): “Di destarlo per tempo il re m'impose” (Macduff, Banco, Macbeth, Lady Macbeth, dama, Malcolm, coro) / “Schiudi, inferno, la bocca” (tutti) (7:52)
=> 9 Macbeth: Atto secondo. Scena ed aria: “Perché mi sfuggi” (Lady Macbeth, Macbeth) (2:50)
=> 10 Macbeth: Atto secondo. Scena ed aria: “La luce langue” (Lady Macbeth) (4:24)
=> 11 Macbeth: Atto secondo. Coro de sicari: “Chi osò mandarvi a noi?” (3:08)
=> 12 Macbeth: Atto secondo. Gran scena: “Studia il passo … Come dal ciel precipita” (Banco) (5:14)
=> 13 Macbeth: Atto secondo. Finale II: “Salve o re!” (coro, Macbeth, Lady Macbeth, dama, Macduff) (1:52)
=> 14 Macbeth: Atto secondo. Finale II: “Si colmi il calice” (Lady Macbeth, tutti, Macbeth, sicario) (6:26)
=> 15 Macbeth: Atto secondo. Finale II: “Va', spirto d'abisso!” (Macbeth, tutti, Lady Macbeth, Macduff) (6:47)

CD 221: Verdi: Macbeth (Acts III & IV)

=> 1 Macbeth: Atto terzo. Coro d'introduzione - Incantesimo “Tre volte miagola” (coro) (3:49)
=> 2 Macbeth: Atto terzo. Ballo. Allegro vivicissimo - Un poco ritenuto - Allegro - Andante - Allegro - Valzer. Allegro vivacissimo - Poco più mosso (9:53)
=> 3 Macbeth: Atto terzo. Gran scena delle apparizioni: “Finché appeli” (Macbeth, coro, tre apparizioni) (6:59)
=> 4 Macbeth: Atto terzo. Gran scena delle apparizioni: “Fuggi, regal fantasima” (Macbeth, coro) (4:33)
=> 5 Macbeth: Atto terzo. Coro di streghe e ballabile: “Ondine e Silfidi” (4:03)
=> 6 Macbeth: Atto terzo. Scena e duetto (Finale III): “Ove son io?” … “Ora di morte” (Macbeth, araldo, Lady Macbeth) (3:21)
=> 7 Macbeth: Atto quarto. Coro di profughi scozzesi: “Patria oppressa!” (6:22)
=> 8 Macbeth: Atto quarto. Scena ed aria: “O figli, o figli miei … Ah, la paterna mano” (Macduff) (3:41)
=> 9 Macbeth: Atto quarto. Scena ed aria: “Dove siam? che bosco è quello?” (Malcolm, coro, Macduff) (2:54)
=> 10 Macbeth: Atto quarto. Gran scena del sonnambulismo: “Vegliammo invan due notti” (medico, dama) (5:19)
=> 11 Macbeth: Atto quarto. Gran scena del sonnambulismo: “Una macchia è qui tuttora” (Lady Macbeth, medico, dama) (7:54)
=> 12 Macbeth: Atto quarto. Scena ed aria: “Perfidi! All'anglo contro me v'unite!” (Macbeth) (1:46)
=> 13 Macbeth: Atto quarto. Scena ed aria: “Pietà, rispetto, amore” (Macbeth) (3:35)
=> 14 Macbeth: Atto quarto. Scena e battaglia: “Ella è morta!” (coro, Macbeth, dama, Macduff) (3:44)
=> 15 Macbeth: Atto quarto. Morte di Macbeth: “Mal per me m'affidai” (Macbeth) (2:31)
=> 16 Macbeth: Atto quarto. Inno di vittoria (Finale): “Vittoria!” (coro, Malcolm, Macduff) (3:32)

CD 222: Verdi: Simon Boccanegra (Prologue & Act I)

=> 1 Simon Boccanegra: Prologo. Introduzione … “Che dicesti?” (Paolo, Pietro, Simon, coro) (7:08)
=> 2 Simon Boccanegra: Prologo. “L'atra magion vedete?” (Paolo, coro, Pietro) (3:01)
=> 3 Simon Boccanegra: Prologo. “A te l'estremo addio … Il lacerato spirito” (Fiesco, coro) (5:38)
=> 4 Simon Boccanegra: Prologo. “Suona ogni labbro il mio nome” (Simon, Fiesco) (6:21)
=> 5 Simon Boccanegra: Prologo. “Oh, de'Fieschi implacata, orrida razza” (Simon, Fiesco, coro, Paolo, Pietro) (3:56)
=> 6 Simon Boccanegra: Atto primo, Quadro primo. Introduzione: L'aurora (2:13)
=> 7 Simon Boccanegra: Atto primo, Quadro primo. “Come in quest'ora bruna” (Amelia) (4:07)
=> 8 Simon Boccanegra: Atto primo, Quadro primo. “Cielo di stelle orbato” … “Vieni a mirar la cerula marina tremolante” (Gabriele, Amelia, ancella, Pietro) (7:26)
=> 9 Simon Boccanegra: Atto primo, Quadro primo. “Propizio ei giunge!” (Gabriele, Fiesco) (4:36)
=> 10 Simon Boccanegra: Atto primo, Quadro primo. “Il doge vien” (Gabriele, Fiesco, doge, Paolo, Amelia) (3:50)
=> 11 Simon Boccanegra: Atto primo, Quadro primo. “Orfanella il tetto umile” … “Figlia! a tal nome io palpito” (Amelia, doge) (9:39)
=> 12 Simon Boccanegra: Atto primo, Quadro primo. “Che rispose?” (Paolo, doge, Pietro) (1:11)
=> 13 Simon Boccanegra: Atto primo, Quadro secondo. “Messeri, il re di Tartaria vi porge” (doge, Paolo, Pietro, Gabriele, coro) (7:00)
=> 14 Simon Boccanegra: Atto primo, Quadro secondo. “Ferischi!” / “Amelia!” (Amelia, Gabriele, doge, Fiesco, coro) (0:56)
=> 15 Simon Boccanegra: Atto primo, Quadro secondo. “Amelia, di come fosti rapita” (Boccanegra, Amelia, Gabriele, Paolo, Pietro, Fiesco, coro) (2:33)
=> 16 Simon Boccanegra: Atto primo, Quadro secondo. “Plebe! Patrizi! Popolo … Piango su voi” (doge, Amelia, Fiesco, Gabriele, Pietro, Paolo, coro) (5:02)
=> 17 Simon Boccanegra: Atto primo, Quadro secondo. “Ecco la spada” … “Sia maledetto!” (Gabriele, doge, Paolo, Amelia, Fiesco, Pietro, coro) (4:31)

CD 223: Verdi: Simon Boccanegra (Acts II & III)

=> 1 Simon Boccanegra: Atto secondo. “Quei due vedesti?” (Paolo, Pietro) (2:38)
=> 2 Simon Boccanegra: Atto secondo. “Prigioneri in qual loco m'adduci?” (Fiesco, Paolo) (1:51)
=> 3 Simon Boccanegra: Atto secondo. “Udisti?” / “Vil disegno!” … “Sento avvampar nell'anima … Cielo pietoso” (Paolo, Gabriele) (5:48)
=> 4 Simon Boccanegra: Atto secondo. “Tu qui?” / “Amelia!” (Amelia, Gabriele) (4:31)
=> 5 Simon Boccanegra: Atto secondo. “Figlia!” / “Sì afflitto, o padre mio?” (doge, Amelia) (5:56)
=> 6 Simon Boccanegra: Atto secondo. “Oh! Amelia, ami un nemico” … “Perdono, Amelia” (doge, Gabriele, Amelia) (6:56)
=> 7 Simon Boccanegra: Atto secondo. “All'armi, all'armi, o Liguri” (coro, Amelia, Gabriele, doge) (1:28)
=> 8 Simon Boccanegra: Atto terzo. “Evviva il doge!” (coro, capitano, Fiesco, Paolo) (6:54)
=> 9 Simon Boccanegra: Atto terzo. “M'ardon le tempia” … “Come un fantasima Fiesco t'appar” (doge, Fiesco) (7:13)
=> 10 Simon Boccanegra: Atto terzo. “Piango, perché mi parla in te” (Fiesco, doge) (3:48)
=> 11 Simon Boccanegra: Atto terzo. “Chi veggo! Tu qui?” (Amelia, doge, Gabriele, Fiesco) (2:43)
=> 12 Simon Boccanegra: Atto terzo. “Gran Dio, li benedici” (doge, Amelia, Gabriele, Fiesco, coro) (7:26)

CD 224: Verdi: Un ballo in maschera (Act I)

=> 1 Un ballo in maschera: Preludio (4:30)
=> 2 Un ballo in maschera: Atto primo. “Posa in pace” (coro, Samuel, Tom) (1:54)
=> 3 Un ballo in maschera: Atto primo. “S’avanza il conte” (Oscar, Riccardo, coro, Samuel, Tom, Renato) (5:56)
=> 4 Un ballo in maschera: Atto primo. Aria: “Alla vita che t’arride” (Renato, Oscar, giudice, Riccardo) (3:54)
=> 5 Un ballo in maschera: Atto primo. Ballata: “Volta la terrea fronte alle stelle” (Oscar, Riccardo, giudice) (1:51)
=> 6 Un ballo in maschera: Atto primo. “Signori, oggi d’Ulrica” (Riccardo, Renato, Oscar, Samuel, Tom, coro) (2:57)
=> 7 Un ballo in maschera: Atto primo. Invocazione: “Zitti, L’incanto non dessi turbare” (coro, Ulrica, Riccardo, Silvano, servo) (9:38)
=> 8 Un ballo in maschera: Atto primo. Terzetto: “Che v’agita così?” (Ulrica, Amelia, Riccardo, coro) / Canzone: “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Oscar, Samuel, Tom, coro, Ulrica) (4:39)
=> 9 Un ballo in maschera: Atto primo. “Su profetessa” – “Di’ tu se fedele il flutto m’aspetta” (Samuel, Tom, Aderenti, Oscar, Riccardo, Ulrica) (4:46)
=> 10 Un ballo in maschera: Atto primo. “È la destra d’un grande” (Ulrica, Oscar, Riccardo, Samuel, Tom, coro) / Quintetto: “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, coro) (5:05)
=> 11 Un ballo in maschera: Atto primo. Scena ed inno (Finale I): “Finisci il vaticinio” (Riccardo, Ulrica, Samuel, Tom, Renato, coro, Silvano, Oscar) (4:12)

CD 225: Verdi: Un ballo in maschera (Acts II & III)

=> 1 Un ballo in maschera: Atto secondo. Preludio (2:25)
=> 2 Un ballo in maschera: Atto secondo. Scena ed aria: “Ecco l’orrido campo … Ma dall’arido stelo divulsa” (Amelia) (6:42)
=> 3 Un ballo in maschera: Atto secondo. Duetto: “Teco io sto” (Riccardo, Amelia) (9:21)
=> 4 Un ballo in maschera: Atto secondo. Terzetto: “Ahimè! S’appressa alcun!” (Amelia, Riccardo, Renato) (4:45)
=> 5 Un ballo in maschera: Atto secondo. Scena, coro e quartetto (Finale II): “Seguitemi” (Renato, Amelia, Samuel, Tom, coro) (7:15)
=> 6 Un ballo in maschera: Atto terzo. “A tal colpa è nulla il pianto” (Renato, Amelia) (2:07)
=> 7 Un ballo in maschera: Atto terzo. Aria: “Morrò, ma prima in grazia” (Amelia, Renato) (6:25)
=> 8 Un ballo in maschera: Atto terzo. Aria: “Eri tu che macchiavi quell’anima” (Renato) (3:56)
=> 9 Un ballo in maschera: Atto terzo. Congiura: “Siam soli. Udite” (Renato, Tom, Samuel, Amelia, Oscar) (8:20)
=> 10 Un ballo in maschera: Atto terzo. Scena e quintetto: “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (4:01)
=> 11 Un ballo in maschera: Atto terzo. Finale III. Scena e romanza: “Forse la soglia attinse … Ma se m’è forza perderti” (Riccardo) (5:15)
=> 12 Un ballo in maschera: Atto terzo. Finale III. Festa da ballo e coro: “Ah, dessa è là” (Riccardo, Oscar, coro, Samuel, Renato, Tom) (3:13)
=> 13 Un ballo in maschera: Atto terzo. Finale III. Canzone: “Saper vorreste di che si veste” (Oscar, coro, Renato) (3:42)
=> 14 Un ballo in maschera: Atto terzo. Finale III. Scena e duettino: “Ah! perché qui! Fuggite” (Amelia, Riccardo, Renato, Oscar, coro) (5:05)
=> 15 Un ballo in maschera: Atto terzo. Finale III. Scena finale: “Ella è pura” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom) (5:17)

CD 226: Verdi: Don Carlos (Acts I & II beg.)

=> 1 Don Carlos : Premier Acte. Introduction : « Le cerf s’enfuit sous la ramure » (chœur) (1:22)
=> 2 Don Carlos : Premier Acte. Récit et romance : « Fontainebleau ! Forêt immense et solitaire ! » (Don Carlos) (1:47)
=> 3 Don Carlos : Premier Acte. Récit et romance : « Je l’ai vue » (Don Carlos) (2:20)
=> 4 Don Carlos : Premier Acte. Scène et duo : « Le bruit du cor s’éteint sous l'ombre épaisse » (Don Carlos, Thibault, Elisabeth) (2:40)
=> 5 Don Carlos : Premier Acte. Scène et duo : « Que faites-vous donc ? … De quels transports » (Elisabeth, Don Carlos) (8:15)
=> 6 Don Carlos : Premier Acte. Scène et final : « À celui qui vous vient » … « L’heure fatale est sonnée ! » (Thibault, Elisabeth, Don Carlos) (2:03)
=> 7 Don Carlos : Premier Acte. Scène et final : « Ô chants de fête » (chœur, Elisabeth, Don Carlos, Lerme) (6:44)
=> 8 Don Carlos : Deuxième Acte, Premier Tableau. Scène et prière : « Charles-Quint, l'auguste Empereur » (chœur, moine) (5:52)
=> 9 Don Carlos : Deuxième Acte, Premier Tableau. Scène et prière : « Au couvent de Saint-Just » (Don Carlos, moine) (1:47)
=> 10 Don Carlos : Deuxième Acte, Premier Tableau. Scène et duo : « Le voilà ! C’est l’enfant ! » … « Dieu, tu semas dans nos âmes » (Rodrigue, Don Carlos, chœur, moine) (7:54)
=> 11 Don Carlos : Deuxième Acte, Deuxième Tableau. Chœur et scène : « Sous ces bois au feuillage immense » (chœur, Thibault, Eboli) (3:33)
=> 12 Don Carlos : Deuxième Acte, Deuxième Tableau. Chanson du voile : « Au palais des fées » (Eboli, Thibault, chœur) (4:00)
=> 13 Don Carlos : Deuxième Acte, Deuxième Tableau. Scène, terzettino, dialogué et romance : « La Reine ! » … « L’infant Carlos, notre espérance » (chœur, Eboli, Elisabeth, Thibault, Rodrigue) (8:24)

CD 227: Verdi: Don Carlos (Acts II cont. & III)

=> 1 Don Carlos : Deuxième Acte, Deuxième Tableau. Grande scène et duo : « Je viens solliciter de la Reine une grâce … Ô bien perdu … Par quelle douce voix » (Don Carlos, Elisabeth) (9:36)
=> 2 Don Carlos : Deuxième Acte, Deuxième Tableau. Scène et romance : « Le roi ! » (Thibault, Philippe, chœur) (1:10)
=> 3 Don Carlos : Deuxième Acte, Deuxième Tableau. Scène et romance : « O ma chère compagne » (Elisabeth, chœur, Rodrigue, Philippe) (4:18)
=> 4 Don Carlos : Deuxième Acte, Deuxième Tableau. Scène et duo : « Restez ! » … « Ô roi ! J’arrive de Flandre » (Philippe, Rodrigue) (10:50)
=> 5 Don Carlos : Troisième Acte. Prélude (2:35)
=> 6 Don Carlos : Troisième Acte, Premier Tableau. Scène, duo et trio : « À minuit, aux jardins de la Reine » (Don Carlos) (0:36)
=> 7 Don Carlos : Troisième Acte, Premier Tableau. « C’est vous ! » (Don Carlos, Eboli) (4:03)
=> 8 Don Carlos : Troisième Acte, Premier Tableau. « Que dit-il ? » (Rodrigue, Eboli, Don Carlos) (7:05)
=> 9 Don Carlos : Troisième Acte, Deuxième Tableau. Grand final : « Ce jour heureux est plein d’allégresse ! » (chœur, héraut) (9:00)
=> 10 Don Carlos : Troisième Acte, Deuxième Tableau. « En plaçant sur mon front, peuple, cette couronne » … « Sire, la dernière heure a-t-elle donc sonné » (Philippe, chœur, Elisabeth, Rodrigue, Don Carlos, députés flamands, Thibault, voix d'en haut) (10:29)

CD 228: Verdi: Don Carlos (Act IV)

=> 1 Don Carlos : Quatrième Acte, Premier Tableau. Scène et cantabile : « Elle ne m’aime pas ! » (Philippe) (9:26)
=> 2 Don Carlos : Quatrième Acte, Premier Tableau. Scène : « Le Grand Inquisiteur ! » … « Dans ce beau pays » (Lerme, Inquisiteur, Philippe) (9:06)
=> 3 Don Carlos : Quatrième Acte, Premier Tableau. Scène et quatuor : « Justice ! Sire ! » … « Maudit soit le soupçon infâme » (Elisabeth, Philippe, Eboli, Rodrigue) (8:31)
=> 4 Don Carlos : Quatrième Acte, Premier Tableau. Scène et air « Pitié ! Pardon pour la femme coupable ! » (Eboli, Elisabeth) (3:05)
=> 5 Don Carlos : Quatrième Acte, Premier Tableau. « Ah ! Je ne verrai plus la Reine ! Ô don fatal et détesté » (Eboli) (4:16)
=> 6 Don Carlos : Quatrième Acte, Deuxième Tableau. Mort de Rodrigue : « C’est moi, Carlos » (Rodrigue, Don Carlos) (3:02)
=> 7 Don Carlos : Quatrième Acte, Deuxième Tableau. « C’est mon jour suprême » (Rodrigue) (2:45)
=> 8 Don Carlos : Quatrième Acte, Deuxième Tableau. « Que parles-tu de mort ? » (Don Carlos, Rodrigue) (1:38)
=> 9 Don Carlos : Quatrième Acte, Deuxième Tableau. « Carlos, écoute … Ah ! Je meurs l’âme joyeuse » (Rodrigue) (3:41)
=> 10 Don Carlos : Quatrième Acte, Deuxième Tableau. Émeute : « Mon fils, reprenez votre épée » … « Ciel ! Le tocsin ! » (Philippe, Don Carlos, chœur, Lerme, Eboli, Inquisiteur) (3:12)

CD 229: Verdi: Don Carlos (Act V & Appendix)

=> 1 Don Carlos : Cinquième Acte. Scène et air : « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (10:36)
=> 2 Don Carlos : Cinquième Acte. Scène et duo d’adieu (Scène finale) : « C'est elle ! … J’avais fait un beau rêve ! » … « Au revoir dans un monde où la vie est meilleure » (Don Carlos, Elisabeth) (9:44)
=> 3 Don Carlos : Cinquième Acte. Scène finale « Oui, pour toujours ! » (Philippe, Inquisiteur, Elisabeth, Don Carlos, moine, chœur) (1:39)
=> 4 Don Carlos : Appendice. 1. Prélude et introduction : « L’hiver est long » (chœur, bûcheron, Elisabeth) (9:38)
=> 5 Don Carlos : Appendice. 2. Introduction et chœur : « Que de fleurs » … « Pour une nuit me voilà Reine » (chœur, Elisabeth, Eboli) (4:46)
=> 6 Don Carlos : Appendice. 3. Le Ballet de la Reine (15:14)
=> 7 Don Carlos : Appendice. 4. Scène : « J'ai tout compris » (Elisabeth, Eboli) (4:47)
=> 8 Don Carlos : Appendice. 5. Final : « Mon fils, reprenez votre épée … Qui me rendra ce mort ? » (Philippe, Don Carlos, chœur) (7:23)
=> 9 Don Carlos : Appendice. 6. Final : « Oui pour toujours ! … Ah ! Sois maudit, artisan d’une œuvre détestée ! » (Philippe, Inquisiteur, Elisabeth, Don Carlos, chœur, moine) (4:11)

CD 230: Verdi: Aida (Acts I & II)

=> 1 Aida: Preludio (3:36)
=> 2 Aida: Atto primo. Introduzione e scena: “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès) (1:35)
=> 3 Aida: Atto primo. Romanza: “Se quel guerrier io fossi! … Celeste Aida” (Radamès) (4:32)
=> 4 Aida: Atto primo. Duetto: “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès) (3:11)
=> 5 Aida: Atto primo. Terzetto: “Vieni, o diletta, appressati” (Amneris, Aida, Radamès) (2:40)
=> 6 Aida: Atto primo. Scena e pezzo d'assieme: “Alta cagion v'aduna” (re, messaggero, Radamès, Ramfis, coro, Aida, Amneris) (3:09)
=> 7 Aida: Atto primo. “Su! del Nilo al sacro lido” (re, Ramfis, coro, Aida, Radamès, Amneris) (2:54)
=> 8 Aida: Atto primo. Scena: “Ritorna vincitor!” (Aida) (5:30)
=> 9 Aida: Atto primo. Gran scena della consacrazione: “Possente Fthà” … “Tu che dal nulla” (sacerdotessa, coro, Ramfis) (3:16)
=> 10 Aida: Atto primo. Danza sacra delle sacerdotesse - “Immenso Fthà” … “Mortal, diletto ai Numi” (sacerdotessa, coro, Ramfis) (3:18)
=> 11 Aida: Atto primo. Finale I: “Nume, custode e vindice” (Ramfis, Radamès, coro, sacerdotessa) (4:16)
=> 12 Aida: Atto secondo. Introduzione - Scena e coro di donne: “Chi mai fra gl'inni e i plausi” (coro, Amneris) (2:58)
=> 13 Aida: Atto secondo. Danza di piccoli schiavi mori - “Vieni: sul crin ti piovano” (coro, Amneris) (2:56)
=> 14 Aida: Atto secondo. Scena e duetto: “Fu la sorte dell'armi a' tuoi funesta” (Amneris, Aida) (5:06)
=> 15 Aida: Atto secondo. “Pietà ti prenda del mio dolor” … “Su! del Nilo al sacro lido” … “Numi, Pietà” (Aida, Amneris, coro) (4:06)
=> 16 Aida: Atto secondo. Gran finale II: “Gloria all'Egitto, ad Iside” (coro, Ramfis) (3:26)
=> 17 Aida: Atto secondo. Marcia trionfale (1:35)
=> 18 Aida: Atto secondo. Ballabile (4:22)
=> 19 Aida: Atto secondo. “Vieni, o guerriero vindice” (coro) (2:23)
=> 20 Aida: Atto secondo. “Salvator della patria” (re, Radamès, Ramfis, coro) (2:18)
=> 21 Aida: Atto secondo. “Che veggo! Egli? Mio padre!” … “Anch'io pugnai” … “Ma tu, re, tu signore possente” (Aida, Amneris, Amonasro, re, Ramfis, coro) (3:26)
=> 22 Aida: Atto secondo. “Il dolor che in quel volto favella” … “Ma tu, o re” (Radamès, Amneris, Amonasro, re, Aida, coro, Ramfis) (2:13)
=> 23 Aida: Atto secondo. “O re: pei sacri Numi!” … “Gloria all'Egitto” (Radamès, re, Amneris, coro, Ramfis, Aida, Amonasro) (5:28)

CD 231: Verdi: Aida (Acts III & IV)

=> 1 Aida: Atto terzo. Introduzione e preghiera: “O tu che sei d'Osiride” … “Vieni d'Iside al tempio” (coro, Ramfis, Amneris) (4:11)
=> 2 Aida: Atto terzo. Romanza: “Qui Radamès verrà! … O patria mia” (Aida) (6:34)
=> 3 Aida: Atto terzo. Duetto: “Ciel, mio padre!” … “Rivedrai le foreste imbalsamate” (Aida, Amonasro) (7:37)
=> 4 Aida: Atto terzo. Duetto: “Pur ti riveggo, mia dolce Aida” … “Nel fiero anelito” (Radamès, Aida) (3:14)
=> 5 Aida: Atto terzo. “Fuggiam gli ardori inospiti … Là, tra foreste vergini” (Aida, Radamès) (6:08)
=> 6 Aida: Atto terzo. Finale III: “Ma dimmi, per qual via” (Aida, Radamès, Amonasro, Amneris, Ramfis) (3:21)
=> 7 Aida: Atto quarto. Scena: “L'aborrita rivale a me sfuggia” (Amneris) (3:04)
=> 8 Aida: Atto quarto. Duetto: “Già i sacerdoti adunansi” (Amneris, Radamès) (6:32)
=> 9 Aida: Atto quarto. Scena del giudizio: “Ohimè! morir mi sento” … “Spirto del Nume” (Amneris, Ramfis, coro) (7:56)
=> 10 Aida: Atto quarto. “A lui vivo la tomba … Sacerdoti, compiste un delitto!” (Amneris, Ramfis, coro) (3:12)
=> 11 Aida: Atto quarto. Scena e duetto: “La fatal pietra sovra me si chiuse” (Radamès, Aida) (5:22)
=> 12 Aida: Atto quarto. Finale ultimo: “Immenso Fthà” … “O terra, addio” (coro, Aida, Radamès, Amneris) (5:20)

CD 232: Verdi: Falstaff (Acts I & II beg.)

=> 1 Falstaff: Atto primo, prima parte. “Falstaff!” / “Olà!” / “Sir John Falstaff!” (Dr. Cajus, Falstaff, Bardolfo, Pistola) (4:59)
=> 2 Falstaff: Atto primo, prima parte. “Sei polli: sei scellini” (Falstaff, Bardolfo, Pistola) (2:36)
=> 3 Falstaff: Atto primo, prima parte. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Bardolfo, Pistola) (3:46)
=> 4 Falstaff: Atto primo, prima parte. “L'onore! Ladri!” (Falstaff) (4:07)
=> 5 Falstaff: Atto primo, seconda parte. “Alice” / “Meg” / “Nannetta” (Meg, Alice, Quickly, Nannetta) (1:17)
=> 6 Falstaff: Atto primo, seconda parte. “Fulgida Alice! amor t'offro” … “Quell'otre! quel tino!” (Meg, Alice, Quickly, Nannetta, Dr. Cajus, Bardolfo, Fenton, Pistola, Ford) (3:41)
=> 7 Falstaff: Atto primo, seconda parte. “In due parole” (Pistola, Dr. Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly) (1:22)
=> 8 Falstaff: Atto primo, seconda parte. “Pst, pst, Nannetta” (Fenton, Nannetta, Alice, Meg, Quickly) (5:09)
=> 9 Falstaff: Atto primo, seconda parte. “Udrai quanta egli sfoggia” (Bardolfo, Ford, Pistola, Dr. Cajus, Alice, Nannetta, Meg, Quickly, Fenton) (3:04)
=> 10 Falstaff: Atto secondo, prima parte. “Siam pentiti e contriti” / “Reverenza!” (Bardolfo, Pistola, Falstaff, Quickly) (5:45)
=> 11 Falstaff: Atto secondo, prima parte. “Alice è mia! Va', vecchio John” (Falstaff, Bardolfo) (1:49)
=> 12 Falstaff: Atto secondo, prima parte. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola) (2:33)
=> 13 Falstaff: Atto secondo, prima parte. “C'è a Windsor una dama” (Ford, Falstaff) (6:27)
=> 14 Falstaff: Atto secondo, prima parte. “È sogno? o realtà?” (Ford, Falstaff) (5:37)

CD 233: Verdi: Falstaff (Acts II cont. & III)

=> 1 Falstaff: Atto secondo, seconda parte. “Presenteremo un bill” … “Giunta all'albergo della Giarrettiera” (Alice, Quickly, Meg, Nannetta) (3:54)
=> 2 Falstaff: Atto secondo, seconda parte. “Gaie comari di Windsor!” (Alice, Meg, Quickly, Nannetta) (1:36)
=> 3 Falstaff: Atto secondo, seconda parte. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice) (3:17)
=> 4 Falstaff: Atto secondo, seconda parte. “Quand'ero paggio” (Falstaff, Alice, Quickly) (1:01)
=> 5 Falstaff: Atto secondo, seconda parte. “Mia signora!” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola) (2:41)
=> 6 Falstaff: Atto secondo, seconda parte. “Vien qua” / “Che chiasso!” (Nannetta, Fenton, Dr. Cajus, Ford, Pistola, Bardolfo) (1:37)
=> 7 Falstaff: Atto secondo, seconda parte. “C'è” / “C'è” / “Se t'agguanto!” … “Se ti piglio!” (Ford, Dr. Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, coro, Alice) (5:00)
=> 8 Falstaff: Atto terzo, prima parte 1. “Ehi! Taverniere! Mondo ladro” (Falstaff) (5:44)
=> 9 Falstaff: Atto terzo, prima parte 1. “Reverenza. La bella Alice” … “Quando il rintocco della mezzanotte” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Dr. Cajus) (5:04)
=> 10 Falstaff: Atto terzo, prima parte 1. “Brava. Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta, Dr. Cajus, Quickly) (4:36)
=> 11 Falstaff: Atto terzo, seconda parte. “Dal labbro il canto estasiato vola” (Fenton, Nannetta, Alice, Quickly, Meg) (5:19)
=> 12 Falstaff: Atto terzo, seconda parte. “Una, due, tre, quattro” (Falstaff, Alice, Meg) (3:16)
=> 13 Falstaff: Atto terzo, seconda parte. “Ninfe! Elfi! Silfi!” … “Sul fil d'un soffio etesio” (Nannetta, coro, Falstaff, Alice) (5:29)
=> 14 Falstaff: Atto terzo, seconda parte. “Alto là” / “Chi va là” … “Pizzica, pizzica” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, coro, Ford, Dr. Cajus) (6:01)
=> 15 Falstaff: Atto terzo, seconda parte. “Ogni sorta di gente dozzinale” (Falstaff, Alice, Meg, Quickly, coro, Ford, Bardolfo, Pistola, Nannetta, Fenton, Dr. Cajus) (3:20)
=> 16 Falstaff: Atto terzo, seconda parte. “Facciamo il parentado” … “Tutto nel mondo è burla” (Ford, Bardolfo, Pistola, Alice, Nannetta, Fenton, Quickly, Meg, Falstaff, Dr. Cajus, coro) (3:22)

CD 234: Verdi: Choruses

=> 1 Nabucco: “Gli arredi festivi” (5:14)
=> 2 Nabucco: “Va', pensiero, sull'ali dorate” (4:22)
=> 3 Il trovatore: “Vedi! le fosche notturne spoglie” (3:56)
=> 4 Otello: “Fuoco di gioia” (2:45)
=> 5 Ernani: “Si ridesti il Leon di Castiglia” (1:28)
=> 6 Aida: “Gloria all'Egitto” (7:19)
=> 7 Aida: “O tu che sei d'Osiride” (coro, Ramfis, Amneris) (4:21)
=> 8 Macbeth (1865 version): “Che faceste? dite su!” (3:29)
=> 9 Macbeth (1865 version): “S'allontanarono!” (2:07)
=> 10 Macbeth (1865 version): “Patria oppressa!” (6:15)
=> 11 I lombardi alla prima crociata: “Gerusalem!” (5:17)
=> 12 I lombardi alla prima crociata: “O Signore, dal tetto natio” (3:59)
=> 13 Don Carlo (Modena version, 1886): “Spuntato ecco il di d'esultanza” (6:29)
=> 14 Un ballo in maschera: “Posa in pace” (coro, Samuel, Tom) (2:00)
=> 15 Simon Boccanegra: “Maria! Maria!” … “Viva Simon” (coro, Simone, Fiesco, Paolo, Pietro) (2:17)
=> 16 Messa da Requiem: “Dies irae” (2:23)
=> 17 Messa da Requiem: “Tuba mirum” (coro, bass) (1:55)
=> 18 Messa da Requiem: “Sanctus, Sanctus, Sanctus Dominus” (2:44)
=> 19 Don Carlos (Paris version, 1867): “Ce jour heureux est plein d'allégresse!” (7:10)
=> 20 Aida: “Vieni, o guerriero vindice” (coro, Ramfis) (2:30)

CD 235: Verdi: Arias

=> 1 Luisa Miller: “Oh! Fede negar potessi” (Rodolfo) (1:39)
=> 2 Luisa Miller: “Quando le sere al placido” (Rodolfo) (4:10)
=> 3 I lombardi alla prima crociata: “La mia letizia infondere” (Oronte) (2:22)
=> 4 Aida: “Se quel guerrier io fossi” (Radamès) (0:55)
=> 5 Aida: “Celeste Aida” (Radamès) (3:32)
=> 6 Ernani: “Mercé, diletti amici” (Ernani) (1:02)
=> 7 Ernani: “Come rugiada al cespite” (Ernani) (2:31)
=> 8 Ernani: “Dell'esilio nel dolore … O tu che l'alma adora” (Ernani, chorus) (3:11)
=> 9 Un ballo in maschera: “Forse la soglia attinse” (Riccardo) (2:30)
=> 10 Un ballo in maschera: “Ma se m'è forza perderti” (Riccardo) (3:02)
=> 11 Otello: “Dio, mi potevi scagliar” (Otello) (2:21)
=> 12 Otello: “Ma, o pianto, o duol!” (Otello) (2:36)
=> 13 Otello: “Niun mi tema” (Otello, Cassio, Lodovico, Montano) (6:12)
=> 14 La forza del destino: Introduzione (3:58)
=> 15 La forza del destino: “La vita è inferno” (Alvaro) (2:58)
=> 16 La forza del destino: “O tu che in seno agli angeli” (Alvaro) (3:49)
=> 17 Macbeth: “O figli” (Macduff) (1:13)
=> 18 Macbeth: “Ah, la paterna mano” (Macduff) (2:53)
=> 19 Jérusalem: « L'Émir auprès de lui m'appelle » (Gaston) (2:52)
=> 20 Jérusalem: « Je veux encore entendre ta voix » (Gaston) (3:27)
=> 21 Il trovatore: “Ah sì, ben mio” (Manrico) (3:19)
=> 22 Il trovatore: “Di quella pira” (Manrico, Leonora, chorus) (3:26)