Gernot Westhäuser (Engineer)

Person, DE, Germany

Relations

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=> 🎶 Coriolan Overture, Op. 62

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=> 🎶 Daphnis et Chloé: Danse générale. Lent - Animé

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=> 🎶 Daphnis et Chloé: Lever du jour. Lent

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=> 🎶 Daphnis et Chloé: Opening

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=> 🎶 Daphnis et Chloé: Pantomime. Lent - Très lent - Vif - Très lent - 1/4 = 80

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=> 🎶 Das Rheingold: Dritte Szene. "Hehe! hehe! hieher! hieher!" (Alberich, Mime)

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=> 🎶 Das Rheingold: Dritte Szene. "Hieher! Dorthin!" (Alberich)

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=> 🎶 Das Rheingold: Dritte Szene. "Nibelheim hier: Durch bleiche Nebel" (Loge, Mime, Wotan)

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=> 🎶 Das Rheingold: Dritte Szene. "Was wolt ihr hier?" (Alberich, Wotan, Loge)

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=> 🎶 Das Rheingold: Dritte Szene. Verwandlungsmusik

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=> 🎶 Das Rheingold: Erste Szene. "Der Welt Erbe gewänn’ ich zu eigen durch dich?" (Alberich, Woglinde, Wellgunde, Flosshilde)

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=> 🎶 Das Rheingold: Erste Szene. "He he! Ihr Nicker!" (Alberich, Woglinde, Flosshilde, Wellgunde)

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=> 🎶 Das Rheingold: Erste Szene. "Lugt, Schwestern! Die Weckerin lacht in den Grund" (Woglinde, Wellgunde, Flosshilde, Alberich)

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=> 🎶 Das Rheingold: Erste Szene. "Weia! Waga! Woge, du Welle!" (Woglinde, Wellgunde, Flosshilde)

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=> 🎶 Das Rheingold: Erste Szene. Verwandlungsmusik

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=> 🎶 Das Rheingold: Vierte Szene. "Abendlich strahlt der Sonne Auge" (Wotan. Fricka, Loge)

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=> 🎶 Das Rheingold: Vierte Szene. "Bin ich nun frei? Wirlich frei?" (Alberich)

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=> 🎶 Das Rheingold: Vierte Szene. "Da, Vetter, sitze du fest!" (Loge, Alberich, Wotan)

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=> 🎶 Das Rheingold: Vierte Szene. "Freia, die Schöne, schau' ich nicht mehr" (Fasolt, Fafner, Loge, Wotan, Freia, Fricka, Froh, Donner)

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=> 🎶 Das Rheingold: Vierte Szene. "Gezahlt hab’ ich: Nun lasst mich ziehn!" (Alberich, Loge, Wotan)

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=> 🎶 Das Rheingold: Vierte Szene. "Halt, du Gieriger! Gönne mir auch was!" (Fasolt, Fafner, Loge, Wotan, Fricka)

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=> 🎶 Das Rheingold: Vierte Szene. "Lauschtest du seinem Liebesgruß?" (Loge, Wotan, Froh, Donner, Fricka, Fasolt, Fafner)

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=> 🎶 Das Rheingold: Vierte Szene. "Rheingold! Rheingold!" (Woglinde, Wellgunde, Flosshilde, Wotan, Loge)

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=> 🎶 Das Rheingold: Vierte Szene. "Schwüles Gedünst schwebt in der Luft" (Donner, Froh)

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=> 🎶 Das Rheingold: Vierte Szene. "Weiche, Wotan, weiche!" (Erda, Wotan, Fricka, Froh, Donner, Freia)

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=> 🎶 Das Rheingold: Vorspiel

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=> 🎶 Das Rheingold: Zweite Szene. "Endlich Loge! Eiltest du so" (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt)

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=> 🎶 Das Rheingold: Zweite Szene. "Immer ist Undank Loges Lohn!" (Loge, Wotan, Fasolt, Fafner, Fricka, donner, Froh)

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=> 🎶 Das Rheingold: Zweite Szene. "Sanft schloss Schlaf dein Aug’" (Fasolt, Wotan, Fafner, Freia, Donner, Fricka)

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=> 🎶 Das Rheingold: Zweite Szene. "Über Stock und Stein zu Tal stapfen sie hin" (Loge, Fricka, Donner, Froh)

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=> 🎶 Das Rheingold: Zweite Szene. "Vollendet das ewige Werk!" (Wotan, Fricka, Freia)

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=> 🎶 Das Rheingold: Zweite Szene. "Was ein Dieb stahl, das stiehist du dem Dieb" (Loge, Wotan, Fricka, Fafner, Fasolt, Froh, Donner)

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=> 🎶 Das Rheingold: Zweite Szene. "Wotan, Gemahl, unsel’ger Mann!" (Fricka, Wotan, Loge, Donner, Froh)

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=> 🎶 Das Rheingold: Zweite Szene. "Wotan! Gemahl! Erwache!" (Fricka, Wotan)

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=> 🎶 Das Rheingold: Zweite Szene. Verwandlungsmusik

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=> 🎶 Der Freischütz: Overture

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=> 🎶 Egmont, op. 84: Overture

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=> 🎶 Guillaume Tell: Overture

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=> 🎶 Hungarian Rhapsody no. 2 in D minor, S359/2

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=> 🎶 L'amico Fritz: Intermezzo

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=> 🎶 L'Arlésienne, suite no. 2 (excerpts): Farandole

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=> 🎶 L'Arlésienne, suite no. 2 (excerpts): Intermezzo

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=> 🎶 L'Arlésienne, suite no. 2 (excerpts): Pastorale

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=> 🎶 La Damnation de Faust: Marche hongroise

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=> 🎶 La forza del destino: Overture

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=> 🎶 La Mer: 1. De l'aube à midi sur la mer. Très lent

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=> 🎶 La Mer: 2. Jeux de vagues. Allegro

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=> 🎶 La Mer: 3. Dialogue du vent et de la mer. Animé et tumulteuex

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=> 🎶 La Mer: Opening

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=> 🎶 Leichte Kavallerie: Overture

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=> 🎶 Opening

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=> 🎶 Opening

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=> 🎶 Opening

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=> 🎶 Opening

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=> 🎶 Opening

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=> 🎶 Opening

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=> 🎶 Opening

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=> 🎶 Prélude à l'après-midi d'un faune

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=> 🎶 Symphony no. 8 in C minor (1890 Version): 1. Allegro moderato

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=> 🎶 Symphony no. 8 in C minor (1890 Version): 2. Scherzo. Allegro moderato - Trio. Langsam

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=> 🎶 Symphony no. 8 in C minor (1890 Version): 3. Adagio. Feierlich langsam, doch nicht schleppend

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=> 🎶 Symphony no. 8 in C minor (1890 Version): 4. Finale. Feierlich, nicht schnell

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=> 🎶 Symphony no. 8 in C minor (1890 Version): Opening

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=> 🎶 Symphony no. 9 in D minor (Original Version): 1. Feierlich. Misterioso

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=> 🎶 Symphony no. 9 in D minor (Original Version): 2. Scherzo. Bewegt, lebhaft - Trio. Schnell

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=> 🎶 Symphony no. 9 in D minor (Original Version): 3. Adagio. Langsam, feierlich

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=> 🎶 Symphony no. 9 in D minor (Original Version): Opening

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=> 🎶 Tannhäuser: Overture

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=> 🎶 Te Deum for Soloists, Chorus, Orchestra and Organ in C major: "Aeterna fac". Allegro moderato. Feierlich, mit Kraft (chorus)

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=> 🎶 Te Deum for Soloists, Chorus, Orchestra and Organ in C major: "In te, Domine, speravi". Mäßig bewegt - Fuge, Im gleichen, gemäßigten Tempo - Tempo wie anfangs Allegro moderato - Alla breve (soloists, chorus)

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=> 🎶 Te Deum for Soloists, Chorus, Orchestra and Organ in C major: "Salvum fac populum tuum". Moderato - Allegro moderato (soloists, chorus)

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=> 🎶 Te Deum for Soloists, Chorus, Orchestra and Organ in C major: "Te Deum". Allegro moderato (soloists, chorus)

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=> 🎶 Te Deum for Soloists, Chorus, Orchestra and Organ in C major: "Te ergo quaesumus". Moderato (soloists)

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=> 🎶 Te Deum for Soloists, Chorus, Orchestra and Organ in C major: Opening

1968-03 balance

=> 🎶 Sechs Bagatellen für Streichquartett, op. 9: I. Mäßig

1968-03 balance

=> 🎶 Sechs Bagatellen für Streichquartett, op. 9: II. Leicht bewegt

1968-03 balance

=> 🎶 Sechs Bagatellen für Streichquartett, op. 9: III. Ziemlich fließend

1968-03 balance

=> 🎶 Sechs Bagatellen für Streichquartett, op. 9: IV. Sehr langsam

1968-03 balance

=> 🎶 Sechs Bagatellen für Streichquartett, op. 9: V. Äußerst langsam

1968-03 balance

=> 🎶 Sechs Bagatellen für Streichquartett, op. 9: VI. Fließend

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=> 🎶 Ballade no. 3 in A-flat, op. 47

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=> 🎶 Behold, My Love (Scottish), op. 108/9

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=> 🎶 Boléro

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=> 🎶 Bonny Laddie, Highland Laddie (Scottish), op. 108/7

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=> 🎶 Come Fill, Fill, My Good Fellow (Scottish) op. 108/13

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=> 🎶 Constancy (Welsh), WoO 155/22

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=> 🎶 Could This Ill World (Scottish), op. 108/16

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=> 🎶 Danse infernale (Höllentanz)

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=> 🎶 Danse macabre op. 40 (Totentanz)

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=> 🎶 Duncan Gray (Scottish), WoO 156/2

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=> 🎶 Eine Nacht auf dem kahlen Berge

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=> 🎶 Enchantress, Farewell (Scottish), op. 108/18

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=> 🎶 Faithfu' Johnie (Scottish), op. 108/20

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=> 🎶 Farewell Bliss and Farewell Nancy (Irish), WoO 152/20

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=> 🎶 Fugue à la Gigue (after Fugue in G major, BWV 577)

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=> 🎶 He Promis'd Me at Parting (Irish), WoO 154/12

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=> 🎶 Highlander's Lament (Scottish), WoO 157/9

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=> 🎶 Impromptu no. 1 in A-flat, op. 29

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=> 🎶 Impromptu no. 2 in F-sharp, op. 36

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=> 🎶 Impromptu no. 3 in G-flat, op. 51

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=> 🎶 Impromptu no. 4 in C-sharp minor, op. 66 "Fantaisie-Impromptu"

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=> 🎶 La Valse

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=> 🎶 Lochnagar (Scottish0), WoO 156/9

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=> 🎶 Mazurka no. 26 in C-sharp minor, op. 41/1

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=> 🎶 Mazurka no. 27 in E minor, op. 41/2

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=> 🎶 Mazurka no. 28 in B, op. 41/3

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=> 🎶 Mazurka no. 29 in A-flat, op. 41/4

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=> 🎶 Music, Love and Wine, (Scottish), op. 108/1

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=> 🎶 O Charlie Is My Darling (Scottish), WoO 157/3

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=> 🎶 O Sanctissima (Sicilian), WoO 157/4

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=> 🎶 Oh, Had My Fate Been Join'd With Thine (Scottish), op. 108/12

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=> 🎶 Oh! Sweet Were the Hours (Scottish), op. 108/3

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=> 🎶 Once More I Hail Thee (Irish), WoO 152/3

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=> 🎶 Put Round the Bright Wine (Irish), WoO 154/6

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=> 🎶 Robin Adair (Irish), WoO 157/7

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=> 🎶 Scherzo no. 3 in C-sharp minor, op. 39

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=> 🎶 Sion, the Son of Evan (Welsh), WoO 155/1

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=> 🎶 Sunset (Scottish), op. 108/2

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=> 🎶 The Elfin Fairies (Irish), WoO 154/1

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=> 🎶 The Highland Watch (Scottish), op. 108/22

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=> 🎶 The Miller of Dee (English), WoO 157/5

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=> 🎶 The Pulse of an Irishman (Irish), WoO 154/4

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=> 🎶 The Return to Ulster (Irish), WoO 152/1

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=> 🎶 The Wise Virgins (ballet suite): 5. Sheep may safely graze (after "Was mir behagt, ist nur die muntre Jagd", BWV 208)

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=> 🎶 To the Blackbird (Welsh), WoO 155/20

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=> 🎶 Ye Shepherds of This Pleasant Vale (Scottish), WoO 156/4

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=> 🎶 Tannhäuser: Dritter Akt: »Allmächt'ge Jungfrau, hör mein Flehen!« (Elisabeth, Wolfram)

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=> 🎶 Tannhäuser: Dritter Akt: »Beglückt darf nun dich, o Heimat, ich schauen« / »Dies ist ihr Sang« (Elisabeth, Wolfram, Chor)

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=> 🎶 Tannhäuser: Dritter Akt: »Da sank ich in Vernichtung dumpf darnieder« (Tannhäuser) / »Halt ein! Unsel'ger« (Wolfram, Tannhäuser)

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=> 🎶 Tannhäuser: Dritter Akt: »Heil! Heil! Der Gnade Wunder Heil!« (Chor, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf)

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=> 🎶 Tannhäuser: Dritter Akt: »Ich hörte Harfenschlag« (Tannhäuser, Wolfram)

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=> 🎶 Tannhäuser: Dritter Akt: »Inbrunst im Herzen« (Tannhäuser)

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=> 🎶 Tannhäuser: Dritter Akt: »Nach Rom gelangt' ich so« (Tannhäuser)

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=> 🎶 Tannhäuser: Dritter Akt: »O du, mein holder Abendstern« (Wolfram)

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=> 🎶 Tannhäuser: Dritter Akt: »Wie Todesahnung Dämmrung deckt die Lande« (Wolfram)

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=> 🎶 Tannhäuser: Dritter Akt: »Willkommen, ungetreuer Mann!« (Venus, Tannhäuser, Wolfram) / »Der Seele Heil, die nun entflohn« (Chor, Wolfram, Walther, Heinrich, Biterolf, Reinmar, Tannhäuser)

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=> 🎶 Tannhäuser: Dritter Akt: »Wohl wußt' ich hier sie im Gebet zu finden« (Wolfram)

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=> 🎶 Tannhäuser: Dritter Akt: Einleitung

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=> 🎶 Tannhäuser: Erster Akt: »Als du in kühnem Sange uns bestrittest« (Wolfram, Walther, Heinrich, Biterolf, Reinmar, Landgraf, Tannhäuser)

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=> 🎶 Tannhäuser: Erster Akt: »Dir töne Lob! Die Wunder sei'n gepriesen« (Tannhäuser, Venus)

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=> 🎶 Tannhäuser: Erster Akt: »Frau Holda kam aus dem Berg hervor« (Hirt)

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=> 🎶 Tannhäuser: Erster Akt: »Geliebter, komm! Sieh dort die Grotte« (Venus, Chor)

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=> 🎶 Tannhäuser: Erster Akt: »Geliebter, sag, wo weilt dein Sinn?« (Venus, Tannhäuser)

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=> 🎶 Tannhäuser: Erster Akt: »Naht euch dem Strande« (Chor)

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=> 🎶 Tannhäuser: Erster Akt: »Stets soll nur dir mein Lied ertönen!« (Tannhäuser)

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=> 🎶 Tannhäuser: Erster Akt: »Wer ist der dort in brünstigem Gebete?« (Landgraf, Walther, Biterolf, Wolfram, Heinrich, Reinmar, Tannhäuser)

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=> 🎶 Tannhäuser: Erster Akt: »Zieh hin, Wahnsinniger, zieh hin!« (Venus, Tannhäuser)

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=> 🎶 Tannhäuser: Erster Akt: »Zu dir wall ich, mein Jesus Christ« (Chor, Hirt, Tannhäuser)

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=> 🎶 Tannhäuser: Ouvertüre

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=> 🎶 Tannhäuser: Zweiter Akt: »Auch ich darf mich so glücklich nennen« (Tannhäuser) / »Den Bronnen, den uns Wolfram nannte« (Walther, Chor)

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=> 🎶 Tannhäuser: Zweiter Akt: »Blick ich umher in diesem edlen Kreise« (Wolfram, Chor)

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=> 🎶 Tannhäuser: Zweiter Akt: »Den Gott der Liebe sollst du preisen« (Tannhäuser, Elisabeth)

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=> 🎶 Tannhäuser: Zweiter Akt: »Der Unglücksel'ge, den gefangen« (Elisabeth)

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=> 🎶 Tannhäuser: Zweiter Akt: »Dich treff ich hier, in dieser Halle« (Landgraf, Elisabeth)

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=> 🎶 Tannhäuser: Zweiter Akt: »Dich, teure Halle, grüß ich wieder« (Elisabeth)

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=> 🎶 Tannhäuser: Zweiter Akt: »Dir, Göttin der Liebe, soll mein Lied ertönen!« (Tannhäuser, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf, Chor, Elisabeth)

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=> 🎶 Tannhäuser: Zweiter Akt: »Dort ist sie; nahe dich ihr ungestört!« / »Der Sänger klugen Weisen lauscht' ich sonst« (Wolfram, Tannhäuser, Elisabeth)

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=> 🎶 Tannhäuser: Zweiter Akt: »Ein furchtbares Verbrechen ward begangen« (Landgraf)

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=> 🎶 Tannhäuser: Zweiter Akt: »Gar viel und schön« (Landgraf, Edelknaben, Chor)

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=> 🎶 Tannhäuser: Zweiter Akt: »O Walther, der du also sangest« (Tannhäuser) / »Heraus zum Kampfe mit uns allen!« (Biterolf, Chor, Tannhäuser, Landgraf) / »O Himmel, laß dich jetzt erflehen« (Wolfram)

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=> 🎶 Tannhäuser: Zweiter Akt: »Versammelt sind aus meinen Landen« (Landgraf, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Elisabeth, Chor)

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=> 🎶 Tannhäuser: Zweiter Akt: »Was hör ich?« (Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf, Elisabeth, Chor)

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=> 🎶 Tannhäuser: Zweiter Akt: »Weh! Weh, mir Unglücksel'gem!« (Tannhäuser, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf, Elisabeth, Chor)

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=> 🎶 Tannhäuser: Zweiter Akt: Einzug der Gäste. »Freudig begrüßen wir die edle Halle« (Chor)

1974-07-26 – 1974-08-30 engineer

=> 🎶 Così fan tutte: Act I. "Ah, guarda, sorella" - "Mi par che stamattina"

1974-07-26 – 1974-08-30 engineer

=> 🎶 Così fan tutte: Act I. "E de' cento zecchini, che faremo?" - "Una bella serenata"

1974-07-26 – 1974-08-30 engineer

=> 🎶 Così fan tutte: Act I. "È la fede delle femmine" - "Scioccherie di poeti!"

1974-07-26 – 1974-08-30 engineer

=> 🎶 Così fan tutte: Act I. "La mia Dorabella capace non è" - "Fuor la spada!"

1974-07-26 – 1974-08-30 engineer

=> 🎶 Così fan tutte: Overture

engineer

=> 🎶 Così fan tutte, K. 588, no. 10: “Soave sia il vento”

engineer

=> 🎶 Così fan tutte: Act I. "Ah, che tutta in un momento"

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=> 🎶 Così fan tutte: Act I. "Ah, scostati!"

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=> 🎶 Così fan tutte: Act I. "Alla bella Despinetta"

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=> 🎶 Così fan tutte: Act I. "Barbaro fato!" - "Vorrei dir, e cor non ho" - "Stelle! Per carità, signor Alfonso"

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=> 🎶 Così fan tutte: Act I. "Bella vita militar!"

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=> 🎶 Così fan tutte: Act I. "Che sussurro! Che strepito!"

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=> 🎶 Così fan tutte: Act I. "Che vita maledetta"

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=> 🎶 Così fan tutte: Act I. "Come scoglio immoto resta" - "Per carità, ragazze"

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=> 🎶 Così fan tutte: Act I. "Come si muovono"

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=> 🎶 Così fan tutte: Act I. "E voi ridete?"

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=> 🎶 Così fan tutte: Act I. "Eccovi il medico"

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=> 🎶 Così fan tutte: Act I. "In uomini, in soldati sperare fedeltà?"

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=> 🎶 Così fan tutte: Act I. "Non siate ritrosi"

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=> 🎶 Così fan tutte: Act I. "Non son cattivo comico!"

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=> 🎶 Così fan tutte: Act I. "Non v'è più tempo, amici" - "Di scrivermi ogni giorno"

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=> 🎶 Così fan tutte: Act I. "Sento, o Dio, che questo piede" - "O cielo! Questo è il tamburo funesto"

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=> 🎶 Così fan tutte: Act I. "Si mora, sì, si mora"

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=> 🎶 Così fan tutte: Act I. "Smanie implacabili che m'agitate" - "Signora Dorabella"

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=> 🎶 Così fan tutte: Act I. "Un'aura amorosa del nostro tesoro"

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=> 🎶 Così fan tutte: Act II. "Amico, abbiamo vinto!"

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=> 🎶 Così fan tutte: Act II. "Andate là, che siete due bizzarre ragazze!"

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=> 🎶 Così fan tutte: Act II. "Barbara! Perché fuggi?"

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=> 🎶 Così fan tutte: Act II. "Benedetti i doppi coniugi"

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=> 🎶 Così fan tutte: Act II. "Come tutto congiura"

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=> 🎶 Così fan tutte: Act II. "Donne mie, la fate a tanti"

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=> 🎶 Così fan tutte: Act II. "Ei parte... Senti...! Ah no!"

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=> 🎶 Così fan tutte: Act II. "Fate presto, o cari amici"

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=> 🎶 Così fan tutte: Act II. "Fra gli amplessi in pochi istanti"

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=> 🎶 Così fan tutte: Act II. "Il core vi dono"

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=> 🎶 Così fan tutte: Act II. "La mano a me date"

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=> 🎶 Così fan tutte: Act II. "Miei signori, tutto è fatto"

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=> 🎶 Così fan tutte: Act II. "Ora vedo che siete una donna di garbo"

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=> 🎶 Così fan tutte: Act II. "Per pietà, ben mio, perdona"

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=> 🎶 Così fan tutte: Act II. "Prenderò quel brunettino"

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=> 🎶 Così fan tutte: Act II. "Richiamati da regio contrordine"

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=> 🎶 Così fan tutte: Act II. "Secondate, aurette amiche"

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=> 🎶 Così fan tutte: Act II. "Tutti accusan le donne"

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=> 🎶 Così fan tutte: Act II. "Una donna a quindici anni" - "Sorella, cosa dici?"

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=> 🎶 Daphnis et Chloé: I. Danse de générale

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=> 🎶 Daphnis et Chloé: I. Danse des jeunes filles

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=> 🎶 Daphnis et Chloé: I. Danse grotesque de Dorcon

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=> 🎶 Daphnis et Chloé: I. Danse légère et gracieuse de Daphnis

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=> 🎶 Daphnis et Chloé: I. Danse lente et mysterieuse des nymphs (lente et tres souple de mesure)

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=> 🎶 Daphnis et Chloé: I. Danse lente et mysterieuse des nymphs (modere)

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=> 🎶 Daphnis et Chloé: I. Danse religieuse

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=> 🎶 Daphnis et Chloé: I. Entree de Daphnis Et Chloé

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=> 🎶 Daphnis et Chloé: I. Introduction

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=> 🎶 Daphnis et Chloé: I. Invasion des pirates

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=> 🎶 Daphnis et Chloé: I. Le désir de Dorcon pour Chloé

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=> 🎶 Daphnis et Chloé: I. Le triomphe de Daphins et l'union extatique avec Chloé

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=> 🎶 Daphnis et Chloé: I. Tentative de seduction sur Lyceion, et dance des voiles

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=> 🎶 Daphnis et Chloé: II. Bryaxis ordonne d'amener la captive

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=> 🎶 Daphnis et Chloé: II. Danse guerrière des pirates (animé et tres rude)

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=> 🎶 Daphnis et Chloé: II. Danse guerrière des pirates (un peu moins animé)

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=> 🎶 Daphnis et Chloé: II. Danse suppliante de Chloé (assez animé)

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=> 🎶 Daphnis et Chloé: II. Interlude

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=> 🎶 Daphnis et Chloé: II. l'Atmosphère se charge

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=> 🎶 Daphnis et Chloé: III. Danse générale

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=> 🎶 Daphnis et Chloé: III. Entree des jeunes, agitant des tambourins

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=> 🎶 Daphnis et Chloé: III. Lever du jour - Daphnis et Chloé sont réunis

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=> 🎶 Daphnis et Chloé: III. Pantomime (lent)

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=> 🎶 Daphnis et Chloé: III. Pantomime (tres lent)

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=> 🎶 Die Walküre, Act III, Scene 3: “In festen Schlaf”

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=> 🎶 Guitar Quintet in C major "La Ritirada di Madrid", G. 453: I. Allegro maestoso assai

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=> 🎶 Guitar Quintet in C major "La Ritirada di Madrid", G. 453: II. Andantino

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=> 🎶 Guitar Quintet in C major "La Ritirada di Madrid", G. 453: III. Allegretto

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=> 🎶 Guitar Quintet in C major "La Ritirada di Madrid", G. 453: IV. Maestoso e lento

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=> 🎶 Guitar Quintet in E minor, G. 451: I. Allegro moderato

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=> 🎶 Guitar Quintet in E minor, G. 451: II. Adagio

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=> 🎶 Guitar Quintet in E minor, G. 451: III. Minuetto - Trio - Minuetto

engineer

=> 🎶 Guitar Quintet in E minor, G. 451: IV. Allegretto

engineer

=> 🎶 Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 1. Allegro maestoso

engineer

=> 🎶 Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 2. Pastorale

engineer

=> 🎶 Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 3. Grave assai - 4. Fandango

producer

=> 🎶 Air and Variations for Harp

producer

=> 🎶 Sonate für Harfe G-Dur Wq 139: 3. Allegro

producer

=> 🎶 Street Music, op. 65, "A Blues Concerto": I.

producer

=> 🎶 Street Music, op. 65, "A Blues Concerto": II.

producer

=> 🎶 Street Music, op. 65, "A Blues Concerto": III.

producer

=> 🎶 Street Music, op. 65, "A Blues Concerto": IV.

producer

=> 🎶 String Quintet in D major, KV. 593: IV. Allegro

1972-09 recording

=> 🎶 Clarinet Concerto in A major: Second Movement, ''Adagio''

1972-09 recording

=> 🎶 Konzert für Klarinette und Orchester A-dur, KV 622: I. Allegro

1972-09 recording

=> 🎶 Konzert für Klarinette und Orchester A-dur, KV 622: II. Adagio

1972-09 recording

=> 🎶 Konzert für Klarinette und Orchester A-dur, KV 622: III. Rondo. Allegro

recording

=> 🎶 Chamber Concerto for Piano and Violin with 13 Wind Instruments: Adagio

recording

=> 🎶 Chamber Concerto for Piano and Violin with 13 Wind Instruments: Rondo ritmico con introduzione

recording

=> 🎶 Chamber Concerto for Piano and Violin with 13 Wind Instruments: Thema scherzoso con variazioni

recording

=> 🎶 Concerto for 2 Pianos and Orchestra in E-flat major, K 365: I. Allegro

recording

=> 🎶 Concerto for 2 Pianos and Orchestra in E-flat major, K 365: II. Andante

recording

=> 🎶 Concerto for 2 Pianos and Orchestra in E-flat major, K 365: III. Rondeau. Allegro

recording

=> 🎶 Four Pieces for Clarinet and Piano, op. 5: Langsam

recording

=> 🎶 Four Pieces for Clarinet and Piano, op. 5: Mäßig

recording

=> 🎶 Four Pieces for Clarinet and Piano, op. 5: Sehr langsam

recording

=> 🎶 Four Pieces for Clarinet and Piano, op. 5: Sehr rasch

recording

=> 🎶 Konzert für Violine und Orchester No. 1 B-dur KV 207: Adagio

recording

=> 🎶 Konzert für Violine und Orchester No. 1 B-dur KV 207: Allegro moderato

recording

=> 🎶 Konzert für Violine und Orchester No. 1 B-dur KV 207: Presto

recording

=> 🎶 Piano Concerto no. 27 in B-flat major, K 595: I. Allegro

recording

=> 🎶 Piano Concerto no. 27 in B-flat major, K 595: II. Larghetto

recording

=> 🎶 Piano Concerto no. 27 in B-flat major, K 595: III. Allegro

recording

=> 🎶 Piano Sonata no. 2 “Concord, Mass., 1840‐1860”: I. Emerson (Slowly – Slowly and Quietly)

recording

=> 🎶 Piano Sonata no. 2 “Concord, Mass., 1840‐1860”: II. Hawthorne (Very Fast)

recording

=> 🎶 Piano Sonata no. 2 “Concord, Mass., 1840‐1860”: III. The Alcotts

recording

=> 🎶 Piano Sonata no. 2 “Concord, Mass., 1840‐1860”: IV. Thoreau (Starting Slowly and Quietly)

recording

=> 🎶 Piano Sonata, op. 1: Mässig bewegt

recording

=> 🎶 Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso

recording

=> 🎶 Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: II. Andante

recording

=> 🎶 Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto

recording

=> 🎶 Three-Page Sonata

sound

=> 🎶 La Cenerentola: Atto I. “Ah! se velata ancor” (coro)

sound

=> 🎶 La Cenerentola: Atto I. “Come un'ape ne' giorni d'aprile” (Dandini, Clorinda, Tisbe, Magnifico, Ramiro, coro)

sound

=> 🎶 La Cenerentola: Atto I. “Là del ciel nell'arcano profondo” (Alidoro)

sound

=> 🎶 La Cenerentola: Atto I. “Miei rampolli femminini” (Magnifico)

sound

=> 🎶 La Cenerentola: Atto I. “O figlie amabili” (coro, Clorinda, Tisbe, Cenerentola, Alidoro)

sound

=> 🎶 La Cenerentola: Atto I. “Principino, dove siete?” (Clorinda, Tisbe, Dandini, Ramiro, Alidoro, coro)

sound

=> 🎶 La Cenerentola: Atto I. “Signor, Altezza, è in tavola” (Magnifico, Clorinda, Tisbe, Cenerentola, Ramiro, Dandini)

sound

=> 🎶 La Cenerentola: Atto I. “Signor, una parola” (Cenerentola, Magnifico, Dandini, Ramiro, Alidoro)

sound

=> 🎶 La Cenerentola: Atto I. “Sprezzo quei don” (Cenerentola, Ramiro, Dandini, Clorinda, Tisbe, Alidoro)

sound

=> 🎶 La Cenerentola: Atto I. “Un soave non so che” (Ramiro, Cenerentola, Clorinda, Tisbe)

sound

=> 🎶 La Cenerentola: Atto I. “Una volta c'era un re” (Cenerentola, Clorinda, Tisbe, Alidoro)

sound

=> 🎶 La Cenerentola: Atto I. Coro e cavatina: “Scegli la sposa” (coro)

sound

=> 🎶 La Cenerentola: Atto I. Coro ed aria: “Conciossiacosacché” … “Intendente? Direttor?” (coro, Magnifico)

sound

=> 🎶 La Cenerentola: Atto I. Duetto e finale I: “Zitto zitto, piano, piano” (Ramiro, Dandini)

sound

=> 🎶 La Cenerentola: Atto I. Introduzione: “No, no, no: non v'è” (Clorinda, Tisbe)

sound

=> 🎶 La Cenerentola: Atto I. Recitativo e cavatina: “Cenerentola, presto” (Tisbe, Clorinda, Cenerentola)

sound

=> 🎶 La Cenerentola: Atto I. Recitativo e quintetto: “Allegrissimamente, che bei quadri!” (Dandini, Clorinda, Magnifico, Ramiro, Tisbe, Cenerentola)

sound

=> 🎶 La Cenerentola: Atto I. Recitativo ed aria: “Sì, tutto cangerà” (Alidoro, Cenerentola)

sound

=> 🎶 La Cenerentola: Atto I. Recitativo: “Ma bravo, bravo, bravo!” (Dandini, Magnifico, Ramiro, Clorinda, Tisbe)

sound

=> 🎶 La Cenerentola: Atto I. Recitativo: “Non so che dir” (Ramiro, Magnifico)

sound

=> 🎶 La Cenerentola: Atto I. Recitativo: “Sappiate che fra poco” (Clorinda, Tisbe, Magnifico)

sound

=> 🎶 La Cenerentola: Atto I. Scena e duetto: “Tutto è deserto” (Ramiro, Cenerentola)

sound

=> 🎶 La Cenerentola: Atto II. “Donna sciocca, alma di fango!” (Clorinda, Magnifico, Ramiro, Dandini, Tisbe, Cenerentola)

sound

=> 🎶 La Cenerentola: Atto II. “Nacqui all'affanno” (Cenerentola e tutti gli altri)

sound

=> 🎶 La Cenerentola: Atto II. “Sì, ritrovarla io giuro” (Ramiro, coro)

sound

=> 🎶 La Cenerentola: Atto II. “Sia qualunque delle figlie” (Magnifico)

sound

=> 🎶 La Cenerentola: Atto II. “Siete voi?” … “Questo è un nodo avviluppato” (Ramiro, Cenerentola, Tisbe, Clorinda, Dandini, Magnifico)

sound

=> 🎶 La Cenerentola: Atto II. “Sposa…” - “Signor, perdona” (Ramiro, Cenerentola, Magnifico)

sound

=> 🎶 La Cenerentola: Atto II. “Un segreto d'importanza” (Dandini, Magnifico)

sound

=> 🎶 La Cenerentola: Atto II. Canzone: “Una volta c'era un re” (Cenerentola)

sound

=> 🎶 La Cenerentola: Atto II. Coro, scena e rondò finale: “Della fortuna instabile” (coro)

sound

=> 🎶 La Cenerentola: Atto II. Recitativo e duetto: “Ma dunque io sono un ex” (Dandini, Magnifico)

sound

=> 🎶 La Cenerentola: Atto II. Recitativo e sestetto: “Scusate, amici” (Dandini, Magnifico, Ramiro, Clorinda, Cenerentola)

sound

=> 🎶 La Cenerentola: Atto II. Recitativo ed aria: “Mi par che quei birbanti” (Magnifico, Tisbe, Clorinda)

sound

=> 🎶 La Cenerentola: Atto II. Recitativo, scena ed aria: “Ah! questa bella incognita” (Ramiro, Dandini, Cenerentola, Alidoro)

sound

=> 🎶 La Cenerentola: Atto II. Recitativo: “Dunque noi siam burlate?” (Tisbe, Clorinda, Alidoro)

sound

=> 🎶 La Cenerentola: Atto II. Recitativo: “Quanto sei caro!” (Cenerentola, Clorinda, Magnifico, Tisbe)

sound

=> 🎶 La Cenerentola: Atto II. Temporale

sound

=> 🎶 La Cenerentola: Overture

editor

=> 💿 Klavierkonzert no. 5: "Emperor" Concerto

discogs

=> https://www.discogs.com/artist/514353

=> Return to start page

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