Rainer Maillard

Person, DE, Germany

Relations

1989-10-31 balance

=> 🎶 Francesca da Rimini, op. 32: Andante lugubre – Allegro vivo – Andante cantabile non troppo – Allegro vivo

1989-10-31 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima – Moderato assai, quasi andante – Allegro vivo

1989-10-31 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone

1989-10-31 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro

1989-10-31 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco

1993-11-16 – 1993-11-23 balance

=> 🎶 Colas Breugnon, op. 24: Overture

1993-11 balance

=> 🎶 Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante

1993-11 balance

=> 🎶 Manfred Symphony, op. 58: II. Vivace con spirito

1993-11 balance

=> 🎶 Manfred Symphony, op. 58: III. Andante con moto

1993-11 balance

=> 🎶 Manfred Symphony, op. 58: IV. Allegro con fuoco

1993-11 balance

=> 🎶 Symphony no. 2 in E minor, op. 27: 1. Largo - Allegro moderato

1993-11 balance

=> 🎶 Symphony no. 2 in E minor, op. 27: 2. Allegro molto

1993-11 balance

=> 🎶 Symphony no. 2 in E minor, op. 27: 3. Adagio

1993-11 balance

=> 🎶 Symphony no. 2 in E minor, op. 27: 4. Allegro vivace

1993-11 balance

=> 🎶 The Tempest, op. 18

1994-09 balance

=> 🎶 Symphony, op. 21: 1. Ruhig schreitend

1994-09 balance

=> 🎶 Symphony, op. 21: 2. Variationen

1994-12 balance

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Adagio

1994-12 balance

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Allegro

1994-12 balance

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Allegro molto

1994-12 balance

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo

1994-12 balance

=> 🎶 The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: Second seduction game

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo

1994-12 balance

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)

1995-04 balance

=> 🎶 Symphony no. 3 in D major, op. 29 “Polish”: 1. Introduzione e Allegro. Moderato assai (tempo di marcia funebre) – Allegro brillante

1995-04 balance

=> 🎶 Symphony no. 3 in D major, op. 29 “Polish”: 2. Alla tedesca. Allegro moderato e semplice – Trio

1995-04 balance

=> 🎶 Symphony no. 3 in D major, op. 29 “Polish”: 3. Andante elegiaco

1995-04 balance

=> 🎶 Symphony no. 3 in D major, op. 29 “Polish”: 4. Scherzo. Allegro vivo – Trio

1995-04 balance

=> 🎶 Symphony no. 3 in D major, op. 29 “Polish”: 5. Finale. Allegro con fuoco (tempo di polacca)

1995-04 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: 1. Andante sostenuto – Moderato con anima – Moderato assai, quasi Andante – Allegro vivo

1995-04 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: 2. Andantino in modo di canzone

1995-04 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: 3. Scherzo. Pizzicato ostinato – Allegro

1995-04 balance

=> 🎶 Symphony no. 4 in F minor, op. 36: 4. Finale. Allegro con fuoco

1995-04 balance

=> 🎶 Symphony no. 5 in E minor, op. 64: 1. Andante – Allegro con anima

1995-04 balance

=> 🎶 Symphony no. 5 in E minor, op. 64: 2. Andante cantabile, con alcuna licenza – Moderato con anima – Andante mosso – Allegro non troppo – Tempo I

1995-04 balance

=> 🎶 Symphony no. 5 in E minor, op. 64: 3. Valse. Allegro moderato

1995-04 balance

=> 🎶 Symphony no. 5 in E minor, op. 64: 4. Finale. Andante maestoso – Allegro vivace – Molto vivace – Moderato assai e molto maestoso – Presto

1995-09 balance

=> 🎶 Af lotusdoft och månens sken

1995-09 balance

=> 🎶 Afskedet

1995-09 balance

=> 🎶 Aspåkers-polska

1995-09 balance

=> 🎶 Återkomst

1995-09 balance

=> 🎶 Böljeby-vals

1995-09 balance

=> 🎶 Bön till natten

1995-09 balance

=> 🎶 De vilda svanarna: De vilda svanarna

1995-09 balance

=> 🎶 De vilda svanarna: Människans lott

1995-09 balance

=> 🎶 De vilda svanarna: Vårnattsregnet

1995-09 balance

=> 🎶 Det far ett skepp, op. 26 No. 5

1995-09 balance

=> 🎶 Du schaust mich an mit stummen Fragen, op. 12 no. 1

1995-09 balance

=> 🎶 En strandvisa, op. 26 no. 9

1995-09 balance

=> 🎶 Gammalsvenskt

1995-09 balance

=> 🎶 Hab' ein Röslein dir gebrochen, op. 12 no. 4

1995-09 balance

=> 🎶 I lönnens skymning, op. 37 no. 2

1995-09 balance

=> 🎶 I månaden Tjaitra

1995-09 balance

=> 🎶 Ich möchte schweben über Tal und Hügel, op. 12 no. 6

1995-09 balance

=> 🎶 Intet är som väntanstider

1995-09 balance

=> 🎶 Jag kysser din vita hand, op. 28 no. 3

1995-09 balance

=> 🎶 Jungfru Blond och jungfru Brunett, op. 26 no. 4

1995-09 balance

=> 🎶 Jutta kommer till Folkungarna

1995-09 balance

=> 🎶 Marits visor, op. 12: Holder du af mig

1995-09 balance

=> 🎶 Marits visor, op. 12: Kom bukken til gutten

1995-09 balance

=> 🎶 Marits visor, op. 12: Solen skinner vakkert om kvælden

1995-09 balance

=> 🎶 Melodi

1995-09 balance

=> 🎶 När jag för mig själv

1995-09 balance

=> 🎶 Pan

1995-09 balance

=> 🎶 Skogen sover, op. 28 no. 6

1995-09 balance

=> 🎶 Som stjärnorna på himmelen

1995-09 balance

=> 🎶 Vandraren, op. 26 no. 1

1995-09 balance

=> 🎶 Vingar i natten

1995-11 balance

=> 🎶 Symphony no. 1 in G minor, op. 13: 1. Daydreams on a Wintry Road

1995-11 balance

=> 🎶 Symphony no. 1 in G minor, op. 13: 2. O land of gloom, O land of mist!

1995-11 balance

=> 🎶 Symphony no. 1 in G minor, op. 13: 3. Scherzo. Allegro scherzando giocoso

1995-11 balance

=> 🎶 Symphony no. 1 in G minor, op. 13: 4. Finale. Andante lugubre – Allegro moderato – Allegro maestoso – Andante lugubre – Allegro vivo

1995-11 balance

=> 🎶 Symphony no. 2 in C minor, op. 17 “Little Russian”: 1. Andante sostenuto – Allegro vivo

1995-11 balance

=> 🎶 Symphony no. 2 in C minor, op. 17 “Little Russian”: 2. Andantino marziale, quasi moderato

1995-11 balance

=> 🎶 Symphony no. 2 in C minor, op. 17 “Little Russian”: 3. Scherzo. Allegro molto vivace – Trio

1995-11 balance

=> 🎶 Symphony no. 2 in C minor, op. 17 “Little Russian”: 4. Moderato assai – Allegro vivo – Presto

1995-11 balance

=> 🎶 Symphony no. 6 in B minor, op. 74 “Pathétique”: 1. Adagio – Allegro non troppo – Andante – Moderato mosso – Andante – Moderato assai – Allegro vivo – Andante come prima – Andante mosso

1995-11 balance

=> 🎶 Symphony no. 6 in B minor, op. 74 “Pathétique”: 2. Allegro con grazia

1995-11 balance

=> 🎶 Symphony no. 6 in B minor, op. 74 “Pathétique”: 3. Allegro molto vivace

1995-11 balance

=> 🎶 Symphony no. 6 in B minor, op. 74 “Pathétique”: 4. Finale. Adagio lamentoso – Andante

1995-12 balance

=> 🎶 Liebesfreud

1995-12 balance

=> 🎶 Liebesleid

1995-12 balance

=> 🎶 Romance in F minor, op. 11

1995-12 balance

=> 🎶 Romance in G major

1995-12 balance

=> 🎶 Romance no. 1 in G major, op. 40

1995-12 balance

=> 🎶 Romance no. 2 in F major, op. 50

1995-12 balance

=> 🎶 Romantic Pieces, op. 75 (B. 150): 1. Allegro moderato

1995-12 balance

=> 🎶 Romantic Pieces, op. 75 (B. 150): 2. Allegro maestoso

1995-12 balance

=> 🎶 Romantic Pieces, op. 75 (B. 150): 3. Allegro appassionato

1995-12 balance

=> 🎶 Romantic Pieces, op. 75 (B. 150): 4. Larghetto

1995-12 balance

=> 🎶 Romanza Andaluza, op. 22 no. 1

1995-12 balance

=> 🎶 Salut d'amour, op. 12

1995-12 balance

=> 🎶 Schön Rosmarin

1995-12 balance

=> 🎶 Serenade melancolique in B minor, op. 26

1995-12 balance

=> 🎶 Sonata in F major, op. 57 (B. 106): 1. Allegro, ma non troppo

1995-12 balance

=> 🎶 Sonata in F major, op. 57 (B. 106): 2. Poco sostenuto

1995-12 balance

=> 🎶 Sonata in F major, op. 57 (B. 106): 3. Allegro molto

1995-12 balance

=> 🎶 Sonatina in G major, op. 100 (B. 183): 1. Allegro risoluto

1995-12 balance

=> 🎶 Sonatina in G major, op. 100 (B. 183): 2. Larghetto – Poco più mosso – Meno mosso, Tempo I

1995-12 balance

=> 🎶 Sonatina in G major, op. 100 (B. 183): 3. Scherzo: Molto vivace – Trio

1995-12 balance

=> 🎶 Sonatina in G major, op. 100 (B. 183): 4. Finale: Allegro – Molto tranquillo – Tempo I

1996-03 balance

=> 🎶 Fate, op. 77

1996-03 balance

=> 🎶 Festival Overture on the Danish Anthem, op. 15

1996-03 balance

=> 🎶 Francesca da Rimini, op. 32: Symphonic Fantasia after Dante

1996-03 balance

=> 🎶 Hamlet, op. 67: Fantasy Overture after Shakespeare

1996-03 balance

=> 🎶 Marche slave, op. 31

1996-03 balance

=> 🎶 Ouverture solennelle “1812”, op. 49

1996-03 balance

=> 🎶 Romeo and Juliet: Fantasy Overture after Shakespeare

1996-03 balance

=> 🎶 Symphonie No. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt

1996-03 balance

=> 🎶 Symphonie No. 5: II. Stürmisch bewegt. Mit größter Vehemenz

1996-03 balance

=> 🎶 Symphonie No. 5: III. Scherzo. Kräftig, nicht zu schnell

1996-03 balance

=> 🎶 Symphonie No. 5: IV. Adagietto. Sehr langsam

1996-03 balance

=> 🎶 Symphonie No. 5: V. Rondo-Finale. Allegro – Allegro giocoso. Frisch

1996-12 balance

=> 🎶 Capriccio italien, op. 45

1996-12 balance

=> 🎶 Voyevoda, op. 78

1998-03 balance

=> 🎶 Symphony no. 3 in C minor "Le Divin Poème", op. 43: 1. Lento - Luttes. Allegro

1998-03 balance

=> 🎶 Symphony no. 3 in C minor "Le Divin Poème", op. 43: 2. Voluptés. Lento

1998-03 balance

=> 🎶 Symphony no. 3 in C minor "Le Divin Poème", op. 43: 3. Jeu divin Allegro

1998-06 balance

=> 🎶 2 Klavierstücke, WoO 19, MWV U 93-94: 2. Presto agitato

1998-06 balance

=> 🎶 Etude-Tableau in G minor, op. 33: No. 8. Moderato

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Coda (andante)

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Intermezzo. A tempo rubato

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Theme (andante)

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 1. Poco più mosso

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 2. L'istesso tempo

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 3. Tempo di menuetto

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 4. Andante

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 5. Allegro

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 6. L'istesso tempo

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 7. Vivace

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 8. Adagio misterioso

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 9. Un poco più mosso

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 10. Allegro scherzando

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 11. Allegro vivace

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 12. L'istesso tempo

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 13. Agitato

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 14. Andante

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 15. L'istesso tempo

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 16. Allegro vivace

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 17. Meno mosso

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 18. Allegro con brio

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 19. Più mosso. Agitato

1998-06 balance

=> 🎶 Variations on a Theme of Corelli, op. 42: Variation 20. Più mosso

2002-10 balance

=> 🎶 Grandes Etudes de Paganini: No. 3 in G sharp minor "La Campanella", S.141

2002-10 balance

=> 🎶 Liebestraum nr. 2 in As

2003-06 balance

=> 🎶 5 Rückert-Lieder: I. Liebst du um Schönheit

2003-06 balance

=> 🎶 5 Rückert-Lieder: II. Ich atmet einen linden Duft

2003-06 balance

=> 🎶 5 Rückert-Lieder: III. Blicke mir nicht in die Lieder

2003-06 balance

=> 🎶 5 Rückert-Lieder: III. Ich bin der Welt abhanden gekommen

2003-06 balance

=> 🎶 5 Rückert-Lieder: IV. Um Mitternacht

2003-06 balance

=> 🎶 Kindertotenlieder: I. Nun will die Sonn so hell aufgehn

2003-06 balance

=> 🎶 Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen

2003-06 balance

=> 🎶 Kindertotenlieder: III. Wenn dein Mütterlein

2003-06 balance

=> 🎶 Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen

2003-06 balance

=> 🎶 Kindertotenlieder: V. In diesem Wetter, in diesem Braus

2003-06 balance

=> 🎶 Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht

2003-06 balance

=> 🎶 Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld

2003-06 balance

=> 🎶 Lieder eines fahrenden Gesellen: III. Ich hab ein glühend Messer

2003-06 balance

=> 🎶 Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen

2003-08 balance

=> 🎶 Ma Mère l’Oye, ballet, M. 62: III. Laideronnette, Impératrice des pagodes

2003-09 balance

=> 🎶 Choral Fantasy, op. 80

2003-09 balance

=> 🎶 Credo, for Piano, Chorus & Orchestra

2003-09 balance

=> 🎶 Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio

2003-09 balance

=> 🎶 Fantasia for Piano, Chorus and Orchestra in C minor, op. 80 "Choral Fantasy": II. Finale: Allegro. Meno allegro. Allegro molto. Adagio ma non troppo. Marcia, assai vivace

2003-09 balance

=> 🎶 Fantasia on an Ostinato

2003-09 balance

=> 🎶 Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": I. Largo - Allegro

2003-09 balance

=> 🎶 Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": II. Adagio

2003-09 balance

=> 🎶 Piano Sonata no. 17 in D minor, op. 31 no. 2 "Tempest": III. Allegretto

2004-02 – 2004-03 balance

=> 🎶 Gianni Schicchi: “O mio babbino caro” (Lauretta)

2004-02 – 2004-03 balance

=> 🎶 I puritani: “Ah! Tu sorridi e asciughi il pianto!”

2004-02 – 2004-03 balance

=> 🎶 I puritani: “O rendetemi la speme” … “Qui la voce sua soave”

2004-02 – 2004-03 balance

=> 🎶 I puritani: “Vien, diletto, è in ciel la luna” (Elvira, Giorgio, Riccardo)

2004-02 – 2004-03 balance

=> 🎶 La sonnambula: “Ah! Non credea mirarti”

2004-02 – 2004-03 balance

=> 🎶 La sonnambula: “Ah! non giunge uman pensiero” (Amina, Elvino, coro)

2004-02 – 2004-03 balance

=> 🎶 La sonnambula: “Ah! Se una volta sola rivederlo potessi”

2004-02 – 2004-03 balance

=> 🎶 La traviata: “È strano! è strano! … Ah, fors'è lui … Follie! Deliro vano è questo!”

2004-02 – 2004-03 balance

=> 🎶 Lucia di Lammermoor: “Oh giusto cielo!” … “Il dolce suono”

2004-02 – 2004-03 balance

=> 🎶 Lucia di Lammermoor: “Ohimè! sorge il tremendo fantasma”

2004-02 – 2004-03 balance

=> 🎶 Lucia di Lammermoor: “Spargi d'amaro pianto” (coro, Lucia, Raimondo, Enrico)

2004-02 – 2004-03 balance

=> 🎶 Lucia di Lammermoor: Atto II. “Ardon gli incensi…”

2004-02 – 2004-03 balance

=> 🎶 Otello: “Ave Maria” (Emilia, Desdemona)

2004-02 – 2004-03 balance

=> 🎶 Otello: “Era più calmo?” … “Mia madre aveva una povera ancella”

2004-02 – 2004-03 balance

=> 🎶 Otello: “Piangea cantando nell'erma landa”

2004-09 balance

=> 🎶 Foreign Bodies: I. Body Language

2004-09 balance

=> 🎶 Foreign Bodies: II. Language

2004-09 balance

=> 🎶 Foreign Bodies: III. Dance

2004-09 balance

=> 🎶 Insomnia

2004-09 balance

=> 🎶 Wing on Wing

2005-06 balance

=> 🎶 Carnaval, op. 9: I. Préamble

2005-06 balance

=> 🎶 Carnaval, op. 9: II. Pierrot

2005-06 balance

=> 🎶 Carnaval, op. 9: III. Arlequin

2005-06 balance

=> 🎶 Carnaval, op. 9: IV. Valse noble

2005-06 balance

=> 🎶 Carnaval, op. 9: IX. Papillons

2005-06 balance

=> 🎶 Carnaval, op. 9: V. Eusebius

2005-06 balance

=> 🎶 Carnaval, op. 9: VI. Florestan

2005-06 balance

=> 🎶 Carnaval, op. 9: VII. Coquette

2005-06 balance

=> 🎶 Carnaval, op. 9: VIII. Réplique (Sphinxes)

2005-06 balance

=> 🎶 Carnaval, op. 9: X. A.S.C.H. - S.C.H.A (Lettres dansantes)

2005-06 balance

=> 🎶 Carnaval, op. 9: XI. Chiarina

2005-06 balance

=> 🎶 Carnaval, op. 9: XII. Chopin

2005-06 balance

=> 🎶 Carnaval, op. 9: XIII. Estrella

2005-06 balance

=> 🎶 Carnaval, op. 9: XIV. Reconnaissance

2005-06 balance

=> 🎶 Carnaval, op. 9: XIX. Pause

2005-06 balance

=> 🎶 Carnaval, op. 9: XV. Pantalon Et Colombine

2005-06 balance

=> 🎶 Carnaval, op. 9: XVIa Valse allemande

2005-06 balance

=> 🎶 Carnaval, op. 9: XVIb Intermezzo: Paganini

2005-06 balance

=> 🎶 Carnaval, op. 9: XVII. Aveu

2005-06 balance

=> 🎶 Carnaval, op. 9: XVIII. Promenade

2005-06 balance

=> 🎶 Carnaval, op. 9: XX. Marche des “Davidsbündler” contre les Philistins

2005-06 balance

=> 🎶 Rhapsodie espagnole, S. 254, R. 90

2005-06 balance

=> 🎶 Sonata for Piano no. 10 in C major, K. 330 (300h): I. Allegro moderato

2005-06 balance

=> 🎶 Sonata for Piano no. 10 in C major, K. 330 (300h): II. Andante cantabile

2005-06 balance

=> 🎶 Sonata for Piano no. 10 in C major, K. 330 (300h): III. Allegretto

2005-06 balance

=> 🎶 Sonata in E major, K. 380, L 23: Andante comodo

2005-06 balance

=> 🎶 Sonata in G major, K. 13, L 486: Presto

2005-06 balance

=> 🎶 Symphony no. 2 "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

2005-06 balance

=> 🎶 Symphony no. 2 "Resurrection": 2. Andante moderato. Sehr gemächlich

2005-06 balance

=> 🎶 Symphony no. 2 "Resurrection": 3. Scherzo. In ruhig fließender Bewegung

2005-06 balance

=> 🎶 Symphony no. 2 "Resurrection": 4. Urlicht. Sehr feierlich, aber schlicht - O Röschen rot!"

2005-06 balance

=> 🎶 Symphony no. 2 "Resurrection": 5. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn, ja auferstehn"

2007-03 balance

=> 🎶 Adriana Lecouvreur: "L'anima ho stanca"

2007-03 balance

=> 🎶 Adriana Lecouvreur: "La dolcissima effigie sorridente"

2007-03 balance

=> 🎶 Fosca: "Intenditi con Dio!"

2007-03 balance

=> 🎶 Il figliuol prodigo: "Il padre!...Il padre mio!"

2007-03 balance

=> 🎶 Il giuramento: "Compita e omai"

2007-03 balance

=> 🎶 Il giuramento: "La dea di tutti i cor!"

2007-03 balance

=> 🎶 La Gioconda: “Cielo e mar!”

2007-03 balance

=> 🎶 Luisa Miller: "L'ara o l'avello apprestami"

2007-03 balance

=> 🎶 Luisa Miller: "Oh! fede negar potessi"

2007-03 balance

=> 🎶 Maristella: "Io conosco un giardino"

2007-03 balance

=> 🎶 Mefistofele: "Dai campi, dai prati"

2007-03 balance

=> 🎶 Mefistofele: “Giunto sul passo estremoi”

2007-03 balance

=> 🎶 Poliuto: "Veleno a l'aura ch'io respiro!"

2007-03 balance

=> 🎶 Simon Boccanegra: "O inferno! Amelia qui!"

2007-04 balance

=> 🎶 La bohème, Act I, "Chi è là?"

2007-04 balance

=> 🎶 La bohème, Act I, "Ehi! Rodolfo!"

2007-04 balance

=> 🎶 La bohème, Act I, "Io resto"

2007-04 balance

=> 🎶 La bohème, Act I, "Legna!"

2007-04 balance

=> 🎶 La bohème, Act I, "O soave fanciulla"

2007-04 balance

=> 🎶 La bohème, Act I, "Pensier profondo"

2007-04 balance

=> 🎶 La bohème, Act I, "Questo Mar Rosso"

2007-04 balance

=> 🎶 La bohème, Act I, "Si può"

2007-04 balance

=> 🎶 La bohème, Act I, "Si sente meglio?"

2007-04 balance

=> 🎶 La bohème, Act I, “Che gelida manina”

2007-04 balance

=> 🎶 La bohème, Act II, "Arranci, datteri!"

2007-04 balance

=> 🎶 La bohème, Act II, "Ch'io beva del tossico!"

2007-04 balance

=> 🎶 La bohème, Act II, "Chi guardi?"

2007-04 balance

=> 🎶 La bohème, Act II, "Chi l'ha richiesto?...Caro! - Fuori il danaro!"

2007-04 balance

=> 🎶 La bohème, Act II, "Quando m'en vo"

2007-04 balance

=> 🎶 La bohème, Act II, "Viva Parpignol"

2007-04 balance

=> 🎶 La bohème, Act III, "Dunque è propio finita!"

2007-04 balance

=> 🎶 La bohème, Act III, "Marcello. Finalmente!"

2007-04 balance

=> 🎶 La bohème, Act III, "Mimì è tanto malata!"

2007-04 balance

=> 🎶 La bohème, Act III, "Mimì è una civetta"

2007-04 balance

=> 🎶 La bohème, Act III, "Mimi!" - "Speravo di trovarvi qui"

2007-04 balance

=> 🎶 La bohème, Act III, "Ohè, là, le guardie!" - "Aprite!"

2007-04 balance

=> 🎶 La bohème, Act III, "Sa dirmi, scusi"

2007-04 balance

=> 🎶 La bohème, Act IV, "C'è Mimì..."

2007-04 balance

=> 🎶 La bohème, Act IV, "Che avvien?"

2007-04 balance

=> 🎶 La bohème, Act IV, "Che ha detto il medico?"

2007-04 balance

=> 🎶 La bohème, Act IV, "Che ora sia?"

2007-04 balance

=> 🎶 La bohème, Act IV, "Gavotta"

2007-04 balance

=> 🎶 La bohème, Act IV, "In un coupé?"

2007-04 balance

=> 🎶 La bohème, Act IV, "O Mimì, tu più non torni"

2007-04 balance

=> 🎶 La bohème, Act IV, "Sono andati"

2007-04 balance

=> 🎶 La bohème, Act IV, "Vecchia zimarra, senti"

2007-04 balance

=> 🎶 La Bohème: Atto I. "Sì. Mi chiamano Mimì"

2007-04 balance

=> 🎶 La bohème: Atto III. “Donde lieta uscì” (live)

2012-03 balance

=> 🎶 Symphony no. 7: 1. Langsam - Allegro risoluto, ma non troppo

2012-03 balance

=> 🎶 Symphony no. 7: 2. Nachtmusik. Allegro moderato

2012-03 balance

=> 🎶 Symphony no. 7: 3. Scherzo. Schattenhaft

2012-03 balance

=> 🎶 Symphony no. 7: 4. Nachtmusik. Andante amoroso

2012-03 balance

=> 🎶 Symphony no. 7: 5. Rondo-Finale. Allegro ordinario

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): "Geh nur, verwünschter Aufpasser!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): "Geschwind, geschwind auf die Seite!" - No. 5a, Marsch

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): "Halt ein, nicht ein Wort!" - "Herr! Verzeih, dass ich es wage" - "Triumph, Triumph, Herr!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): "Immer noch traurig, geliebte Konstanze"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): "Nun, wie steht's, Osmin?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 1, Arie, "Hier soll ich dich denn sehen" - "Aber wie soll ich in den Palast kommen?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 2, Lied und Duett, "Wer ein Liebchen hat gefunden" - "Verwünscht seist du"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 3, Arie, "Solche hergelaufne Laffen"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 4, Rezitativ und Arie, "Konstanze, dich wiederzusehen - O wie ängstlich, o wie feurig"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 5b, Chor der Janitscharen, "Singt dem großen Bassa Lieder"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 6, Arie, "Ach ich liebte, war so glücklich"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act I (Live): No. 7, Terzett, "Marsch, marsch, marsch! Trollt euch fort!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Dass es schon vorbei wäre" - No. 13, Arie, "Frisch zum Kampfe! Frisch zum Streite!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Ha! Geht's hier so lustig zu?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Ist das ein Traum?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Mein bestes Fräulein, noch immer so traurig?" - "Nun, Konstanze, denkst du meinem Begehren nach?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "O des Zankens, Befehlens und Murrens"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Pst, pst, Blondchen!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Traurigkeit ward mir zum Lose"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Wahrhaftig, das muss ich gestehen, es geht doch nichts über den Wein!" - "Ach, kommen Sie, Herr!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Wie traurig das gute Mädchen daherkommt!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): "Zärtlichkeit? Schmeicheln?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 9, Duett, "Ich gehe, doch rate ich dir - O Engländer! Seid ihr nicht Toren"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 10, Rezitativ und Arie, "Welcher Wechsel herrscht in meiner Seele"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 11, Arie, "Martern aller Arten"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 12, Arie, "Welche Wonne, welche Lust"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 14, Duett, "Vivat Bacchus! Bacchus lebe!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 15, Arie, "Wenn der Freude Tränen fließen"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act II (Live): No. 16, Quartett, "Ach, Belmonte! Ach, mein Leben!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): "Alles liegt auf dem Ohr" - No. 18, Romanze, "In Mohrenland gefangen war"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): "Meinetwegen sollst du sterben!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): "Nun, zitterst du? Erwartest du dein Urteil?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): "O Konstanze, je näher der Augenblick kommt"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): "Was gibt's, Osmin?"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): "Wie ängstlich schlägt mein Herz " - "Blondchen? Blondchen? Gift und Dolch!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): No. 17, Arie, "Ich baue ganz auf deine Stärke"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): No. 19, Arie, "Ho, wie will ich triumphieren"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): No. 20, Rezitativ und Duett, "Welch ein Geschick! O Qual der Seele!"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): No. 21a, Vaudeville, "Nie werd' ich deine Huld verkennen"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384, Act III (Live): No. 21b, Chor der Janitscharen, "Bassa Selim lebe lange"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K. 384: "Durch Zärtlichkeit und Schmeicheln"

2014-07 balance

=> 🎶 Die Entführung aus dem Serail, K.384: Ouvertüre

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 1 in C major. Agitato

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 2 in A minor. Lento

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 3 in G major. Vivace

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 4 in E minor. Largo

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 5 in D major. Molto allegro

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 6 in B minor. Lento assai

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 7 in A major. Andantino

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 8 in F-sharp minor. Molto agitato

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 9 in E major. Largo

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 10 in C-sharp minor. Molto allegro

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 11 in B major. Vivace

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 12 in G-sharp minor. Presto

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 13 in F-sharp major. Lento

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 14 in E-flat minor. Allegro

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 15 in D-flat major. Sostenuto

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 16 in B-flat minor. Presto con fuoco

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 17 in A-flat major. Allegretto

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 18 in F minor. Molto allegro

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 19 in E-flat major. Vivace

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 20 in C minor. Largo

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 21 in B-flat major. Cantabile

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 22 in G minor. Molto agitato

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 23 in F major. Moderato

2015-06 balance

=> 🎶 24 Préludes, op. 28: No. 24 in D minor. Allegro appassionato

2015-06 balance

=> 🎶 Prélude in A-flat major, op. posth: Presto, con leggierezza

2015-06 balance

=> 🎶 Prélude in C-sharp minor, op. 45: Sostenuto

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Bravo, signor padrone!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 1 Duettino: Cinque... dieci... venti... trenta

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 2 Duettino: Se a caso madama la notte ti chiama

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 3 Cavatina: Se vuol ballare, signor contino

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 4 Aria: La vendetta, oh, la vendetta

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 5 Duettino: Via, resti servita

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 6 Aria: Non so più cosa son, cosa faccio

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 7 Terzetto: Cosa sento! Tosto andate

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 8 Coro: Giovani liete, fiori spargete

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 9 Coro: Giovani liete, fiori spargete

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. N. 10 Aria: Non più andrai, farfallone amoroso

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Ah, son perduto!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Basilio, in traccia tosto di Figaro

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Cos'è questa commedia?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Cosa stai misurando

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Ed aspettaste il giorno

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Evviva!... E voi non applaudite?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Or bene, ascolta e taci

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Tutto ancor non ho perso

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto primo. Recitativo: Va' là, vecchia pedante

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 24 Cavatina: L'ho perduta, me meschina!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 25 Aria: Il capro e la capretta

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 26 Aria: In quegli anni in cui val poco

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 27 Recitativo ed aria: Aprite un po' quegli occhi

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 27 Recitativo ed aria: Recitativo: Signora, ella mi disse... Madama, voi tremate

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 27 Recitativo ed aria: Tutto è disposto... Oh Susanna, Susanna, quanta pena mi costi!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 28: Recitativo ed aria: Deh vieni, non tardar, o gioia bella

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 28: Recitativo ed aria: Giunse alfin il momento

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 28: Recitativo ed aria: Recitativo: Perfida! E in quella forma meco mentia?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 29 Finale: Ecco qui la mia Susanna

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 29 Finale: Gente, gente, all'armi, all'armi!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 29 Finale: Pace, pace, mio dolce tesoro

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 29 Finale: Pian pianin le andrò più presso

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 29 Finale: Questo giorno di tormenti

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. N. 29 Finale: Tutto è tranquillo e placido

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. Presto, avvertiam Susanna!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. Recitativo: Barbarina, cos'hai? ... Madre / Figlio

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto quarto. Recitativo: Nel padiglione a manca ... È Barbarina. Chi va là?... Ha i diavoli nel corpo

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Che novità! Non fu mai vostra usanza

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 11 Cavatina: Porgi, amor, qualche ristoro

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 12 Arietta: Voi che sapete che cosa è amor

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 13 Aria: Venite, inginocchiatevi

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 14 Terzetto: Susanna, or via, sortite

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 15 Duettino: Aprite, presto, aprite

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Ah signor! Signor / Cos'è stato?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Conoscete, signor Figaro

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Esci omai, garzon malnato

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Signore! Cos'è quel stupore?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Signori, di fuori son già i suonatori

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Son confusa, son stordita

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Susanna, son morta

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Voi, signor, che giusto siete

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. N. 16 Finale: Vostre dunque saran queste carte

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Recitativo: Bravo! Che bella voce!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Recitativo: Dunque, voi non aprite?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Recitativo: Oh guarda il demonietto

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Recitativo: Quante buffonerie! ... Chi picchia alla mia porta?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Recitativo: Quanto duolmi, Susanna

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Recitativo: Vieni, cara Susanna

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto secondo. Tutto è come il lasciai

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. Andiam, andiam, bel paggio

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 17 Duettino: Crudel! Perché finora farmi languir così?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 18 Recitativo ed aria: Hai già vinta la causa!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 18 Recitativo ed aria: Recitativo: É decisa la lite

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 18 Recitativo ed aria: Vedrò mentr'io sospiro

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 19 Sestetto: Riconosci in questo amplesso

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 20 Recitativo ed aria: Canzonetta sull'aria ... N. 21 Duettino: Che soave zeffiretto

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 20 Recitativo ed aria: Cosa mi narri!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 20 Recitativo ed aria: Dove sono i bei momenti

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 20 Recitativo ed aria: E Susanna non vien!

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 20 Recitativo ed aria: Recitativo: Io vi dico, signor

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 22 Coro: Ricevete, o padroncina

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 23 Finale: Amanti costanti

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 23 Finale: Ecco la marcia, andiamo

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 23 Finale: Eh già, solita usanza

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. N. 23 Finale: Recitativo: Andate, amici

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. Recitativo: Che imbarazzo è mai questo!... Via, fatti core

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. Recitativo: E perché fosti mai stamattina sì austera? ... Ehi, Susanna, ove vai?

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. Recitativo: Eccovi, o caro amico

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. Recitativo: Piegato è il foglio

2015-07 balance

=> 🎶 Le nozze di Figaro: Atto terzo. Recitativo: Queste sono, madama, le ragazze del loco ... Eh cospettaccio!... Signor, se trattenete

2015-07 balance

=> 🎶 Le nozze di Figaro: Sinfonia

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=> 🎶 'The Isle of the Dead', Op. 29

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=> 🎶 »Haugtussa«, op. 67: 1. Det Syng

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=> 🎶 »Haugtussa«, op. 67: 2. Veslemøy

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=> 🎶 »Haugtussa«, op. 67: 3. Blåbær-Li

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=> 🎶 »Haugtussa«, op. 67: 4. Møte

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=> 🎶 »Haugtussa«, op. 67: 5. Elsk

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=> 🎶 »Haugtussa«, op. 67: 6. Killingdans

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=> 🎶 »Haugtussa«, op. 67: 7. Vond Dag

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=> 🎶 »Haugtussa«, op. 67: 8. Ved Gjætle-Bekken

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=> 🎶 »Hjertets Melodier« af H. C. Andersen, op. 5: 1. To brune Øjne

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=> 🎶 »Hjertets Melodier« af H. C. Andersen, op. 5: 3. Jeg elsker Dig

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=> 🎶 4 Duettos - 1. Duetto In E Minor, BWV 802

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=> 🎶 4 Duettos - 2. Duetto In F Major, BWV 803

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=> 🎶 4 Duettos - 3. Duetto In G Major, BWV 804

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=> 🎶 4 Duettos - 4. Duetto In A Minor, BWV 805

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=> 🎶 6 Bagatelles for Wind Quintet: I. Allegro con spirito

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=> 🎶 6 Bagatelles for Wind Quintet: II. Rubato. Lamentoso

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=> 🎶 6 Bagatelles for Wind Quintet: III. Allegro grazioso -

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=> 🎶 6 Bagatelles for Wind Quintet: IV. Presto ruvido

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=> 🎶 6 Bagatelles for Wind Quintet: V. Adagio. Mesto (Béla Bartók in memoriam)

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=> 🎶 6 Bagatelles for Wind Quintet: VI. Molto vivace. Capriccioso

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=> 🎶 6 Minuets for Piano, WoO 10 no. 1 in C major

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=> 🎶 6 Minuets for Piano, WoO 10 no. 2 in G major

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=> 🎶 6 Minuets for Piano, WoO 10 no. 3 in E‐flat major

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=> 🎶 6 Minuets for Piano, WoO 10 no. 4 in B‐flat major

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=> 🎶 6 Minuets for Piano, WoO 10 no. 6 in C major

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=> 🎶 6 Variations for Piano on a Swiss Song in F major, WoO 64: Thema. Andante con moto - Var. I-VI

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Thema. Adagio. Cantabile

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Var II. Allegro ma non troppo

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Var III. Allegretto

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Var. I

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Var. IV. Tempo di menuetto

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Var. V. Marcia. Allegretto

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=> 🎶 6 Variations for Piano on an Original Theme in F major, op. 34: Var. VI. Allegretto - Adagio molto

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=> 🎶 6 Variations for Piano on the Duet “Nel cor più non mi sento” from Giovanni Paisiello’s opera “La molinara” in G major, WoO 70: Thema. (Andantino) - Var. I-VI

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=> 🎶 7 Ländler for Piano in D major, WoO 11

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=> 🎶 9 Variations for Piano on a March by Ernst Christoph Dressler in C minor, WoO 63: Thema. Maestoso - Var. I-IX

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=> 🎶 12 German Dances for Piano, WoO 13 nos. 1-12

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=> 🎶 12 Variations for Piano on the “Menuett à la Viganò” from Jakob Haibel's ballet “Le nozze disturbate” in C major, WoO 68: Thema. Allegretto - Var. I-XI - Var. XII. Allegro - Adagio

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Thema. Allegretto

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. I

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. II

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. III

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. IV

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. IX

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. V

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VI

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. VIII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. X

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XI

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XIII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XIV. Allegretto - Adagio

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XIX

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XV

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XVI

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XVII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XVIII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XX. Scherzando

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXI

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXII

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXIII. Adagio sostenuto

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=> 🎶 24 Variations for Piano on Vincenzo Righini’s Arietta “Venni amore” in D major, WoO 65: Var. XXIV. Allegro - Allegro stringendo - Presto assai

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=> 🎶 Andante spianato in G major, op. 22: Tranquillo - Semplice

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=> 🎶 Arabeske

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=> 🎶 Autumn Song

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=> 🎶 Baba-Yaga, op. 56

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=> 🎶 Bagatelle in C major, WoO 56: Allegretto

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=> 🎶 Bagatelle in C minor, WoO 52: Presto

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=> 🎶 Barnlige Sange, op. 61: 3. Lok

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=> 🎶 Cäcilie, op. 27 Nr. 2

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=> 🎶 Cantata Profana “The Enchanted Stags”, Sz. 94: I. There was once an old man

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=> 🎶 Cantata Profana “The Enchanted Stags”, Sz. 94: II. But their father grew impatient

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=> 🎶 Cantata Profana “The Enchanted Stags”, Sz. 94: III. There was once an old man

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=> 🎶 Cantata, BWV 16 "Herr Gott, dich loben wir": I. Chorus "Herr Gott, dich loben wir"

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=> 🎶 Cantata, BWV 16 "Herr Gott, dich loben wir": III. Aria (Chorus, Bass) "Lasst uns jauchzen, lasst ons freuen" / "Krönt und segnet seine Hand"

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=> 🎶 Cantata, BWV 16 "Herr Gott, dich loben wir": IV. Recitative (Countertenor) "Ach, treuer Hort, beschütz auch fernerhin dein wertes Wort"

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=> 🎶 Cantata, BWV 16 "Herr Gott, dich loben wir": Recitative (Bass) "So stimmen wir bei dieser frohen Zeit"

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=> 🎶 Cantata, BWV 16 "Herr Gott, dich loben wir": V. Aria (Tenor) "Geliebter Jesu, nur du allein"

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=> 🎶 Cantata, BWV 16 "Herr Gott, dich loben wir": VI. Chorale "All solch dein Güt wir preisen"

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=> 🎶 Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": I. Chorus "Was Gott tut, das ist wohlgetan"

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=> 🎶 Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": II. Recitative (Tenor) "Ach GOtt! wenn wirst du mich einmal"

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=> 🎶 Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": III. Aria (Soprano) "Hört, ihr Augen, auf zu weinen"

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=> 🎶 Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": IV. Recitative (Countertenor) "Gott hat ein Herz, das des Erbarmens Überfluss"

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=> 🎶 Cantata, BWV 98 "Was Gott tut, das ist wohlgetan": V. Aria (Bass) "Meinen Jesum lass ich nicht"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": I. Chorale "Herr Jesu Christ, du höchstes Gut"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": II. Chorale "Erbarm dich mein in solcher Last"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": III. Aria "Fürwahr, wenn mir das kommet ein"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": IV. Chorale "Jedoch dein heilsam Wort, das macht" / Recitative "daß meine Brust"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": V. Aria "Jesus nimmt die Sünder an"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": VI. Recitative "Der Heiland nimmt die Sünder an"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": VII. Aria "Ach Herr, mein Gott, vergib mir doch"

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=> 🎶 Cantata, BWV 113 "Herr Jesu Christ, du höchstes Gut": VIII. Chorale "Stärk mich mit deinem Freudengeist"

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=> 🎶 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": I. Chorus "Wohl dem, der sich auf seinen Gott"

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=> 🎶 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": II. Aria (Tenor) "Gott ist mein Freund; was hilft das Toben"

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=> 🎶 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": III. Recitative (Countertenor) "Der Heiland sendet ja die Seinen"

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=> 🎶 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": IV. Aria (Bass) "Das Unglück schlägt auf allen Seiten"

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=> 🎶 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": V. Recitative (Soprano) "Ja, trag ich gleich den größten Feind in mir"

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=> 🎶 Cantata, BWV 139 "Wohl dem, der sich auf seinen Gott": VI. Chorale "Dahero trotz der Höllen Heer"

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=> 🎶 Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": I. Chorus "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei"

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=> 🎶 Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": II. Recitative "Das heutge Christentum ist leider schlecht bestellt"

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=> 🎶 Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": III. Aria "Falscher Heuchler Ebenbild"

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=> 🎶 Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": IV. Recitative "Wer so von innen wie von aussen ist"

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=> 🎶 Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": V. Aria "Liebster Gott, erbarme dich"

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=> 🎶 Cantata, BWV 179 "Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei": VI. Chorale "Ich armer Mensch, Ich armer Sünder"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": I. Recitative "Mein Herze schwimmt im Blut"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" / Recitative "Mein Herz ist itzt ein Tränenbrunne"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": III. Recitative "Doch Gott muß mir genädig sein"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": V. Recitative "Auf diese Schmerzensreu"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": VI. Chorale "Ich, Dein betrübtes Kind"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": VII. Recitative "Ich lege mich in diese Wunden"

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=> 🎶 Cantata, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz"

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=> 🎶 Chaconne in D minor for the Left Hand

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=> 🎶 Clair de Lune

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=> 🎶 Concertino

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=> 🎶 Concerto for 2 Violins, Strings and Basso Continuo in D minor, BWV 1043: I. Vivace

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=> 🎶 Concerto for 2 Violins, Strings and Basso Continuo in D minor, BWV 1043: II. Largo, ma non tanto

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=> 🎶 Concerto for 2 Violins, Strings and Basso Continuo in D minor, BWV 1043: III. Allegro

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=> 🎶 Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo; Allegro vivace; Tempo I

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=> 🎶 Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie: Allegretto scherzando

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=> 🎶 Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo

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=> 🎶 Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto

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=> 🎶 Concerto for Orchestra, Sz. 116: V. Finale: Pesante; Presto

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=> 🎶 Concerto for Piano and Orchestra in G major: I. Allegramente

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=> 🎶 Concerto for Piano and Orchestra in G major: II. Adagio assai

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=> 🎶 Concerto for Piano and Orchestra in G major: III. Presto

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=> 🎶 Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio

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=> 🎶 Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo

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=> 🎶 Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro

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=> 🎶 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio

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=> 🎶 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio

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=> 🎶 Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro

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=> 🎶 Concerto for Piano and Orchestra No. 3 In D minor, Op. 30: I. Allegro ma non tanto

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=> 🎶 Concerto for Piano and Orchestra No. 3 In D minor, Op. 30: II. Intermezzo. Adagio attacca:

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=> 🎶 Concerto for Piano and Orchestra No. 3 In D minor, Op. 30: III. Finalle. Alla breve

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=> 🎶 Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato

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=> 🎶 Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto -

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=> 🎶 Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace

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=> 🎶 Concerto for Piano and Orchestra No.3 in C major, Op. 26: I. Andante - Allegro

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=> 🎶 Concerto for Piano and Orchestra No.3 in C major, Op. 26: II. Thema. Andantino - Variation I. L'Istesso Tempo - Var. II. Allegro - Var. III. Allegro Moderato - Var. IV. Andantino Meditativo - Var. V. Allegro Giusto - Thema. L'Istesso Tempo

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=> 🎶 Concerto for Piano and Orchestra No.3 in C major, Op. 26: III. Allegro ma non troppo

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=> 🎶 Concerto for Piano no. 21 in C major, K. 467: I. Allegro

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=> 🎶 Concerto for Piano no. 21 in C major, K. 467: II. Andante

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=> 🎶 Concerto for Piano no. 21 in C major, K. 467: III. Allegro

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=> 🎶 Concerto for the Left Hand in D major: Lento - Andante - Allegro - Tempo 1

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=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento

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=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo

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=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo

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=> 🎶 Concerto for Viola and Orchestra: I. Moderato

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=> 🎶 Concerto for Viola and Orchestra: II. Adagio religioso

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=> 🎶 Concerto for Viola and Orchestra: III. Allegro vivace

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=> 🎶 Concerto for Violin and Orchestra No. 1: I. Andante sostenuto

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=> 🎶 Concerto for Violin and Orchestra No. 1: II. Allegro giocoso

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=> 🎶 Concerto for violin and orchestra Op. 64: Allegro molto appassionato

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=> 🎶 Concerto for violin and orchestra Op. 64: Allegro molto vivace

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=> 🎶 Concerto for Violin and Orchestra, op. 64: Andante – Allegretto non troppo

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=> 🎶 Concerto in C major RV 187: I. Allegro

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=> 🎶 Concerto in C major RV 187: II. Largo ma non molto

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=> 🎶 Concerto in C major RV 187: III. Allegro

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=> 🎶 Concerto in D major RV 232: I. Allegro

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=> 🎶 Concerto in D major RV 232: II. Largo

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=> 🎶 Concerto in D major RV 232: III. Allegro

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=> 🎶 Concerto in D minor RV 243: I. Allegro

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=> 🎶 Concerto in D minor RV 243: II. Andante molto

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=> 🎶 Concerto in D minor RV 243: III. Allegro

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=> 🎶 Concerto in D: 1. Vivace 𝅘𝅥. = 126 - attacca

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=> 🎶 Concerto in D: 2. Arioso. Andantino - attacca

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=> 🎶 Concerto in D: 3. Rondo. Allegro

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=> 🎶 Concerto in E minor RV 281: I. Allegro

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=> 🎶 Concerto in E minor RV 281: II. Largo

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=> 🎶 Concerto in E minor RV 281: III. Allegro

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=> 🎶 Concerto in E-flat major RV 254: I. Allegro

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=> 🎶 Concerto in E-flat major RV 254: II. Largo

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=> 🎶 Concerto in E-flat major RV 254: III. Allegro

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=> 🎶 Concerto in F major RV 283: I. Allegro

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=> 🎶 Concerto in F major RV 283: II. Largo e spiccato

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=> 🎶 Concerto in F major RV 283: III. Allegro

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=> 🎶 Concerto Movement for Violin and Orchestra in D major, D. 345: Adagio - Allegro

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=> 🎶 Concerto no. 17 in G major for Piano, K. 453: I. Allegro

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=> 🎶 Concerto no. 17 in G major for Piano, K. 453: II. Andante

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=> 🎶 Concerto no. 17 in G major for Piano, K. 453: III. Allegretto

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=> 🎶 Dance Suite, Sz 77: I. Moderato

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=> 🎶 Dance Suite, Sz 77: II. Allegro molto

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=> 🎶 Dance Suite, Sz 77: III. Allegro vivace

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=> 🎶 Dance Suite, Sz 77: IV. Molto tranquillo

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=> 🎶 Dance Suite, Sz 77: V. Comodo

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=> 🎶 Dance Suite, Sz 77: VI. Finale: Allegro

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=> 🎶 Danses Concertantes For Chamber Orchestra - 1. Marche - Introduction

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=> 🎶 Danses Concertantes For Chamber Orchestra - 2. Pas d'action

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=> 🎶 Danses Concertantes For Chamber Orchestra - 3. Thème varié

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=> 🎶 Danses Concertantes For Chamber Orchestra - 4. Pas de Deux

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=> 🎶 Danses Concertantes For Chamber Orchestra - 5. Marche - Conclusion

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=> 🎶 Das Paradies und die Peri: 1. Vor Edens Tor im Morgenprangen (Alt-Solo)

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=> 🎶 Das Paradies und die Peri: 2. Wie glücklich sie wandeln, die sel’gen Geister (Die Peri)

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=> 🎶 Das Paradies und die Peri: 3. Rezitativ: Der hehre Engel (Tenor-Solo); Dir, Kind des Stamms (Der Engel)

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=> 🎶 Das Paradies und die Peri: 4. Wo find’ ich sie? (Die Peri)

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=> 🎶 Das Paradies und die Peri: 5. So sann sie nach und schwang die Flügel (Tenor-Solo)

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=> 🎶 Das Paradies und die Peri: 6. Doch seine Ströme sind jetzt rot (Chor)

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=> 🎶 Das Paradies und die Peri: 7. Und einsam steht (Tenor-Solo, Chor); Komm, kühner Held (Gazna); Du schlugst des Landes (Der Jüngling, Gazna)

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=> 🎶 Das Paradies und die Peri: 8. Weh, weh, weh, er fehlte das Ziel (Chor)

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=> 🎶 Das Paradies und die Peri: 9. Die Peri sah das Mal (Tenor-Solo); Sei dies, mein Geschenk (Die Peri, Vokalquartett)

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=> 🎶 Das Paradies und die Peri: 10. Die Peri tritt (Tenor-Solo); Gern grüssen wir, die so gegangen (Der Engel, Chor)

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=> 🎶 Das Paradies und die Peri: 11. Ihr erstes Himmelshoffen (Tenor-Solo); Hervor aus den Wässern (Chor, Die Peri)

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=> 🎶 Das Paradies und die Peri: 12. Fort streift von hier (Tenor-Solo); Für euren ersten Fall (Die Peri)

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=> 🎶 Das Paradies und die Peri: 13. Die Peri weint (Tenor-Solo, Vokalquartett)

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=> 🎶 Das Paradies und die Peri: 14. Im Waldesgrün am stillen See (Alt-Solo); Ach, einen Tropfen (Der Jüngling)

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=> 🎶 Das Paradies und die Peri: 15. Verlassener Hüngling (Mezzosopran-Solo); Doch sieh, we naht (Tenor-Solo); Du hier? (Der Jüngling)

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=> 🎶 Das Paradies und die Peri: 16. O lass mich von der Luft (Die Jungfrau); Sie wankt - sie sinkt (Tenor-Solo)

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=> 🎶 Das Paradies und die Peri: 17. Schlaf nun und ruhe in Träumen (Die Peri, Chor)

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=> 🎶 Das Paradies und die Peri: 18. Schmücket die Stufen (Chor); Auch der Geliebten (Vokalquartett); Seht da, die Bahn (Sopran I, II, Chor)

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=> 🎶 Das Paradies und die Peri: 19. Dem Sang von ferne (Tenor-Solo); Noch nicht! (Der Engel)

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=> 🎶 Das Paradies und die Peri: 20. Verstossen! Verschlossen aufs neu das Goldportal! (Die Peri)

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=> 🎶 Das Paradies und die Peri: 21. Jetzt sank des Abends goldner Schein (Bariton-Solo)

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=> 🎶 Das Paradies und die Peri: 22. Und wie sie niederwärts (Tenor-Solo); Peri, ist’s wahr (Vokalquartett); Mit ihrer Schwestern (Bariton-Solo)

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=> 🎶 Das Paradies und die Peri: 23. Hinab zu jenem (Die Peri); Sie schwebt herab (Tenor-Solo); Doch horch (Mezzosopran-Solo)

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=> 🎶 Das Paradies und die Peri: 24. O heil’ge Tränen inn’ger Reue (Vokalquartett, Chor)

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=> 🎶 Das Paradies und die Peri: 25. Es fällt ein Tropfen (Die Peri); Und sieh, demütig betend (Tenor-Solo, Chor)

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=> 🎶 Das Paradies und die Peri: Freud’, ew’ge Fruede; Wilkommen, wilkommen unter den Frommen! (Die Peri, Chor)

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=> 🎶 Der Opernball: Overture

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=> 🎶 Deux Images, Op 10, Sz 46: I. In Full Flower

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=> 🎶 Deux Images, Op 10, Sz 46: II. Village Dance

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=> 🎶 Die Schöpfung, Hob. XXI:2, Dritter Teil: 27.Rezitativ: "Aus Rosenwolken bricht" (Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Dritter Teil: 28.Duett mit Chor: "Von deiner Güt', o Herr und Gott"/ Gesegnet sei des Herren Macht (Eva, Adam)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Dritter Teil: 29.Rezitativ: "Nun ist die erste Pflicht erfüllt" (Adam, Eva)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Dritter Teil: 30.Duett: "Holde Gattin, dir zur Seite" (Adam, Eva)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Dritter Teil: 31.Rezitativ: "O glücklich Paar, und glücklich immerfort" (Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Dritter Teil: 32.Chor: "Singt dem Herren alle Stimmen"

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 1a. Einleitung. Die Vorstellung des Chaos (Largo)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 2.Rezitativ mit Chor: "Im Anfange schuf Gott Himmel und Erde" / "Und der Geist Gottes schwebte auf der Fläche der Wasser" (Raphael, Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 3.Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" / "Verzweiflung, Wut und Schrecken" (Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 4.Rezitativ: "Und Gott machte das Firmament" (Raphael)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 5.Solo mit Chor: "Mit Staunen sieht das Wunderwerk" / "Und laut ertönt aus ihren Kehlen" (Gabriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 6.Rezitativ: "Und Gott sprach: Es sammle sich das Wasser" (Raphael)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 7.Arie: "Rollend in schäumenden Wellen" (Raphael)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 8.Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 9.Arie: "Nun beut die Flur das frische Grün"

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 10.Rezitativ: "Und die himmlischen Heerscharen verkündigten" (Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 11.Chor: "Stimmt an die Saiten"

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 12.Rezitativ: "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 13.Rezitativ: "In vollem Glanze steiget jetzt" (Uriel)

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=> 🎶 Die Schöpfung, Hob. XXI:2, Erster Teil: 14.Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”

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=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 2I. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 2II. Arie: "Nun scheint in vollem Glanze der Himmel" (Raphael)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 2III. Rezitativ: "Und Gott schuf den Menschen" (Uriel)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 2IV. Arie: Mit Würd' und Hoheit angetan

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 2V. Rezitativ: Und Gott sah jedes Ding

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 15.Rezitativ: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" (Gabriel)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 16.Arie: "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 17.Rezitativ: "Und Gott schuf große Walfische" (Raphael)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 18.Rezitativ: "Und die Engel rührten ihr'unsterblichen Harfen" (Raphael)

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 20. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe

balance

=> 🎶 Die Schöpfung, Hob. XXI:2, Zweiter Teil: 26.Chor und Terzett: "Vollendet ist das große Werk" / Zu dir, o Herr, blickt alles auf

balance

=> 🎶 Die Schöpfung: Dritter Teil: 27. Accompanied Recitative (Uriel): “Aus Rosenwolken bricht”

balance

=> 🎶 Die Schöpfung: Dritter Teil: 28. Duet (Eva, Adam) with Chorus: “Von deiner Güt’ o Herr und Gott” / “Gesegnet sei des Herren Macht”

balance

=> 🎶 Die Schöpfung: Dritter Teil: 29. Recitative (Adam, Eva): “Nun ist die erste Pflicht erfüllt”

balance

=> 🎶 Die Schöpfung: Dritter Teil: 30. Duet (Adam, Eva): “Holde Gattin, dir zur Seite”

balance

=> 🎶 Die Schöpfung: Dritter Teil: 31. Recitative (Uriel): “O glücklich Paar, und glücklich immerfort”

balance

=> 🎶 Die Schöpfung: Dritter Teil: 32. Chorus: “Singt dem Herren, alle Stimmen”

balance

=> 🎶 Die Schöpfung: Erster Teil: 1. Die Vorstellung des Chaos

balance

=> 🎶 Die Schöpfung: Erster Teil: 2. Recitative (Raphael, Uriel) and Chorus: “Im Anfange schuf Gott Himmel und Erde” / “Und der Geist Gottes schwebte auf der Fläche der Wasser”

balance

=> 🎶 Die Schöpfung: Erster Teil: 3. Aria (Uriel) and Chorus: “Nun schwanden vor dem heiligen Strahle” / “Verzweiflung, Wut und Schrecken”

balance

=> 🎶 Die Schöpfung: Erster Teil: 4. Accompanied Recitative (Raphael): “Und Gott machte das Firmament”

balance

=> 🎶 Die Schöpfung: Erster Teil: 5. Solo (Gabriel) with Chorus: “Mit Staunen sieht das Wunderwerk” / “Und laut ertönt aus ihren Kehlen”

balance

=> 🎶 Die Schöpfung: Erster Teil: 6. Recitative (Raphael): “Und Gott sprach: Es sammle sich das Wasser”

balance

=> 🎶 Die Schöpfung: Erster Teil: 7. Aria (Raphael): “Rollend in schäumenden Wellen”

balance

=> 🎶 Die Schöpfung: Erster Teil: 8. Recitative (Gabriel): “Und Gott sprach: Es bringe die Erde Gras hervor”

balance

=> 🎶 Die Schöpfung: Erster Teil: 9. Aria (Gabriel): “Nun beut die Flur das frische Grün”

balance

=> 🎶 Die Schöpfung: Erster Teil: 10: Recitative (Uriel): “Und die himmlischen Heerscharen verkündigten”

balance

=> 🎶 Die Schöpfung: Erster Teil: 11. Chorus: “Stimmt an die Saiten”

balance

=> 🎶 Die Schöpfung: Erster Teil: 12. Recitative (Uriel): “Und Gott sprach: Es sei’n Lichter an der Feste des Himmels”

balance

=> 🎶 Die Schöpfung: Erster Teil: 13. Accompanied Recitative (Uriel): “In vollem Glanze steiget jetzt”

balance

=> 🎶 Die Schöpfung: Erster Teil: 14. Trio and Chorus (Gabriel, Uriel, Raphael): “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 15. Recitative (Gabriel): “Und Gott sprach: Es bringe das Wasser in der Fülle hervor”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 16. Aria (Gabriel): “Auf starkem Fittiche schwinget sich der Adler stolz”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 17. Accompanied Recitative (Raphael): “Und Gott schuf große Walfische”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 18. Recitative (Raphael): “Und die Engel rührten ihr’ unsterblichen Harfen”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 19. Trio (Gabriel, Uriel, Raphael) and Chorus: “In holder Anmut stehn” / “Der Herr ist groß in seiner Macht”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 20. Recitative (Raphael): “Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 21. Accompanied Recitative (Raphael): “Gleich öffnet sich der Erde Schoß”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 22. Aria (Raphael): “Nun scheint in vollem Glanze der Himmel”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 23. Recitative (Uriel): “Und Gott schuf den Menschen”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 24. Aria (Uriel): “Mit Würd’ und Hoheit angetan”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 25. Recitative (Raphael): “Und Gott sah jedes Ding”

balance

=> 🎶 Die Schöpfung: Zweiter Teil: 26. Chorus and Trio (Gabriel, Uriel, Raphael): “Vollendet ist das große Werk” / “Zu dir, o Herr, blickt alles auf”

balance

=> 🎶 Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)

balance

=> 🎶 Digte af Vilhelm Krag, op. 60: 3. Mens Jeg Venter

balance

=> 🎶 Don Giovanni, K. 527 - "Ma qual mai s'offre, o Dei" - "Fuggi crudele"

balance

=> 🎶 Double Concerto in A minor, op. 102: I. Allegro

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=> 🎶 Double Concerto in A minor, op. 102: II. Andante

balance

=> 🎶 Double Concerto in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I

balance

=> 🎶 Egmont, Op. 84: Ouvertüre

balance

=> 🎶 Ein Morgen, ein Mittag, ein Abend in Wien: Overture

balance

=> 🎶 España: Rapsodie pour orchestre

balance

=> 🎶 Étude, op. 25, no. 7 in C-sharp minor (transcription for cello & piano by A. Franchomme)

balance

=> 🎶 Fächer-Polonaise, op. 525

balance

=> 🎶 Fantasia & Fugue In A Minor, BWV 944 - I. Fantasia

balance

=> 🎶 Fantasia & Fugue In A Minor, BWV 944 - II. Fugue

balance

=> 🎶 Fantasiestücke, op. 88: I. Romanze: Nicht schnell, mit innigem Ausdruck

balance

=> 🎶 Fantasiestücke, op. 88: II. Humoreske: Lebhaft

balance

=> 🎶 Fantasiestücke, op. 88: III. Duett: Langsam und mit Ausdruck

balance

=> 🎶 Fantasiestücke, op. 88: IV. Finale: Im Marschtempo

balance

=> 🎶 Fantasy on Polish Airs, op. 13: Air: “Już miesiąc zeszedł, psy się uśpiły”

balance

=> 🎶 Fantasy on Polish Airs, op. 13: Kujawiak. Vivace

balance

=> 🎶 Fantasy on Polish Airs, op. 13: Largo non troppo

balance

=> 🎶 Fantasy on Polish Airs, op. 13: Thème de Charles Kurpinski. Allegretto - Presto con fuoco - Lento quasi Adagio - Molto più mosso

balance

=> 🎶 Fem Digte af John Paulsen, olp. 26: 1. Et Håb

balance

=> 🎶 Festival Overture, op. 96

balance

=> 🎶 Fête polonaise ("Le Roi malgré lui")

balance

=> 🎶 Feu d'artifice, Op. 4

balance

=> 🎶 Five Minuets from D. 89: I. Menuet - Trio I - Trio II in C minor

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=> 🎶 Five Minuets from D. 89: II. Menuet in F major

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=> 🎶 Five Minuets from D. 89: III. Menuet - Trio I - II in D minor

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=> 🎶 Five Minuets from D. 89: IV. Menuet in G major

balance

=> 🎶 Five Minuets from D. 89: V. Menuet - Trio I - II in C major

balance

=> 🎶 Four Orchestral Pieces, op. 12, Sz. 51: 1. Preludio: Moderato

balance

=> 🎶 Four Orchestral Pieces, op. 12, Sz. 51: 2. Scherzo: Allegro

balance

=> 🎶 Four Orchestral Pieces, op. 12, Sz. 51: 3. Intermezzo: Moderato

balance

=> 🎶 Four Orchestral Pieces, op. 12, Sz. 51: 4. Marcia funebre: Maestoso

balance

=> 🎶 Freundliche Vision, op. 48 Nr. 1

balance

=> 🎶 Frühlingsfeier, op. 56 Nr. 5

balance

=> 🎶 Für Elise

balance

=> 🎶 German Dances from D. 89: I. Deutscher Tanz - Trio I - Trio II in C major

balance

=> 🎶 German Dances from D. 89: II. Deutscher Tanz - Trio I - Trio II in G major

balance

=> 🎶 German Dances from D. 89: III. Deutscher Tanz - Trio in D major

balance

=> 🎶 German Dances from D. 89: IV. Deutscher Tanz in F major

balance

=> 🎶 German Dances from D. 89: V. Deutscher Tanz - Trio I - Trio II - Coda

balance

=> 🎶 Gesang der Apollopriesterin, op. 33 Nr. 2

balance

=> 🎶 Gesang der Geister über den Wassern D714 (2. Fassung)

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Aria (bass) "Er ists, der ganz allein die Kelter hat getreten"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Aria (countertenor) "Ich sehe schon im Geist"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Aria (Soprano) "Mein Jesus hat nunmehr das Heilandwerk vollendet"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Aria (tenor) "Ja tausend mal tausend begleiten den Wagen"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Chorale "Du Levensfürst, Herr Hesu Christe"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Chorus "Gott fähret auf mit Jauchzen"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Recitative (bass) "Es kommt der Helden Held"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Recitative (countertenor) "Der Vater hat ihm ja ein ewig Reich bestimmet"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Recitative (soprano) "Er will mir neben sich die Wohnung zubereiten"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Recitative (soprano) "Und der Herr, nachdem er mit ihnen geredet hatte"

balance

=> 🎶 Gott fähret auf mit Jauchzen, BWV 43: Recitative (tenor) "Es will der Höchste sich ein Siegsgeprãng bereiten"

balance

=> 🎶 Grand duo concertant on themes from Meyerbeer's "Robert the Devil"

balance

=> 🎶 Grande Polonaise brillante in E-flat major, op. 22: Allegro molto

balance

=> 🎶 Habanera

balance

=> 🎶 Herz und Mund und Tat und Leben, Cantata BWV 147 - Jesu, Joy Of Man's Desiring (Arranged For Piano By Dame Myra Hess)

balance

=> 🎶 I Capuleti e i Montecchi: “Eccomi in lieta veste … Oh, quante volte” (Giuletta)

balance

=> 🎶 Ich freue mich in dir, BWV 133: I. Chorale "Ich freue mich in dir"

balance

=> 🎶 Ich freue mich in dir, BWV 133: II. Aria (countertenor) "Getrost! es fasst ein heilger Leib"

balance

=> 🎶 Ich freue mich in dir, BWV 133: III. Recitative (tenor) "Ein Adam mag sich voller Schrecken"

balance

=> 🎶 Ich freue mich in dir, BWV 133: IV. Aria (soprano) "Wie lieblich klingt es in den Ohren"

balance

=> 🎶 Ich freue mich in dir, BWV 133: V. Recitative (bass) "Wohlan, des Todes Furcht und Schmerz"

balance

=> 🎶 Ich freue mich in dir, BWV 133: VI. Chorale "Wohlan, so will ich mich"

balance

=> 🎶 Idomeneo, K. 366 - "Oh smanie!" - "D'Oreste, d'Aiace"

balance

=> 🎶 Idomeneo, K. 366 - "Solitudini amiche" - "Zeffiretti lusinghieri"

balance

=> 🎶 Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia)

balance

=> 🎶 Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra)

balance

=> 🎶 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)

balance

=> 🎶 Il dissoluto punito, ossia il Don Giovanni: Atto I. “Là ci darem la mano”

balance

=> 🎶 Il dissoluto punito, ossia il Don Giovanni: Atto I. “Ma qual mai s’offre, oh Dei” … “Fuggi crudele”

balance

=> 🎶 Impromptu in E-flat major D899/2

balance

=> 🎶 Impromptu in G-flat major D899/3

balance

=> 🎶 Italian Concerto In F Major, BWV 971 - I. Allegro

balance

=> 🎶 Italian Concerto In F Major, BWV 971 - II. Andante

balance

=> 🎶 Italian Concerto In F Major, BWV 971 - III. Presto

balance

=> 🎶 Khovanshchina Act I: Prelude: Dawn on the Moscow River

balance

=> 🎶 Kikimora, op. 63

balance

=> 🎶 Klavierquartett Nr. 1 g-Moll, op. 25: I. Allegro

balance

=> 🎶 Klavierquartett Nr. 1 g-Moll, op. 25: II. Intermezzo: Allegro ma non troppo – Trio: Animato

balance

=> 🎶 Klavierquartett Nr. 1 g-Moll, op. 25: III. Andante con moto

balance

=> 🎶 Klavierquartett Nr. 1 g-Moll, op. 25: IV. Rondo alla Zingarese

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 1. "E pur'io torno qui, qual linea al centro"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 2. "Chi parla? chi parla?"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 3. "Signor, deh, non partire!"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 4. "Speranza, tu mi vai"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 5. "Disprezzata regina"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 5. "Ottavia, Ottavia!"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 6. "Ecco la sconsolata"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 6. "Madama, con tua pace"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 7. "Le porpore regali, e imperatrici"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 8. "Seneca io miro in cielo infausti rai"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 9. "Son risoluto insomma"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 10. "Come Dolci, Signor, come soavi"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 11. "Ad altri tocca in sorte"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 12. "Infelice garzone!" / "Otton, torna in te stesso"

balance

=> 🎶 L'incoronazione di Poppea: Act I, Scene 13. "Pur sempre di Poppea"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 1. "Solitudine amata"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 2. "Il comando tiranno"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 3. "Amici, è giunta l'ora" / "Non morir, Seneca, no!" / "Supprimete i singulti"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 4. "Dunque amor così comincia?"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 4. "Sento un certo non so che"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 5. "Or che Seneca è morto"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 5. "Son rubini amorosi" / Scenes 6-7

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 8. "Tu che dagli avi miei"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 9. "Felice cor mio" / "Nutrice, quanto pagheresti" / "Il giorno femminil"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 10. "Io non so dov'io vada"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 11. "Adagiati, Poppea - Oblivion soave"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 11. "Or che Seneca è morto"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 12. "Dorme, I'incauta dorme"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 13. "Eccomi trasformato"

balance

=> 🎶 L'incoronazione di Poppea: Act II, Scene 14. "Forsennato, scellerato"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 1. "O felice Drusilla, o che sper'io?"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 2. "Ecco la scellerata"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 3. "Signor, ecco la rea"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 4. "No, no, questa sentenza"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 5. "Signor, oggi rinasco ai primi fiori" / "Non più s'interporrà noia o dimora"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 6. "Oggi, sarà Poppea"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 7. "A Dio, Roma! a Dio, patria! amici, a Dio!"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 8. "Ascendi, o mia diletta" / "A te, sovrana augusta"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 8. "Pur ti miro"

balance

=> 🎶 L'incoronazione di Poppea: Act III, Scene 8. "Scendiam, scendiam"

balance

=> 🎶 L'incoronazione di Poppea: Sinfonia / Prologue. "Deh, nasconditi, o Virtù" / "Deh, sommergerti, malnata" / "Chi vi credete, o Dee"

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=> 🎶 L'oiseau de feu: I. Introduction

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=> 🎶 L'oiseau de feu: II. Premier tableau: 1. Le jardin enchanté de kachtcheï

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=> 🎶 L'oiseau de feu: II. Premier tableau: 2. Apparition de l'oiseau de feu, poursuivi par ivan tsarévitch

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=> 🎶 L'oiseau de feu: II. Premier tableau: 3.Danse de l'oiseau de feu

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=> 🎶 L'oiseau de feu: II. Premier tableau: 4. Capture de l'oiseau de feu par ivan tsarévitch

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=> 🎶 L'oiseau de feu: II. Premier tableau: 5. Supplication de l'oiseau de feu - apparition des treize princesses enchantées

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=> 🎶 L'oiseau de feu: II. Premier tableau: 6. Jeu des princesses avec les pommes d'or (Scherzo)

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=> 🎶 L'oiseau de feu: II. Premier tableau: 7. Brusque apparition de ivan tsarévitch

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=> 🎶 L'oiseau de feu: II. Premier tableau: 8. Khorovode (Ronde) des princesses

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=> 🎶 L'oiseau de feu: II. Premier tableau: 9. Lever du jour - ivan tsarevitch pénètre dans le palais de kachtcheï

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=> 🎶 L'oiseau de feu: II. Premier tableau: 10. Carillon féerique à apparition de l'oiseau de feu

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=> 🎶 L'oiseau de feu: II. Premier tableau: 11. Ddanse de la suite de kachtcheï, enchantée par l'oiseau de feu

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=> 🎶 L'oiseau de feu: II. Premier tableau: 12. Danse infernale de tous les sujets de kachtcheï

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=> 🎶 L'oiseau de feu: II. Premier tableau: 13. Berceuse - réveil de kachtcheï - mort de kachtcheï - profondes ténèbres

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=> 🎶 L'oiseau de feu: III. Deuxième tableau: Disparition du palais à allégresse générale

balance

=> 🎶 La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto)

balance

=> 🎶 La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia)

balance

=> 🎶 La traviata: “Sempre libera” (Violetta, Alfredo)

balance

=> 🎶 La traviata: Atto I. “Che è ciò?” (Tutti, Violetta, Alfredo)

balance

=> 🎶 La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)

balance

=> 🎶 La traviata: Atto I. “Ebben? che diavol fate?” (Gastone, Violetta, Alfredo)

balance

=> 🎶 La traviata: Atto I. “Follie! Follie! Delirio vano è questo! – Sempre libera” (Violetta, Alfredo)

balance

=> 🎶 La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi)

balance

=> 🎶 La traviata: Atto I. “Si ridesta in ciel l’aurora” (Tutti)

balance

=> 🎶 La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta)

balance

=> 🎶 La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui”

balance

=> 🎶 La traviata: Atto II, scena 1. “Ah, vive sol quel core” (Alfredo, Giuseppe, Commissionario, Germont)

balance

=> 🎶 La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont)

balance

=> 🎶 La traviata: Atto II, scena 1. “Alfredo?” / “Per parigi or or partiva” (Violetta, Annina, Germont)

balance

=> 🎶 La traviata: Atto II, scena 1. “Annina, donde vieni? – Oh mio rimorso!” (Alfredo, Annina)

balance

=> 🎶 La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta)

balance

=> 🎶 La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!“ (Violetta, Annina)

balance

=> 🎶 La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)

balance

=> 🎶 La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont)

balance

=> 🎶 La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo)

balance

=> 🎶 La traviata: Atto II, scena 1. “Né rispondi d'un padre all'affetto? – No, non udrai rimproveri” (Germont, Alfredo)

balance

=> 🎶 La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont)

balance

=> 🎶 La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta)

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=> 🎶 La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta)

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=> 🎶 La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont)

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=> 🎶 La traviata: Atto II, scena 2. "Alfredo! Voi!" (Tutti, Alfredo, Violetta, Barone)

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=> 🎶 La traviata: Atto II, scena 2. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Tutti)

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=> 🎶 La traviata: Atto II, scena 2. "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese)

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=> 🎶 La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone)

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=> 🎶 La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti)

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=> 🎶 La traviata: Atto II, scena 2. "Noi siamo zingarelle" (Coro, Flora, Marchese, Tutti)

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=> 🎶 La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti)

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=> 🎶 La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo)

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=> 🎶 La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo)

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=> 🎶 La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore)

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=> 🎶 La traviata: Atto III. “Largo al quadrupede” (Coro di maschere)

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=> 🎶 La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore)

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=> 🎶 La traviata: Atto III. “Signora…” / “Che t’accadde?” (Annina, Violetta, Alfredo) / “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)

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=> 🎶 La traviata: Atto III. “Teneste la promessa – Attendo, attendo, né a me giungon mai! – Addio del passato” (Violetta)

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=> 🎶 La traviata: Atto III. Preludio

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=> 🎶 La traviata: Preludio

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=> 🎶 Larghetto pour cor et orchestre

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=> 🎶 Le nozze di Figaro, K 492: Appendice. N. 13a Arietta, K 579: “Un moto di gioia” (Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Appendice. N. 28a Rondò, K 577: “Al desio di chi t'adora” (Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. “Bravo, signor padrone!” (Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 1 Duettino: “Cinque... dieci... venti... trenta” (Figaro, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 2 Duettino: “Se a caso madama la notte ti chiama” (Figaro, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 3 Cavatina: “Se vuol ballare, signor contino” (Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 4 Aria: “La vendetta, oh, la vendetta” (Bartolo)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 5 Duettino: “Via, resti servita” (Marcellina, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 7 Terzetto: “Cosa sento! Tosto andate” (conte, Basilio, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 8 Coro: “Giovani liete, fiori spargete” (contadini, contadine)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 9 Coro: “Giovani liete, fiori spargete” (contadini, contadine)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. N. 10 Aria: “Non più andrai, farfallone amoroso” (Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Ah, son perduto!” ... “Susanna, il ciel vi salvi!” (Cherubino, Susanna, conte, Basilio)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Basilio, in traccia tosto di Figaro” (conte, Susanna, Cherubino, Basilio)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Cos'è questa commedia?” (conte, Figaro, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Cosa stai misurando” (Susanna, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Ed aspettaste il giorno” (Bartolo, Marcellina)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Evviva!” ... “E voi non applaudite?” (Figaro, Susanna, Basilio, Cherubino, conte) 10.3

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Or bene, ascolta e taci” (Susanna, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Tutto ancor non ho perso” (Marcellina, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto I. Recitativo: “Va' là, vecchia pedante” (Susanna, Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. “Che novità! Non fu mai vostra usanza” (conte, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 11 Cavatina: “Porgi, amor, qualche, ristoro” (contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 12 Arietta: “Voi che sapete che cosa è amor” (Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 13 Aria: “Venite, inginocchiatevi” (Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 14 Terzetto: “Susanna, or via sortite” (conte, contessa, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 15 Duettino: “Aprite, presto, aprite” (Susanna, Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Ah signor! Signor” / “Cos'è stato?” (Antonio, conte, contessa, Susanna, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Conoscete, signor Figaro” (conte, Figaro, Susanna, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Esci omai, garzon malnato” (conte, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Signore! Cos'è quel stupore?” (Susanna, conte, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Signori, di fuori son già i suonatori” (Figaro, conte, Susanna, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Susanna, son morta” (contessa, Susanna, conte)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Voi, signor, che giusto siete” (Marcellina, Basilio, Bartolo, conte, contessa, Figaro, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. N. 16 Finale: “Vostre dunque saran queste carte” (Antonio, conte, Figaro, Susanna, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Bravo! Che bella voce!” (contessa, Susanna, Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Dunque, voi non aprite?” (conte, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Oh guarda il demonietto” (Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Quante buffonerie!” ... “Chi picchia alla mia porta?” (contessa, Susanna, Cherubino, conte)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Quanto duolmi, Susanna” (contessa, Susanna, Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Tutto è come il lasciai” (conte, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto II. Recitativo: “Vieni, cara Susanna” (contessa, Susanna, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 17 Duettino: “Crudel! Perché finora, farmi languir così?” (conte, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 18 Recitativo ed aria: “Hai già vinta la causa!” (conte)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 18 Recitativo ed aria: “Vedrò mentr'io sospiro” (conte)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 20 Recitativo ed aria: “Dove sono i bei momenti” (contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 20 Recitativo ed aria: “E Susanna non vien!” (contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 21 Duettino: “Sull'aria” ... “Che soave zeffiretto” (contessa, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 22 Coro: “Ricevete, o padroncina” (contadinelle)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Amanti costanti” (due contadine, coro)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Andate, amici” (conte, coro)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Ecco la marcia, andiamo” (Figaro, Susanna, conte, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. N. 23 Finale: “Eh già, solita usanza” (conte, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “Andiam, andiam, bel paggio” (Barbarina, Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “Che imbarazzo è mai questo” ... “Via, fatti core” (conte, contessa, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “È decisa la lite” (Don Curzio, Marcellina, Figaro, conte, Bartolo)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “E perché fosti meco stamattina sì austera?” ... “Ehi, Susanna, ove vai?” (conte, Susanna, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “Eccovi, o caro amico” (Marcellina, Bartolo, Susanna, Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “Io vi dico, signor” ... “Cosa mi narri!” (Antonio, conte, contessa, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “Piegato è il foglio” (Susanna, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto III. Recitativo: “Queste sono, madama, le ragazze del loco” ... “Eh cospettaccio!” ... “Signor, se trattenete” (Barbarina, contessa, Susanna, Antonio, conte, Figaro, Cherubino)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 24 Cavatina: “L'ho perduta, me meschina!” (Barbarina)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 25 Aria: “Il capro e la capretta” (Marcellina)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 26 Aria: “In quegli anni in cui val poco” (Basilio)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Aprite un po' quegli occhi” (Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Oh Susanna, Susanna, quanta pena mi costi!” (Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 27 Recitativo ed aria: “Tutto è disposto” ... (Figaro)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 28 Recitativo ed aria: “Deh vieni, non tardar, o gioia bella” (Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 28 Recitativo ed aria: “Giunse alfin il momento” ... (Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Ecco qui la mia Susanna” (conte, Susanna, Figaro, Cherubino, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Gente, gente, all'armi, all'armi” (conte, Figaro, Basilio, Antonio, Susanna, contessa, coro)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Pace, pace, mio dolce tesoro” ... “Non la trovo” (Figaro, Susanna, conte)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Pian pianin le andrò più presso” (Cherubino, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. N. 29 Finale: “Tutto è tranquillo e placido” (Figaro, Susanna)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. Recitativo: “Barbarina, cos'hai?” ... “Madre” / “Figlio” ... “Presto, avvertiam Susanna!” (Figaro, Barbarina, Marcellina)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. Recitativo: “Nel padiglione a manca” ... “È Barbarina. Chi va là?” ... “Ha i diavoli nel corpo” (Barbarina, Figaro, Basilio, Bartolo)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. Recitativo: “Perfida! E in quella forma meco mentia?” (Figaro, Cherubino, contessa)

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=> 🎶 Le nozze di Figaro, K 492: Atto IV. Recitativo: “Signora, ella mi disse” ... “Madama, voi tremate” (Susanna, Marcellina, contessa, Figaro)

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=> 🎶 Le nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso"

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=> 🎶 Le nozze di Figaro: Atto IV. “Giunse alfin il momento” … “Deh vieni non tardar”

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=> 🎶 Le nozze di Figaro: Sinfonia

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Aria (coutertenor) "Ach, bleibe doch, mein liebstes Leben"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Aria (soprano) "Jesu, deine Gnadenblicke"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Chorale "Nun liegt alles unter dir"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Chorale "Wenn soll es doch geschehen"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Chorus "Lobet Gott in seinen Reichen"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Recitative (bass) "Ach, Jesu. ist dein Abschied schon so nah?"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Recitative (countertenor) "Ach ja! so komme bald zurück"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Recitative (tenor [Evangelist], bass) "Und da sie ihm nachsahen"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Recitative (tenor [Evangelist]) "Der Herr Jesus hub seine Hände auf"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Recitative (tenor [Evangelist]) "Sie aber beteten ihn an"

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=> 🎶 Lobet Gott in seinen Reichen, BWV 11: Recitative (tenor [Evangelist]) "Und ward aufgehoben zusehends"

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=> 🎶 Lohengrin: Akt I. »Dank, König, dir, dass du zu richten kamst!« (Friedrich, Männerchor, König, Heerrufer)

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=> 🎶 Lohengrin: Akt I. »Des Ritters will ich wahren« (Elsa, Männerchor, König, Heerrufer)

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=> 🎶 Lohengrin: Akt I. »Durch Gottes Sieg ist jetzt dein Leben mein« (Lohengrin, Chor, König, Elsa, Ortrud, Friedrich)

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=> 🎶 Lohengrin: Akt I. »Einsam in trüben Tagen« (Elsa, Männerchor, König, Friedrich)

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=> 🎶 Lohengrin: Akt I. »Hört! Grafen, Edle, Freie von Brabant!« (Der Heerrufer, Männerchor, König Heinrich)

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=> 🎶 Lohengrin: Akt I. »Nun höret mich und achtet wohl« (Heerrufer, Chor, Lohengrin, Friedrich, König, Elsa, Ortrud)

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=> 🎶 Lohengrin: Akt I. »Nun sei bedankt, mein lieber Schwan!« (Lohengrin, Chor, König, Elsa)

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=> 🎶 Lohengrin: Akt I. »Ohn' Antwort ist der Ruf verhallt!« (Männerchor, Friedrich, Elsa, König, Heerrufer, Frauenchor)

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=> 🎶 Lohengrin: Akt I. »Seht hin! Sie naht, die hart Beklagte!« (Männerchor, König, Elsa)

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=> 🎶 Lohengrin: Akt I. »Welch holde Wunder muss ich sehen?« (Chor, Lohengrin, Friedrich, König)

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=> 🎶 Lohengrin: Akt I. »Wenn ich im Kampfe für dich siege« (Lohengrin, Elsa)

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=> 🎶 Lohengrin: Akt II. »Des Königs Wort und Will' tu' ich euch kund« (Heerrufer, Männerchor)

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=> 🎶 Lohengrin: Akt II. »Du wilde Seherin, wie willst du doch« (Friedrich, Ortrud)

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=> 🎶 Lohengrin: Akt II. »Elsa!« / »Wer ruft?« (Ortrud, Elsa)

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=> 🎶 Lohengrin: Akt II. »Erhebe dich, Genossin meiner Schmach!« (Friedrich, Ortrud)

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=> 🎶 Lohengrin: Akt II. »Euch Lüften, die mein Klagen« (Elsa, Ortrud, Friedrich)

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=> 🎶 Lohengrin: Akt II. »Gesegnet soll sie schreiten« (Chor)

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=> 🎶 Lohengrin: Akt II. »In Früh'n versammelt uns der Ruf« (Chor)

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=> 🎶 Lohengrin: Akt II. »Mein Held, entgegne kühn dem Ungetreuen!« (König, Chor, Lohengrin, Friedrich, Elsa)

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=> 🎶 Lohengrin: Akt II. »Nun hört, dem Lande will er uns entführen!« (Die vier Edlen, Friedrich, vier Edelknaben)

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=> 🎶 Lohengrin: Akt II. »O König! Trugbetörte Fürsten! Haltet ein!« (Friedrich, König, Chor, Lohengrin)

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=> 🎶 Lohengrin: Akt II. »Ortrud, wo bist du?« (Elsa, Ortrud, Friedrich)

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=> 🎶 Lohengrin: Akt II. »Was macht dich in so wilder Klage doch vergehn?« (Ortrud, Friedrich)

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=> 🎶 Lohengrin: Akt II. »Welch ein Geheimnis muss der Held bewahren?« (König, Chor, Ortrud, Friedrich, Lohengrin, Elsa)

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=> 🎶 Lohengrin: Akt II. »Zurück, Elsa! Nicht länger will ich dulden« (Ortrud, Chor, Elsa) / »Heil! Heil dem König!« (Chor, König, Elsa, Lohengrin)

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=> 🎶 Lohengrin: Akt II. Einleitung

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=> 🎶 Lohengrin: Akt III. »Ach nein! Doch dort - der Schwan!« (Elsa, Lohengrin)

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=> 🎶 Lohengrin: Akt III. »Das süße Lied verhallt; wir sind allein« (Lohengrin, Elsa)

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=> 🎶 Lohengrin: Akt III. »Heil König Heinrich!« (Männerchor, König)

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=> 🎶 Lohengrin: Akt III. »Höchstes Vertraun hast du mir schon zu danken« (Lohengrin, Elsa)

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=> 🎶 Lohengrin: Akt III. »In fernem Land, unnahbar euren Schritten« (Lohengrin, König, Chor)

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=> 🎶 Lohengrin: Akt III. »Mein lieber Schwan!« (Lohengrin, König, Chor, Ortrud, Elsa)

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=> 🎶 Lohengrin: Akt III. »Mir schwankt der Boden!« (Elsa, Lohengrin, Chor, König)

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=> 🎶 Lohengrin: Akt III. »Treulich geführt ziehet dahin« (Chor, Kammerfrauen) / Brautlied

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=> 🎶 Lohengrin: Akt III. »Was bringen die? Was tun sie kund?« (Chor, König, die vier Edlen, Lohengrin)

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=> 🎶 Lohengrin: Akt III. »Wie hehr erkenn' ich unsrer Liebe Wesen!« (Lohengrin, Elsa)

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=> 🎶 Lohengrin: Akte III. Vorspiel

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=> 🎶 Lohengrin: Vorspiel

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=> 🎶 Marche français (Joyeuse Marche)

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=> 🎶 Messa da Requiem: Agnus Dei. “Agnus Dei, qui tollis peccata mundi” (soprano, mezzo-soprano, chorus)

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=> 🎶 Messa da Requiem: Dies Irae. “Confutatis” (bass, chorus)

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=> 🎶 Messa da Requiem: Dies Irae. “Dies irae” (chorus)

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=> 🎶 Messa da Requiem: Dies Irae. “Ingemisco” (tenor)

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=> 🎶 Messa da Requiem: Dies Irae. “Lacrymosa” (solos, chorus)

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=> 🎶 Messa da Requiem: Dies Irae. “Liber scriptus” (mezzo-soprano, chorus)

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=> 🎶 Messa da Requiem: Dies Irae. “Quid sum miser” (mezzo-soprano, soprano, tenor)

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=> 🎶 Messa da Requiem: Dies Irae. “Recordare” (mezzo-soprano, soprano)

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=> 🎶 Messa da Requiem: Dies Irae. “Rex tremendae” (chorus, solos)

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=> 🎶 Messa da Requiem: Dies Irae. “Tuba mirum” (chorus, bass)

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=> 🎶 Messa da Requiem: Libera Me. “Libera me, Domine” (soprano, chorus)

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=> 🎶 Messa da Requiem: Lux Aeterna. “Lux aeterna luceat eis” (mezzo-soprano, bass, tenor)

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=> 🎶 Messa da Requiem: Offertorio. “Domine Jesu Christe” (solos)

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=> 🎶 Messa da Requiem: Requiem. “Requiem aeternam” (chorus, solos)

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=> 🎶 Messa da Requiem: Sanctus. “Sanctus, Sanctus, Sanctus Dominus” (double chorus)

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=> 🎶 Messe Nr. 1 D-moll für Soli, Chor und Orchester: I. Kyrie

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=> 🎶 Messe Nr. 1 D-moll für Soli, Chor und Orchester: II. Gloria

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=> 🎶 Messe Nr. 1 D-moll für Soli, Chor und Orchester: III. Credo

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=> 🎶 Messe Nr. 1 D-moll für Soli, Chor und Orchester: IV. Sanctus

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=> 🎶 Messe Nr. 1 D-moll für Soli, Chor und Orchester: V. Benedictus

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=> 🎶 Messe Nr. 1 D-moll für Soli, Chor und Orchester: VI. Agnus Dei

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=> 🎶 Moses und Aron: Act I, Scene 1. "Einziger, ewiger, allgegenwärtiger"

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=> 🎶 Moses und Aron: Act I, Scene 2. "Du Sohn meiner Väter"

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=> 🎶 Moses und Aron: Act I, Scene 3. "Ich hab' ihn gesehn"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Alles für die Freiheit"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Allmächtiger, meine Kraft ist zu Ende"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Bringt ihr Erhörung"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Dein Stab zwingt uns"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Der Einzige, Ewige, Allmächtige"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Ein Wunder erfüllt uns mit Schrecken"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Er hat uns auserwählt"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Schließet die Augen"

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=> 🎶 Moses und Aron: Act I, Scene 4. "Wo ist Moses?"

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=> 🎶 Moses und Aron: Act II, Scene 1. "Vierzig Tage liegen wir nun schon hier!"

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=> 🎶 Moses und Aron: Act II, Scene 2. "Wo ist Moses?"

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=> 🎶 Moses und Aron: Act II, Scene 3. "Diese Bild bezeugt"

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=> 🎶 Moses und Aron: Act II, Scene 3. "Du goldener Gott"

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=> 🎶 Moses und Aron: Act II, Scene 3. "Frei unter eigenen Herren"

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=> 🎶 Moses und Aron: Act II, Scene 3. "O Götterbild, du strahlst"

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=> 🎶 Moses und Aron: Act II, Scene 3. Dance of the butchers

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=> 🎶 Moses und Aron: Act II, Scene 3. Erotic Orgy

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=> 🎶 Moses und Aron: Act II, Scene 3. Orgy of destruction and suicide

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=> 🎶 Moses und Aron: Act II, Scene 3. Orgy of drunkenness and dancing

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=> 🎶 Moses und Aron: Act II, Scene 4. "Moses steigt vom Berg herab"

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=> 🎶 Moses und Aron: Act II, Scene 5. "Aron, was hast du getan?"

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=> 🎶 Moses und Aron: Introduction: Sehr langsam

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=> 🎶 Nocturne for cello and piano, op. 14, no. 1

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=> 🎶 Nocturne in c-sharp minor op. posth.

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=> 🎶 Nocturne in C-sharp minor, op. posth.: Lento con gran espressione

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=> 🎶 Nocturne in D-flat major op. 27/2

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=> 🎶 Nocturne, op. 15, no. 1 (transcription for cello & piano by A. Franchomme)

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=> 🎶 Octet: 1. Sinfonia. Lento - Allegro moderato

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=> 🎶 Octet: 2. Tema con variazioni. Andantino - Var. A - Var. B - Var. A - Var. C - Var. D - Var. A - Var. E / Moderato (𝅘𝅥 = 116) - attacca

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=> 🎶 Ouverture de "Gwendoline"

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=> 🎶 Overture in F major, op. 67

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=> 🎶 Overture solennelle, op. 73

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=> 🎶 Overture to "Il mondo della luna", Hob. XXVIII:7

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=> 🎶 Partita No.1 In B-Flat Major, BWV 825 - I. Prelude

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=> 🎶 Partita No.1 In B-Flat Major, BWV 825 - II. Allemande

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=> 🎶 Partita No.1 In B-Flat Major, BWV 825 - III. Courante

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=> 🎶 Partita No.1 In B-Flat Major, BWV 825 - IV. Sarabande

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=> 🎶 Partita No.1 In B-Flat Major, BWV 825 - V. Menuet I & II

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=> 🎶 Partita No.1 In B-Flat Major, BWV 825 - VI. Gigue

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=> 🎶 Partita No.3 In A Minor, BWV 827 - I. Fantasia

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=> 🎶 Partita No.3 In A Minor, BWV 827 - II. Allemande

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=> 🎶 Partita No.3 In A Minor, BWV 827 - III. Corrente

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=> 🎶 Partita No.3 In A Minor, BWV 827 - IV. Sarabande

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=> 🎶 Partita No.3 In A Minor, BWV 827 - V. Burlesca

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=> 🎶 Partita No.3 In A Minor, BWV 827 - VI. Scherzo

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=> 🎶 Partita No.3 In A Minor, BWV 827 - VII. Gigue

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=> 🎶 Pelléas et Melisande - Concert Suite, L 88: Acte I. Une forêt

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=> 🎶 Pelléas et Melisande - Concert Suite, L 88: Acte II, scène 1. Une fontaine dans le parc

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=> 🎶 Pelléas et Melisande - Concert Suite, L 88: Acte III, scène 2. Les souterrains du château / Acte IV, scène 2. Un appartement dans le château

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=> 🎶 Pelléas et Melisande - Concert Suite, L 88: Acte V: Une chambre dans le château

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=> 🎶 Piano Concerto No. 1: I. Allegro moderato - Allegro

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=> 🎶 Piano Concerto No. 1: II. Allegro - attacca: / Piano Concerto No. 1: III. Allegro molto

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=> 🎶 Piano Concerto No. 1: II. Andante -

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=> 🎶 Piano Concerto No. 2: I. Allegro

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=> 🎶 Piano Concerto No. 2: II. Adagio - Presto - Adagio

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=> 🎶 Piano Concerto No. 2: III. Allegro molto

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=> 🎶 Piano Concerto No. 3: I. Allegretto

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=> 🎶 Piano Concerto No. 3: II. Adagio religioso

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=> 🎶 Piano Concerto No. 3: III. Allegro vivace

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=> 🎶 Piano Quintet in G minor, op. 30: I. Introduzione. Adagio mesto

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=> 🎶 Piano Quintet in G minor, op. 30: II. Scherzo. Presto - Moderato teneramente - Tempo I

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=> 🎶 Piano Quintet in G minor, op. 30: III. Largo

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=> 🎶 Piano Quintet in G minor, op. 30: IV. Finale. Allegro vivace - Moderato maestoso

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=> 🎶 Piano Sonata No. 14 in A minor, Op. Posth. 143, D. 784 "Grande Sonate": I. Allegro giusto

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=> 🎶 Piano Sonata No. 14 in A minor, Op. Posth. 143, D. 784 "Grande Sonate": II. Andante

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=> 🎶 Piano Sonata No. 14 in A minor, Op. Posth. 143, D. 784 "Grande Sonate": III. Allegro vivace

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=> 🎶 Piano Sonata No. 15 in C major, D. 840 "Reliquie": I. Andante

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=> 🎶 Piano Sonata No. 15 in C major, D. 840 "Reliquie": I. Moderato

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=> 🎶 Piano Sonata No. 16 in A minor, Op. 42, D. 845: I. Moderato

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=> 🎶 Piano Sonata No. 16 in A minor, Op. 42, D. 845: II. Andante Poco Moto

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=> 🎶 Piano Sonata No. 16 in A minor, Op. 42, D. 845: III. Scherzo. Allegro vivace

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=> 🎶 Piano Sonata No. 16 in A minor, Op. 42, D. 845: IV. Rondo. Allegro vivace

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=> 🎶 Piano Sonata No. 17 in D major, Op. 53, D. 850 "Gasteiner": I. Allegro vivace

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=> 🎶 Piano Sonata No. 17 in D major, Op. 53, D. 850 "Gasteiner": II. Con Moto

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=> 🎶 Piano Sonata No. 17 in D major, Op. 53, D. 850 "Gasteiner": III. Scherzo. Allegro vivace

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=> 🎶 Piano Sonata No. 17 in D major, Op. 53, D. 850 "Gasteiner": IV. Rondo. Allegro moderato

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=> 🎶 Piano Sonata No. 18 in G major, Op. 78, D. 894: I. Molto moderato e cantabile

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=> 🎶 Piano Sonata No. 18 in G major, Op. 78, D. 894: II. Andante

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=> 🎶 Piano Sonata No. 18 in G major, Op. 78, D. 894: III. Menuetto. Allegro moderato

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=> 🎶 Piano Sonata No. 18 in G major, Op. 78, D. 894: IV. Allegretto

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=> 🎶 Piano Sonata No. 19 in C minor, D. 958: I. Allegro

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=> 🎶 Piano Sonata No. 19 in C minor, D. 958: II. Adagio

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=> 🎶 Piano Sonata No. 19 in C minor, D. 958: III. Menuetto. Allegro

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=> 🎶 Piano Sonata No. 19 in C minor, D. 958: IV. Allegro

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=> 🎶 Piano Sonata No. 20 in A major, D. 959: I. Allegro

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=> 🎶 Piano Sonata No. 20 in A major, D. 959: III. Andantino

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=> 🎶 Piano Sonata No. 20 in A major, D. 959: IIII. Scherzo. Allegro vivace

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=> 🎶 Piano Sonata No. 20 in A major, D. 959: IIV. Rondo. Allegretto

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=> 🎶 Piano Sonata No. 21 in B-flat major, D. 960: I. Molto moderato

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=> 🎶 Piano Sonata No. 21 in B-flat major, D. 960: II. Andante sostenuto

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=> 🎶 Piano Sonata No. 21 in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza

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=> 🎶 Piano Sonata No. 21 in B-flat major, D. 960: IV. Allegro ma non troppo

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=> 🎶 Piano Trio in D, op. 22: I. Allegro

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=> 🎶 Piano Trio in D, op. 22: II. Allegro molto - Tema con variazoni - Tempo I - Moderato - Andantino - Tempo I

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=> 🎶 Piano Trio in D, op. 22: III. Andante espressivo - attacca

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=> 🎶 Piano Trio in D, op. 22: IV. Finale. Allegro con brio

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=> 🎶 Polonaise brillante in C major, op. 3: Polonaise brillante

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=> 🎶 Polonaise for Violin and Orchestra in B-flat major, D. 580

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=> 🎶 Prélude pastoral

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=> 🎶 Prince Igor: Overture

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=> 🎶 Quatre Etudes pour orchestre: I. Danse

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=> 🎶 Quatre Etudes pour orchestre: II. Excentrique

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=> 🎶 Quatre Etudes pour orchestre: III. Cantique

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=> 🎶 Quatre Etudes pour orchestre: IV. Madrid

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=> 🎶 Romancer, op. 39: 1. Fra Monte Pincio

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=> 🎶 Rondo à la krakowiak in F major, op. 14: Introduzione. Andantino quasi Allegretto - Allegro molto

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=> 🎶 Rondo à la krakowiak in F major, op. 14: Rondo. Allegro non troppo - Poco meno mosso

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=> 🎶 Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro - Andante - Tempo I

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=> 🎶 Rondo for Violin and String Orchestra in A major, D. 438: Adagio - Allegro giusto

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=> 🎶 Rondo in A major, WoO 49: Allegretto

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=> 🎶 Rondo in C major, WoO 48: Allegretto

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=> 🎶 Ruslan and Ludmilla: Overture

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=> 🎶 Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra

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=> 🎶 Scherzo fantastique, op. 3: Con moto - Moderato assai - Più mosso - Tempo I

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=> 🎶 Schönfeld-Marsch, op. 422

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=> 🎶 Seks Digte af Henrik Ibsen, op. 25: 2. En svane

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=> 🎶 Seks Digte af Henrik Ibsen, op. 25: 4. Med en vandlilje

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=> 🎶 Seks Digte af Holger Drachmann, op. 49: 6. Forårsregn

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=> 🎶 Seks Sange, op. 48: 1. Gruß

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=> 🎶 Seks Sange, op. 48: 2. Dereinst, Gedanke mein

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=> 🎶 Seks Sange, op. 48: 3. Lauf der Welt

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=> 🎶 Seks Sange, op. 48: 4. Die verschwiegene Nachtigall

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=> 🎶 Seks Sange, op. 48: 5. Zur Rosenzeit

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=> 🎶 Seks Sange, op. 48: 6. Ein Traum

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=> 🎶 Semyon Kotko, Suite, op. 81a: Introduction

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=> 🎶 Sieben frühe Lieder: 1. Nacht

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=> 🎶 Sieben frühe Lieder: 2. Schilflied

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=> 🎶 Sieben frühe Lieder: 3. Die Nachtigall

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=> 🎶 Sieben frühe Lieder: 4. Traumgekrönt

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=> 🎶 Sieben frühe Lieder: 5. Im Zimmer

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=> 🎶 Sieben frühe Lieder: 6. Liebesode

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=> 🎶 Sieben frühe Lieder: 7. Sommertage

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=> 🎶 Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato

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=> 🎶 Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio

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=> 🎶 Sonata for Cello and Piano in G minor, op. 65: III. Largo

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=> 🎶 Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro

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=> 🎶 Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): I. Largo - Allegro

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=> 🎶 Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): II. Adagio

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=> 🎶 Sonata no. 17 in d, op. 31 no. 2 (“The Tempest”): III. Allegretto

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=> 🎶 Suite pastorale: I. Idylle

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=> 🎶 Suite pastorale: II. Danse villageoise

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=> 🎶 Suite pastorale: III. Sous-bois

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=> 🎶 Suite pastorale: IV. Scherzo-valse

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=> 🎶 Symphonie No. 1, Op. 68: Adagio, piu andante, allegro non troppo, ma con brio

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=> 🎶 Symphonie No. 1, Op. 68: Allegro, un poco sostenuto

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=> 🎶 Symphonie No. 1, Op. 68: Andante, sostenuto

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=> 🎶 Symphonie No. 1, Op. 68: Un poco allegretto e grazioso

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: “Veni, creator spiritus”

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Etwas drängend — Noch einmal so langsam. (Nicht schleppend) “Infirma nostri corporis”

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzlichem Aufschwung “Accende lumen sensibus”

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als corher. Nicht schleppend “Infirma nostri corporis”

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)

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=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Wieder frisch “Gloria sit Patri Domino”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Allegro — (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied der Geisterwelt vom Bösen” / Chor selige Knaben: “Hände verschlinget euch”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Äußerst langsam. Adagissimo. “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” / Maria Aegyptiaca: “Bei dem hochgeweihten Orte”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Moderato. Pater ecstaticus: “Ewiger Wonnebrand”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Molto leggiero. Chor der jüngeren Engel: “Jene Rosen aus den Händen”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Più mosso. (Allegro moderato)

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Poco adagio

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Schon etwas langsamer und immer noch mäßiger — Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sehr langsam. Mater gloriosa: “Komm! Hebe dich zu höhern Sphären!” / Hymnenartig (Ungefähr im selbem Zeitmaß weiter) / Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sempre l’istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt!”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Una poenitentium: “Neige, neige du Ohnegleiche”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Unmerklich frischer werden. Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen Geisterchor umgeben”

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=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Wieder langsam. Chor und Echo: “Waldung, sie schwankt heran”

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=> 🎶 Symphonie no. 9 in C-dur, D 944: I. Andante — Allegro ma non troppo

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=> 🎶 Symphonie no. 9 in C-dur, D 944: II. Andante con moto

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=> 🎶 Symphonie no. 9 in C-dur, D 944: III. Scherzo. Allegro vivace

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=> 🎶 Symphonie no. 9 in C-dur, D 944: IV. Allegro vivace

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=> 🎶 Symphonies of Wind Instruments

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=> 🎶 Symphony in B-flat major, Hob. I:98: I. Adagio - Allegro

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=> 🎶 Symphony in B-flat major, Hob. I:98: II. Adagio cantabile

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=> 🎶 Symphony in B-flat major, Hob. I:98: III. Menuetto. Allegro

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=> 🎶 Symphony in B-flat major, Hob. I:98: IV. Finale. Presto

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=> 🎶 Symphony in Three Movements: I. ♩ = 160

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=> 🎶 Symphony in Three Movements: II. Andante – Interlude (L’istesso tempo)

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=> 🎶 Symphony in Three Movements: III. Con moto

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=> 🎶 Symphony No. 1 in D minor, Op. 13: I. Grave - Allegro ma non troppo

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=> 🎶 Symphony No. 1 in D minor, Op. 13: II. Scherzo. Allegro animato

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=> 🎶 Symphony No. 1 in D minor, Op. 13: III. Larghetto

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=> 🎶 Symphony No. 1 in D minor, Op. 13: IV. Allegro con fuoco

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=> 🎶 Symphony no. 1: I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich

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=> 🎶 Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich

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=> 🎶 Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen

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=> 🎶 Symphony no. 1: IV. Stürmisch bewegt

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. (English horn / cor anglais)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso

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=> 🎶 Symphony No. 2 in C minor "Resurrection": I. Allegro maestoso

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Ausdrucksvoll (English horn & bass clarinet)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Etwas drängend

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Im Tempo nachgeben

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Molto pesante

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Schnell

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Sehr getragen (Trumpet & trombone / Posaune)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Sehr langsam beginnend

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Sehr mässig und zurückhaltend

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Tempo I

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Tempo sostenuto

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Wie zu Anfang

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=> 🎶 Symphony no. 2 in C minor "Resurrection": I. Zurückhalten

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=> 🎶 Symphony no. 2 in C minor "Resurrection": II. 3 bars before Wieder in's Tempo zurückgehen. Tempo I

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=> 🎶 Symphony no. 2 in C minor "Resurrection": II. Andante moderato

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=> 🎶 Symphony No. 2 in C minor "Resurrection": II. Andante moderato

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=> 🎶 Symphony no. 2 in C minor "Resurrection": II. In Tempo I. zurückkehren

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=> 🎶 Symphony no. 2 in C minor "Resurrection": II. Nicht eilen. Sehr gemächlich

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=> 🎶 Symphony no. 2 in C minor "Resurrection": II. Tempo I. Energisch bewegt

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. (Bassoon / Fagott & violas / altos)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. (Cellos & basses)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. (Piccolo)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. (Trumpets & trombones)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. (Violas, cellos & basses)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung

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=> 🎶 Symphony No. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. Sehr getragen und gesangvoll

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. Vorwärts

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=> 🎶 Symphony no. 2 in C minor "Resurrection": III. Zum Tempo I. zurückkehren

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=> 🎶 Symphony no. 2 in C minor "Resurrection": IV. "Urlicht" (from Des Knaben Wunderhorn) Sehr feierlich, aber schlicht (Choralmässig) "O Röschen rot"

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. (Trombone)

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Etwas bewegter "O Glaube"

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Im Anfang sehr zurückgehalten

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend

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=> 🎶 Symphony No. 2 in C minor "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Langsam

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Langsam

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Langsam, Misterioso "Aufersteh'n"

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Mit Aufschwung, aber nicht eilen "O Schmerz"

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Pesante "Aufersteh'n"

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Ritenuto

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Sehr langsam und gedehnt ("der grosse Appell")

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Wieder sehr breit

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=> 🎶 Symphony no. 2 in C minor "Resurrection": V. Wieder zurückhaltend

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=> 🎶 Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso

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=> 🎶 Symphony no. 2 in C minor “Resurrection”: II. Andante moderato

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=> 🎶 Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung

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=> 🎶 Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”

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=> 🎶 Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos

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=> 🎶 Symphony no. 3 in D minor: I. Kraftig. Entschieden

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=> 🎶 Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr Massig

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=> 🎶 Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast

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=> 🎶 Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus

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=> 🎶 Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck

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=> 🎶 Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden

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=> 🎶 Symphony no. 5 in B-flat major: I. Introduction: Adagio - Allegro

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=> 🎶 Symphony no. 5 in B-flat major: II. Adagio: Sehr langsam

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=> 🎶 Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace (Schnell) - Trio im gleichen Tempo

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=> 🎶 Symphony no. 5 in B-flat major: IV. Finale: Adagio - Allegro moderato

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=> 🎶 Symphony no. 6 in A minor: I. Allegro energico, ma non troppo

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=> 🎶 Symphony no. 6 in A minor: II. Scherzo. Wuchtig

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=> 🎶 Symphony no. 6 in A minor: III. Andante

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=> 🎶 Symphony no. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico

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=> 🎶 Symphony no. 7 In E minor: I. Langsam (Adagio)

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=> 🎶 Symphony no. 7 In E minor: II. Nachtmusik. Allegro moderato

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=> 🎶 Symphony no. 7 In E minor: III. Scherzo. Schattenhaft – Trio

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=> 🎶 Symphony no. 7 In E minor: IV. Nachtmusik. Andante amoroso

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=> 🎶 Symphony no. 7 In E minor: V. Rondo-Finale. Tempo I (Allegro ordinario)

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=> 🎶 Symphony of Psalms: I. Exaudi orationem meam, Domine

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=> 🎶 Symphony of Psalms: II. Expectans expectavi Dominum

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=> 🎶 Symphony of Psalms: III. Alleluia, laudate Dominum

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=> 🎶 The Distant Princess, op. 4

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=> 🎶 The Enchanted Kingdom, op. 39

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=> 🎶 The Enchanted Lake, op. 62

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=> 🎶 The Golden Cockerel Suite: I. Introduction and Dodon's Sleep

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=> 🎶 The Golden Cockerel Suite: II. King Dodon on the Battlefield

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=> 🎶 The Golden Cockerel Suite: III. Queen of Shemakha's Dance - King Dodon's Dance

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=> 🎶 The Golden Cockerel Suite: IV. Wedding Procession - Death of King Dodon - Finale

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=> 🎶 The Planets, op. 32: 1. Mars, the Bringer of War. Allegro

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=> 🎶 The Planets, op. 32: 2. Venus, the Bringer of Peace. Adagio - Andante - Animato - Tempo I

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=> 🎶 The Planets, op. 32: 3. Mercury, the Winged Messenger. Vivace

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=> 🎶 The Planets, op. 32: 4. Jupiter, the Bringer of Jollity. Allegro giocoso - Andante maestoso - Tempo I - Maestoso - Lento maestoso - Presto

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=> 🎶 The Planets, op. 32: 5. Saturn, the Bringer of Old Age. Adagio - Andante

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=> 🎶 The Planets, op. 32: 6. Uranus, the Magician. Allegro - Lento - Allegro - Largo

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=> 🎶 The Planets, op. 32: 7. Neptune, the Mystic. Andante - Allegretto

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Arioso: “Dear father Trulove” (Rakewell) / Terzettino: “Laughter and light” (Rakewell, Anne, Trulove; Shadow)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Duet and Trio: “The woods are green” (Anne, Rakewell, Trulove)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Duettino: “Farewell for now” (Anne, Rakewell)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Recitative: “All is ready, sir” (Shadow, Rakewell)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Recitative: “Anne, my dear” (Trulove, Anne, Rakewell)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Recitative: “Fair lady, gracious gentlemen” (Shadow) / Quartet: “I wished but once” (Rakewell, Shadow, Anne, Trulove)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Recitative: “Here I stand” (Rakewell) / Aria: “Since it is not by merit" (Rakewell)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Recitative: “I’ll call the coachman, sir” (Shadow, Trulove)

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=> 🎶 The Rake’s Progress: Act One, Scene 1. Recitative: “Tom Rakewell?” (Shadow, Rakewell)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Aria: “Quietly, night” (Anne; Trulove)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Cabaletta: “I go, I go to him” (Anne)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Cavatina: “Love, too frequently betrayed” (Rakewell)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Chorus: “How sad a song” (Whores, Mother Goose)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Chorus: “Soon dawn will glitter” (Whores, Roaring Boys)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Chorus: “The sun is bright, the grass is green” (Whores, Roaring Boys; Shadow)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Chorus: “With air commanding and weapon handy” (Roaring Boys, Whores)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Recitative and Scene: “Come, Tom” (Shadow, Rakewell, Mother Goose)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Recitative: “My father! Can I desert him” (Anne)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Recitative: “No word from Tom” (Anne)

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=> 🎶 The Rake’s Progress: Act One, Scene 2. Recitative: “Sisters of Venus, Brothers of Mars” (Shadow)

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=> 🎶 The Rake’s Progress: Act Three, Finale. Mourning Chorus: “Mourn for Adonis” (Chorus)

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=> 🎶 The Rake’s Progress: Act Three, Finale. Recitative: “Where art thou, Venus?” (Rakewell, Madmen)

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=> 🎶 The Rake’s Progress: Act Three, Scene 1. “Ruin. Disaster. Shame” (Crowd, Anne, Sellem)

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=> 🎶 The Rake’s Progress: Act Three, Scene 1. Aria: “Sold! Annoyed!” (Baba; Crowd; Rakewell, Shadow) / Recitative: “Now what was that!” (Crowd, Baba, Anne, Sellem)

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=> 🎶 The Rake’s Progress: Act Three, Scene 1. Aria: “Who hears me, knows me” (Sellem; Crowd) / Bidding Scene: “Seven — eleven” (Crowd, Sellem) / Aria: “Behold it, Roman, moral” (Sellem; Crowd) / Bidding Scene: “Fifteen — and a half” (Crowd, Sellem) / Recitative: “Wonderful” (Sellem) / Aria (continued): “An unknown object draws us” (Sellem; Crowd) / “Fifty — fifty‐five” (Crowd, Sellem, Baba)

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=> 🎶 The Rake’s Progress: Act Three, Scene 1. Duet: “You love him” (Baba, Anne, Crowd, Sellem) / Ballad Tune: “If boys had wings” (Rakewell, Shadow, Anne, Baba, Sellem, Crowd)

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=> 🎶 The Rake’s Progress: Act Three, Scene 1. Recitative: “Ladies both fair and gracious”

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=> 🎶 The Rake’s Progress: Act Three, Scene 1. Stretto–Finale: “I go to him” (Anne, Baba, Sellem, Crowd / Ballad Tune (reprise): “Who cares a fig” (Rakewell, Shadow, Baba, Crowd)

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=> 🎶 The Rake’s Progress: Act Three, Scene 2. “I burn, I burn! I freeze!” (Shadow)

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=> 🎶 The Rake’s Progress: Act Three, Scene 2. “With roses crowned” (Rakewell)

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=> 🎶 The Rake’s Progress: Act Three, Scene 2. Duet: “How dark and dreadful is this place” (Rakewell, Shadow)

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=> 🎶 The Rake’s Progress: Act Three, Scene 2. Duet: “Well then” — ”My heart is wild with fear” (Shadow, Rakewell; Anne)

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=> 🎶 The Rake’s Progress: Act Three, Scene 2. Prelude

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=> 🎶 The Rake’s Progress: Act Three, Scene 2. Recitative: “Very well then, my dear and good Tom” (Shadow, Rakewell)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Arioso: “I have waited” (Rakewell)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Arioso: “Prepare yourselves, heroic shades” (Rakewell) / Dialogue: “Madmen’s words are all untrue” (Madmen, Rakewell) / Chorus – Minuet: “Leave all love and hope behind” (Madmen)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Duet: “In a foolish dream” (Rakewell, Anne)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Duettino: “Every wearied body” (Anne, Trulove)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Lullaby: “Gently, little boat” (Anne, Madmen)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Recitative: “Anne, my dear” (Trulove, Anne)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Recitative: “I am exceeding weary” (Rakewell)

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=> 🎶 The Rake’s Progress: Act Three, Scene 3. Recitative: “There he is. Have no fear” (Keeper, Anne, Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. “Come, master, observe the host of mankind” (Shadow)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. Aria (reprise): “Always the quarry that I stalk” (Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. Aria: “In youth the panting slave pursues” (Shadow)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. Aria: “Vary the song, O London” (Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. Duet–Finale: “My tale shall be told” (Rakewell, Shadow)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. Recitative: “Master, are you alone?” (Shadow, Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 1. Recitative: “O Nature, green unnatural mother” (Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 2. [Introduction]

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=> 🎶 The Rake’s Progress: Act Two, Scene 2. Duet: “Anne! here!” (Rakewell, Anne)

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=> 🎶 The Rake’s Progress: Act Two, Scene 2. Finale: “I have not run away” (Baba, Rakewell, Voices, Town People)

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=> 🎶 The Rake’s Progress: Act Two, Scene 2. Recitative: “How strange!" (Anne) / Arioso: “O heart be stronger” (Anne)

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=> 🎶 The Rake’s Progress: Act Two, Scene 2. Recitative: “My love, am I to remain in here for ever?” (Baba; Anne, Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 2. Trio: “Could it then have been known” (Anne, Rakewell, Baba)

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=> 🎶 The Rake’s Progress: Act Two, Scene 3. Aria: “As I was saying” (Baba; Rakewell) / Baba’s Song: “Come, sweet, come” (Baba; Rakewell) / Aria: “Scorned! Abused!” (Baba)

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=> 🎶 The Rake’s Progress: Act Two, Scene 3. Duet: “Thanks to this excellent device” (Rakewell, Shadow)

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=> 🎶 The Rake’s Progress: Act Two, Scene 3. Pantomime: “Fa la la” (Shadow)

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=> 🎶 The Rake’s Progress: Act Two, Scene 3. Recitative – Arioso – Recitative: “O, I wish it were true” (Rakewell, Shadow)

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=> 🎶 The Rake’s Progress: Act Two, Scene 3. Recitative: “Forgive me, master, for intruding” (Shadow, Rakewell)

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=> 🎶 The Rake’s Progress: Act Two, Scene 3. Recitative: “My heart is cold” (Rakewell)

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=> 🎶 The Rake’s Progress: Epilogue. “Good people, just a moment” (Anne, Baba, Rakewell, Shadow, Trulove)

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=> 🎶 The Rake’s Progress: Prelude

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=> 🎶 The Tsar's Bride: Overture

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=> 🎶 The Warriors: Vivace (Tempo I) - Lento (Tempo II) - Tempo I - Lento, poco più mosso - A tempo, pochissimo meno - Tempo I (Dance Orgy) - Lento: molto maestoso (Climax) - Presto (Dance Orgy)

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=> 🎶 The Wooden Prince: Fifth Dance: The Princess Pulls and Tugs at the Wooden Prince

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=> 🎶 The Wooden Prince: First Dance: Dance of the Princess in the Forest

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=> 🎶 The Wooden Prince: Fourth Dance: Dance of the Princess With the Wooden Prince

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=> 🎶 The Wooden Prince: Introduction

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=> 🎶 The Wooden Prince: Second Dance: Dance of the Trees

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=> 🎶 The Wooden Prince: Seventh Dance: Dismayed, the Princess Attempts to Hurry After the Prince, but the Forest Bars Her Way

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=> 🎶 The Wooden Prince: Sixth Dance: She Tries to Attract the Real Prince With Her Seductive Dancing

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=> 🎶 The Wooden Prince: Third Dance: Dance of the Waves

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=> 🎶 Tolv Melodier til Digte af Aasmund Olavsson Vinje op. 33: 5. Langs ei Å

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=> 🎶 Tolv Melodier til Digte af Aasmund Olavsson Vinje, op. 33: 2. Våren

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=> 🎶 Tourbillon-Galopp, op. 142 no. 1

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=> 🎶 Träumerei

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=> 🎶 Twelve Variations on “Ah! Vous dirais-je, maman” K. 265

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=> 🎶 Valses nobles et sentimentales: I. Modéré

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=> 🎶 Valses nobles et sentimentales: II. Assez lent

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=> 🎶 Valses nobles et sentimentales: III. Modéré

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=> 🎶 Valses nobles et sentimentales: IV. Assez animé

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=> 🎶 Valses nobles et sentimentales: V. Presque lent

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=> 🎶 Valses nobles et sentimentales: VI. Assez vif

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=> 🎶 Valses nobles et sentimentales: VII. Moins vif

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=> 🎶 Valses nobles et sentimentales: VIII. Epilogue: Lent

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Coda. Alla Polacca

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Introduzione. Largo - Poco più mosso

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Tema. Allegretto

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Var. I. Brillante

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Var. II. Veloce, ma accuratamente

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Var. III. Sempre sostenuto

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Var. IV. Con bravura

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=> 🎶 Variations on “Là ci darem la mano” From Mozart’s Don Giovanni, op. 2: Var. V. Adagio

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=> 🎶 Verführung, op. 33 Nr. 1

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=> 🎶 Vier letzte Lieder: Beim Schlafengehen

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=> 🎶 Vier letzte Lieder: Frühling

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=> 🎶 Vier letzte Lieder: Im Abendrot

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=> 🎶 Vier letzte Lieder: September

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=> 🎶 Violin Concerto WoO 23: In kräftigem, nicht zu schnellem Tempo

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=> 🎶 Violin Concerto WoO 23: Langsam

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=> 🎶 Violin Concerto WoO 23: Lebhaft, doch nicht schnell

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=> 🎶 Waldseligkeit, op. 49 Nr. 1

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=> 🎶 Waltz “Ballsirenen”

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=> 🎶 Waltz “Die Schönbrunner”, op. 200

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=> 🎶 Waltz “Gold und Silber”, op. 79

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=> 🎶 Waltz “Wiener Bürger”, op. 419

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=> 🎶 Wer da gläubet und getauft wird, BWV 37: Aria (bass) "Der Glaube schafft der Seele Flügel"

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=> 🎶 Wer da gläubet und getauft wird, BWV 37: Aria (tenor) "Der Glaube ist das Pfand der Liebe"

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=> 🎶 Wer da gläubet und getauft wird, BWV 37: Chorale "Den Glauben mir verleihe an dein' Sohn Jesum Christ"

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=> 🎶 Wer da gläubet und getauft wird, BWV 37: Chorale (soprano, countertenor) "Herr Gott Vater, main starker Held!"

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=> 🎶 Wer da gläubet und getauft wird, BWV 37: Chorus "Wer da gläubet und getauft wird"

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=> 🎶 Wer da gläubet und getauft wird, BWV 37: Recitative (bass) "Ihr Sterblichen, verlanget ihr"

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=> 🎶 "Grāmata čellam / The Book" for Cello Solo: I. Fortissimo

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=> 🎶 "Grāmata čellam / The Book" for Cello Solo: II. Pianissimo

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=> 🎶 5 Rückert-Lieder: I. Liebst du um Schönheit

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=> 🎶 5 Rückert-Lieder: II. Ich atmet einen linden Duft

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=> 🎶 5 Rückert-Lieder: III. Blicke mir nicht in die Lieder

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=> 🎶 5 Rückert-Lieder: III. Ich bin der Welt abhanden gekommen

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=> 🎶 5 Rückert-Lieder: IV. Um Mitternacht

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=> 🎶 Alt‐Wiener Tanzweisen: No. 2 Liebesleid

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=> 🎶 Berceuse, op. 20

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=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento

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=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo

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=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo

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=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo

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=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto

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=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro

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=> 🎶 Das klagende Lied: I. Abteilung: Ach Spielmann, lieber Spielmann mein!

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=> 🎶 Das klagende Lied: I. Abteilung: Beim Weidenbaum, im kühlen Tann

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=> 🎶 Das klagende Lied: I. Abteilung: Ein Spielmann zog einst des Weges daher

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=> 🎶 Das klagende Lied: II. Abteilung: Ach Bruder, lieber Bruder mein!

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=> 🎶 Das klagende Lied: II. Abteilung: Ach Spielmann, lieber Spielmann mein!

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=> 🎶 Das klagende Lied: II. Abteilung: Auf springt der König von seinem Thron

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=> 🎶 Das klagende Lied: II. Abteilung: Von hohen Felsen erglänzt das Schloss

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=> 🎶 Das klagende Lied: II. Abteilung: Was ist der König so stumm und bleich

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=> 🎶 Havanaise, op. 83

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=> 🎶 Images pour orchestre Nᵒ 2 « Ibéria », L 122: 1. Par les rues et par les chemins. Assez animé

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=> 🎶 Images pour orchestre Nᵒ 2 « Ibéria », L 122: 2. Les Parfums de la nuit. Lent et rêveur

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=> 🎶 Images pour orchestre Nᵒ 2 « Ibéria », L 122: 3. Le matin d’un jour de fête. Dans un rythme de marche lointaine, alerte et joyeuse

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=> 🎶 Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn

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=> 🎶 Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen

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=> 🎶 Kindertotenlieder: 3. Wenn dein Mütterlein

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=> 🎶 Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen

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=> 🎶 Kindertotenlieder: 5. In diesem Wetter, in diesem Braus

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=> 🎶 Kindertotenlieder: I. Nun will die Sonn so hell aufgehn

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=> 🎶 Kindertotenlieder: II. Nun seh ich wohl, warum so dunkle Flammen

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=> 🎶 Kindertotenlieder: III. Wenn dein Mütterlein

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=> 🎶 Kindertotenlieder: IV. Oft denk ich, sie sind nur ausgegangen

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=> 🎶 Kindertotenlieder: V. In diesem Wetter, in diesem Braus

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=> 🎶 La damoiselle élue, L 62: Chœur : « La Damoiselle élue s’appuyait » (chœur, une récitante)

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=> 🎶 La damoiselle élue, L 62: Chœur : « La lumière tressaillit … » (chœur, une récitante)

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=> 🎶 La damoiselle élue, L 62: Début

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=> 🎶 La damoiselle élue, L 62: La Damoiselle : « Je voudrais qu’il fût déjà près de moi »

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=> 🎶 La traviata: Atto I. “Che è ciò?” (Tutti, Violetta, Alfredo)

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=> 🎶 La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)

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=> 🎶 La traviata: Atto I. “Ebben? che diavol fate?” (Gastone, Violetta, Alfredo)

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=> 🎶 La traviata: Atto I. “Follie! Follie! Delirio vano è questo! – Sempre libera” (Violetta, Alfredo)

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=> 🎶 La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi)

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=> 🎶 La traviata: Atto I. “Si ridesta in ciel l’aurora” (Tutti)

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=> 🎶 La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta)

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=> 🎶 La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui”

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=> 🎶 La traviata: Atto II, scena 1. “Ah, vive sol quel core” (Alfredo, Giuseppe, Commissionario, Germont)

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=> 🎶 La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont)

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=> 🎶 La traviata: Atto II, scena 1. “Alfredo?” / “Per parigi or or partiva” (Violetta, Annina, Germont)

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=> 🎶 La traviata: Atto II, scena 1. “Annina, donde vieni? – Oh mio rimorso!” (Alfredo, Annina)

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=> 🎶 La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta)

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=> 🎶 La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!“ (Violetta, Annina)

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=> 🎶 La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)

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=> 🎶 La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont)

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=> 🎶 La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo)

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=> 🎶 La traviata: Atto II, scena 1. “Né rispondi d'un padre all'affetto? – No, non udrai rimproveri” (Germont, Alfredo)

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=> 🎶 La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont)

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=> 🎶 La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta)

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=> 🎶 La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta)

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=> 🎶 La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont)

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=> 🎶 La traviata: Atto II, scena 2. "Alfredo! Voi!" (Tutti, Alfredo, Violetta, Barone)

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=> 🎶 La traviata: Atto II, scena 2. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Tutti)

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=> 🎶 La traviata: Atto II, scena 2. "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese)

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=> 🎶 La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone)

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=> 🎶 La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti)

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=> 🎶 La traviata: Atto II, scena 2. "Noi siamo zingarelle" (Coro, Flora, Marchese, Tutti)

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=> 🎶 La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti)

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=> 🎶 La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo)

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=> 🎶 La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo)

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=> 🎶 La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore)

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=> 🎶 La traviata: Atto III. “Largo al quadrupede” (Coro di maschere)

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=> 🎶 La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore)

editor

=> 🎶 La traviata: Atto III. “Signora…” / “Che t’accadde?” (Annina, Violetta, Alfredo) / “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)

editor

=> 🎶 La traviata: Atto III. “Teneste la promessa – Attendo, attendo, né a me giungon mai! – Addio del passato” (Violetta)

editor

=> 🎶 La traviata: Atto III. Preludio

editor

=> 🎶 La traviata: Preludio

editor

=> 🎶 Légende, op. 17

editor

=> 🎶 Lieder eines fahrenden Gesellen: I. Wenn mein Schatz Hochzeit macht

editor

=> 🎶 Lieder eines fahrenden Gesellen: II. Ging heut morgen übers Feld

editor

=> 🎶 Lieder eines fahrenden Gesellen: III. Ich hab ein glühend Messer

editor

=> 🎶 Lieder eines fahrenden Gesellen: IV. Die zwei blauen Augen

editor

=> 🎶 Meeresstille und glückliche Fahrt, op. 27

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Barbaro, più non sento"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Dallo sdegno che m’accende"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Gl’oltraggi della sorte"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "I cenni d’un sovrano"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Là sull’eterna sponda"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Nell’aspre sue vicende"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "S’impugni la spada"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Se prescritta in questo giorno"

editor

=> 🎶 Motezuma, RV 723, Act I: Aria "Tace il labbro"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Che legge è questa mai!" / "Ferma, Teutile" / "German!" / "Armi crudeli…"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Confesso: non discerno ove son" / "Ma non s’estingue"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Infausto di, quante sciagure veggo"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Mirarti appena ardisco"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Non m’avvilisco ancor"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Nume, se ancor pietosi" / Seguimi" / "Che ricerchi?" / "Ramiro, il tempo questo"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Oh comando! Oh dovere!"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Parte l’afflitto sposo"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Qual silenzio è mai questo?" / "German, signor, alla vicina arena" / "Olà con ogni pompa" / "Empio, ma pria morrai"

editor

=> 🎶 Motezuma, RV 723, Act I: Recitativo: "Son vinto, eterni dei!" / "Olà, che fai?" / "Padre, t’ascondi"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "Brilleran per noi più belle"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "D'ira e furor armato"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "In mezzo alla procella"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "La figlia, lo sposo"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "Quel rossor ch’in volto miri"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "Sei troppo, troppo facile"

editor

=> 🎶 Motezuma, RV 723, Act II: Aria "Un guardo, oh dio!"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Che fate? Ove correte, valorosi guerrier?"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Consolatevi, amici" / Lo faccia, e s’ha coraggio"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Fermati, non fuggir"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Fernando, il gran momento s’avvicina fra noi" / "E guerra avrai"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Mi deride, mi sprezza"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Principio a respirar" / "Grav’è l’impegno mio"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Vani i consigli sono"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Vanne, che vendicata la tua morte sarà"

editor

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Vanne, crudel!" / "Fermati, il tuo destino" / "Principessa… signora…"

editor

=> 🎶 Motezuma, RV 723, Act II: Sinfonia per il combattimento

editor

=> 🎶 Motezuma, RV 723, Act II: Terzetto "A battaglia, a battaglia!"

editor

=> 🎶 Motezuma, RV 723, Act III: "Al gran genio guerriero"

editor

=> 🎶 Motezuma, RV 723, Act III: "Al gran genio guerriero"

editor

=> 🎶 Motezuma, RV 723, Act III: "Imeneo, che sei d’amori"

editor

=> 🎶 Motezuma, RV 723, Act III: Aria "Anche in mezzo dei contenti"

editor

=> 🎶 Motezuma, RV 723, Act III: Aria "Dal timor, dallo spavento"

editor

=> 🎶 Motezuma, RV 723, Act III: Aria "Dov’è la figlia?"

editor

=> 🎶 Motezuma, RV 723, Act III: Aria "L’agonie dell’alma afflitta"

editor

=> 🎶 Motezuma, RV 723, Act III: Aria "L’aquila generosa"

editor

=> 🎶 Motezuma, RV 723, Act III: Aria "Nella stagion ardente"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Dunque è un errore" / "Madre infelice!" / "Ah v’ingannate" / "Vo’ seguir l’infelice"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Ecoo, fedeli miei"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Ed ho cor di soffrir?" / "Ferma, sposa, la destra!" / "Stelle, vinceste!"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Esci german"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Eseguite, soldati"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Figlia, una volta ancora"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Meno apparati"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Or ch’è salvo il german"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Popoli vinti"

editor

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Seguimi, e non temer"

editor

=> 🎶 Motezuma, RV 723, Sinfonia: I. Allegro

editor

=> 🎶 Motezuma, RV 723, Sinfonia: II. Andante molto

editor

=> 🎶 Motezuma, RV 723, Sinfonia: III. Allegro

editor

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Adagio

editor

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Allegro

editor

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Allegro molto

editor

=> 🎶 Music for Strings, Percussion and Celesta, Sz 106: Andante tranquillo

editor

=> 🎶 Overture for Wind Instruments in C major, op. 24: Andante con moto - Allegro vivace

editor

=> 🎶 Overture in C major, "Trumpet Overture", Op. 101

editor

=> 🎶 Prélude à l’après-midi d’un faune, L 86: Très modéré

editor

=> 🎶 Ruy Blas, op. 95: Lento - Allegro molto

editor

=> 🎶 Sonate Nr. 4 a-Moll, op. 23: I. Presto

editor

=> 🎶 Sonate Nr. 4 a-Moll, op. 23: II. Andante scherzoso, più allegretto

editor

=> 🎶 Sonate Nr. 4 a-Moll, op. 23: III. Allegro molto

editor

=> 🎶 Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": I. Allegro

editor

=> 🎶 Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": II. Adagio molto espressivo

editor

=> 🎶 Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": III. Scherzo. Allegro molto

editor

=> 🎶 Sonate Nr. 5 F-Dur, op. 24 "Frühlings-Sonate": IV. Rondo. Allegro ma non troppo

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 1. Stabat Mater Dolorosa

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 2. O quam tristis et afflicta

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 3. Quis est homo, qui non fleret

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 4. Quis non posset contristari

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 5. Pro peccatis suae gentis

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 6. Vidit suum dulcem natum

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 7. Eja mater, fons amoris

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 8. Sancta mater istud agas

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 9. Fac me vere tecum flere

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 10. Virgo virginium praeclara

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 11. Flammis orci ne succendar

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 12. Fac me cruce custodiri

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 13a.Quando corpus morietur

editor

=> 🎶 Stabat Mater, Hob.XXa:1: 13b. Paradisi gloria / Amen

editor

=> 🎶 Symphonie Concertante no. 1 for Violin, Harp and Orchestra in G major: II. Adagio

editor

=> 🎶 Symphony no. 1: I. Langsam. Schleppend. Wie ein Naturlaut - Immer sehr gemächlich

editor

=> 🎶 Symphony no. 1: II. Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich

editor

=> 🎶 Symphony no. 1: III. Feierlich und gemessen, ohne zu schleppen

editor

=> 🎶 Symphony no. 1: IV. Stürmisch bewegt

editor

=> 🎶 Symphony no. 2 "Resurrection": 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck

editor

=> 🎶 Symphony no. 2 "Resurrection": 2. Andante moderato. Sehr gemächlich

editor

=> 🎶 Symphony no. 2 "Resurrection": 3. Scherzo. In ruhig fließender Bewegung

editor

=> 🎶 Symphony no. 2 "Resurrection": 4. Urlicht. Sehr feierlich, aber schlicht - O Röschen rot!"

editor

=> 🎶 Symphony no. 2 "Resurrection": 5. Im Tempo des Scherzo. Wild herausfahrend - "Auferstehn, ja auferstehn"

editor

=> 🎶 Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso

editor

=> 🎶 Symphony no. 2 in C minor “Resurrection”: II. Andante moderato

editor

=> 🎶 Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung

editor

=> 🎶 Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”

editor

=> 🎶 Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos

editor

=> 🎶 Symphony no. 3 in D minor: I. Kraftig. Entschieden

editor

=> 🎶 Symphony no. 3 in D minor: II. Tempo di menuetto. Sehr Massig

editor

=> 🎶 Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast

editor

=> 🎶 Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus

editor

=> 🎶 Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck

editor

=> 🎶 Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden

editor

=> 🎶 Symphony no. 4 in G major: I. Bedächtig, nicht eilen

editor

=> 🎶 Symphony no. 4 in G major: II. In gemächlicher Bewegung, ohne Hast

editor

=> 🎶 Symphony no. 4 in G major: III. Ruhevoll

editor

=> 🎶 Symphony no. 4 in G major: IV. Sehr behaglich

editor

=> 🎶 Symphony No. 6 A-moll: I. Allegro energico, ma non troppo. Heftig, aber markig

editor

=> 🎶 Symphony No. 6 A-moll: II. Scherzo. Wuchtig

editor

=> 🎶 Symphony No. 6 A-moll: III. Andante moderato

editor

=> 🎶 Symphony No. 6 A-moll: IV. Finale: Allegro moderato - Allegro energico

editor

=> 🎶 The Miraculous Mandarin, o. 19, Sz 73: Suddenly the Mandarin's head appears between the pillows and he looks longingly at the gio)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: Beginning (Allegro)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: First seduction game: the shabby old rake (Moderato)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: Second seduction game

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: She resists no longer; they embrace (Più mosso - Vivo)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The body of the Mandarin begins to glow with a greenish blue light. (Molto moderato)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The girl sinks down to embrace him... (Allegro)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The Mandarin enters and remains immobile in the doorway... (Maestoso)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The terrified tramps discuss how they are to get rid of the Mandarin at last. (Agitato)

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: The tramps leap out, seize the Mandarin and tear him away from the girl... (Sempre vivo

editor

=> 🎶 The Miraculous Mandarin, op. 19, Sz 73: Third seduction game (Sostenuto)

1996-12 engineer

=> 🎶 Concerto for Violin and Orchestra in A minor, op. 82: I. Moderato -

1996-12 engineer

=> 🎶 Concerto for Violin and Orchestra in A minor, op. 82: II. Andante sostenuto - Tempo I -

1996-12 engineer

=> 🎶 Concerto for Violin and Orchestra in A minor, op. 82: III. Allegro

1996-12 engineer

=> 🎶 Concerto for Violin and Orchestra in C major, op. 48: I. Allegro molto e con brio

1996-12 engineer

=> 🎶 Concerto for Violin and Orchestra in C major, op. 48: II. Andantino cantabile

1996-12 engineer

=> 🎶 Concerto for Violin and Orchestra in C major, op. 48: III. Vivace giocoso

1996-12 engineer

=> 🎶 Souvenir d'un lieu cher, op. 42: I. Méditation: Andante molto cantabile

1996-12 engineer

=> 🎶 Souvenir d'un lieu cher, op. 42: II. Scherzo: Presto giocoso

1996-12 engineer

=> 🎶 Souvenir d'un lieu cher, op. 42: III. Mélodie: Moderato con moto

1996-12 engineer

=> 🎶 Valse-Scherzo, op. 34 for Violin and Orchestra

2010-10 engineer

=> 🎶 Adelita

2010-10 engineer

=> 🎶 Capricho árabe

2010-10 engineer

=> 🎶 Danzas españolas, op. 37: No. 2. Oriental

2010-10 engineer

=> 🎶 Danzas españolas, op. 37: No. 5. Andaluza

2010-10 engineer

=> 🎶 El testament d'Amelia

2010-10 engineer

=> 🎶 Epitaphs: 3. A Day in May

2010-10 engineer

=> 🎶 Epitaphs: 4. You Have Set, My Star

2010-10 engineer

=> 🎶 Koyunbaba, op. 19: 1. Moderato

2010-10 engineer

=> 🎶 Koyunbaba, op. 19: 2. Mosso

2010-10 engineer

=> 🎶 Koyunbaba, op. 19: 3. Cantabile

2010-10 engineer

=> 🎶 Koyunbaba, op. 19: 4. Presto

2010-10 engineer

=> 🎶 Lágrima

2010-10 engineer

=> 🎶 Recuerdos de la Alhambra

2010-10 engineer

=> 🎶 Suite española, op. 47: No. 1. Granada

2010-10 engineer

=> 🎶 Suite española, op. 47: No. 3. Sevilla (Sevillanas)

2010-10 engineer

=> 🎶 Suite española, op. 47: No. 5. Asturias

2010-12 engineer

=> 🎶 Jeux interdits (Spanish Romance)

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. Children's Galop and Entry of the Parents

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. Decoration of the Christmas tree

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. Departure of the Guests, Night

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. March

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. Scene and Grandfather's Dance

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. Scene Dansante

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau I. The Battle and Transformation Scene

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau II. The Forest of Fir Trees in Winter

2011-03 engineer

=> 🎶 The Nutcracker: Act I, Tableau II. Waltz of the Snowflakes

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Apotheosis

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Arrival of Clara and the Nutcracker

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Coda

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: a. Chocolate: Spanish Dance

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: b. Coffee: Arabian Dance

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: c. Tea: Chinese Dance

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: d. Trepak: Russian Dance

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: e. Dance of the Toy Flutes

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: f. Mother Gigogne and the Clowns

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Final Waltz

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Pas de Deux: The Prince and the Sugar-Plum Fairy

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. The Enchanted Palace of the Kingdom of Sweets

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Variation I: Tarantella

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Variation II: Dance of the Sugar-Plum Fairy

2011-03 engineer

=> 🎶 The Nutcracker: Act II, Tableau III. Waltz of the Flowers

2011-03 engineer

=> 🎶 The Nutcracker: Overture

engineer

=> 🎶 9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo

engineer

=> 🎶 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto

engineer

=> 🎶 9 Preludes, Op. 1: No. 7 in C Minor. Moderato

engineer

=> 🎶 9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo

engineer

=> 🎶 20 Mazurkas, Op. 50: No. 13, Moderato

engineer

=> 🎶 20 Mazurkas, Op. 50: No. 14, Animato

engineer

=> 🎶 20 Mazurkas, Op. 50: No. 15, Allegretto dolce

engineer

=> 🎶 20 Mazurkas, Op. 50: No. 16, Allegramente. Vigoroso

engineer

=> 🎶 Circle of Life

engineer

=> 🎶 Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler)

engineer

=> 🎶 Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto

engineer

=> 🎶 Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler)

engineer

=> 🎶 Concerto in D major for String Orchestra: I. Vivace

engineer

=> 🎶 Concerto in D major for String Orchestra: II. Arioso

engineer

=> 🎶 Concerto in D major for String Orchestra: III. Rondo

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 1 Introduktion. "Hojohe! Halloho!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 1 Introduktion. "Mit Gewitter und Sturm aus fernem Meer"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 2 Rezitativ und Arie. "Die Frist ist um"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 3 Szene, Duett und Chor. "Durch Sturm und bösen Wind verschlagen"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 3 Szene, Duett und Chor. "He! holla! Steuermann!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 3 Szene, Duett und Chor. "Mit Gewitter und Sturm"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 3 Szene, Duett und Chor. "Südwind! Südwind!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No. 3 Szene, Duett und Chor. "Wie? Hört' ich recht? Meine Tochter sein Weib?"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 1. No.2 Rezitativ und Arie. "Wie oft in Meeres tiefsten Schlund"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No. 4 Lied, Szene, Ballade und Chor. "Du böses Kind"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No. 4 Lied, Szene, Ballade und Chor. "Summ und brumm, du gutes Rädchen"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.4 Lied, Szene, Ballade und Chor. "Johohoe! Traft ihr das Schiff im Meere an"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.4 Lied, Szene, Ballade und Chor. "Senta! Senta! Willst du mich verderben?"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.5 Duett. "Auf hohem Felsen lag ich träumend"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.5 Duett. "Bleib, Senta! Bleib nur einen Augenblick!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.6 Finale. "Mein Kind, du siehst mich auf der Schwelle"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.6 Finale. "Mögst du, mein Kind, den fremden Mann willkommen heißen"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.6 Finale. "Verzeiht! Mein Volk hält draußen sich nicht mehr"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.6 Finale. "Wie aus der Ferne längst vergang'ner Zeiten"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. No.6 Finale. "Wirst du des Vaters Wahl nicht schelten?"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 2. Orchesterzwischenspiel

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 3. No.7 Chor und Ensemble. "Johohohe! Johohohe! Hoe! Hoe!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 3. No.7 Chor und Ensemble. "Steuermann, laß die Wacht!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 3. No.8 Finale. "Erfahre das Geschick, vor dem ich dich bewahr'!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 3. No.8 Finale. "Verloren! Ach, verloren!"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 3. No.8 Finale. "Was mußt' ich hören"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Act 3. No.8 Finale. "Willst jenes Tags du nicht dich mehr entsinnen"

engineer

=> 🎶 Der fliegende Holländer (The Flying Dutchman), WWV 63: Ouvertüre

engineer

=> 🎶 Duet for Bassoons

engineer

=> 🎶 Fanfare for a new theatre

engineer

=> 🎶 Goodbye

engineer

=> 🎶 Green

engineer

=> 🎶 I Don’t Love You

engineer

=> 🎶 Introduction in C minor and Rondo in E flat major, Op. 16

engineer

=> 🎶 Invisible Line

engineer

=> 🎶 Is It Right

engineer

=> 🎶 La clemenza di Tito: “Adesso, oh Sesto, parla per me”

engineer

=> 🎶 La clemenza di Tito: “Ah perdona al primo affetto”

engineer

=> 🎶 La clemenza di Tito: “Ah, grazie si rendano” – “È tutto colà d’intorno”

engineer

=> 🎶 La clemenza di Tito: “Ah, se fosse intorno al trono”

engineer

=> 🎶 La clemenza di Tito: “Ah, Vitellia”

engineer

=> 🎶 La clemenza di Tito: “Amico, ecco il momento”

engineer

=> 🎶 La clemenza di Tito: “Amico, il passo affretta”

engineer

=> 🎶 La clemenza di Tito: “Cesare, nol diss’io”

engineer

=> 🎶 La clemenza di Tito: “Che del ciel, che degli dei”

engineer

=> 🎶 La clemenza di Tito: “Che mi rechi in quel foglio?”

engineer

=> 🎶 La clemenza di Tito: “Che orror! Che tradimento!” – “Ingrato!”

engineer

=> 🎶 La clemenza di Tito: “Come ti piace imponi”

engineer

=> 🎶 La clemenza di Tito: “Deh conservate, oh dei” – “Sesto!”

engineer

=> 🎶 La clemenza di Tito: “Deh per questo istante solo”

engineer

=> 🎶 La clemenza di Tito: “Deh prendi un dolce amplesso”

engineer

=> 🎶 La clemenza di Tito: “Deh se piacer mi vuoi”

engineer

=> 🎶 La clemenza di Tito: “Del più sublime”

engineer

=> 🎶 La clemenza di Tito: “Di Tito al piè”

engineer

=> 🎶 La clemenza di Tito: “Ecco il punto, oh Vitellia”

engineer

=> 🎶 La clemenza di Tito: “Eppur mi fa pietà”

engineer

=> 🎶 La clemenza di Tito: “Felice me!” – “Ancora mi schernisce?”

engineer

=> 🎶 La clemenza di Tito: “Già de’ pubblici giuochi”

engineer

=> 🎶 La clemenza di Tito: “Ma che giorno è mai questo?”

engineer

=> 🎶 La clemenza di Tito: “Ma che? Sempre l’istesso”

engineer

=> 🎶 La clemenza di Tito: “No, così scellerato”

engineer

=> 🎶 La clemenza di Tito: “Non ci pentiam”

engineer

=> 🎶 La clemenza di Tito: “Non più di fiori”

engineer

=> 🎶 La clemenza di Tito: “Oh dei, che smania è questa”

engineer

=> 🎶 La clemenza di Tito: “Ove s’intese mai”

engineer

=> 🎶 La clemenza di Tito: “Partir deggio, o restar?”

engineer

=> 🎶 La clemenza di Tito: “Parto, ma tu ben mio”

engineer

=> 🎶 La clemenza di Tito: “Publio, ascolta!”

engineer

=> 🎶 La clemenza di Tito: “Quello di Tito è il volto!” – “Odimi, oh Sesto”

engineer

=> 🎶 La clemenza di Tito: “S’altro che lagrime”

engineer

=> 🎶 La clemenza di Tito: “Se al volto mai ti senti”

engineer

=> 🎶 La clemenza di Tito: “Se all’impero”

engineer

=> 🎶 La clemenza di Tito: “Serbate, oh dei custodi”

engineer

=> 🎶 La clemenza di Tito: “Sesto, come tu credi”

engineer

=> 🎶 La clemenza di Tito: “Sesto, de’ tuoi delitti”

engineer

=> 🎶 La clemenza di Tito: “Sesto! – che chiedi?”

engineer

=> 🎶 La clemenza di Tito: “Sesto!” – andante

engineer

=> 🎶 La clemenza di Tito: “Tardi s’avvede”

engineer

=> 🎶 La clemenza di Tito: “Te della patria il padre” – “Basta, basta, oh miei fidi”

engineer

=> 🎶 La clemenza di Tito: “Torna di Tito”

engineer

=> 🎶 La clemenza di Tito: “Tu fosti tradito”

engineer

=> 🎶 La clemenza di Tito: “Tu, è ver, m’assolvi, Augusto”

engineer

=> 🎶 La clemenza di Tito: “Vedrai, tito, vedrai”

engineer

=> 🎶 La clemenza di Tito: “Vengo… Aspettate… Sesto!…”

engineer

=> 🎶 La clemenza di Tito: Marcia

engineer

=> 🎶 La clemenza di Tito: Marcia (reprise)

engineer

=> 🎶 La clemenza di Tito: Overture

engineer

=> 🎶 Ma Mère l’Oye, ballet, M. 62: I. Pavane de la Belle au bois dormant

engineer

=> 🎶 Ma Mère l’Oye, ballet, M. 62: II. Petit Poucet

engineer

=> 🎶 Ma Mère l’Oye, ballet, M. 62: III. Laideronnette, Impératrice des pagodes

engineer

=> 🎶 Ma Mère l’Oye, ballet, M. 62: IV. Les entretiens de la Belle et de la Bête

engineer

=> 🎶 Ma Mère l’Oye, ballet, M. 62: V. Le jardin féerique

engineer

=> 🎶 Magnificat: "Deposuit potentes de sede". Moderato -

engineer

=> 🎶 Magnificat: "Esurientes inplevit bonis". Andantino (non troppo) - Lento - Adagio -

engineer

=> 🎶 Magnificat: "Et exultavit spiritus meus". Sostenuto - Più mosso -

engineer

=> 🎶 Magnificat: "Et misericordia ejus". Andante mosso -

engineer

=> 🎶 Magnificat: "Et sanctum nomen ejus". Andantino - Adagio -

engineer

=> 🎶 Magnificat: "Fecit potentiam in brachio suo". [Andante mosso] - Ancora più mosso - Vivo -

engineer

=> 🎶 Magnificat: "Gloria Patri, et Filio". Presto

engineer

=> 🎶 Magnificat: "In Deo salutari meo". Moderato - Molto lento -

engineer

=> 🎶 Magnificat: "Magnificat: anima mea Dominum". Allegro – Stesso tempo – Andante – Tempo I –

engineer

=> 🎶 Magnificat: "Quia fecit mihi magna". Mosso con energia - Molto sostenuto, grandioso -

engineer

=> 🎶 Magnificat: "Quia respexit humilitatem ancillae suae". Moderato -

engineer

=> 🎶 Magnificat: "Sicut locutus est ad patres nostros". Allegro sostenuto -

engineer

=> 🎶 Magnificat: "Suscepit Israel puerum suum". Andante sostenuto -

engineer

=> 🎶 Masques, Op. 34: I. Shéhérazade. Lento assai. Languido

engineer

=> 🎶 Masques, Op. 34: II. Tantris le Bouffon. Vivace assai

engineer

=> 🎶 Masques, Op. 34: III. Sérénade de Don Juan. Vivace

engineer

=> 🎶 Octet: I. Sinfonia. Lento - Allegro moderato

engineer

=> 🎶 Octet: II. Tema con variazioni

engineer

=> 🎶 Octet: III. Finale

engineer

=> 🎶 Praeludium for Jazz Ensemble

engineer

=> 🎶 Ragtime

engineer

=> 🎶 Salmo IX°: Prima parte. "Confitebor ribi Domine". Mosso -

engineer

=> 🎶 Salmo IX°: Prima parte. "Et civitates eorum dextruxisti". Stesso tempo - Più mosso - Più mosso -

engineer

=> 🎶 Salmo IX°: Prima parte. "Et Dominus in aeternum permanet". Adagio (Corale) -

engineer

=> 🎶 Salmo IX°: Prima parte. "Et factus est Dominus refugium pauperi". Adagio (non troppo) -

engineer

=> 🎶 Salmo IX°: Prima parte. "Et sperent in te". Più mosso - Più lento - Adagio

engineer

=> 🎶 Salmo IX°: Prima parte. "Increpasti gentes". Allegro (non troppo) -

engineer

=> 🎶 Salmo IX°: Prima parte. "Inimici defecerunt frameae in fine". Un poco più sostenuto -

engineer

=> 🎶 Salmo IX°: Prima parte. "Quoniam fecisti judicium meum". Adagio -

engineer

=> 🎶 Salmo IX°: Seconda parte. "Cognoscetur Dominus judicia faciens". Mosso -

engineer

=> 🎶 Salmo IX°: Seconda parte. "Constitue, Domine, legislatorem super eos". Adagio

engineer

=> 🎶 Salmo IX°: Seconda parte. "Convertantur peccatores in infernum". Accelerando molto -

engineer

=> 🎶 Salmo IX°: Seconda parte. "Exultabo in salutari tuo". Allegro - Poco meno -

engineer

=> 🎶 Salmo IX°: Seconda parte. "Exurge, Domine". Mosso - Largo - Mosso - Largo - Mosso - Largo -

engineer

=> 🎶 Salmo IX°: Seconda parte. "Psallite Domino qui habitat in Sion". Adagio - Poco più mosso - Adagio

engineer

=> 🎶 Salmo IX°: Seconda parte. "Quoniam non in finem oblivio". Adagio -

engineer

=> 🎶 Salmo IX°: Seconda parte. "Vide humilitatem mean de inimici mei". Stesso tempo -

engineer

=> 🎶 Scherzo à la Russe for Jazz Orchestra

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio – Allegro moderato

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio – Moderato – Presto

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato – Allegro espressivo – Presto – Allegro moderato – Andante

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto – Poco più animato – Più animato – Meno mosso

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Allegretto

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto – Andantino – Presto

engineer

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio – Poco più animato – Assai più mosso – Poco più animato – Meno mosso (più animato dell’adagio)

engineer

=> 🎶 Suite in B-flat major, HWV 434: IV. Minuet

engineer

=> 🎶 Suite No. 1: I. Andante

engineer

=> 🎶 Suite No. 1: II. Napolitana

engineer

=> 🎶 Suite No. 1: III. Espanola

engineer

=> 🎶 Suite No. 1: IV. Balalaika

engineer

=> 🎶 Suite no. 2 in F major, HWV 427: I. Adagio

engineer

=> 🎶 Suite no. 2 in F major, HWV 427: II. Allegro

engineer

=> 🎶 Suite no. 2 in F major, HWV 427: III. Adagio

engineer

=> 🎶 Suite no. 2 in F major, HWV 427: IV. Allegro

engineer

=> 🎶 Suite No. 2: I. Marche

engineer

=> 🎶 Suite No. 2: II. Valse

engineer

=> 🎶 Suite No. 2: III. Polka

engineer

=> 🎶 Suite No. 2: IV. Galop

engineer

=> 🎶 Suite no. 5 in E major, HWV 430: I. Prélude

engineer

=> 🎶 Suite no. 5 in E major, HWV 430: II. Allemande

engineer

=> 🎶 Suite no. 5 in E major, HWV 430: III. Courante

engineer

=> 🎶 Suite no. 5 in E major, HWV 430: IV. Air & 5 Variations “The Harmonious Blacksmith”

engineer

=> 🎶 Suite no. 7 in B-flat major, HWV 440: III. Sarabande

engineer

=> 🎶 Suite no. 8 in F minor, HWV 433: I. Prélude

engineer

=> 🎶 Suite no. 8 in F minor, HWV 433: II. Allegro

engineer

=> 🎶 Suite no. 8 in F minor, HWV 433: III. Allemande

engineer

=> 🎶 Suite no. 8 in F minor, HWV 433: IV. Courante

engineer

=> 🎶 Suite no. 8 in F minor, HWV 433: V. Gigue

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: “Veni, creator spiritus”

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: A tempo. Etwas (aber unmerklich) gemäßigter; immer sehr fließend “Imple superna gratia”

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Allegro impetuoso “Veni, creator spiritus”

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Etwas drängend — Noch einmal so langsam. (Nicht schleppend) “Infirma nostri corporis”

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Plötzlich sehr breit und leidenschaftlichen Ausdrucks — Mit plötzlichem Aufschwung “Accende lumen sensibus”

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Sehr fließend — Noch einmal so langsam als corher. Nicht schleppend “Infirma nostri corporis”

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Tempo I. (Allegro, etwas hastig)

engineer

=> 🎶 Symphonie no. 8: Erster Teil: Hymnus “Veni, creator spiritus”: Wieder frisch “Gloria sit Patri Domino”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Allegro — (Allegro appassionato). Pater profundus: “Wie Felsenabgrund mir zu Füßen”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Allegro deciso. (Im Anfang noch nicht eilen). Chor der Engel: “Gerettet ist das edle Glied der Geisterwelt vom Bösen” / Chor selige Knaben: “Hände verschlinget euch”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Äußerst langsam. Adagissimo. “Dir, der Unberührbaren” / Chor der Büßerinnen und Una poenitentium: “Du schwebst zu Höhen der ewigen Reiche”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Fließend. Magna Peccatrix: “Bei der Liebe, die den Füßen” / Mulier Samaritana: “Bei dem Bronn, zu dem schon weiland” / Maria Aegyptiaca: “Bei dem hochgeweihten Orte”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Im Anfang (die ersten vier Takte) noch etwas gehalten. Die jüngeren Engel: “Ich spür’ soeben nebelnd um Felsenhöh” / Doctor Marianus: “Hier ist die Aussicht frei” / Chor seliger Knaben: “Freudig empfangen wir”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Moderato. Pater ecstaticus: “Ewiger Wonnebrand”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Molto leggiero. Chor der jüngeren Engel: “Jene Rosen aus den Händen”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Più mosso. (Allegro moderato)

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Poco adagio

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Schon etwas langsamer und immer noch mäßiger — Wie die gleiche Stelle im I. Teil. Die vollendeteren Engel: “Uns bleibt ein Erdenrest”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sehr langsam beginnend. Chorus mysticus: “Alles Vergängliche ist nur ein Gleichnis”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sehr langsam. Mater gloriosa: “Komm! Hebe dich zu höhern Sphären!” / Hymnenartig (Ungefähr im selbem Zeitmaß weiter) / Doctor Marianus: “Blicket auf zum Retterblick, alle reuig Zarten”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Sempre l’istesso tempo. Doctor Marianus: “Höchste Herrscherin der Welt!”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Una poenitentium: “Neige, neige du Ohnegleiche”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Unmerklich frischer werden. Selige Knaben: “Er überwächst uns schon” / Una poenitentium: “Vom edlen Geisterchor umgeben”

engineer

=> 🎶 Symphonie no. 8: Zweiter Teil: Schlußszene aus Goethes “Faust II”: Wieder langsam. Chor und Echo: “Waldung, sie schwankt heran”

engineer

=> 🎶 Tango

engineer

=> 🎶 Thank You

engineer

=> 🎶 Three Pieces for String Quartet: I. Danse

engineer

=> 🎶 Three Pieces for String Quartet: II. Excentrique

engineer

=> 🎶 Three Pieces for String Quartet: III. Cantique

engineer

=> 🎶 Trio Sonata in C major, RV 82: 1. Allegro non molto (quasi andante)

engineer

=> 🎶 Trio Sonata in C major, RV 82: 2. Larghetto

engineer

=> 🎶 Trio Sonata in C major, RV 82: 3. Allegro

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Aria

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Fugue

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 1

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 2 (Animato)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 3 (Dolce)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 4 (Risoluto)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 5 (Espressivo)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 6

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 7 (Con vivacitá)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 8

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 9 (Poco sostenuto)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 10 (Energico)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 11 (Dolce)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 12 (Soave)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 13 (Largamente, ma non più)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 14 (Sciolto)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 15

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 16 (Piano ma marcato)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 17 (Più mosso)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 18 (Grazioso)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 19 (Leggiero e vivace)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 20 (Legato)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 21 (Dolce)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 22

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 23 (Vivace e staccato)

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 24

engineer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 25

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Andante doloroso rubato

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Tema. Andantino semplice

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 1. Meno mosso

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 2. Agitato

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 3. Lento mesto, ma poco agitato

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 4. Allegro molto agitato

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 6. Andante dolcissimo

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 7. Più mosso

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 9. Più mosso (Allegro)

engineer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 10. Finale. Allegro vivo

engineer

=> 🎶 Without

misc

=> 🎶 Alt‐Wiener Tanzweisen: No. 2 Liebesleid

misc

=> 🎶 Berceuse, op. 20

misc

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo

misc

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto

misc

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro

misc

=> 🎶 Havanaise, op. 83

misc

=> 🎶 Légende, op. 17

misc

=> 🎶 Symphonie Concertante no. 1 for Violin, Harp and Orchestra in G major: II. Adagio

mix

=> 🎶 Alt‐Wiener Tanzweisen: No. 2 Liebesleid

mix

=> 🎶 Berceuse, op. 20

mix

=> 🎶 Chiaroscuro

mix

=> 🎶 Chic i bum

mix

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo

mix

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto

mix

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro

mix

=> 🎶 Duerme

mix

=> 🎶 En la plantacion

mix

=> 🎶 Flor del Yumuri

mix

=> 🎶 Havanaise, op. 83

mix

=> 🎶 Heartaches

mix

=> 🎶 Ich suche Eine, die mir allein gehört

mix

=> 🎶 In a Café On the Road to Calais

mix

=> 🎶 Komm, laß uns einen Rumba tanzen

mix

=> 🎶 Légende, op. 17

mix

=> 🎶 Luna de Monte Carlo

mix

=> 🎶 Nachts am Kongo

mix

=> 🎶 Ritmo de Rio

mix

=> 🎶 Roter Mohn

mix

=> 🎶 Rumbah Tambah

mix

=> 🎶 Schieß den Ball ins Tor

mix

=> 🎶 Siboney

mix

=> 🎶 Symphonie Concertante no. 1 for Violin, Harp and Orchestra in G major: II. Adagio

mix

=> 🎶 Tabu

mix

=> 🎶 Twilight

mix

=> 🎶 Un'ora sola ti vorrei

mix

=> 🎶 Under the Red Moon

producer

=> 🎶 9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo

producer

=> 🎶 9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo

producer

=> 🎶 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto

producer

=> 🎶 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto

producer

=> 🎶 9 Preludes, Op. 1: No. 7 in C Minor. Moderato

producer

=> 🎶 9 Preludes, Op. 1: No. 7 in C Minor. Moderato

producer

=> 🎶 9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo

producer

=> 🎶 9 Preludes, Op. 1: No. 8 in E‐Flat Minor. Andante ma non troppo

producer

=> 🎶 12 études d'exécution transcendante: I. Preludio

producer

=> 🎶 12 études d'exécution transcendante: II. Molto vivace

producer

=> 🎶 12 études d'exécution transcendante: III. Paysage

producer

=> 🎶 12 études d'exécution transcendante: IV. Mazeppa

producer

=> 🎶 12 études d'exécution transcendante: IX. Ricordanza

producer

=> 🎶 12 études d'exécution transcendante: V. Feux follets

producer

=> 🎶 12 études d'exécution transcendante: VI. Vision

producer

=> 🎶 12 études d'exécution transcendante: VII. Eroica

producer

=> 🎶 12 études d'exécution transcendante: VIII. Wilde Jagd

producer

=> 🎶 12 études d'exécution transcendante: X. Allegro agitato molto

producer

=> 🎶 12 études d'exécution transcendante: XI. Harmonies du soir

producer

=> 🎶 12 études d'exécution transcendante: XII. Chasse-neige

producer

=> 🎶 20 Mazurkas, Op. 50: No. 13, Moderato

producer

=> 🎶 20 Mazurkas, Op. 50: No. 13, Moderato

producer

=> 🎶 20 Mazurkas, Op. 50: No. 14, Animato

producer

=> 🎶 20 Mazurkas, Op. 50: No. 14, Animato

producer

=> 🎶 20 Mazurkas, Op. 50: No. 15, Allegretto dolce

producer

=> 🎶 20 Mazurkas, Op. 50: No. 15, Allegretto dolce

producer

=> 🎶 20 Mazurkas, Op. 50: No. 16, Allegramente. Vigoroso

producer

=> 🎶 20 Mazurkas, Op. 50: No. 16, Allegramente. Vigoroso

producer

=> 🎶 Alt‐Wiener Tanzweisen: No. 2 Liebesleid

producer

=> 🎶 Berceuse, op. 20

producer

=> 🎶 Carmina Burana: Blanziflor et Helena: 24. Ave formosissima

producer

=> 🎶 Carmina Burana: Carmina Burana: II. In Taberna: 12. Olim lacus colueram

producer

=> 🎶 Carmina Burana: Carmina Burana: II. In Taberna: 13. Ego sum abbas

producer

=> 🎶 Carmina Burana: Carmina Burana: II. In Taberna: 14. In taberna quando sumus

producer

=> 🎶 Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna

producer

=> 🎶 Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera

producer

=> 🎶 Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna

producer

=> 🎶 Carmina Burana: I. Primo Vere: 3. Veris leta facies

producer

=> 🎶 Carmina Burana: I. Primo Vere: 4. Omnia Sol temperat

producer

=> 🎶 Carmina Burana: I. Primo Vere: 5. Ecce gratum

producer

=> 🎶 Carmina Burana: II. In Taberna: 11. Estuans interius

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 15. Amor volat undique

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 17. Stetit puella

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 18. Circa mea pectora

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 21. In trutina

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum

producer

=> 🎶 Carmina Burana: III. Cour d’amours: 23. Dulcissime

producer

=> 🎶 Carmina Burana: Uf dem Anger: 6. Tanz

producer

=> 🎶 Carmina Burana: Uf dem Anger: 7. Floret silva nobilis

producer

=> 🎶 Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir

producer

=> 🎶 Carmina Burana: Uf dem Anger: 9. Reie - Swaz hie gat umbe - Chume, chum geselle min – Swaz hie gat umbe

producer

=> 🎶 Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min

producer

=> 🎶 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con

producer

=> 🎶 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I

producer

=> 🎶 Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco

producer

=> 🎶 Concerto for Piano and Orchestra no. 1 In E-flat major, S. 124: I. Allegro maestoso

producer

=> 🎶 Concerto for Piano and Orchestra no. 1 In E-flat major, S. 124: II. Quasi adagio - Allegretto vivace - Allegro animato

producer

=> 🎶 Concerto for Piano and Orchestra no. 1 In E-flat major, S. 124: III. Allegro marziale animato - Presto

producer

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo

producer

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto

producer

=> 🎶 Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro

producer

=> 🎶 Consolations, S 172 #3 in D-flat major: Lento placido

producer

=> 🎶 Consolations, S. 172: No. 3 in D-flat major. Lento, placido (arr. Milstein for Violin and Piano)

producer

=> 🎶 Dardanus, RCT 35, Acte IV, Scène 1: Air “Lieux funestes”

producer

=> 🎶 Dardanus, RCT 35, Entr’acte II–III: Bruit de guerre

producer

=> 🎶 Dido and Aeneas, Z. 626, Acte III, Scène 2: Recitative & aria “Thy Hand, Belinda… When I Am Laid in Earth”

producer

=> 🎶 Enchanted Night

producer

=> 🎶 Étude, op. 25, no. 7 in C-sharp minor (transcription for cello & piano by A. Franchomme)

producer

=> 🎶 Etudes d’exécution transcendante No. 5: Feux-follets, S 139/5

producer

=> 🎶 Fantasia in C minor, K. 475

producer

=> 🎶 Four Songs, Op. 2 No. 2: Plenivšis’ rozoy, solovey

producer

=> 🎶 Four Songs, Op. 3 No. 4: Na kholmakh Gruzii

producer

=> 🎶 Four Songs, Op. 26 No. 4: Pesnya Zyuleyki

producer

=> 🎶 Four Songs, Op. 27 No. 4: Prosti! Ne pomni dney paden’ya

producer

=> 🎶 Four Songs, Op. 40 No. 3: O čyom, v tiši nočey

producer

=> 🎶 Four Songs, Op. 42 No. 3: Redeyet oblakov letučaya gryada

producer

=> 🎶 Giulio Cesare in Egitto, HWV 17, Atto II, Scena 11: Aria “L’aure che spira”

producer

=> 🎶 Grand duo concertant on themes from Meyerbeer's "Robert the Devil"

producer

=> 🎶 Grande valse brillante in E-flat major, op. 18: Vivo

producer

=> 🎶 Gypsy Melodies, Op. 55 No. 4: Když mne stará matka

producer

=> 🎶 Havanaise, op. 83

producer

=> 🎶 Il trionfo del Tempo e del Disinganno, HWV 46a, Parte I: Aria “Urne voi”

producer

=> 🎶 Il trionfo del Tempo e del Disinganno, HWV 46a, Parte II: Recitativo & aria “È un ostinato errore… È ben folle quel nocchier”

producer

=> 🎶 Jasmine Flower

producer

=> 🎶 Juditha triumphans devicta Holofernis barbarie, RV 644, Pars II: Aria “Armatae face et angibus”

producer

=> 🎶 Konzertstück für Violoncello und Orchester in a-Moll, op. 129: I. Nicht zu schnell

producer

=> 🎶 Konzertstück für Violoncello und Orchester in a-Moll, op. 129: II. Langsam

producer

=> 🎶 Konzertstück für Violoncello und Orchester in a-Moll, op. 129: III. Sehr lebhaft

producer

=> 🎶 La lugubre gondola, S 200/2

producer

=> 🎶 La traviata: Atto I. “Che è ciò?” (Tutti, Violetta, Alfredo)

producer

=> 🎶 La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)

producer

=> 🎶 La traviata: Atto I. “Ebben? che diavol fate?” (Gastone, Violetta, Alfredo)

producer

=> 🎶 La traviata: Atto I. “Follie! Follie! Delirio vano è questo! – Sempre libera” (Violetta, Alfredo)

producer

=> 🎶 La traviata: Atto I. “Libiamo ne’lieti calici” (Brindisi)

producer

=> 🎶 La traviata: Atto I. “Si ridesta in ciel l’aurora” (Tutti)

producer

=> 🎶 La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta)

producer

=> 🎶 La traviata: Atto I. Scena e Aria - Finale: “È strano! - Ah, fors'è lui”

producer

=> 🎶 La traviata: Atto II, scena 1. “Ah, vive sol quel core” (Alfredo, Giuseppe, Commissionario, Germont)

producer

=> 🎶 La traviata: Atto II, scena 1. “Ah! Dite alla giovine” (Violetta, Germont)

producer

=> 🎶 La traviata: Atto II, scena 1. “Alfredo?” / “Per parigi or or partiva” (Violetta, Annina, Germont)

producer

=> 🎶 La traviata: Atto II, scena 1. “Annina, donde vieni? – Oh mio rimorso!” (Alfredo, Annina)

producer

=> 🎶 La traviata: Atto II, scena 1. “Che fai?” / “Nulla” (Alfredo, Violetta)

producer

=> 🎶 La traviata: Atto II, scena 1. “Dammi tu forza, o cielo!“ (Violetta, Annina)

producer

=> 🎶 La traviata: Atto II, scena 1. “Di Provenza il mar, il suol” (Germont)

producer

=> 🎶 La traviata: Atto II, scena 1. “Imponete” / “Non amarlo ditegli“ (Violetta, Germont)

producer

=> 🎶 La traviata: Atto II, scena 1. “Lunge da lei – De’ miei bollenti spiriti” (Alfredo)

producer

=> 🎶 La traviata: Atto II, scena 1. “Né rispondi d'un padre all'affetto? – No, non udrai rimproveri” (Germont, Alfredo)

producer

=> 🎶 La traviata: Atto II, scena 1. “Non sapete quale affetto” (Violetta, Germont)

producer

=> 🎶 La traviata: Atto II, scena 1. “Pura siccome un angelo” (Germont, Violetta)

producer

=> 🎶 La traviata: Atto II, scena 1. “Un dì, quando le veneri” (Germont, Violetta)

producer

=> 🎶 La traviata: Atto II, scena 2. "Alfredo, Alfredo, di questo core" (Violetta, Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Barone, Germont)

producer

=> 🎶 La traviata: Atto II, scena 2. "Alfredo! Voi!" (Tutti, Alfredo, Violetta, Barone)

producer

=> 🎶 La traviata: Atto II, scena 2. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Tutti)

producer

=> 🎶 La traviata: Atto II, scena 2. "Di Madride noi siam mattadori" (Gastone, Coro, Flora, Dottore, Marchese)

producer

=> 🎶 La traviata: Atto II, scena 2. "Di sprezzo degno se stesso rende" (Germont, Alfredo, Flora, Gastone, Dottore, Marchese, Coro, Barone)

producer

=> 🎶 La traviata: Atto II, scena 2. "Invitato a qui seguirmi" (Violetta, Alfredo, Tutti)

producer

=> 🎶 La traviata: Atto II, scena 2. "Noi siamo zingarelle" (Coro, Flora, Marchese, Tutti)

producer

=> 🎶 La traviata: Atto II, scena 2. "Ogni suo aver tal femmina" (Alfredo, Tutti)

producer

=> 🎶 La traviata: Atto III. “Ah, non più! – Ah, gran Dio! Morir sì giovine” (Violetta, Alfredo)

producer

=> 🎶 La traviata: Atto III. “Ah, Violetta!” – “Voi, Signor?” (Germont, Violetta, Alfredo)

producer

=> 🎶 La traviata: Atto III. “Annina?” / “Comandate?” (Violetta, Annina, Dottore)

producer

=> 🎶 La traviata: Atto III. “Largo al quadrupede” (Coro di maschere)

producer

=> 🎶 La traviata: Atto III. “Prendi, quest’è l'immagine” (Violetta, Alfredo, Germont, Annina, Dottore)

producer

=> 🎶 La traviata: Atto III. “Signora…” / “Che t’accadde?” (Annina, Violetta, Alfredo) / “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)

producer

=> 🎶 La traviata: Atto III. “Teneste la promessa – Attendo, attendo, né a me giungon mai! – Addio del passato” (Violetta)

producer

=> 🎶 La traviata: Atto III. Preludio

producer

=> 🎶 La traviata: Preludio

producer

=> 🎶 Légende, op. 17

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Air andante et gracieux pour Orithie et ses compagnes

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Allegro

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Contredanse en rondeau

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Contredanses vives

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Entracte, suite des vents

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Entrée de Polymnie

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Gavottes vives

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Menuet

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Ouverture

producer

=> 🎶 Les Boréades, RCT 31, suite pour orchestre: Rondeau vif

producer

=> 🎶 Liebestraum in A-flat major "Notturno", S 541/3

producer

=> 🎶 Mazurkas, op. 24: No. 1 in G Minor. Lento

producer

=> 🎶 Mephisto Waltz no. 1, S 514

producer

=> 🎶 Messa da Requiem: I. Requiem & Kyrie

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Confutatis

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Dies irae

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Ingemisco

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Lacrymosa

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Liber scriptus

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Quid sum miser

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Recordare

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Rex tremendae

producer

=> 🎶 Messa da Requiem: II. Sequentia: Dies irae: Tuba mirum

producer

=> 🎶 Messa da Requiem: III. Offertorio: Domine Jesu Christe

producer

=> 🎶 Messa da Requiem: III. Offertorio: Hostias

producer

=> 🎶 Messa da Requiem: IV. Sanctus

producer

=> 🎶 Messa da Requiem: V. Agnus dei

producer

=> 🎶 Messa da Requiem: VI. Lux aeterna

producer

=> 🎶 Messa da Requiem: VIII. Libera me: Dies irae

producer

=> 🎶 Messa da Requiem: VIII. Libera me: Libera me

producer

=> 🎶 Messa da Requiem: VIII. Libera me: Libera me

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Barbaro, più non sento"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Dallo sdegno che m’accende"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Gl’oltraggi della sorte"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "I cenni d’un sovrano"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Là sull’eterna sponda"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Nell’aspre sue vicende"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "S’impugni la spada"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Se prescritta in questo giorno"

producer

=> 🎶 Motezuma, RV 723, Act I: Aria "Tace il labbro"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Che legge è questa mai!" / "Ferma, Teutile" / "German!" / "Armi crudeli…"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Confesso: non discerno ove son" / "Ma non s’estingue"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Infausto di, quante sciagure veggo"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Mirarti appena ardisco"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Non m’avvilisco ancor"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Nume, se ancor pietosi" / Seguimi" / "Che ricerchi?" / "Ramiro, il tempo questo"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Oh comando! Oh dovere!"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Parte l’afflitto sposo"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo "Qual silenzio è mai questo?" / "German, signor, alla vicina arena" / "Olà con ogni pompa" / "Empio, ma pria morrai"

producer

=> 🎶 Motezuma, RV 723, Act I: Recitativo: "Son vinto, eterni dei!" / "Olà, che fai?" / "Padre, t’ascondi"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "Brilleran per noi più belle"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "D'ira e furor armato"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "In mezzo alla procella"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "La figlia, lo sposo"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "Quel rossor ch’in volto miri"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "Sei troppo, troppo facile"

producer

=> 🎶 Motezuma, RV 723, Act II: Aria "Un guardo, oh dio!"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Che fate? Ove correte, valorosi guerrier?"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Consolatevi, amici" / Lo faccia, e s’ha coraggio"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Fermati, non fuggir"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Fernando, il gran momento s’avvicina fra noi" / "E guerra avrai"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Mi deride, mi sprezza"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Principio a respirar" / "Grav’è l’impegno mio"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Vani i consigli sono"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Vanne, che vendicata la tua morte sarà"

producer

=> 🎶 Motezuma, RV 723, Act II: Recitativo "Vanne, crudel!" / "Fermati, il tuo destino" / "Principessa… signora…"

producer

=> 🎶 Motezuma, RV 723, Act II: Sinfonia per il combattimento

producer

=> 🎶 Motezuma, RV 723, Act II: Terzetto "A battaglia, a battaglia!"

producer

=> 🎶 Motezuma, RV 723, Act III: "Al gran genio guerriero"

producer

=> 🎶 Motezuma, RV 723, Act III: "Al gran genio guerriero"

producer

=> 🎶 Motezuma, RV 723, Act III: "Imeneo, che sei d’amori"

producer

=> 🎶 Motezuma, RV 723, Act III: Aria "Anche in mezzo dei contenti"

producer

=> 🎶 Motezuma, RV 723, Act III: Aria "Dal timor, dallo spavento"

producer

=> 🎶 Motezuma, RV 723, Act III: Aria "Dov’è la figlia?"

producer

=> 🎶 Motezuma, RV 723, Act III: Aria "L’agonie dell’alma afflitta"

producer

=> 🎶 Motezuma, RV 723, Act III: Aria "L’aquila generosa"

producer

=> 🎶 Motezuma, RV 723, Act III: Aria "Nella stagion ardente"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Dunque è un errore" / "Madre infelice!" / "Ah v’ingannate" / "Vo’ seguir l’infelice"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Ecoo, fedeli miei"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Ed ho cor di soffrir?" / "Ferma, sposa, la destra!" / "Stelle, vinceste!"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Esci german"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Eseguite, soldati"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Figlia, una volta ancora"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Meno apparati"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Or ch’è salvo il german"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Popoli vinti"

producer

=> 🎶 Motezuma, RV 723, Act III: Recitativo "Seguimi, e non temer"

producer

=> 🎶 Motezuma, RV 723, Sinfonia: I. Allegro

producer

=> 🎶 Motezuma, RV 723, Sinfonia: II. Andante molto

producer

=> 🎶 Motezuma, RV 723, Sinfonia: III. Allegro

producer

=> 🎶 Nocturne for cello and piano, op. 14, no. 1

producer

=> 🎶 Nocturne in C sharp minor, op. posth. KK IVa no. 16: Lento con gran espressione

producer

=> 🎶 Nocturne, op. 15, no. 1 (transcription for cello & piano by A. Franchomme)

producer

=> 🎶 Nocturnes, op. 9: No. 2 in E-Flat Major (transcr. Sarasate for Violin and Piano)

producer

=> 🎶 Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio

producer

=> 🎶 Piano Concerto no. 1 in C major, op. 15: II. Largo

producer

=> 🎶 Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro

producer

=> 🎶 Piano Concerto no. 2 in B Flat Major, op. 19: I. Allegro con brio

producer

=> 🎶 Piano Concerto no. 2 in B Flat Major, op. 19: II. Adagio

producer

=> 🎶 Piano Concerto no. 2 in B Flat Major, op. 19: III. Rondo. Molto allegro

producer

=> 🎶 Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio

producer

=> 🎶 Piano Concerto no. 3 in C minor, op. 37: II. Largo

producer

=> 🎶 Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro

producer

=> 🎶 Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato

producer

=> 🎶 Piano Concerto no. 4 in G major, op. 58: II. Andante con moto

producer

=> 🎶 Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace

producer

=> 🎶 Piano Concerto no. 5 in E Flat Major, op. 73 "Emperor": I. Allegro

producer

=> 🎶 Piano Concerto no. 5 in E Flat Major, op. 73 "Emperor": II. Adagio un poco mosso

producer

=> 🎶 Piano Concerto no. 5 in E Flat Major, op. 73 "Emperor": III. Rondo. Allegro

producer

=> 🎶 Piano Sonata in A minor, K. 310: I. Allegro maestoso

producer

=> 🎶 Piano Sonata in A minor, K. 310: II. Andante cantabile con espressione

producer

=> 🎶 Piano Sonata in A minor, K. 310: III. Presto

producer

=> 🎶 Piano Sonata in B‐flat major, K. 281: I, Allegro

producer

=> 🎶 Piano Sonata in B‐flat major, K. 281: II. Andante amoroso

producer

=> 🎶 Piano Sonata in B‐flat major, K. 281: III. Rondeau (Allegro)

producer

=> 🎶 Piano Sonata in D major, K. 284, “Dürnitz”: I, Allegro

producer

=> 🎶 Piano Sonata in D major, K. 284, “Dürnitz”: II. Rondeau en Polonaise (Andante)

producer

=> 🎶 Piano Sonata in D major, K. 284, “Dürnitz”: III. Tema con variazione

producer

=> 🎶 Polonaise brillante in C major, op. 3: Polonaise brillante

producer

=> 🎶 Prelude and Fugue in A minor, S 462/1: Fugue

producer

=> 🎶 Prelude and Fugue in A minor, S 462/1: Prelude

producer

=> 🎶 Rinaldo, HWV 7a, Atto II, Scena 8: Recitativo accompagnato & aria “Dunque i lacci d’un volto… Ah! crudel il pianto mio”

producer

=> 🎶 Rinaldo, HWV 7b, Atto I, Scena 3: Aria “Sibilar gli angui d’Aletto”

producer

=> 🎶 Schelomo: Rhapsodie Hébraïque for Violoncello and Orchestra

producer

=> 🎶 Seven Romances, Op. 47 No. 6: Den’ li carit

producer

=> 🎶 Seven Romances, Op. 47 No. 7: Ya li v pole da ne travuška bïla

producer

=> 🎶 Six Romances, Op. 6 No. 5: Otčego?

producer

=> 🎶 Six Romances, Op. 16 No. 1: Kolïbel’naya pesnya

producer

=> 🎶 Six Romances, Op. 57 No. 1: Skaži, o čyom v teni vetvey

producer

=> 🎶 Six Romances, Op. 63 No. 6: Serenada

producer

=> 🎶 Six Romances, Op. 73 No. 5: Sred’ mračnïkh dney

producer

=> 🎶 Six Songs, Op. 8 No. 5: V carstvo rozï i vina

producer

=> 🎶 Sonata B minor - A Faustian Dream

producer

=> 🎶 Sonata for Cello and Piano in G minor, op. 65: I. Allegro moderato

producer

=> 🎶 Sonata for Cello and Piano in G minor, op. 65: II. Scherzo. Allegro con brio

producer

=> 🎶 Sonata for Cello and Piano in G minor, op. 65: III. Largo

producer

=> 🎶 Sonata for Cello and Piano in G minor, op. 65: IV. Finale. Allegro

producer

=> 🎶 Sonata in B minor, S 178: Allegro energico

producer

=> 🎶 Sonata in B minor, S 178: Andante sostenuto

producer

=> 🎶 Sonata in B minor, S 178: Lento assai

producer

=> 🎶 Suite in B-flat major, HWV 434: IV. Minuet

producer

=> 🎶 Suite no. 2 in F major, HWV 427: I. Adagio

producer

=> 🎶 Suite no. 2 in F major, HWV 427: II. Allegro

producer

=> 🎶 Suite no. 2 in F major, HWV 427: III. Adagio

producer

=> 🎶 Suite no. 2 in F major, HWV 427: IV. Allegro

producer

=> 🎶 Suite no. 5 in E major, HWV 430: I. Prélude

producer

=> 🎶 Suite no. 5 in E major, HWV 430: II. Allemande

producer

=> 🎶 Suite no. 5 in E major, HWV 430: III. Courante

producer

=> 🎶 Suite no. 5 in E major, HWV 430: IV. Air & 5 Variations “The Harmonious Blacksmith”

producer

=> 🎶 Suite no. 7 in B-flat major, HWV 440: III. Sarabande

producer

=> 🎶 Suite no. 8 in F minor, HWV 433: I. Prélude

producer

=> 🎶 Suite no. 8 in F minor, HWV 433: II. Allegro

producer

=> 🎶 Suite no. 8 in F minor, HWV 433: III. Allemande

producer

=> 🎶 Suite no. 8 in F minor, HWV 433: IV. Courante

producer

=> 🎶 Suite no. 8 in F minor, HWV 433: V. Gigue

producer

=> 🎶 Symphonie Concertante no. 1 for Violin, Harp and Orchestra in G major: II. Adagio

producer

=> 🎶 Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso

producer

=> 🎶 Symphony no. 2 in C minor “Resurrection”: II. Andante moderato

producer

=> 🎶 Symphony no. 2 in C minor “Resurrection”: III. In ruhig fließender Bewegung

producer

=> 🎶 Symphony no. 2 in C minor “Resurrection”: IV. “Urlicht”

producer

=> 🎶 Symphony no. 2 in C minor “Resurrection”: V. Im Tempo des Scherzos

producer

=> 🎶 Tamerlano, HWV 18, Atto III, Scena 3: Aria “A dispetto d’un volto ingrato”

producer

=> 🎶 The Nutcracker: Act I, Tableau I. Children's Galop and Entry of the Parents

producer

=> 🎶 The Nutcracker: Act I, Tableau I. Decoration of the Christmas tree

producer

=> 🎶 The Nutcracker: Act I, Tableau I. Departure of the Guests, Night

producer

=> 🎶 The Nutcracker: Act I, Tableau I. March

producer

=> 🎶 The Nutcracker: Act I, Tableau I. Scene and Grandfather's Dance

producer

=> 🎶 The Nutcracker: Act I, Tableau I. Scene Dansante

producer

=> 🎶 The Nutcracker: Act I, Tableau I. The Battle and Transformation Scene

producer

=> 🎶 The Nutcracker: Act I, Tableau II. The Forest of Fir Trees in Winter

producer

=> 🎶 The Nutcracker: Act I, Tableau II. Waltz of the Snowflakes

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Apotheosis

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Arrival of Clara and the Nutcracker

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Coda

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: a. Chocolate: Spanish Dance

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: b. Coffee: Arabian Dance

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: c. Tea: Chinese Dance

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: d. Trepak: Russian Dance

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: e. Dance of the Toy Flutes

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Divertissement: f. Mother Gigogne and the Clowns

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Final Waltz

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Pas de Deux: The Prince and the Sugar-Plum Fairy

producer

=> 🎶 The Nutcracker: Act II, Tableau III. The Enchanted Palace of the Kingdom of Sweets

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Variation I: Tarantella

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Variation II: Dance of the Sugar-Plum Fairy

producer

=> 🎶 The Nutcracker: Act II, Tableau III. Waltz of the Flowers

producer

=> 🎶 The Nutcracker: Overture

producer

=> 🎶 Twelve Romances, Op. 60 No. 6: Noči bezumnïye

producer

=> 🎶 Two Songs, Op. 56 No. 1: Nimfa

producer

=> 🎶 Two Songs, Op. 56 No. 2: Son v letnyuyu noč’

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Aria

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Fugue

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 1

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 2 (Animato)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 3 (Dolce)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 4 (Risoluto)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 5 (Espressivo)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 6

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 7 (Con vivacitá)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 8

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 9 (Poco sostenuto)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 10 (Energico)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 11 (Dolce)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 12 (Soave)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 13 (Largamente, ma non più)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 14 (Sciolto)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 15

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 16 (Piano ma marcato)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 17 (Più mosso)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 18 (Grazioso)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 19 (Leggiero e vivace)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 20 (Legato)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 21 (Dolce)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 22

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 23 (Vivace e staccato)

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 24

producer

=> 🎶 Variations and Fugue on a Theme by Handel, op. 24: Var. 25

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Andante doloroso rubato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Andante doloroso rubato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Tema. Andantino semplice

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Tema. Andantino semplice

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 1, Meno mosso

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 1. Meno mosso

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 2, Agitato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 2. Agitato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 3, Lento mesto, ma poco agitato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 3. Lento mesto, ma poco agitato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 4, Allegro molto agitato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 4. Allegro molto agitato

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 5, Andantino

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 6, Andante dolcissimo

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 6. Andante dolcissimo

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 7, Più mosso

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 7. Più mosso

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 8, Marcia funebre

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 9, Più mosso (Allegro)

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 9. Più mosso (Allegro)

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 10, Finale. Allegro vivo

producer

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 10. Finale. Allegro vivo

producer

=> 🎶 Vesnoy, Op. 43 No. 1: Zvonče žavoronka pen’ye

producer

=> 🎶 Vesnoy, Op. 43 No. 2: Ne veter, veya s vïsotï

producer

=> 🎶 Vier Lieder, Op. 27 No. 2: Cäcilie

producer

=> 🎶 Waltz in A minor, KK IVb no. 11: Allegretto

producer

=> 🎶 Waltz in A minor, op. 34 no. 2: Lento

producer

=> 🎶 Waltz in A-flat major, KK IVa no. 13

producer

=> 🎶 Waltz in A-flat major, op. 34 no. 1: Vivace

producer

=> 🎶 Waltz in A-flat major, op. 42

producer

=> 🎶 Waltz in A-flat major, op. 64 no. 3: Moderato

producer

=> 🎶 Waltz in A-flat major, op. posth. 69 no. 1 "Farewell": Tempo di Valse

producer

=> 🎶 Waltz in B minor, op. posth. 69 no. 2

producer

=> 🎶 Waltz in C-sharp minor, op. 64 no. 2: Tempo giusto

producer

=> 🎶 Waltz in D-flat major, op. 64 no. 1 "Minute": Molto vivace

producer

=> 🎶 Waltz in D-flat major, op. posth. 70 no. 3: Moderato

producer

=> 🎶 Waltz in E major, KK IVa no. 12: Tempo di Valse

producer

=> 🎶 Waltz in E minor, KK IVa no. 15

producer

=> 🎶 Waltz in E-flat major, KK IVa no. 14

producer

=> 🎶 Waltz in E-flat major, KK IVb no. 10: Sostenuto

producer

=> 🎶 Waltz in F major, op. 34 no. 3: Vivace

producer

=> 🎶 Waltz in F minor, op. posth. 70 no. 2

producer

=> 🎶 Waltz in G-flat major, op. posth. 70 no. 1

producer

=> 🎶 Zabït’ tak skoro

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Accorriam...Romeo!" (Montecchi, Tebaldo, Capellio, Romeo, Giulietta, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Ah, crudel, d'onor ragioni" (Romeo, Giulietta)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Ascolta. Se Romeo t'uccise un figlio" (Romeo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Che miro?" (Tebaldo, Lorenzo, Giulietta, Romeo, Capellio)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "È serbata a questo acciaro" (Tebaldo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Io te lo chiedo in nome" (Romeo, Capuleti, Giulietta, Capellio)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "L'amo tanto, e m'e sl cara" (Tebaldo, Capellio, Capuleti, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "La tremenda ultrice spada" (Romeo, Capellio, Tebaldo, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Lieto del dolce incarco" (Romeo, Tebaldo, Capellio, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Odi tu? L'altar funesto" (Romeo, Giulietta)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Oh! quante volte" (Giulietta)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Riedi al campo, e di allo stolto" (Capellio, Romeo, Tebaldo, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Se ogni speme è a noi rapita" (Giulietta, Romeo, Tebaldo, Capellio, Montecchi, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Si, fuggire: a noi non resta" (Romeo, Giulietta)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Soccorso, sostegno accordagli" (Giulietta, Romeo, Tebaldo, Capellio, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. "Tace il fragor... silenzio" (Giulietta, Romeo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Andante maestoso

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Coro "Lieta notte, avventurosa" (Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Coro d'introduzione "Aggiorna appena..." (Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Finale primo "Deh! per pietà, t'arresta" (Lorenzo, Romeo, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Recitativo e Romanza "Eccomi in lieta vesta" (Giulietta)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Scena e Cavatina "O di Capellio, generosi amici" (Tebaldo, Capuleti, Capellio, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Scena e Cavatina "Vanne Lorenzo; e tu, che il puoi" (Capellio, Tebaldo, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto I. Scena e Duetto "Propizia è I'ora" (Lorenzo, Giulietta, Romeo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Ah! crudel! che mai facesti?" (Giulietta, Romeo, Montecchi, Capellio, Lorenzo, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Ah! non poss'io partire" (Giulietta, Capellio, Capuleti, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Chi sei tu, che ardisci" (Tebaldo, Romeo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Deserto è il luogo" (Romeo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Ecco la tomba" (Romeo, Montecchi)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Ella è morta, o sciagurato" (Romeo, Tebaldo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Morte io non temo, il sai" (Giulietta, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "O tu, mia sola speme" (Romeo, Giulietta)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Prendi, gl'istanti volano" (Lorenzo, Giulietta, Capellio, Capuleti)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. Allegro moderato

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Atto II. Scena ed Aria "Né alcun ritorna!" (Giulietta, Lorenzo)

2008-04 recording

=> 🎶 I Capuleti e i Montecchi: Sinfonia

2010-02 recording

=> 🎶 Hamlet - Fantasy Overture after Shakespeare, op. 67

2010-02 recording

=> 🎶 Romeo and Juliet - Fantasy Overture after Shakespeare

2010-02 recording

=> 🎶 The Tempest - Symphonic Fantasy after Shakespeare, op. 18

2013-01 recording

=> 🎶 2 Polonaises, op. 26: No. 1 in C-sharp minor. Allegro appassionato

2013-01 recording

=> 🎶 2 Polonaises, op. 26: No. 2. in E-flat minor. Maestoso

2013-01 recording

=> 🎶 2 Polonaises, op. 40: No. 1 in A major. Allegro con brio

2013-01 recording

=> 🎶 2 Polonaises, op. 40: No. 2 in C minor. Allegro maestoso

2013-01 recording

=> 🎶 Polonaise in A-flat major, op. 53: Maestoso

2013-01 recording

=> 🎶 Polonaise in F-sharp minor, op. 44: Tempo di polacca - doppio movimento, tempo di Mazurka - Tempo I

2013-01 recording

=> 🎶 Polonaise-Fantaisie in A-flat major, op. 61: Allegro maestoso

2014-01 recording

=> 🎶 Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Im Legendenton - Erstes Tempo

2014-01 recording

=> 🎶 Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter

2014-01 recording

=> 🎶 Fantasy in C major, op. 17: III.. Langsam getragen. Durchweg leise zu halten - Etwas bewegter

2014-01 – 2014-02 recording

=> 🎶 Concerto for Piano and Orchestra no. 5 in E flat major, op. 73 "Emperor": I. Allegro

2014-01 – 2014-02 recording

=> 🎶 Concerto for Piano and Orchestra no. 5 in E flat major, op. 73 "Emperor": II. Adagio un poco mosso - attacca:

2014-01 – 2014-02 recording

=> 🎶 Concerto for Piano and Orchestra no. 5 in E flat major, op. 73 "Emperor": III. Rondo. Allegro

2016-06-10 – 2016-06-11 recording

=> 🎶 Piano Concerto No. 1 in E minor, Op. 11: I. Allegro maestoso

2016-06-10 – 2016-06-11 recording

=> 🎶 Piano Concerto No. 1 in E minor, Op. 11: II. Romance (Larghetto)

2016-06-10 – 2016-06-11 recording

=> 🎶 Piano Concerto No. 1 in E minor, Op. 11: III. Rondo (Vivace)

2016-09 recording

=> 🎶 Ballade No. 1 in G minor, Op. 23

2016-09 recording

=> 🎶 Ballade No. 2 in F major, Op. 38

2016-09 recording

=> 🎶 Ballade No. 3 in A-flat major, Op. 47

2016-09 recording

=> 🎶 Ballade No. 4 in F minor, Op. 52

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Bin ich nicht ein Narr, dass ich mich schrecken ließ?"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Die Weisheitslehre dieser Knaben"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Dies Bildnis ist bezaubernd schön"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Du feines Täubchen nur herein"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Es lebe Sarastro! Sarastro lebe!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Ha! Hab' ich euch noch erwischt!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "He da!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "He Sklaven!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Herr, ich bin zwar Verbrecherin!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Hm! hm! hm!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Ist's denn auch Wirklichkeit, was ich sah?"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Na, stolzer Jüngling, nur hierher!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "O zittre nicht, mein lieber Sohn"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Rüste dich mit Mut und Standhaftigkeit"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Schnelle Füße, rascher Mut"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Wenn Tugend und Gerechtigkeit der Großen Pfad mit Ruhm bestreut"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Wie stark ist nicht dein Zauberton"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Wo bin ich!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Zu Hilfe!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Zum Leiden bin ich auserkoren"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 1: "Zum Ziele führt dich diese Bahn"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Ach, ich fühl's, es ist verschwunden!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Alles fühlt der Liebe Freuden"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Bald prangt, den Morgen zu verkünden"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Bewahret euch vor Weibertücken"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Da bin ich schon, mein Engel"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Der Hölle Rache kocht in meinem Herzen"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Der, welcher wandert diese Straße voll Beschwerden"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Die Strahlen der Sonne vertreiben die Nacht"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Du also bist mein Bräutigam?"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Eine schreckliche Nacht!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "He, Lichter her!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Ihr Diener der großen Götter Osiris und Isis!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "In diesen heil'gen Hallen"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Mensch Papageno! Du hättest verdient..."

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Morden soll ich?"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Nicht wahr, Tamino, ich kann auch schweigen"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Nur stille, stille, stille, stille!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris, welche Wonne!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "O Isis und Osiris"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Prinz, nun hast du noch zwei gefährliche Wege zu wandern."

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Seid uns zum zweiten Mal willkommen"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Soll ich dich, Teurer, nicht mehr sehn?"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Tamino, dein standhaftes Betragen hat gesiegt."

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Tamino! Ich hörte deine Flöte"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Tamino!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Wie? Wie? Wie?"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Wir wandelten durch Feuersgluten"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: "Zurück!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620, Act 2: Marcia

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620: "Bei Männern, welche Liebe fühlen"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620: "Der Vogelfänger bin ich ja"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620: "Ein Mädchen oder Weibchen wünscht Papageno sich!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620: "Pa-Pa-Pa-Pa-Pa-Pa-Papagena!"

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620: „Papagena! Papagena! Papagena!“

2018-07 recording

=> 🎶 Die Zauberflöte, K. 620: Ouverture

2020-03 recording

=> 🎶 La bohème, SC 67 / Act 1: Sì. Mi chiamano Mimì

2020-03 recording

=> 🎶 Sonatina for Clarinet and Piano: II. Lento, quasi andante

2020-03 recording

=> 🎶 Winterreise, D. 911: 21. Das Wirtshaus

2020-04 recording

=> 🎶 À Chloris (transc. Mayer for Oboe and Piano)

2020-04 recording

=> 🎶 Ellens Gesang III, op. 52, bo. 6, D. 839 "Ave Maria"

2020-04 recording

=> 🎶 Les couleurs de l'eau, op. 22: I. Fleuve tranquille et puissant

2020-04 recording

=> 🎶 Violin Sonata no. 21 in E Minor, K. 304: II. Tempo di Menuetto (transcr. Avital for Mandolin and Piano)

2021-01 recording

=> 🎶 Trio Sonata no. 3 in D Minor, BWV 527 (transcr. Mayer & Frey for Oboe & Harpsichord): I. Andante

2021-01 recording

=> 🎶 Trio Sonata no. 3 in D minor, BWV 527 (transcr. Mayer & Frey for Oboe & Harpsichord): II. Adagio e dolce

2021-01 recording

=> 🎶 Trio Sonata no. 3 in D Minor, BWV 527 (transcr. Mayer & Frey for Oboe & Harpsichord): III. Vivace

2021-03 recording

=> 🎶 Étude in C minor “Revolutionary”, op. 10/12: Allegro con fuoco

2021-03 recording

=> 🎶 Impromptu in A-flat major, op. 29: Allegro assai quasi Presto

2021-03 recording

=> 🎶 Nocturne in E-flat major, op. 9/2: Andante

2021-03 recording

=> 🎶 Scherzo no. 1 in B minor, op. 20: Presto con fuoco

2021-03 recording

=> 🎶 Scherzo no. 2 in B-flat minor, op. 31: Presto

2021-03 recording

=> 🎶 Scherzo no. 3 in C-sharp minor, op. 39: Presto con fuoco

2021-03 recording

=> 🎶 Scherzo no. 4 in E major, op. 54: Presto

recording

=> 🎶 "Grāmata čellam / The Book" for Cello Solo: I. Fortissimo

recording

=> 🎶 "Grāmata čellam / The Book" for Cello Solo: II. Pianissimo

recording

=> 🎶 3 Gymnopédies: I. Lent et douloureux

recording

=> 🎶 6 Etudes d'exécution transcendante d'après Paganini, S.140: III. La Campanella

recording

=> 🎶 9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo

recording

=> 🎶 9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto

recording

=> 🎶 9 Preludes, Op. 1: No. 7 in C Minor. Moderato

recording

=> 🎶 9 Preludes, Op. 1: No. 8 in E-Flat Minor. Andante ma non troppo

recording

=> 🎶 12 études d'exécution transcendante: I. Preludio

recording

=> 🎶 12 études d'exécution transcendante: II. Molto vivace

recording

=> 🎶 12 études d'exécution transcendante: III. Paysage

recording

=> 🎶 12 études d'exécution transcendante: IV. Mazeppa

recording

=> 🎶 12 études d'exécution transcendante: IX. Ricordanza

recording

=> 🎶 12 études d'exécution transcendante: V. Feux follets

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=> 🎶 12 études d'exécution transcendante: VI. Vision

recording

=> 🎶 12 études d'exécution transcendante: VII. Eroica

recording

=> 🎶 12 études d'exécution transcendante: VIII. Wilde Jagd

recording

=> 🎶 12 études d'exécution transcendante: X. Allegro agitato molto

recording

=> 🎶 12 études d'exécution transcendante: XI. Harmonies du soir

recording

=> 🎶 12 études d'exécution transcendante: XII. Chasse-neige

recording

=> 🎶 20 Mazurkas, Op. 50: No. 13, Moderato

recording

=> 🎶 20 Mazurkas, Op. 50: No. 14, Animato

recording

=> 🎶 20 Mazurkas, Op. 50: No. 15, Allegretto dolce

recording

=> 🎶 20 Mazurkas, Op. 50: No. 16, Allegramente. Vigoroso

recording

=> 🎶 A Little Chamber Music: Allegro moderato

recording

=> 🎶 Andante B-Dur, KV 315

recording

=> 🎶 Andante und Rondo, D-Dur, KV 271a/271i: I., Andante

recording

=> 🎶 Andante und Rondo, D-Dur, KV 271a/271i: II. Rondo - Allegro

recording

=> 🎶 Aria “Al desio, di chi t'adora” in F major, K. 577

recording

=> 🎶 Cachua al Nacimento de Christo Nuestro Señor

recording

=> 🎶 Cantata spagnuola, HWV 140: No se enmendará jamás

recording

=> 🎶 Chic i bum

recording

=> 🎶 Concerto da Camera: I. Entrata. Allegro capriccioso, ma non rubato - attacca:

recording

=> 🎶 Concerto da Camera: II. Aria. Lento, ma non troppo

recording

=> 🎶 Concerto da Camera: III. Intermezzo. Languido, quasi adagio

recording

=> 🎶 Concerto da Camera: IV. Fantasia. Allegro molto appassionata, ma sempre dolcissimo - attacca:

recording

=> 🎶 Concerto da Camera: V. Serenata. Moderato - attacca:

recording

=> 🎶 Concerto da Camera: VI. Epilogo. Tempo di Elegia

recording

=> 🎶 Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: I. Allegro maestoso

recording

=> 🎶 Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: II. Romance. Larghetto

recording

=> 🎶 Concerto for Piano and Orchestra No. 1 in E minor, Op. 11: III. Rondo. Vivace

recording

=> 🎶 Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: I. Maestoso

recording

=> 🎶 Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: II. Larghetto

recording

=> 🎶 Concerto for Piano and Orchestra No. 2 in F minor, Op. 21: III. Allegro vivace

recording

=> 🎶 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio

recording

=> 🎶 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo

recording

=> 🎶 Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro

recording

=> 🎶 Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato

recording

=> 🎶 Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto -

recording

=> 🎶 Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace

recording

=> 🎶 Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): I. Allegro moderato

recording

=> 🎶 Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): II. Andante con moto

recording

=> 🎶 Concerto for Piano and String Quintet (after Concerto for Piano and Orchestra no. 4 in G major, op. 58): III. Rondo. Vivace

recording

=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: I. Assai lento

recording

=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: II. Lento, ma non troppo

recording

=> 🎶 Concerto for Two Pianos, Percussion and Orchestra: III. Allegro non troppo

recording

=> 🎶 Concerto for Viola and Orchestra: I. Moderato

recording

=> 🎶 Concerto for Viola and Orchestra: II. Adagio religioso

recording

=> 🎶 Concerto for Viola and Orchestra: III. Allegro vivace

recording

=> 🎶 Concerto for Violin and Orchestra No. 1: I. Andante sostenuto

recording

=> 🎶 Concerto for Violin and Orchestra No. 1: II. Allegro giocoso

recording

=> 🎶 Concerto for Violin and Orchestra: I. ♩ = 104 – ♩ = 120

recording

=> 🎶 Concerto for Violin and Orchestra: II. ♩ = ca. 108

recording

=> 🎶 Concerto for Violin and Orchestra: III. ♩ = ca. 150 – Coda: Poco meno ♩ = 104

recording

=> 🎶 Concerto grosso no. 5: I. Allegretto

recording

=> 🎶 Concerto grosso no. 5: II. (Without tempo indication)

recording

=> 🎶 Concerto grosso no. 5: III. Allegro vivace –

recording

=> 🎶 Concerto grosso no. 5: IV. Lento

recording

=> 🎶 Consolations, S 172 #3 in D-flat major: Lento placido

recording

=> 🎶 Danse du Grand Calumet de la Paix (Rondeau) – Duet & Chorus “Forêts paisibles” (Zima, Adario, Sauvages)

recording

=> 🎶 Dido and Aeneas, Act 3: Thy Hand, Belinda… When I Am Laid in Earth (Dido’ lament)

recording

=> 🎶 Duerme

recording

=> 🎶 En la plantacion

recording

=> 🎶 Estampes: I. Pagodes

recording

=> 🎶 Estampes: II. Soirée dans Grenade

recording

=> 🎶 Estampes: III. Jardins sous la pluie

recording

=> 🎶 Fantasia no. 4 in C minor, K. 475

recording

=> 🎶 Flor del Yumuri

recording

=> 🎶 Gaspard de la nuit, M. 55: I. Ondine

recording

=> 🎶 Gaspard de la nuit, M. 55: II. Le Gibet

recording

=> 🎶 Gaspard de la nuit, M. 55: III. Scarbo

recording

=> 🎶 Gnossiennes: I. Lent

recording

=> 🎶 Gnossiennes: III. Lent

recording

=> 🎶 Grande valse brillante in E-flat major, op. 18: Vivo

recording

=> 🎶 Greensleeves

recording

=> 🎶 Heartaches

recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Deh! Tu, bell'anima" (Romeo)

recording

=> 🎶 I Capuleti e i Montecchi: Atto II. "Qua' voci! Oh, Dio!" (Romeo, Tebaldo, Capuleti)

recording

=> 🎶 I Capuleti e i Montecchi: Atto II. Coro, Aria e Duetto finale "Siam giunti" (Montecchi)

recording

=> 🎶 I Capuleti e i Montecchi: Atto II. Scena e Duetto "Qual turbamento io provo!" (Capellio)

recording

=> 🎶 Ich suche Eine, die mir allein gehört

recording

=> 🎶 In a Café On the Road to Calais

recording

=> 🎶 J’ai vu le loup

recording

=> 🎶 King Arthur, Act 5: Fairest Isle

recording

=> 🎶 Komm, laß uns einen Rumba tanzen

recording

=> 🎶 L'Isle joyeuse

recording

=> 🎶 La joie de la souffrance: 1. Désolation

recording

=> 🎶 La joie de la souffrance: 2. Solitaire

recording

=> 🎶 La joie de la souffrance: 3. Divinement solitaire

recording

=> 🎶 La joie de la souffrance: 4. Excité par des illusions

recording

=> 🎶 La joie de la souffrance: 5. Soulagement mélancholique

recording

=> 🎶 La joie de la souffrance: 6. La Beauté de la souffrance

recording

=> 🎶 La joie de la souffrance: 7. La Beauté solitaire

recording

=> 🎶 La joie de la souffrance: 8. Se laisser emballer par la folie

recording

=> 🎶 La joie de la souffrance: 9. Chant déchirant

recording

=> 🎶 La joie de la souffrance: 10. Un lueur de lumière

recording

=> 🎶 Leonore, Hess 109: Act I, no. 1. Aria “O wär’ ich schon mit dir vereint” (Marzelline) (first version from 1804)

recording

=> 🎶 Leonore, Hess 109: Act I, no. 2. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline)

recording

=> 🎶 Leonore, Hess 109: Act I, no. 3. Trio “Ein Mann ist bald genommen” (Rocco, Marzelline, Jaquino) (extra bar and instrumental refinements from 1806 version)

recording

=> 🎶 Leonore, Hess 109: Act I, no. 4. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jacquino)

recording

=> 🎶 Leonore, Hess 109: Act I, no. 5. Aria “Hat man nicht auch Gold beineben” (Rocco)

recording

=> 🎶 Leonore, Hess 109: Act I, no. 6. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) (2 cuts from 1806 version, 2 cuts along the lines of 1814 version)

recording

=> 🎶 Leonore, Hess 109: Act I: “…’Twas in truth”

recording

=> 🎶 Leonore, Hess 109: Act I. “Beharrlich bleibt auf dem Liebespfad”

recording

=> 🎶 Leonore, Hess 109: Act I. “Der Kerkmeister, Rocco, der Vater”

recording

=> 🎶 Leonore, Hess 109: Act I. “Fidelio kam - und niemand weiss woher”

recording

=> 🎶 Leonore, Hess 109: Act I. “Gefühl ist gut, doch Geld ist besser”

recording

=> 🎶 Leonore, Hess 109: Act I. “Unantastbar klar birgt Leonores Brust”

recording

=> 🎶 Leonore, Hess 109: Act II, no. 7. Introduction in D major

recording

=> 🎶 Leonore, Hess 109: Act II, no. 8. Aria with Choir “Ha! Welch ein Augenblick!” (Pizarro, choir) (16 new bars from 1814 version included)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 9. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) (1 cut from 1814 version)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 10. Duet “Um in der Ehe froh zu leben” (Marzelline, Leonore)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 11. Recitation and Aria “Ach, brich noch nicht, du mattes Herz!” - “Komm, Hoffnung, lass den letzen Stern” (Leonore) (small cut in final coloratura passage)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 12. Finale. Aria “Auf euch nur will ich bauen” (Pizarro, choir) (2 cuts in vocal section)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 12. Finale. Duet “Wir müssen gleich zu werke schreiten” - Quartet “Ach Vater, eilt!” (Marzelline, Rocco, Leonore, Pizarro)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 12. Finale. Prisoner’s Chorus “O welche Lust, in frier Luft” (2 small cuts from 1806 version)

recording

=> 🎶 Leonore, Hess 109: Act II, no. 12. Finale. Recitation “Entfernt euch jetzt! Nun, könnt ihr eilen?” (Rocco) - “Nun sprecht, wie ging’s?” (Leonore, Rocco) - Duet “Noch heute, noch heute?” (Leonore, Rocco)

recording

=> 🎶 Leonore, Hess 109: Act II. “Der Gouverneur ist da”

recording

=> 🎶 Leonore, Hess 109: Act II. “Die ernsten Steine des dumpfen Gemäuers”

recording

=> 🎶 Leonore, Hess 109: Act II. “Postiert eine Trompete auf dem Wachturm!”

recording

=> 🎶 Leonore, Hess 109: Act II. “Und Leonore begegnet Marzelline”

recording

=> 🎶 Leonore, Hess 109: Act III, no. 13. Recitation and Aria “Gott! Welch Dunkel hier!” - “On des Lebens Frühlingstagen” (Florestan) (1806 version with additions from Prague score and sketches)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 14. Melodrama “Wie kalt ist es in diesem unteirdischen Gewölbe!” (Leonore, Rocco) (1814 version with 2 bars cut) - Duet “Nur hurtig fort” (Rocco, Leonore)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 15. Trio “Euch werde Lohn in bessern Welten” (Florestan, Rocco, Leonore) (1 bar of first section from 1814 version, 32 bars of repeat from 1806 version)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 16. Quartet “Er sterbe! Doch er soll erst wissen” (Pizarro, Florestan, Leonore, Rocco)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 17. Recitation and Duet “Ich kann mich noch nicht fassen” (Florestan, Leonore) (2 cuts and substitute passage of 13 bars from 1806 version, first 2 bars cut in 1805 version restored)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “Dann herrscht allgemeine Freiheit und Gleichheit der Geister”

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “Doch höre erst, du Bösewicht” (Fernando, choir, Leonore, Florestan)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “Ein höherer geist, vom Himmel gesandt”

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “Nein, nein, nein! Erst ist noch zu gering bestraft!” (choir)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “O Gott! O welch ein Augenblick!” (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “So müssen endlich Aufgeklärte”

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “Wer ein holdes Weib errungen” (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) (1 bar cut in 1805 version restored, bridge passage before Florestan’s solo shortened)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. “Zur Rache! Zur Rache!” (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) (small cut with added lines for Jacuino and Marzelline from 1806 version)

recording

=> 🎶 Leonore, Hess 109: Act III, no. 18. Finale. Recitation “Der König wird dein Richter sein!” (Fernando, choir)

recording

=> 🎶 Leonore, Hess 109: Act III. “Dort, in der Tiefe”

recording

=> 🎶 Leonore, Hess 109: Act III. “Florestans Not im Dunkel tauber Einsamkeit”

recording

=> 🎶 Leonore, Hess 109: Act III. “Oh Leonore! Alles was dein Mut gewagt - verloren!”

recording

=> 🎶 Leonore, Hess 109: Act III. “Und Rocco eilt”

recording

=> 🎶 Leonore, Hess 109: Act III. Duet “Nur hurtig fort, nur frisch gegraben” (Rocco, Leonore)

recording

=> 🎶 Leonore, Hess 109: Appendix, no. 7a. March (alternative version) in B‐flat major

recording

=> 🎶 Leonore, Hess 109: Overture “Leonore II”

recording

=> 🎶 Les Indes galantes: La nuit couvre les cieux !

recording

=> 🎶 Lieder ohne Worte, Op. 30: No. 4, Agitato e con fuoco (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 30: No. 6, Allegretto tranquillo “Venetianisches Gondellied” (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 62: No. 6, Allegretto grazioso “Frühlingslied” (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 67: No. 2, Allegro leggiero (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 67: No. 3, Andante tranquillo (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 67: No. 5, Moderato (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 85: No. 2, Allegro agitato (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 85: No. 4, Andante sostenuto (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 85: No. 6, Allegretto con moto (Arr. Ottensamer for Clarinet and Piano)

recording

=> 🎶 Lieder ohne Worte, Op. 102: No. 1, Andante un poco agitato (Arr. Ottensamer for Clarinet and Piano )

recording

=> 🎶 Little Gidding: I. Prelude. Tempo di recitativo

recording

=> 🎶 Little Gidding: II. Ash. Tempo di ballota (Allegro moderato) "Ash on an old man's sleeve"

recording

=> 🎶 Little Gidding: III. The Dove. Allegro appassionata ma dolcissimo "The dove descending breaks the air"

recording

=> 🎶 Little Gidding: IV. With the Drawing of this Love and the Voice of this Calling. Lento "We shall not cease from exploration"

recording

=> 🎶 Luna de Monte Carlo

recording

=> 🎶 Ma che vi fece… Sperai vicino, K.368: Andantino – Allegro

recording

=> 🎶 Ma Mère l’Oye, ballet, M. 62: I. Pavane de la Belle au bois dormant

recording

=> 🎶 Ma Mère l’Oye, ballet, M. 62: II. Petit Poucet

recording

=> 🎶 Ma Mère l’Oye, ballet, M. 62: IV. Les entretiens de la Belle et de la Bête

recording

=> 🎶 Ma Mère l’Oye, ballet, M. 62: V. Le jardin féerique

recording

=> 🎶 Médée, Act 3: Scene 3. Quel prix de mon amour ! (Médée)

recording

=> 🎶 Médée, Act 3: Scene 5. Noires filles du Styx (Médée) / Scene 6. L’Enfer obéit à ta voix (Médée, La Jalousie, La Vengeance, Démons)

recording

=> 🎶 Médée, Act 3: Scene 7. Dieu du Cocyte et des royaumes sombres – Seconde entrée des Démons (Médée, La Jalousie, La Vengeance, Démons)

recording

=> 🎶 Mon amy s’en est allé (Branle double)

recording

=> 🎶 Nachts am Kongo

recording

=> 🎶 Nocturne in C sharp minor, op. posth. KK IVa no. 16: Lento con gran espressione

recording

=> 🎶 Oboe Concerto Movement (Allegro) in F, K. 293 (Robert Levin)

recording

=> 🎶 Oboenkonzert C-Dur, KV 285d/314: I. Allegro aperto

recording

=> 🎶 Oboenkonzert C-Dur, KV 285d/314: II. Adagio ma non troppo

recording

=> 🎶 Oboenkonzert C-Dur, KV 285d/314: III. Rondo. Tempo di menuetto

recording

=> 🎶 Oboenkonzert Nr. 1 d-Moll: I. Allegro

recording

=> 🎶 Oboenkonzert Nr. 1 d-Moll: II. Grazioso

recording

=> 🎶 Oboenkonzert Nr. 1 d-Moll: III. Rondo Allegro

recording

=> 🎶 Pavane pour une infante défunte, M. 19

recording

=> 🎶 Piano Concerto in D major, Hob.WVIII:11: I. Vivace

recording

=> 🎶 Piano Concerto in D major, Hob.WVIII:11: II. Un poco Adagio

recording

=> 🎶 Piano Concerto in D major, Hob.WVIII:11: III. Rondo all'Ungarese. Allegro assai

recording

=> 🎶 Piano Concerto no. 1, op. 35: I. Allegro moderato

recording

=> 🎶 Piano Concerto no. 1, op. 35: II. Lento

recording

=> 🎶 Piano Concerto no. 1, op. 35: III. Moderato

recording

=> 🎶 Piano Concerto no. 1, op. 35: IV. Allegro con brio

recording

=> 🎶 Piano Concerto no. 20 in D minor, K 466: I. Allegro

recording

=> 🎶 Piano Concerto no. 20 in D minor, K 466: II. Romance

recording

=> 🎶 Piano Concerto no. 20 in D minor, K 466: III. Allegro assai

recording

=> 🎶 Piano Quintet in G minor, op. 30: I. Introduzione. Adagio mesto

recording

=> 🎶 Piano Quintet in G minor, op. 30: II. Scherzo. Presto - Moderato teneramente - Tempo I

recording

=> 🎶 Piano Quintet in G minor, op. 30: III. Largo

recording

=> 🎶 Piano Quintet in G minor, op. 30: IV. Finale. Allegro vivace - Moderato maestoso

recording

=> 🎶 Piano Sonata no. 3 in B-flat major, K 281: I. Allegro

recording

=> 🎶 Piano Sonata no. 3 in B-flat major, K 281: II. Andante amoroso

recording

=> 🎶 Piano Sonata no. 3 in B-flat major, K 281: III. Rondo. Allegro

recording

=> 🎶 Piano Sonata no. 8 in A minor, K. 310: I. Allegro maestoso

recording

=> 🎶 Piano Sonata no. 8 in A minor, K. 310: II. Andante cantabile con espressione

recording

=> 🎶 Piano Sonata no. 8 in A minor, K. 310: III. Presto

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (a) Tema con variazioni

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (b) Variation I

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (c) Variation II

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (d) Variation III

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (e) Variation IV

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (f) Variation V

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: I. (g) Variation VI

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: II. Menuetto

recording

=> 🎶 Piano Sonata no. 11 in A major, K. 331 “Alla turca”: III. Alla turca. Allegretto

recording

=> 🎶 Piano Sonata no. 12 in F major, K 332: I. Allegro

recording

=> 🎶 Piano Sonata no. 12 in F major, K 332: II. Adagio

recording

=> 🎶 Piano Sonata no. 12 in F major, K 332: III. Allegro assai

recording

=> 🎶 Piano Sonata no. 14 in C minor, K. 457: I. Molto allegro

recording

=> 🎶 Piano Sonata no. 14 in C minor, K. 457: II. Adagio

recording

=> 🎶 Piano Sonata no. 14 in C minor, K. 457: III. Allegro assai

recording

=> 🎶 Piano Trio in D, op. 22: I. Allegro

recording

=> 🎶 Piano Trio in D, op. 22: II. Allegro molto - Tema con variazoni - Tempo I - Moderato - Andantino - Tempo I

recording

=> 🎶 Piano Trio in D, op. 22: III. Andante espressivo - attacca

recording

=> 🎶 Piano Trio in D, op. 22: IV. Finale. Allegro con brio

recording

=> 🎶 Pour le piano: I. Prelude

recording

=> 🎶 Pour le piano: II. Sarabande

recording

=> 🎶 Pour le piano: III. Toccata

recording

=> 🎶 Prelude and Fugue in C-sharp minor: Fugue. Andante

recording

=> 🎶 Prelude and Fugue in C-sharp minor: Prelude. Lento, ma non troppo, rubato

recording

=> 🎶 Rêverie, L. 68

recording

=> 🎶 Ritmo de Rio

recording

=> 🎶 Roter Mohn

recording

=> 🎶 Rumbah Tambah

recording

=> 🎶 Sans frayeur dans ce bois (Chaconne)

recording

=> 🎶 Schieß den Ball ins Tor

recording

=> 🎶 Siboney

recording

=> 🎶 Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto

recording

=> 🎶 Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni

recording

=> 🎶 Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto

recording

=> 🎶 Sonata in C minor, op. 8: I. Allegro moderato

recording

=> 🎶 Sonata in C minor, op. 8: II. Adagio

recording

=> 🎶 Sonata in C minor, op. 8: III. Tempo di minuetto

recording

=> 🎶 Sonata in C minor, op. 8: IV. Finale. Fuga a tre voci

recording

=> 🎶 Sonata in C minor, op. 8: IV. Finale. Introduzione

recording

=> 🎶 Suite bergamasque, L. 75: I. Prélude

recording

=> 🎶 Suite bergamasque, L. 75: II. Menuet

recording

=> 🎶 Suite bergamasque, L. 75: III. Clair de lune

recording

=> 🎶 Suite bergamasque, L. 75: IV. Passepied

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": I. Introduction: Andante dolce

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": II. Quarrel: Allegretto

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": III. Winter: Adagio – Allegro moderato

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": IV. Spring: Vivace con brio – Moderato – Presto

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": IX. Finale: Allegro moderato – Allegro espressivo – Presto – Allegro moderato – Andante

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": V. Cinderella's Waltz: Andante - Allegretto – Poco più animato – Più animato – Meno mosso

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": VI. Gavotte: Allegretto

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": VII. Gallop: Presto – Andantino – Presto

recording

=> 🎶 Suite from the Ballet, op. 87 "Cinderella": VIII. Valse lente: Adagio – Poco più animato – Assai più mosso – Poco più animato – Meno mosso (più animato dell’adagio)

recording

=> 🎶 Symphonic Dances, op. 45: 1. [A tempo più mosso]

recording

=> 🎶 Symphonic Dances, op. 45: 1. [Poco a poco rallentando]

recording

=> 🎶 Symphonic Dances, op. 45: 1. Non allegro

recording

=> 🎶 Symphonic Dances, op. 45: 1. Non allegro

recording

=> 🎶 Symphonic Dances, op. 45: 2. Andante con moto (Tempo di valse)

recording

=> 🎶 Symphonic Dances, op. 45: 2. Tempo precedente

recording

=> 🎶 Symphonic Dances, op. 45: 2. Tempo precedente

recording

=> 🎶 Symphonic Dances, op. 45: 3. Allegro vivace

recording

=> 🎶 Symphonic Dances, op. 45: 3. Lento assai – Allegro vivace

recording

=> 🎶 Symphonic Dances, op. 45: 3. Lento assai – Allegro vivace

recording

=> 🎶 Symphonic Dances, op. 45: 3. Lento assai. Come prima – L’istesso tempo

recording

=> 🎶 Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: I. Adagio molto - Allegro con brio

recording

=> 🎶 Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: II. Larghetto

recording

=> 🎶 Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: III. Scherzo. Allegro

recording

=> 🎶 Symphony no. 2 in D major for Piano, Violin, and Cello, op. 36: IV. Allegro molto

recording

=> 🎶 Tabu

recording

=> 🎶 Tambourin chinois, op. 3

recording

=> 🎶 The Five Elements: 1. Shui

recording

=> 🎶 The Five Elements: 2. Mu

recording

=> 🎶 The Five Elements: 3. Huo

recording

=> 🎶 The Five Elements: 4. Tu

recording

=> 🎶 The Five Elements: 5. Jin

recording

=> 🎶 Tonada El Congo a voz y bajo para bailar cantando

recording

=> 🎶 Tonada La Lata a voz y bajo para bailar cantando

recording

=> 🎶 Un'ora sola ti vorrei

recording

=> 🎶 Under the Red Moon

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Andante doloroso rubato

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Tema. Andantino semplice

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 1. Meno mosso

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 2. Agitato

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 3. Lento mesto, ma poco agitato

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 4. Allegro molto agitato

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 5. Andantino

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 6. Andante dolcissimo

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 7. Più mosso

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 8. Marcia funebre

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 9. Più mosso (Allegro)

recording

=> 🎶 Variations on a Polish Folk Theme, Op. 10: Var. 10. Finale. Allegro vivo

recording

=> 🎶 Vendado es amor, no es ciego: Aria “El bajel que no recela” (Eumene)

recording

=> 🎶 Vendado es amor, no es ciego: En amor, pastorcillos (Anquises)

recording

=> 🎶 Waltz in A minor, KK IVb no. 11: Allegretto

recording

=> 🎶 Waltz in A minor, op. 34 no. 2: Lento

recording

=> 🎶 Waltz in A-flat major, KK IVa no. 13

recording

=> 🎶 Waltz in A-flat major, op. 34 no. 1: Vivace

recording

=> 🎶 Waltz in A-flat major, op. 42

recording

=> 🎶 Waltz in A-flat major, op. 64 no. 3: Moderato

recording

=> 🎶 Waltz in A-flat major, op. posth. 69 no. 1 "Farewell": Tempo di Valse

recording

=> 🎶 Waltz in B minor, op. posth. 69 no. 2

recording

=> 🎶 Waltz in C-sharp minor, op. 64 no. 2: Tempo giusto

recording

=> 🎶 Waltz in D-flat major, op. 64 no. 1 "Minute": Molto vivace

recording

=> 🎶 Waltz in D-flat major, op. posth. 70 no. 3: Moderato

recording

=> 🎶 Waltz in E major, KK IVa no. 12: Tempo di Valse

recording

=> 🎶 Waltz in E minor, KK IVa no. 15

recording

=> 🎶 Waltz in E-flat major, KK IVa no. 14

recording

=> 🎶 Waltz in E-flat major, KK IVb no. 10: Sostenuto

recording

=> 🎶 Waltz in F major, op. 34 no. 3: Vivace

recording

=> 🎶 Waltz in F minor, op. posth. 70 no. 2

recording

=> 🎶 Waltz in G-flat major, op. posth. 70 no. 1

recording

=> 🎶 Yo soy la locura (Passacaille: La folie)

2005-12 – 2006-06 sound

=> 🎶 12 Songs, op. 21: 7. Zdes? Khorosho

2005-12 – 2006-06 sound

=> 🎶 A Life for the Tsar: Cavatina and Rondo from Act I

2005-12 – 2006-06 sound

=> 🎶 Eugene Onegin: Letter Scene from Act I

2005-12 – 2006-06 sound

=> 🎶 Francesca da Rimini: Excerpt from Tableau II

2005-12 – 2006-06 sound

=> 🎶 Iolanta: Arioso no. 1

2005-12 – 2006-06 sound

=> 🎶 Romance, op. 38 no. 6

2005-12 – 2006-06 sound

=> 🎶 Song, op. 4 no. 4

2005-12 – 2006-06 sound

=> 🎶 The Snow Maiden: Finale from Act IV

2005-12 – 2006-06 sound

=> 🎶 The Snow Maiden: Scene and Aria from Prologue

2005-12 – 2006-06 sound

=> 🎶 The Tale of Tsar Saltan: Aria from Act IV

2005-12 – 2006-06 sound

=> 🎶 The Tsar’s Bride: Scene and Aria from Act IV

2005-12 – 2006-06 sound

=> 🎶 War and Peace: Excerpt from Scene IV

editor

=> 💿 Symphonie No. 4

editor

=> 💿 Symphony no. 2 in C minor "Resurrection"

engineer

=> 💿 Symphony no. 2 in C minor "Resurrection"

2020 mastering

=> 💿 Complete Violin Sonatas

mastering

=> 💿 A Most Wanted Man

mastering

=> 💿 Chiaroscuro

mastering

=> 💿 Komm, laß uns einen kleinen Rumba tanzen

mastering

=> 💿 Nightfall

mastering

=> 💿 Piano Sonatas K. 281, K. 284, K. 310 & Fantasia K. 475

mix

=> 💿 The Planets

photography

=> 💿 Cielo e mar

producer

=> 💿 March 28

producer

=> 💿 Piano Concertos nos. 2 & 4

producer

=> 💿 Symphonie no. 7

producer

=> 💿 Symphony No. 7

transfer

=> 💿 Waillee Waillee

allmusic

=> https://www.allmusic.com/artist/mn0001329553

discogs

=> https://www.discogs.com/artist/713679

VIAF

=> http://viaf.org/viaf/306419210

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