Person, , Boston
=> 1996 Dido and Aeneas and Music for Plays & Masques
=> 2002 Mozart’s Circle: The Beneficent Dervish - Mozart: The Impresario, K. 486
1996-01-03 – 1996-01-05 vocal
=> 🎶 Dido and Aeneas: Act I. The Palace: “Fear no danger to ensue”
1996-01-03 – 1996-01-05 vocal
=> 🎶 Dido and Aeneas: Act II. Scene II. The Grove: “Oft she visits this lone mountain”
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Beneficent Dervish, Act II: Aria. Sofrano, fühltest du mein Leiden
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Beneficent Dervish, Act II: Ballad. Ein Jüngling frisch wie Milch
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Beneficent Dervish, Act II: Chorus. Die Männer zu fesseln
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Beneficent Dervish, Act III: Duet. Ach, die Teure liebet mich!
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Beneficent Dervish, Act III: Duet. Daß Männer unsre Sklaven sind
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Beneficent Dervish, Act III: Final Chorus. Ihr Undankbaren lebet wohl
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Impresario, K. 486: Rondo. Bester Jüngling!
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Impresario, K. 486: Trio. Ich bin die erste Sängerin!
2001-03-04 – 2001-03-06 vocal
=> 🎶 The Impresario, K. 486: Vaudeville. Jeder Künstler strebt nach Ehre
1990-03 vocal
=> 💿 Solemn Vespers of the Confessor, K. 339 / Mass in C, K. 317
vocal
=> 💿 Lost Music of Early America: Music of the Moravians
allmusic
=> https://www.allmusic.com/artist/mn0002182563
biography
=> http://www.bach-cantatas.com/Bio/Baker-Sharon.htm
discogs
=> https://www.discogs.com/artist/4918975
other databases
=> http://id.loc.gov/authorities/names/no96023868
other databases
=> https://d-nb.info/gnd/135030803
VIAF
=> http://viaf.org/viaf/75908906
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