Peter Kennard is an expert in the obvious. His art – if that is the word – seems all polemic and assertion, with little in the way of ambiguity, connotation or aesthetic import. Photomontage, which has been his primary form for more than fifty years, is always in focus, its borrowed elements (however grainy, stark or blurred) arrayed on the same legible plane, all to the point and on the nose.
[#]Art #London
https://www.lrb.co.uk/the-paper/v47/n01/brian-dillon/at-the-whitechapel
=> More informations about this toot | More toots from gobsmacked@zirk.us
text/geminiThis content has been proxied by September (3851b).