My next novel is Picks and Shovels, out next month. It's tells the origin story of Martin Hench, my hard-charging, scambusting, high-tech forensic accountant, in a 1980s battle over the soul of a PC company:
https://us.macmillan.com/books/9781250865908/picksandshovels
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If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2025/01/09/the-reverend-sirs/#fidelity-computing
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I'm currently running a Kickstarter to pre-sell the book in every format: hardcover, DRM-free ebook, and an independently produced, fabulous DRM-free audiobook read by Wil Wheaton, who just nailed the delivery:
https://www.kickstarter.com/projects/doctorow/picks-and-shovels-marty-hench-at-the-dawn-of-enshittification
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It ends with him decamping to Silicon Valley with his roommate Art, a brilliant programmer, to seek their fortune.
Chapter one opens with Marty's first job, working for a weird PC company (there were so many weird PC companies back then!). I've posted Wil's audio reading of chapter one as a teaser for the Kickstarter:
https://www.youtube.com/watch?v=IGXz1mkAd2Q
(Here it is as an MP3 at the Internet Archive:)
https://ia600607.us.archive.org/5/items/picks-and-shovels-promo/audio.mp3
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The audio is great, but I thought I'd also serialize the text of Chapter One here, in five or six chunks. If you enjoy this and want to pre-order the book, please consider backing the Kickstarter:
https://www.kickstarter.com/projects/doctorow/picks-and-shovels-marty-hench-at-the-dawn-of-enshittification
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Chapter One
Fidelity Computing was the most colorful PC company in Silicon Valley.
A Catholic priest, a Mormon bishop, and an Orthodox rabbi walk into a technology gold rush and start a computer company. The fact that it sounded like the setup for a nerdy joke about the mid-1980s was fantastic for their bottom line. Everyone who heard their story loved it.
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As juicy as the story of Fidelity Computing was, they flew under most people’s radar for years, even as they built a wildly profitable technology empire through direct sales through faith groups. The first time most of us heard of them was in 1983, when Byte ran its cover story on Fidelity Computing, unearthing a parallel universe of technology that had grown up while no one was looking.
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At first, I thought maybe they were doing something similar to Apple’s new Macintosh: like Apple, they made PCs (the Wise PC), an operating system (Wise DOS), and a whole line of monitors, disk drives, printers, and software.
Like the Mac, none of these things worked with anything else—you needed to buy everything from floppy disks to printer cables specially from them, because nothing anyone else made would work with their system.
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And like the Mac, they sold mostly through word of mouth. The big difference was that Mac users were proud to call themselves a cult, while Fidelity Computing’s customers were literally a religion.
Long after Fidelity had been called to the Great Beyond, its most loyal customers gave it an afterlife, nursing their computers along, until the parts and supplies ran out.
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They’d have kept going even then, if there’d been any way to unlock their machines and use the same stuff the rest of the computing world relied on. But that wasn’t something Fidelity Computing would permit, even from beyond the grave.
I was summoned to Fidelity headquarters—in unfashionable Colma, far from the white-hot start-ups of Palo Alto, Mountain View, and, of course, Cupertino—by a friend of Art’s.
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Art had a lot more friends than me. I was a skipping stone, working as the part-time bookkeeper/accountant/CFO for half a dozen companies and never spending more than one or two days in the same office.
Art was hardly more stable than me—he switched start-ups all the time, working for as little as two months (and never for more than a year) before moving on.
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His bosses knew what they were getting: you hired Art Hellman to blaze into your company, take stock of your product plan, root out and correct all of its weak points, build core code libraries, and then move on. He was good enough and sufficiently in demand to command the right to behave this way, and he wouldn’t have it any other way.
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My view was, it was an extended celebration of his liberation from the legal villainy of Nick Cassidy III: having narrowly escaped a cage, he was determined never to be locked up again.
Art’s “engagements”—as he called them—earned him the respect and camaraderie of half the programmers and hardware engineers in the Valley.
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This, in spite of the fact that he was a public and ardent member of the Lavender Panthers, wore the badge on his lapel, went to the marches, and brought his boyfriend to all the places where his straight colleagues brought their girlfriends.
He’d come out to me less than a week after I arrived by the simple expedient of introducing the guy he was watching TV with in our living room as Lewis, his boyfriend.
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Lewis was a Chinese guy about our age, and his wardrobe—plain white tee, tight blue jeans, loafers—matched the new look Art had adopted since leaving Boston. Lewis had a neat, short haircut that matched Art’s new haircut, too.
To call the Art I’d known in Cambridge a slob would be an insult to the natty, fashion-conscious modern slob.
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He’d favored old band T-shirts with fraying armpit seams, too-big jeans that were either always sliding off his skinny hips or pulled up halfway to his nipples. In the summer, his sneakers had holes in the toes. In the winter, his boots were road-salt-crusted crystalline eruptions. His red curls were too chaotic for a white-boy ’fro and were more of a heap, and he often went days without shaving.
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There were members of the Newbury Street Irregulars who were bigger slobs than Art, but they smelled. Art washed, but otherwise, he looked like a homeless person (or a hacker). His transformation to a neatly dressed, clean-shaven fellow with a twenty-five-dollar haircut that he actually used some sort of hairspray on was remarkable. I’d assumed it was about his new life as a grown-up living far from home and doing a real job. It turned out that wasn’t the reason at all.
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“Oh,” I said. “That makes a lot of sense.” I shook Lewis’s hand. He laughed. I checked Art. He was playing it cool, but I could tell he was nervous. I remembered Lucille and how she listened, and what it felt like to be heard. I thought about Art, and the things he’d never been able to tell me.
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There’d been a woman in the Irregulars who there were rumors about, and there were a pair of guys one floor down in Art’s building who held hands in the elevator, but as far as I knew up until that moment, I hadn’t really ever been introduced to a homosexual person. I didn’t know how I felt about it, but I did know how I wanted to feel about it.
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So Art didn’t just get to know all kinds of geeks from his whistle-stop tour of Silicon Valley’s hottest new tech ventures. He was also plugged into this other network of people from the Lavender Panthers, and their boyfriends and girlfriends, and the people he knew from bars and clubs.
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He and Lewis lasted for a couple of months, and then there were a string of weekends where there was a new guy at the breakfast table, and then he settled down again for a while with Artemis, and then he hit a long dry spell.
I commiserated. I’d been having a dry spell for nearly the whole two years I’d been in California.
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The closest I came to romance was exchanging a letter with Lucille every couple of weeks—she was a fine pen pal, but that wasn’t really a substitute for a living, breathing woman in my life.
Art threw himself into his volunteer work, and he was only half joking when he said he did it to meet a better class of boys than you got at a club.
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Sometimes, there’d be a committee meeting in our living room and I’d hear about the congressional committee hearing on the “gay plague” and the new wave of especially vicious attacks. It was pretty much the only time I heard about that stuff—no one I worked with ever brought it up, unless it was to make a terrible joke.
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It was Murf, one of the guys from those meetings, who told me that Fidelity Computing was looking for an accountant for a special project. He had stayed after the meeting and he and Art made a pot of coffee and sat down in front of Art’s Apple clone, a Franklin Ace 1200 that he’d scored six months ahead of its official release. After opening the lid to show Murf the interior, Art fired it up and put it through its paces.
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I hovered over his shoulder, watching. I’d had a couple of chances to play with the 1200, and I wanted one more than anything in the world except for a girlfriend.
“Marty,” Art said, “Murf was telling me about a job I thought you might be good for.”
The Ace 1200 would have a list price of $2,200. I pulled up a chair.
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Fidelity Computing’s business offices were attached to their warehouse, right next to their factory. It took up half of a business park in Colma, and I had to circle it twice to find a parking spot. I was five minutes late and flustered when I presented myself to the receptionist, a blond woman with a ten - years - out - of - date haircut and a modest cardigan over a sensible white shirt buttoned to the collar, ring on her finger.
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“Hello,” I said. “I’m Marty Hench. I—uh—I’ve got a meeting with the Reverend Sirs.” That was what the executive assistant I’d spoken to on the phone had called them. It sounded weird when he said it. It sounded weirder when I said it.
The receptionist gave me a smile that only went as far as her lips. “Please have a seat,” she said. There were only three chairs in the little reception area, vinyl office chairs with worn wooden armrests.
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There weren’t any magazines, just glossy catalogs featuring the latest Fidelity Computing systems, accessories, consumables, and software. I browsed one, marveling at the parallel universe of computers in the strange, mauve color that denoted all Fidelity equipment, including the boxes, packaging, and, now that I was attuned to it, the accents and carpet in the small lobby.
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A side door opened and a young, efficient man in a kippah and wire-rim glasses called for me: “Mr. Hench?” I closed the catalog and returned it to the pile and stood. As I went to shake his hand, I realized that something had been nagging me about the catalog—there were no prices.
“I’m Shlomo,” the man said. “We spoke on the phone. Thank you for coming down. The Reverend Sirs are ready to see you now.”
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He wore plain black slacks, hard black shiny shoes, and a white shirt with prayer-shawl tassels poking out of its tails. I followed him through a vast room filled with chest-high Steelcase cubicles finished in yellowing, chipped wood veneer, every scratch pitilessly lit by harsh overhead fluorescents. Most of the workers at the cubicles were women with headsets, speaking in hushed tones.
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The tops of their heads marked the interfaith delineators: a block of Orthodox headscarves, then a block of nuns’ black and white scarves (I learned to call them “veils” later), then the Mormons’ carefully coiffed, mostly blond dos.
“This way,” Shlomo said, passing through another door and into executive row. The mauve carpets were newer, the nap all swept in one direction.
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text/gemini
